Leaving behind his homeland of Sudan, where his father died in the war, he has little to call his own other than his name, a Dinka name handed down proudly from his father and grandfather before him / When Sangoel and his mother and sister arrive in the United States, everything seems very strange and unlike home. In this busy, noisy place, with its escalators and television sets and traffic and snow, Sangoel quietly endures the fact that no one can pronounce his name. Lonely and homesick, he finally comes up with an ingenious solution to this problem, and in the process he at last begins to feel at home.

    Hers was a school of faraway places. So when Lola's teacher asks the students to draw a picture of where their families immigrated from, all the kids are excited. Except Lola. She can't remember The Island—she left when she was just a baby. But with the help of her family and friends, and their memories—joyous, fantastical, heartbreaking, and frightening—Lola's imagination takes her on an extraordinary journey back to The Island. As she draws closer to the heart of her family's story, Lola comes to understand the truth of her abuela's words: “Just because you don't remember a place doesn't mean it's not in you.”

    At the goodbye party for her family, she and her friend Kisuni sit under a tree, reassuring each other they will stay in touch. Stirring illustrations mirror the moods of this sensitive story and capture the exotic beauty of Jangmi's Korean homeland. Full-color illustrations.

    When her school decides to perform Peter Pan, Grace longs to play the lead, but her classmates point out that Peter was a boy. Besides, he wasn't black. With the support of her family, Grace learns that she can be anything she wants to be, and the results are amazing!Remarkable watercolor illustrations give full expression to Grace's high-flying imagination.

    . . and they're not sure they want to. Irene Latham, who is white, and Charles Waters, who is black, use this fictional setup to delve into different experiences of race in a relatable way, exploring such topics as hair, hobbies, and family dinners. Accompanied by artwork from acclaimed illustrators Sean Qualls and Selina Alko, this remarkable collaboration invites readers of all ages to join the dialogue by putting their own words to their experiences.

    . . and reading. In 1994, Yuyi Morales left her home in Xalapa, Mexico and came to the US with her infant son. She left behind nearly everything she owned, but she didn't come empty-handed.She brought her strength, her work, her passion, her hopes and dreams...and her stories.

    Through energy and encouragement, CJ's nana helps him see the beauty and fun in their routine.This beautifully illustrated, emotive picture book explores urban life with honesty, interest and gratitude.Last Stop on Market Street has won multiple awards and spent time at the number one spot in the New York Times Bestseller List.

    Fry bread is food.It is warm and delicious, piled high on a plate.Fry bread is time.It brings families together for meals and new memories.Fry bread is nation.It is shared by many, from coast to coast and beyond.Fry bread is us.It is a celebration of old and new, traditional and modern, similarity and difference.

    This year, Ti Gran is teaching Belle how to make the soup -- Freedom Soup -- just like she was taught when she was a little girl. Together, they dance and clap as they prepare the holiday feast, and Ti Gran tells Belle about the history of the soup, the history of Belle's family, and the history of Haiti, where Belle's family is from. In this celebration of cultural traditions passed from one generation to the next, Jacqueline Alcantara's lush illustrations bring to life both Belle's story and the story of the Haitian Revolution. Tami Charles's lyrical text, as accessible as it is sensory, makes for a tale that readers will enjoy to the last drop.

    One is raised by a grandmother, and another has two dads. One is full of stepsiblings, and another has a new baby.As one by one, her classmates describe who they live with and who loves them — family of every shape, size and every kind of relation — the child realizes that as long as her family is full of caring people, her family is special.A warm and whimsical look at many types of families written by award-winning author Sara O’Leary, A Family is a Family is a Family springs to life with quirky and sweet illustrations by Qin Leng.

    But as they sit down to draw together, something magical happens-with a shared love of art and storytelling, the two form a bond that goes beyond words.

    When she starts to draw, her imagination takes off. Enter her world, look at her pictures, and watch her stories grow and grow—just like the forest of cherry trees she imagines right on her own block.

    But when Juan's gift is too big to fit through the slats in the fence, Maria has a brilliant idea. She makes it into a kite that soars over the top of the iron bars.Here is a heartwarming tale of multi-cultural families, and the miracle of love.

    It's close--just down the street from his school--and it's a twin of where he lives. To get there, his father drives their truck along the Rio Grande and over a bridge, where they're greeted by a giant statue of an eagle. Their outings always include a meal at their favorite restaurant, a visit with Tío Mateo at his jewelry store, a cold treat from the paletero, and a pharmacy pickup. On their final and most important stop, they check in with friends seeking asylum and drop off much-needed supplies.My Two Border Towns by David Bowles, with illustrations by Erika Meza, is the loving story of a father and son's weekend ritual, a demonstration of community care, and a tribute to the fluidity, complexity, and vibrancy of life on the U.S.-Mexico border.

    It is a time of hope, and you don't have to be Chinese to celebrate it! His best friend, Glenn, who is French and German, and his cousin Evelyn, part Hopi and part Mexican, like the food and the envelopes of money, while he celebrates the fresh start the day offers. He cleans the house to make room for luck, and is glad the palms of his hands itch - that means he is coming into money. Most of all, he vows not to say things such as "can't do / don't have / why me" because he has dreams he is ready to make come true. Janet S. Wong's spare, lyrical couplets voice a child's determination to face the new year with courage and optimism. Yangsook Choi captures the spirit of celebration in her vibrant, energetic pictures.