Their squad leader, Sgt. George Hanscott, has to make the difficult decision to disobey his unit's direct orders putting his squad's lives at risk, or help a local fishing village end the terror that's been plaguing them for over a century. Will his decision backfire or will his squad of US Marines be able to destroy the evil entity they don't quite understand?Will we find out how George became such a heinous monster? Do we really want to know?

    But something hideous resides within its walls. Before long, curious incidents turn violent, and it becomes increasingly difficult for the sceptic Matthew to deny that an unholy ghost has descended upon his happy home. Tormented by the wrath of this angry spirit, Matthew and Aimee's relationship begins to crumble under the weight of their terror, and have no choice but to flee into the night, leaving their beloved flat behind. But you can never run from your past...because dark secrets have a way of hunting you down. "Once again, Jenkins has managed to move, surprise, and terrify all in one glorious novel." ANDREW MARMION - Author of Ghost Lady

    Now suspended in an eerie, unsettling twilight zone during the four days of the liner's illustrious maiden voyage, a number of the passengers - including millionaires Madeleine Astor and Benjamin Guggenheim, the maid Annie Hebbley and Mark Fletcher - are convinced that something sinister is going on . . . And then, as the world knows, disaster strikes.Years later and the world is at war. And a survivor of that fateful night, Annie, is working as a nurse on the sixth voyage of the Titanic's sister ship, the Britannic, now refitted as a hospital ship. Plagued by the demons of her doomed first and near fatal journey across the Atlantic, Annie comes across an unconscious soldier she recognises while doing her rounds. It is the young man Mark. And she is convinced that he did not - could not - have survived the sinking of the Titanic . . .

    Some are appeased with food. But not all ghosts are successfully mollified. In this chilling collection of stories, Ying Chang Compestine takes readers on a journey through time and across different parts of China. From the building of the Great Wall in 200 BCE to the modern day of iPods, hungry ghosts continue to torment those who wronged them.At once a window into the history and culture of China and an ode to Chinese cuisine, this assortment of frightening tales—complete with historical notes and delectable recipes—will both scare and satiate!

    None of her previous pregnancies have borne fruit, and her husband, Richard, is anxious for an heir. Then Fleetwood discovers a hidden doctor’s letter that carries a dire prediction: she will not survive another birth. By chance she meets a midwife named Alice Grey, who promises to help her deliver a healthy baby. But Alice soon stands accused of witchcraft.Is there more to Alice than meets the eye? Fleetwood must risk everything to prove her innocence. As the two women’s lives become intertwined, the Witch Trials of 1612 loom. Time is running out; both their lives are at stake. Only they know the truth. Only they can save each other.Rich and compelling, set against the frenzy of the real Pendle Hill Witch Trials, this novel explores the rights of 17th-century women and raises the question: Was witch-hunting really women-hunting? Fleetwood Shuttleworth, Alice Grey and the other characters are actual historical figures. King James I was obsessed with asserting power over the lawless countryside (even woodland creatures, or “familiars,” were suspected of dark magic) by capturing “witches”—in reality mostly poor and illiterate women.

    But an ancient evil is looming, and what seems like a safe haven may not be all it appears . . . Snared and murdered by a vile, arcane horror, Chet quickly learns that pain and death are not unique to the living. Now the lives and very souls of his wife and unborn child are at stake. To save them, he must journey into the bowels of purgatory in search of a sacred key promised to restore the natural order of life and death. Alone, confused, and damned, Chet steels himself against the unfathomable terrors awaiting him as he descends into death’s stygian blackness.With Lost Gods, Brom’s gritty and visceral prose takes us on a haunting, harrowing journey into the depths of the underworld. Thrust into a realm of madness and chaos, where ancient gods and demons battle over the dead, and where cabals of souls conspire to overthrow their masters, Chet plays a dangerous game, risking eternal damnation to save his family.

    Kristi Charish's The Voodoo Killings introduces Kincaid Strange, not your average voodoo practitioner... For starters, she's only 27. Then there's the fact that she lives in rain-soaked Seattle, which is not exactly Haiti. And she's broke. With raising zombies outlawed throughout the continental USA, Kincaid has to eke out a living running seances for university students with more money than brains who are desperate for guitar lessons with the ghost of a Seattle grunge rocker--who happens to be Kincaid's on-again, off-again roommate. Then a stray zombie turns up outside her neighbourhood bar: Cameron Wight, an up-and-coming visual artist with no recollection of how he died or who raised him. Not only is it dangerous for Kincaid to be caught with an unauthorized zombie, she soon realizes he's tied to a spate of murders: someone is targeting the zombies and voodoo practitioners in Seattle's infamous Underground City, a paranormal hub. When the police refuse to investigate, the City's oldest and foremost zombie asks Kincaid to help. Raising ghosts and zombies is one thing, but finding a murderer? She's broke, but she's not stupid. And then she becomes the target...As the saying goes, when it rains it pours, especially in Seattle.

    Tracked by an entity bent on revenge, these childhood friends are helpless as the culture and traditions they left behind catch up to them in a violent, vengeful way.

    Even fewer are brave enough to trespass. A man had killed his wife and two young daughters there, a shocking, gruesome crime that the sleepy upstate New York town tried to bury. One summer night, an emboldened fourteen-year-old Clare and her best friend, Abby, ventured into the Octagon House. Clare came out, but a piece of Abby never did. Twenty years later, an adult Clare receives word that Abby has attempted suicide at the Octagon House and now lies in a coma. With little to lose and still grieving after a personal tragedy, Clare returns to her roots to uncover the darkness responsible for Abby’s accident.

    More people are turning up dead, and Harper might just be falling for the town's deputy, a handsome, rugged man whose wife died under mysterious circumstances...Based on acclaimed and NYT Bestselling author Charlaine Harris' hit Harper Connelly series, the first book of which is Grave Sight.

    Her mother’s union with an outsider of a different race cast her once-proud family into disgrace, so Immanuelle does her best to worship the Father, follow Holy Protocol, and lead a life of submission, devotion, and absolute conformity, like all the other women in the settlement.But a mishap lures her into the forbidden Darkwood surrounding Bethel, where the first prophet once chased and killed four powerful witches. Their spirits are still lurking there, and they bestow a gift on Immanuelle: the journal of her dead mother, who Immanuelle is shocked to learn once sought sanctuary in the wood.Fascinated by the secrets in the diary, Immanuelle finds herself struggling to understand how her mother could have consorted with the witches. But when she begins to learn grim truths about the Church and its history, she realizes the true threat to Bethel is its own darkness. And she starts to understand that if Bethel is to change, it must begin with her.

    Tim Russell just put his last dollar on a handyman’s dream; a quaint but dilapidated farmhouse in New Hampshire. Newly single after a messy divorce, his plan is to live in the house as he restores it for resale. To his horror, as soon as the papers are signed and his work starts, ghosts begin to appear. A bone-white little boy. A woman covered in flies. Tim can’t afford to leave and lose it all, so he turns to his real estate agent Holly Burns to help him decide whether he has any shot at solving his haunted problem. Can they solve the mystery before he loses his investment…or maybe his life?

     The mayor of Bleath provides Zoe with accommodation at the empty Wilmont house. It's not the friendly farmhouse Zoe was picturing, and worse, the house seems to change day by day. The walls change and strange objects appear. Late at night, scratching noises scrape along the staircase banister and inside the trinket box under her bed. And out in the wheat field below her bedroom window, ghostly figures wait . . . . Is Zoe slipping into an imaginary world of her own? Or are the things she's experiencing terrifying real? PARACOSM is a standalone novel. It is part of a wider world, having a deep connection to The Dark Carousel series.

    He’s been haunted since he was a child. This may have been the impetus behind him co-founding PEEPs, but it has also kept him from enjoying a good night’s sleep. After accepting a job offer to go through Mike’s mother’s estate, Mia discovers that Mike’s personal haunt has ties to the ghost town that is Lund, Illinois. Can Mia, Murphy and the PEEPs team uncover the hidden secrets of a town long dead in time to save the life of one of their own?

    As Byron, Polidori, and Mr and Mrs Shelley shelter from the unexpected weather, old ghost stories are read and new ghost stories imagined. Born by the twin brains of the Shelleys is Frankenstein, one of the most influential tales of horror of all time. In a remote mountain house, high in the French Alps, an author broods on Shelley's creation. Reality and perception merge, fuelled by poisoned thoughts. Humankind makes monsters; but who really creates who? This is a book about reason, the imagination, and the creative act of reading and writing. Marcus Sedgwick's ghostly, menacing novel celebrates the legacy of Mary Shelley's literary debut in its bicentenary year.