Based on Stephen Clarke's own experiences and with names changed to "avoid embarrassment, possible legal action, and to prevent the author's legs being broken by someone in a Yves Saint Laurent suit," A Year in the Merde provides perfect entertainment for Francophiles and Francophobes alike.

    This is a story of jewellery, of love, of denial, of society that aims to have the simplicity of a fairy tale and the elegance of an eighteenth century roman-a-clef.

    Somewhere between dating and eternal bliss lies a secret world of glamour, opulence, decadence and the real amorous adventures of the haut monde. Paris is a sexy, sinful romantic playground--and what could be more thrilling than to be an American girl let loose in the City of Lights? Alexandra Ward is a Sorbonne student with a fabulous French boyfriend who's just gone AWOL and a growing love affair with all things Parisian.  She realizes her new life a la Francais feels entirely like play-acting--in a good way.  But what happens when a playful flirtation with the CEO of an international luxury conglomerate turns into not just a "dejeuner"--lunch-- at the Ritz, but diving for canary diamonds in the famous swimming pool of the Hotel Ritz? And when that same Master of the Monde (who just happens to be married, bien sur) asks Alexandra to be something more than a date but something, well, different than a girlfriend? French Trysts is about slipping into a new life like it's a couture suit, about the thrill of seeing what really goes on behind the gated Hotel Particuliers of the rich and famous Bon Ton de Paris, about the power of sex and the redemption of true romance. Praise for Kirsten Lobe's Paris Hangover: "A witty mousse."--Jacquelyn Mitchard, author of The Deep End of the Ocean "Wickedly entertaining."--Chicago Tribune "Decadent, sexy."--Frederic Beigbeder, author of 99 Francs and L'égoïste romantique

    ...but eighteen months on from the biggest challenge of her life, she is doing just that –because she made a promise to the person who believed in her the most. Determined to step into her uncertain future, Elsie meets handsome Oliver Hogarth, who seems intent on winning her heart; she inadvertently founds a choir, and overcomes obstacles – most of which involve arrogant Torin Stewart. Then a heartfelt request brings her to Paris – and the final item on ‘The List’ that she never dared complete. Can Elsie follow her heart and put her past to rest?

    Dinner is served with a side of delicious gossip, including which North Grove residents were caught with their pants down on Ashley Madison after the secret on-line dating site for married and committed couples was hacked. Thirty-two million cheaters worldwide have been exposed…including Sophie’s “perfect” husband. To add insult to injury, she learns Gabe is the top cheater in their town. Humiliated and directionless, Sophie jumps into the unknown and flees to France to meet up with her teenage daughter who is studying abroad and nursing her own heartbreak. After a brief visit to Paris, Sophie heads out to the artist enclave of Saint-Paul-de-Vence. There, for the first time in a long time, Sophie acknowledges her own desires—not her husband’s, not her daughter’s—and rediscovers her essence with painful honesty and humor, reawakening both her sensuality and ambitions as a sculptor. As she sheds her past and travels the obstacle-filled off beaten path, Sophie Bloom is determined to blossom. Allowing her true self to emerge in the postcard beauty of Provence, Sophie must decide what is broken forever...and what it means to be truly unbreakable.“Artful, feminist, and emotionally gripping. The Unbreakables is a remarkable tribute to a woman’s strength in the face of heartbreak and adversity.” — Helen Hoang, author of The Kiss QuotientSmart, sure and sexy, The Unbreakables is unforgettable.” — Pam Jenoff, New York Times bestselling author of The Orphan’s Tale and The Lost Girls of Paris“This exquisitely wrought novel will appeal to readers who believe in the redemption of new beginnings.” — Publishers Weekly

    Handsome, charming Roman men; perfectly made cappuccino and risotto; breathtakingly beautiful antiquities and that incomparable Italian light—none of these are perhaps quite as idyllic as they might seem to the casual traveler. With a jaded eye but an always vulnerable heart, Geoghegan gives us the anti-Eat, Pray, Love, a tale every bit as atmospheric but way funnier than the runaway best-seller. This is what life in Italy really looks like when you're a 30-something woman running from grief and trying to find her way back to love. Elizabeth Geoghegan writes in English, dreams in Italian, and wishes she could remember how to speak French. She earned an MFA in fiction writing from the School of the Art Institute of Chicago and an MA in creative writing from the University of Colorado at Boulder. She is currently completing a story collection, The Book of Boys, and at work on a novel called The Year of the Cock, a black comedy set in Southeast Asia. She lives in Rome, Italy, on a dead-end street between a convent and a jail. This is a short e-book published by Shebooks--high quality fiction, memoir, and journalism for women, by women. For more information, visit http://shebooks.net.

    

    Local friendships and bonds of loyalty that she and her family formed during their gradual renovation of their once derelict farmhouse have now deepened. The children, both hers and her neighbours', are now adults and the close-knit community celebrates and prepares for the new generation. The wedding festivities and banquets are beautifully described in mouth-watering detail and the tastes and smells of Lot-et-Garonne seem to float from the page. An unforgettable and enriching story of Ruth and her family, and their continuing love for their home in the sunflowers.

    

    Paris, My Sweet is a personal and moveable feast that’s a treasure map for anyone who loves fresh cupcakes and fine chocolate, New York and Paris, and life in general. It’s about how the search for happiness can be as fleeting as a sliver of cheesecake and about how the life you’re meant to live doesn’t always taste like the one you envisioned. Organized into a baker’s dozen of delicacies (and the adventures they inspired) that will tempt readers’ appetites, Paris, My Sweet is something to savor.

    Intrigued by its simple sign—Desforges Pianos—he enters, only to have his way barred by the shop's imperious owner.Unable to stifle his curiosity, he finally lands the proper introduction, and a world previously hidden is brought into view. Luc, the atelier's master, proves an indispensable guide to the history and art of the piano. Intertwined with the story of a musical friendship are reflections on how pianos work, their glorious history, and stories of the people who care for them, from amateur pianists to the craftsmen who make the mechanism sing. The Piano Shop on the Left Bank is at once a beguiling portrait of a Paris not found on any map and a tender account of the awakening of a lost childhood passion.

    These beautifully produced, pocket-sized books will provide exactly what is missing in ordinary travel guides: insights and imagination that lead the reader into those parts of a city no other guide can reach.A flaneur is a stroller, a loiterer, someone who ambles through a city without apparent purpose but is secretly attuned to the history of the place and in covert search of adventure, esthetic or erotic. Edmund White, who lived in Paris for sixteen years, wanders through the streets and avenues and along the quays, taking us into parts of Paris virtually unknown to visitors and indeed to many Parisians. Entering the Marais evokes the history of Jews in France, just as a visit to the Haynes Grill recalls the presence-festive, troubled-of black Americans in Paris for a century and a half. Gays, Decadents, even Royalists past and present are all subjected to the flaneur's scrutiny. Edmund White's The Flaneur is opinionated, personal, subjective. As he conducts us through the bookshops and boutiques, past the monuments and palaces, filling us in on the gossip and background of each site, he allows us to see through the blank walls and past the proud edifices and to glimpse the inner, human drama. Along the way he recounts everything from the latest debates among French law-makers to the juicy details of Colette's life in the Palais Royal, even summoning up the hothouse atmosphere of Gustave Moreau's atelier.

    In the winter of that year, more or less coincidentally, the iconic culinary figures James Beard, M.F.K. Fisher, Julia Child, Richard Olney, Simone Beck, and Judith Jones found themselves together in the South of France. They cooked and ate, talked and argued, about the future of food in America, the meaning of taste, and the limits of snobbery. Without quite realizing it, they were shaping today’s tastes and culture, the way we eat now. The conversations among this group were chronicled by M.F.K. Fisher in journals and letters—some of which were later discovered by Luke Barr, her great-nephew. In Provence, 1970, he captures this seminal season, set against a stunning backdrop in cinematic scope—complete with gossip, drama, and contemporary relevance.

    But back on firm ground, their vastly different social strata become clear. Cait is a widow who because of her precarious financial situation is forced to chaperone two wealthy Scottish charges. Émile is expected to take on the bourgeois stability of his family's business and choose a suitable wife. As the Eiffel Tower rises, a marvel of steel and air and light, the subject of extreme controversy and a symbol of the future, Cait and Émile must decide what their love is worth. Seamlessly weaving historical detail and vivid invention, Beatrice Colin evokes the revolutionary time in which Cait and Émile live - one of corsets and secret trysts, duels and Bohemian independence, strict tradition and Impressionist experimentation. To Capture What We Cannot Keep, stylish, provocative, and shimmering, raises probing questions about a woman's place in that world, the overarching reach of class distinctions, and the sacrifices love requires of us all.

    This is the Paris you never knew. From the Revolution to the present, Graham Robb has distilled a series of astonishing true narratives, all stranger than fiction. A young artillery lieutenant, strolling through the Palais-Royal, observes disapprovingly the courtesans plying their trade. A particular woman catches his eye; nature takes its course. Later that night Napoleon Bonaparte writes a meticulous account of his first sexual encounter. An aristocratic woman, fleeing the Louvre, takes a wrong turn and loses her way in the nameless streets of the Left Bank. For want of a map—there were no reliable ones at the time—Marie-Antoinette will go to the guillotine. Baudelaire, Baron Haussmann, the real-life Mimi of La Bohème, Proust, Charles de Gaulle (who is suspected of having faked an assassination attempt on himself in Notre Dame) —these and many more are Robb’s cast of characters. The result is a resonant, intimate history with the power of a great novel. 16 pages of illustrations.