That's because the key to a good marriage is honest, complete, and humble confession of sin. This short little book, coming from a pastor with forty years of experience, offers concrete practical suggestions about how to confess sin properly and how to avoid other snares that married people tend to get snagged on, usually depending on whether they're the man or the woman. Decluttering Your Marriage will give you much gospel advice, with much gospel encouragement. Features an extra checklist to help implement this book in your day-to-day lives.

    The director of two feature films with Buddhist themes (the international sensation The Cup and Travelers and Magicians), this provocative teacher, artist, and poet is widely known and admired by Western Buddhists.Moving away from conventional presentations of Buddhist teachings, Khyentse challenges readers to make sure they know what they're talking about before they claim to be Buddhist. With wit and irony, Khyentse urges readers to move beyond the superficial trappings of Buddhism beyond a romance with beads, incense, and exotic people in robes straight to the heart of what the Buddha taught.In essence, this book explains what a Buddhist really is, namely, someone who deeply understands the truth of impermanence and how our emotions can trap us in cycles of suffering. Khyentse presents the fundamental tenets of Buddhism in simple language, using examples we can all relate to.

    The author has now revised the original edition to clear up a number of difficulties he and others have found in the original book.Rawls aims to express an essential part of the common core of the democratic tradition - justice as fairness - and to provide an alternative to utilitarianism, which had dominated the Anglo-Saxon tradition of political thought since the nineteenth century. Rawls substitutes the ideal of the social contract as a more satisfactory account of the basic rights and liberties of citizens as free and equal persons. "Each person," writes Rawls, "possesses an inviolability founded on justice that even the welfare of society as a whole cannot override." Advancing the ideas of Rousseau, Kant, Emerson, and Lincoln, Rawls's theory is as powerful today as it was when first published.

    

    The last twenty years has seen a cottage industry of books on this divide, but with little consensus emerging. Plantinga, as a top philosopher but also a proponent of the rationality of religious belief, has a unique contribution to make. His theme in this short book is that the conflict between science and theistic religion is actually superficial, and that at a deeper level they are in concord.Plantinga examines where this conflict is supposed to exist -- evolution, evolutionary psychology, analysis of scripture, scientific study of religion -- as well as claims by Dan Dennett, Richard Dawkins, and Philip Kitcher that evolution and theistic belief cannot co-exist. Plantinga makes a case that their arguments are not only inconclusive but that the supposed conflicts themselves are superficial, due to the methodological naturalism used by science. On the other hand, science can actually offer support to theistic doctrines, and Plantinga uses the notion of biological and cosmological "fine-tuning" in support of this idea. Plantinga argues that we might think about arguments in science and religion in a new way -- as different forms of discourse that try to persuade people to look at questions from a perspective such that they can see that something is true. In this way, there is a deep and massive consonance between theism and the scientific enterprise.

    Figuring Out Faith?1- Everyone is Religion2- How Religion Ruins the World3- Getting Rid of Religion Doesn't Help4- God Doesn't Exist to Be Used5- ...& Neither Do You6- THE SOLUTION: Living WITH God7- The "Radical" Life Isn't What You Think8- The World Is A Perfectly Safe Place (Really)9- All You Need Is Love

    Each chapter covers a specific facet of this doctrine and also has study questions accompanying each chapter making this an accessible introduction to the doctrine of divine impassibility for lay people in the Church.

    Man's longing for paradise.

    This edition restores the original format with 2 paintings and 12 drawings.

    It would alsomake a good RCIA resource as well as a blockbuster stimulus fordiscussions."—Book Nook, Pecos BenedictineThe authors answer the question, "Why Be Catholic?" fairly and squarely, showing a deep appreciation about what is good in Catholicism and a penetrating honesty about the Church's shortcomings. Rohr and Martos also examine what it means to be Catholic in the United States today. Finally, to answer the title question in a more personal way, they present portraits of some outstanding Catholics, especially those we call saints, who have found personal fulfillment by living their faith to the utmost.After reading this book, you will appreciate more fully the unique heritage of the Catholic Church. You will understand how its magnificent tradition enriches the lives of Catholics today and propels the ever-changing Church into the 21st century and third millennium. A popular resource for RCIA, evangelization and religious education.

    There is, in fact, a redemptive moment that gets lost in the outright liberal-democratic rejection of revolutionary authoritarianism and the valorization of soft, consensual, decentralized politics.Žižek claims that, particularly in light of the forthcoming ecological crisis, we should reinvent revolutionary terror and the dictatorship of the proletariat in the struggle for universal emancipation. We need to courageously accept the return to this Cause — even if we court the risk of a catastrophic disaster. In the words of Samuel Beckett: ‘Try again. Fail again. Fail better.’

    Born into the Russian nobility, he renounced his hereditary rank in protest against Czarist oppression and fled to Western Europe. A colorful, charismatic personality, Bakunin quickly became central to the anarchism movement, and everyone involved either built upon or reacted to his ideas. Yet Bakunin, despite the power of his ideas, was primarily a man of action, and he wrote little. His only major work, God and the State, remained unfinished, although it is the torso of a giant.God and the State has been a basic anarchist and radical document for generations. It is one of the clearest statements of the anarchist philosophy of history: religion by its nature is an impoverishment, enslavement, and annihilation of humanity. It is the weapon of the state. It must be smashed, according to Bakunin, before the right of self-determination can be possible. As an introduction to anarchist thought, a manifesto of atheism, or as a summing-up of the thoughts of Bakunin, God and the State remains a mind-opening experience, even for those basically unsympathetic to its premise.

    Recently, Agamben has begun to direct his thinking to the constitution of the social and to some concrete, ethico-political conclusions concerning the state of society today, and the place of the individual within it.In Homo Sacer, Agamben aims to connect the problem of pure possibility, potentiality, and power with the problem of political and social ethics in a context where the latter has lost its previous religious, metaphysical, and cultural grounding. Taking his cue from Foucault’s fragmentary analysis of biopolitics, Agamben probes with great breadth, intensity, and acuteness the covert or implicit presence of an idea of biopolitics in the history of traditional political theory. He argues that from the earliest treatises of political theory, notably in Aristotle’s notion of man as a political animal, and throughout the history of Western thinking about sovereignty (whether of the king or the state), a notion of sovereignty as power over “life” is implicit.The reason it remains merely implicit has to do, according to Agamben, with the way the sacred, or the idea of sacrality, becomes indissociable from the idea of sovereignty. Drawing upon Carl Schmitt’s idea of the sovereign’s status as the exception to the rules he safeguards, and on anthropological research that reveals the close interlinking of the sacred and the taboo, Agamben defines the sacred person as one who can be killed and yet not sacrificed—a paradox he sees as operative in the status of the modern individual living in a system that exerts control over the collective “naked life” of all individuals.

    The text has influenced thinkers such as Judith Butler, Ernesto Laclau and Slavoj Žižek.The piece is, in fact, an extract from a much longer book, On the Reproduction of Capitalism, until now unavailable in English. Its publication makes possible a reappraisal of seminal Althusserian texts already available in English, their place in Althusser’s oeuvre and the relevance of his ideas for contemporary theory. On the Reproduction of Capitalism develops Althusser’s conception of historical materialism, outlining the conditions of reproduction in capitalist society and the revolutionary struggle for its overthrow.Written in the afterglow of May 1968, the text addresses a question that continues to haunt us today: in a society that proclaims its attachment to the ideals of liberty and equality, why do we witness the ever-renewed reproduction of relations of domination? Both a conceptually innovative text and a key theoretical tool for activists, On the Reproduction of Capitalism is an essential addition to the corpus of the twentieth-century Left.

    It takes the form of a diary, recording the earliest days of World War II and the Nazi occupation of France, but this is no ordinary day book: it records the author’s journey through a war-torn world without transcendence. Bataille’s spiritual journey is also an intellectual one, a trip with Hegel, Kierkegaard, Blake, Baudelaire and Nietzsche as his companions. And it is a school of the flesh wherein eroticism and mysticism are fused in a passionate search for pure immanence. Georges Bataille said of his work: “I teach the art of turning horror into delight.” This new translation of Guilty is the first to include the full text from Bataille’s Oeuvres Complètes. The text includes Bataille’s notes and drafts, which permit the reader to trace the development of the book from diary to draft to published text, as well as annotations of Bataille’s source materials. An extensive and incisive introductory essay by Stuart Kendall situates the work historically, biographically, and philosophically. Guilty is Bataille’s most demanding, intricate, and multilayered work, but it is also his most personal and moving one.