Travelers sang ballads about him as they gathered around their campfires at night. Mothers used his name to frighten children into obedience. He was accused of literally hundreds of murders, all in the name of the Mormon Church. Yet behind all the myth was a man, a human being. Orrin Porter Rockwell believed in his prophet, Joseph Smith. He spent most of a year chained in an Independence dungeon for his belief, then walked across Missouri to Nauvoo, stumbling into Joseph’s house on Christmas Day. Joseph said to him then, “Cut not thy hair and no bullet or blade can harm thee,” and the legend was born.Rockwell continued to serve the leaders of his church—as hunter, guide, messenger, scout, guerilla, emissary to the Indians, and lawman. He traveled thousands of miles, raised three families, accumulated land and wealth—and favorably impressed almost everyone who met him. But although he walked with presidents and generals, scholars and scoundrels, in a life lived at the center of many of the great events of the American frontier, he has remained an enigma, a source of continuing controversy.Harold Schindler’s remarkable investigative skills led him into literally thousands of unlikely places in his search for the truth about Rockwell. Dale L. Morgan, one of the west’s foremost historians, called the first edition “…an impressive job of research, one of the most impressive in recent memory, in the Mormon field. Mr. Schindler has shown great energy and sagacity in dealing with a difficult, highly controversial subject; and he has also made maximum use of the latest scholarship and newly available archival resources.”But the author was not satisfied until he had probed even more deeply, and this revised and enlarged second edition contains greatly expanded documentation as well as textual additions that flesh out the characters and events of this classic drama of early America.

    Beginning in the eleventh century and ending as late as the eighteenth, these holy wars were waged against Muslims and other enemies of the Church, enlisting generations of laymen and laywomen to fight for the sake of Christendom.Crusading features prominently in today's religio-political hostilities, yet the perceptions of these wars held by Arab nationalists, pan-Islamists, and many in the West have been deeply distorted by the language and imagery of nineteenth-century European imperialism. With this book, Jonathan Riley-Smith returns to the actual story of the Crusades, explaining why and where they were fought and how deeply their narratives and symbolism became embedded in popular Catholic thought and devotional life.From this history, Riley-Smith traces the legacy of the Crusades into modern times, specifically within the attitudes of European imperialists and colonialists and within the beliefs of twentieth-century Muslims. Europeans fashioned an interpretation of the Crusades from the writings of Walter Scott and a French contemporary, Joseph-Fran�ois Michaud. Scott portrayed Islamic societies as forward-thinking, while casting Christian crusaders as culturally backward and often morally corrupt. Michaud, in contrast, glorified crusading, and his followers used its imagery to illuminate imperial adventures.These depictions have had a profound influence on contemporary Western opinion, as well as on Muslim attitudes toward their past and present. Whether regarded as a valid expression of Christianity's divine enterprise or condemned as a weapon of empire, crusading has been a powerful rhetorical tool for centuries. In order to understand the preoccupations of Islamist jihadis and the character of Western discourse on the Middle East, Riley-Smith argues, we must understand how images of crusading were formed in the nineteenth and twentieth centuries.

    Today, Western culture is facing an epochal turning point. Having largely abandoned the triune God and His Word in private and public life, the edifice of our civilization is crumbling. The humanistic and utopian architects of our "progressive" order erroneously assumed that our social order could remain stable and flourish without its foundation. The coming decades will accelerate our rapid decadent demise into pagan religion, economic decline and social decay, unless a renewal of Christian vitality is seen in the church by a recovery of biblical faith and truth for every area of life. The Mission of God is a clarion call for Christians and God's church to awaken and recover a full-orbed gospel and comprehensive faith that recognizes and applies the salvation-victory and lordship of Jesus Christ to all creation; from the family, to education, evangelism, law, church, state and every other sphere. Boot shows that the only hope for our time is the reign of Jesus Christ and His kingdom, arguing that, like a mustard seed, this kingdom grows as believers declare the good news and assert the crown rights of Christ the king, in the power and grace of the Holy Spirit.

    The evidence for this sad state of affairs abounds. We are flooded with "Christian" doodads, trinkets, t-shirts, bumper stickers, etc., that use God's name as an advertising slogan--"Things Go Better with Jesus"--putting the Creator of the universe on the same level as soda pop! Moreover, Schaeffer writes, "Whenever Christians, and evangelicals in particular, have attempted to 'reach the world' through the media--TV, film, publishing and so on--the thinking public gets the firm idea that, like soup in a bad restaurant, Christians' brains are best left unstirred." But it doesn't have to be this way. Schaeffer shows how Christians who care can begin to reverse the slide toward mediocrity: by demanding excellence in the arts and media, and in all areas of life; by giving our time, talents and money to those things which are worthy of our support and are truly honoring to God; by staying away from the cheap, the shoddy, and the make-a-fast-buck mentality. Schaeffer offers not only an unflinching critique, but specific and practical direction for becoming "unaddicted," and for recovering artistic excellence. The punch, humor and satire of the text is effectively enhanced by nineteen original drawings by Chicago artist Kurt Mitchell.

    This translation of Luther's treatise brings alive the social, historical, and ecclesial context of Luther's treatise.

    Through the years, the group's trademark razor-sharp choreography, finely tuned harmonies, and compelling vocals made them the exemplars of the Motown style. This is the frank, revealing story of the legendary supergroup, told by its founder.

    Drawing on his international experience, global research and ecumenical awareness, KArkkAinen presents an overview of both traditional and contemporary expressions of the Christian church.An Introduction to Ecclesiology will richly reward the student, pastor or layperson who is looking for a comprehensive and insightful overview of the unity and diversity of understandings and practices within the one church of Jesus Christ.

    He provides a sterling historical study that will be highly useful for pastors and church study groups as well as for scholars and students interested in Reformed worship. An extensive bibliography of resources for the study of Reformed worship adds to the value of this book.

    

    Delves into the historical background of virtually everything people find hard to understand about our Religion, such as priestly celibacy, sacred images, the Church and the Bible, the primacy of Peter, Communion under one kind, invocation of the Saints, etc. First published in 1876, when there was much anti-Catholic sentiment in the U.S., it sold 1.4 million copies in 40 years and has been reprinted many times since.

    Its rather absurd to identify a first-century homeless Jew as God revealed, but a bunch of us do anyway. In this book, Tripp Fuller examines the historical Jesus, the development of the doctrine of Christ, the questions that drove christological innovations through church history, contemporary constructive proposals, and the predicament of belief for the church today.Recognizing that the battle over Jesus is no longer a public debate between the skeptic and believer but an internal struggle in the heart of many disciples, he argues that we continue to make christological claims about more than an event or simply the Jesus of history. On the other hand, C. S. Lewiss infamous liar, lunatic, and Lord scheme is no longer intellectually tenable. This may be a guide to Jesus, but for Christians, Fuller is guiding us toward a deeper understanding of God. He thinks its good newsgood news about a God who is so invested in the world that God refuses to be God without us.

    We hardly ever think of it as world-changing--and neither does society. Yet this is exactly what the first-century ekklesia was.In these vital, eye-opening pages, bestselling author Ed Silvoso takes you back to the first days of the church. Digging into Scripture, he shows how the New Testament church--devoid of buildings, professional clergy, and religious freedom--was able to transform the hostile, pagan places into which it was born and set in motion a process that changed the world forever.Even more, Silvoso offers a roadmap back to becoming the ekklesia Jesus called his church to be. In the midst of the social, economic, political, and moral chaos in our world today, we possess the hope that people and nations so desperately need--and we can become the revolutionary, transformational, life-giving voice Jesus called us to be.A new, in-depth curriculum kit--which features a DVD with 12 brand-new teaching sessions, a group guide for both leaders and participants, and a copy of the book--is also available. Expounding on the book's dynamic teachings, each kit contains everything you need to equip your group to transform the world around them.

    So great was his stature as an Urdu poet that he never had to mould his poetry to suit the demands of film songwriting; instead, producers and composers adapted their requirements to his poetry. His songs in films like Pyaasa, Naya Daur and Phir Subah Hogi have attained the status of classics. This exhaustive biography traces the poet’s rich life, from his troubled childhood and his equally troubled love relationships, to his rise as one of the pre-eminent personalities of the Progressive Writers Movement and his journey as lyricist through the golden era of Hindi film music, the 1950s and 1960s.

    "The best telling of the story of the past," writes George Marsden, "relies on a balance of the general and the particular." In this book, a sequel and companion to his widely acclaimed Fundamentalism and American Culture (Oxford, 1980), Marsden uses the history of Fuller Theological Seminary — a durable evangelical institution — as a lens through which to focus an examination of the broader story of evangelicalism and fundamentalism since the 1940s. In fact, at the time of the school's founding in 1947, "evangelicalism" and "fundamentalism" were not considered separate entities. Though Fuller Seminary later became so thoroughly identified with the "new evangelicalism" (or neo- evangelicalism) that its fundamentalist roots are sometimes overlooked, in the school's early years it was in striking ways a fundamentalist institution with a thoroughly fundamentalist constituency. Marsden's detailed history relies heavily on primary sources: personal recollections and correspondence of the seminary's founders, and discussions with students and staff from throughout the seminary's history. Although the story of Fuller Seminary provides the framework for this fascinating look at a segment of American religious history, Marsden's careful and knowledgeable attention to the surrounding worlds of mainline denominations and stricter fundamentalism makes this book a major contribution to the study of a movement that has played an important role in shaping American culture.

    It is the thesis of this book that Calvin's doctrine of the Lord's Supper is the biblical doctrine, the basic doctrine of the sixteenth century Reformed churches, and the doctrine that should be reclaimed and proclaimed in the Reformed church today.