Set on a mysterious island, Bioy’s novella is a story of suspense and exploration, as well as a wonderfully unlikely romance, in which every detail is at once crystal clear and deeply mysterious.Inspired by Bioy Casares’s fascination with the movie star Louise Brooks, The Invention of Morel has gone on to live a secret life of its own. Greatly admired by Julio Cortázar, Gabriel García Márquez, and Octavio Paz, the novella helped to usher in Latin American fiction’s now famous postwar boom. As the model for Alain Resnais and Alain Robbe-Grillet’s Last Year at Marienbad, it also changed the history of film.

    His neighbors, a clan of the Lacodón tribe of Chiapas, however, see something more in him than he does himself (dubbing him Wise Owl): when he falls deathly ill, a shaman named Black Ant saves his life—and, almost by chance, in driving out his fever, she exorcises the demon of alcoholism as well. Slowly recovering, weak in his hammock, our antihero discovers a curious thing about the mosquitoes’ buzzing, “which to human ears seemed so irritating and pointless.” Perhaps, in fact, it constituted a language he might learn—and with the help of a flute and a homemade dictionary—even speak. Slowly, he masters Mosquil, with astonishing consequences… Will he harness the mosquitoes’ global might? And will his new powers enable him to take over the world that’s rejected him? A book far ahead of its time, His Name Was Death looks down the double-barreled shotgun of ecological disaster and colonial exploitation—and cackles a graveyard laugh.

    Written with ideas on The White Goddess as a cultural/anthropological backdrop to the ancient Greek tale. What the Golden Fleece really was—a cloak tossed to earth by a drunken Zeus, a sheepskin book of alchemic secrets or the gilded epidermis of a young human sacrifice named Mr. Ram—nobody knows. But Graves is quite sure that, whatever the Golden Fleece was, the voyage of Jason & his Argonauts really happened. His story shows the legendary cruise as one of the bawdiest, bloodiest, most boisterous expeditions of all time. In I, Claudius & its Claudius the God sequel, Graves brought the teeming life of Claudian Rome so vividly alive that they became bestsellers. In the not-so-successful Wife to Mr. Milton, his blend of imagination & scholarship projected his readers into 17th-Century England & the bedchamber temper tantrums of the blind poet-politician. With Hercules & shipmates, Graves becomes an ancient Greek, moving among demigods & goddesses, myths & monsters with an easy familiarity & a wealth of erudite detail. Both sometimes seem too much of a good thing. Atomic-age readers, ill-attuned to the leisurely, formal talk of myth-age Greeks, may find themselves skipping some of the longer speeches. Most of the Argo's 50-oar crew were princes, each with a special talent & gift of the gods. The only woman aboard was a princess: Atalanta of Calydon, a virgin huntress who could outrun any man in Greece. Argus, who built the Argo, was the world's finest shipwright. Castor & Pollux, sons of Leda & Zeus-as-swan, were champion prizefighters. Nauplius, Poseidon's son, was an unrivaled navigator. Orpheus could make sticks & stones dance to his lyre. Hercules of Tiryns was the world's strongest man. He would've captained the Argonauts were it not that in moments of insanity he murdered friend & foe alike. Captaincy devolved on Jason of lolcos—a man nobody liked or trusted, but who had a power denied to all the others: women instantly fell in love with him. Even surly Hercules agreed it a quality worth all the rest. Backed by divine blessings & equinoctal winds, the Argonauts set sail. On the Island of Lemnos, peopled solely by women, they generously stopped off to help out with spring sowing. Nine months later, 200 children were born, of whom no less than 60 were said to be the spitting image of Hercules. On Samothrace, they were initiated into the sacred mysteries. The Goddess of All Being mated with the Serpent Priapus to be delivered of a bull. Then the sacred nymphs leapt on them & scratched & bit until even Hercules passed out. Thereafter, the Argonauts glowed with "a faint nimbus of light." The Argonauts boldly pushed on thru the dread Hellespont & entered the Black Sea. To their dismay, Hercules deserted, summoned home to perform another of his mighty labors. "Holy Serpents!" he growled. "Tell me what this time?" The job—cleaning the Augean Stables—didn't take long. He stayed around afterwards with the Lydian high priestess—who in due time bore male triplets. In gratitude, she taught him to spin, tying up his hair in blue braids. He was crazy about it, admitting confidentially he'd always wanted to be a woman. The Argonauts went on without Hercules. Reaching Colchis, Aphrodite won the Fleece for them. She made her son Eros wait behind a pillar with his bow until handsome Jason strode into the King of Colchis' palace. Eros shot Medea thru the heart, & the smitten princess helped to get the Fleece from her father's temple. Mythology's most famous voyage had reached its goal, but Graves takes 150 more pages to wind things up.

    His masterpiece, acknowledged in Spain as one of the best accounts of the Spanish Civil War, is the five-novel cycle known as The Magic Labyrinth—never before translated into English. A playwright as well as a novelist, he brings the period alive through vibrant dialogue and a story that navigates the factional intrigues that eventually erupted onto the streets in violence.The protagonist of the first novel is Rafael López Serrador, whose coming of age in Barcelona introduces a cast from all walks of city life—Catalan nationalists, anarchists, Falangists, government ministers and showgirls. Just as central a character is Barcelona itself, lovingly depicted. Rafael’s adventures bring him into contact with the forces that were to destroy the Republic and determine the bloody course of the Spanish Civil War. Masterfully translated by Gerald Martin, author of Gabriel García Márquez: A Life, Max Aub’s novel is set to introduce to an English-speaking audience a classic of Spanish and Latin American literature—an account of the Spanish Civil War to compare with Ernest Hemingway’s For Whom the Bell Tolls.

    A betrayed husband is convinced by a brief telegram that his second ex-wife wants him to track her down—that she wants to be found. He hires the Ex-Detective, who sets out with a translator into a snowy, hostile forest where strange things happen and translation betrays both sense and one’s senses. Tales of Hansel and Gretel and Little Red Riding Hood haunt the Ex-Detective’s quest into a territory overrun with the primitive excesses of Capitalism—accumulation and expulsion, corruption and cruelty—though the lessons of her journey are more experiential than moral: that just as love can fly away, sometimes unloving flies away as well. That sometimes leaving everything behind is the only thing left to do.

    It is the story of an ignorant Castillian peasant and multiple murderer, and it tells of the savage impulses behind his crimes and his redeeming characteristics.

    It is 1982.  In the Vatican, priestly vultures gather around the dying Pope, whispering the names of possible successors.  In a forgotten monastery on Ireland's gale-swept coast, a dangerous document is hidden, waiting to be claimed.  And in a family chapel in Princeton, New Jersey, a nun is murdered at her prayers.  Sister Valentine was an outspoken activist, a thorn in the Church's side.  When her brother, lawyer Ben Driskill, realizes the Church will never investigate her death, he sets out to find the murderer himself--and uncovers an explosive secret.The Assassini.  An age-old brotherhood of killers.  Once they were hired by princes of the Church to protect it in dangerous times.  But whose orders do they now obey?The Assassini marks the triumphant retum of a master at the peak of his powers--the first novel in more than a decade from the acclaimed author of The Wind Chill Factor.

    Told in the words of one of the most robust and memorable characters in modern fiction, Mixtli-Dark Cloud, Aztec reveals the very depths of Aztec civilization from the peak and feather-banner splendor of the Aztec Capital of Tenochtitlan to the arrival of Hernán Cortes and his conquistadores, and their destruction of the Aztec empire. The story of Mixtli is the story of the Aztecs themselves---a compelling, epic tale of heroic dignity and a colossal civilization's rise and fall.

    "We must not aggravate, but ease the last moments of our son," resolved the colonel firmly, and he carefully weighed every possible phase of the conversation, every act and movement that might take place on the following day. But somehow he became confused, forgetting what he had prepared, and he wept bitterly in the corner of the oilcloth-covered couch. In the morning he explained to his wife how she should behave at the meeting.

    The characters in these stories are caught in a world of political hypocrisy, which ultimately leads to death, their common fate. Although the stories Kis tells are based on historical events, the beauty and precision of his prose elevates these ostensibly true stories into works of literary art that transcend the politics of their time.

    Napoleon III has installed a foreign monarch in Mexico to squash the current regime. Maximilian von Habsburg of Austria accepts the emperor’s crown. But it is his wife, the brilliant and ambitious Princess Charlotte, who throws herself passionately into the role. Known to the people as Empress Carlota, she rules deftly from behind the scenes while her husband contents himself with philandering and decorating the palace.But Carlota bears a guilty secret. Trapped in a loveless marriage, she’s thrown herself into a reckless affair. Desire has blinded Carlota to its consequences, for it has left her vulnerable to her sole trusted confidante. Carlota’s devious lady-in-waiting has political beliefs of her own—and they are strong enough to cause her to betray the empress and join a plot to depose her from the throne. As Carlota grows increasingly, maddeningly defenseless, both her own fate and that of the empire are at stake.A sweeping historical novel of forbidden love, dangerous secrets, courtly intrigue, and treachery, The Empress passionately reimagines the tragic romance and ill-fated reign of the most unforgettable royal couple of nineteenth-century Europe during the last throes of the Second Empire.

    Through the eyes of the ancient slave Ti-Noel, The Kingdom of This World records the destruction of the black regime--built on the same corruption and contempt for human life that brought down the French--in an orgy of voodoo, racial hatred, erotomania, and fantastic grandeurs of false elegance.

    Alone, except for harried undertakers, she buries her mother–the only family Adelaida has ever known.Numb with grief, Adelaida returns to the apartment they shared. Outside the window that she tapes shut every night—to prevent the tear gas raining down on protesters in the streets from seeping in. When looters masquerading as revolutionaries take over her apartment, Adelaida resists and is beaten up. It is the beginning of a fight for survival in a country that has disintegrated into violence and anarchy, where citizens are increasingly pitted against each other. But as fate would have it, Adelaida is given a gruesome choice that could secure her escape.Filled with riveting twists and turns, and told in a powerful, urgent voice, It Would Be Night in Caracas is a chilling reminder of how quickly the world we know can crumble.

    And seldom has the hidden eye of British Intelligence selected such an unlikely champion as Harry Pendel—a charmer, a dreamer, an evader, a fabulist and presiding genius of the house of Pendel & Braithwaite Co. Limitada, Tailors to Royalty, formerly of London and presently of Panama City.Yet there is a logic to the spies' choice. Everybody who is anybody in Central America passes through Pendel's doors. He dresses politicos and crooks and conmen. His fitting room hears more confidences than a priest's confessional. And when Harry Pendel doesn't hear things as such—well, he hears them anyway, by other means.For what is a tailor for, if not to disduise reality with appearance? What is truth if not the plaything of the artist? And what are spies and politicians and journalists if not themselves selectors and manipulators of the truth for their own ends?In a thrilling, hilarious novel, le Carré has provided us with a satire about the fate of truth in modern times. Once again, he has effortlessly expanded the borders of the spy story to bring us a magnificent entertainment straight out of the pages of tomorrow's history.JOHN LE CARRÉ was born in 1931. After attending the universities of Bern and Oxford, he taught at Eton and spent five years in the British Foreign Service. His third novel, The Spy Who Came In from the Cold, secured him a worldwide reputation, which was solidified by the acclaim for his trilogy, Tinker, Tailor, Soldier, Spy, The Honourable Schoolboy and Smiley's People. His mostly autobiographical novel, A Perfect Spy, wa followed by The Russia House, The Night Manager and Our Game. The Tailor of Panama is his sixteenth novel.John le Carré lives in Cornwall, England.

    Ottavia Salina is called upon by the highest levels of the Roman Catholic Church to decipher the scars found on an Ethiopian man's corpse: seven crosses and seven Greek letters.The markings, symbolizing the Seven Deadly Sins, are part of an elaborate initiation ritual for the Staurofilakes, the clandestine brotherhood hiding the True Cross for centuries, headed by a secretive figure called Cato.With the help of a member of the Swiss Guard and a renowned archaeologist, Dr. Salina uncovers the connection between the brotherhood and Dante's Divine Comedy, and races across the globe to Christianity's ancient capitals. Together, they will face challenges that will put their faith—and their very lives—to the ultimate test.