"Baba Booey! Baba Booey!" It was a slip of the tongue--that unfortunately was heard by a few million listeners--but in that split second a nickname, a persona, a rallying cry, and a phenomenon was born. Some would say it was the moment Gary Dell'Abate, the long-suffering heroic producer of The Howard Stern Show, for better or worse, finally came into his own. In "They Call Me Baba Booey," Dell'Abate explains how his early life was the perfect training ground for the day-to-day chaos that comes with producing the most popular radio show on earth. Growing up on Long Island in the 1970s, the youngest of three boys born to a clinically depressed mother, Gary learned how to fend for himself when under attack. Obsessed with music, he listened with religious intensity to Casey Kasem's Top 40 every Sunday morning, compulsively bought 45s of his favorite songs, and nerdily copied the lyrics into a notebook. Music became an ordering principle to his life, even as the chaos at home got out of hand. Dell'Abate's memoir sketches the trajectory from the obsessive pop-music trivia buff to the man in the beekeeper's mask who handily defeats his opponents playing "Stump the Booey." We learn about the memorable moments in his life that taught him to endure epic bouts of humiliation and get his unique perspective on some of his favorite Stern show episodes--such as the day he nearly killed the Mets mascot while throwing out the first pitch, or the time his mother called Howard's mother and demanded an apology. Hilarious, painful, and eye-opening, it's Gary as you've never seen him before, telling a story that even Stern show insiders can't begin to imagine.

    Along with Paul McDermott and Richard Fidler he was part of the edgy, provocative and very funny Doug Anthony All Stars (DAAS). In 1994 they were at the height of their powers, performing in a season at the Criterion Theatre on Piccadilly Circus. The three mates, who began busking on the streets of Canberra a decade earlier, had achieved their ambition to become the self-styled rock stars of comedy.Then, all of a sudden, he woke up one morning and his whole left side wouldn't work. He'd had a lurking suspicion that something was wrong and after more episodes he went to a doctor thinking he'd be told to change his diet and get more sleep. It wasn't so simple. An eventual diagnosis of multiple sclerosis (MS) meant an end to the frenetic, high-energy life he was living.Carry a Big Stick is a chance for Tim to tell his story. He wants to make people laugh but also give inspiration to all the people doing it hard. A lot of people keep MS to themselves because it's invisible. In Tim's case, he has the stick. 'It's such a visible sign that something's happened; it's just easier if people know.'Carry a Big Stick meanders through Tim's life, and explains how the boy who went to nine schools in 13 years got used to saying, 'Hi, I'm the new kid'. It will detail his ambitions to become an actor and how the Doug Anthony Allstars were born and went on to become what Rolling Stone called 'The 3 amigos from hell'. Diagnosis changed a lot of things but Tim s quick wit and sense of humour weren t affected. This inspiring memoir shows us that you can laugh in the face of adversity.

    He'd won the Stand-Up of the Year Award, his HBO special was a huge hit, and his sitcom had been picked up. And then it all came crashing down. Diagnosed with Stage III non-Hodgkin's lymphoma, he was told he would have to undergo chemotherapy immediately. The sitcom was dumped and the fire of his white-hot career started to go out. But Schimmel never lost his sense of humor, his knife-like edge, and most of all, his passion to entertain. Indeed, it was his basic need to laugh-even if the only people around him were suffering from cancer and the room he was playing was the Mayo Clinic infusion center-that carried him through his ordeal. From his colorful banter with nurses and other patients during chemo, to his hilarious conversation with a wig salesman, going for the laugh was Robert Schimmel's survival mechanism. Alternately laugh-out-loud funny and profound, Cancer on Five Dollars a Day is an honest account of how one man's face-off with a deadly disease helped him better understand himself.

    The secret, though, that surrounded my parents’ unhappy life together, was divulged to me by accident . . .’ Hidden under some papers in his father’s bureau, the sixteen-year-old Derek Malcolm finds a book by the famous criminologist Edgar Lustgarten called The Judges and the Damned. Browsing through the Contents pages Derek reads, ‘Mr Justice McCardie tries Lieutenant Malcolm – page 33.’ But there is no page 33. The whole chapter has been ripped out of the book. Slowly but surely, the shocking truth emerges: that Derek’s father, shot his wife’s lover and was acquitted at a famous trial at the Old Bailey. The trial was unique in British legal history as the first case of a crime passionel, where a guilty man is set free, on the grounds of self-defence. Husband and wife lived together unhappily ever after, raising Derek in their wake. Then, in a dramatic twist, following his father’s death, Derek receives an open postcard from his Aunt Phyllis, informing him that his real father is the Italian Ambassador to London . . . By turns laconic and affectionate, Derek Malcolm has written a richly evocative memoir of a family sinking into hopeless disrepair. Derek Malcolm was chief film critic of the Guardian for thirty years and still writes for the paper. Educated at Eton and Merton College, Oxford, he became first a steeplechase rider and then an actor after leaving university. He worked as a journalist in the sixties, first in Cheltenham and then with the Guardian where he was a features sub-editor and writer, racing correspondent and finally film critic. He directed the London Film Festival for a spell in the 80s and is now President of both the International Film Critics Association and the British Federation of Film Societies. He lives with his wife Sarah Gristwood in London and Kent and has published two books – one on Robert Mitchum and another on his favourite 100 films. He is a frequent broadcaster on radio and television and a veteran of film festival juries all over the world.

      The biggest games, the biggest trades, the juiciest rumours—chances are Duthie is the guy you tuned in to hear talk about them. There are other experts and insiders, stats guys and analysts, but no one else who can talk about sports with the humour, the knowledge, and the charisma Duthie brings to every event he covers. He also makes the best spoof videos.The Guy on the Left tells the story of Duthie’s career in broadcasting, from a nerdy appearance on a game show to chatting with Tiger Woods in the men’s room at The Masters. It’s a behind-the-scenes look at celebrated moments like Sidney Crosby’s famous game-winning goal at the Vancouver Olympics, but also less celebrated insights, like the disclosure that sports broadcasters often aren’t wearing pants on air. There are stories about goofing around with NHL superstars like Roberto Luongo and Anze Kopitar. There are also stories about wandering into the wrong house after walking his dog and surprising his neighbour in her underwear. His stories can also be serious. Tragedy strikes more than once in the sports world. Most notably, he had to go to air on the evening of September 11, 2001. His reflections on the way sport is part of all of our lives, from the athletes and sports figures on the planes to the kids who lost coaches and parents, are a powerful reminder of both the importance of sport and how lucky we all are to be part of it. Funny, thoughtful, self-deprecating, and wry, The Guy on the Left is everything fans love about James Duthie.

    Then he was diagnosed with an inoperable brain tumor. Suddenly Bryan’s promising future was looking at a troubling schedule of radiation and chemotherapy. But having found refuge in comedy, “Bald Bryan” recounts his alternately heartbreaking and hysterical experience of cancer treatment and recovery, from writing his will with the bravado of a pulp novelist, to taking chemo in a strip club, to achieving his life-long dream of getting another woman in the shower with him and his wife (even if it was only for physical therapy). These and other charmingly twisted scenes make the serious truly a laughing matter. Now four years since his initial diagnosis, Bryan celebrates how his aggressive treatment shrunk his tumor and gave him a new lease on life.Through odds and obstacles, blunders and dilemmas, Bryan radiates through Shrinkage with wonder and humor. This profound, honest, and surprisingly funny recovery book is a Cancer Schmancer for the Jimmy Kimmel Live! crowd.

    

    At least that’s how it works when you’re dealing with the legendary mind of Carl Reiner. In his 2013 memoir, “I Remember Me,” Carl treated us to ninety years of professional and personal anecdotes, ranging from witty, weird and heartwarming to insightful, informative, and always funny – usually a combination of at least two, sometimes three or four, of the aforementioned. Carl had taken us on a nostalgic trip through every corner, every nook and cranny, of his life. Or so we thought. But over the next two years, new “old memories” kept coming… and coming… and coming… until, before too long, another book was born. In addition to the above adjectives, “I Just Remembered” adds a whole new batch: the mysterious saga of the gold money clip and the rubber bands; the beautiful and bizarre Joyce Kuntz; the shocking story of Jack Parr and Fidel Castro; never before heard revelations about William Shakespeare; whimsical journeys down the information superhighway via Twitter, Google and YouTube; and for good measure, truly useful health tips for a long and happy life. “I Just Remembered” is the perfect companion to “I Remember Me,” and it will have you asking, over and over, “How could he have forgotten that?!” He didn’t. He just remembered.

    Having escaped from his family's kosher catering business, he spent years in the comedy circuit and mastered his craft of delivering hilarious and often offensive insults. Mixing silliness and sincerity, Ross explains the overall history of the roast and explains the art of delivering a stream of "festive abuse" while eliciting laughs. Taking readers on an entertaining journey through his own career, he shares roasts straight from the Friar's Club and the ever popular Comedy Central television events and provides a narrative of his favorite roasts of friends and family, including: Flava Flav: "You really are the ugliest man in America. I mean, how do you roast charcoal?" William Shatner: "Man, you have really let yourself boldly go. If Scotty tried to beam you up now you' d break the f*n' transporter." Courtney Love: "Courtney Love, you're like the girl next door...if you happen to live next to a Methadone clinic."Featuring tips on timing, what's going too far, and dealing with hecklers, Ross shows readers how to channel their inner roastmaster--and emphasizes the all-important Friars' Club motto: We only roast the ones we love.

    It includes tales of living on her own at 14 (and how laundry may have saved her life), getting stuck in a gas station overhang on a cross country road trip, saying goodbye to her father in a way only he could have understood, and many more adventures and lessons that have led her to the successful, happy, and healthy place she is today.

    The story takes us from Glenn's unexpected diagnosis of 'three months at best' just days before the birth of his only child, to his miraculous remission and the ironic death of his father. It is a journey that is by turns heartbreaking, painfully funny, misanthropic, loving and ultimately heroic. Rodeo In Joliet tramples the Hallmark cliches and platitudes of traditional cancer survival stories and presents in their place an experience that leaves the reader in awe and grateful for his or her every breath.

    When he released his debut album, Dice, in 1989, the parental advisory label simply read “Warning: This album is offensive.” His material stretched the boundaries of decency and good taste to their breaking point, and in turn he became the biggest stand-up comic in the world.In The Filthy Truth, Dice chronicles his remarkable rise, fall, and triumphant return. Brooklyn-born Andrew Clay Silverstein started out at Pips Comedy Club in Sheepshead Bay and eventually made a name for himself a decade later with a breakout appearance on the Rodney Dangerfield HBO special Nothing Goes Right. With that single TV appearance he became the new king of comedy, and Dicemania was born. He was the first and only comedian to sell out over three hundred sports arenas across the country to an audience of more than twelve million people. He was also the first comedian to sell out Madison Square Garden two nights in a row.But Dice’s meteoric rise and spectacular fame brought on a furious backlash from the media and critics. Billboards for his album produced by Rick Rubin and for his movie The Adventures of Ford Fairlane were defaced and ripped down as fast as they were put up. By the mid-nineties, though still playing to packed audiences, the turmoil in his personal life, plus attacks from every activist group imaginable, led him to make the decision to step out of the spotlight and put the focus on raising his boys.The Diceman was knocked down, but not out. Taking inspiration from what Frank Sinatra once told him—“You work for your fans, not the media. The media gets their tickets for free”—Dice is now back with critically acclaimed roles in HBO’s Entourage and Woody Allen’s Blue Jasmine, and is once again playing to sold-out audiences.Filled with no-holds-barred humor and honesty, The Filthy Truth sets the record straight and gives fans plenty of never-before-shared stories from his career and his friendships with Howard Stern, Sam Kinison, Mickey Rourke, Sylvester Stallone, Axl Rose, and countless others.

    Though millions of Little House on the Prairie viewers hated Nellie Oleson and her evil antics, Arngrim grew to love her character—and the freedom and confidence Nellie inspired in her.In Confessions of a Prairie Bitch, Arngrim describes growing up in Hollywood with her eccentric parents: Thor Arngrim, a talent manager to Liberace and others, whose appetite for publicity was insatiable, and legendary voice actress Norma MacMillan, who played both Gumby and Casper the Friendly Ghost. She recalls her most cherished and often wickedly funny moments behind the scenes of Little House: Michael Landon's "unsaintly" habit of not wearing underwear; how she and Melissa Gilbert (who played her TV nemesis, Laura Ingalls) became best friends and accidentally got drunk on rum cakes at 7-Eleven; and the only time she and Katherine MacGregor (who played Nellie's mom)  appeared in public in costume, provoking a posse of elementary schoolgirls to attack them. Arngrim relays all this and more with biting wit, but she also bravely recounts her life's challenges: her struggle to survive a history of traumatic abuse, depression, and paralyzing shyness; the "secret" her father kept from her for twenty years; and the devastating loss of her "Little House husband" and best friend, Steve Tracy, to AIDS, which inspired her second career in social and political activism. Arngrim describes how Nellie Oleson taught her to be bold, daring, and determined, and how she is eternally grateful to have had the biggest little bitch on the prairie to show her the way.

    Perry Groves spent over a decade in the footballing spotlight. Sometimes he was at the top, often he was at the bottom and that's half the reason the fans loved him so much--and still do. This is the most truthful and hilarious book about professional football you will ever read. Perry Groves was the first signing by the legendary Arsenal manager George Graham, and that unmistakeable figure with his Tin-Tin haircut and cheeky grin was a player in one of the Gunners' greatest sides. Now he has decided to tell all about his rollercoaster years of booze binges, girl-chasing and gambling sprees. He's a nonstop fund of of hilarious anecdotes, recounting top-flight games played with a hangover, 125 mph motorway chases with international stars, visits to a brothel with an England World Cup hero and revealing how one drunken escapade ended with a group of internationals beting questioned over an attempted murder charge. This is a unique chance to find out what top-flight footballers really get up to off the field and how they behave when the dressing room door is closed.

    From her beginnings as a wunderkind producer of pirated stage productions for six-year-olds, through her spirited adventures watching self-satisfying monkeys, throwing up on Chinese food deliverymen, and stalking Leo DiCaprio, here are the goofy highs and horrifying lows of life as Kelly Oxford.