A lively and still one of the best introductions to philosophy, this book pays off both a closer reading for students and specialists, and a casual reading for the general public.

    For Albert Camus, the urge to revolt is one of the "essential dimensions" of human nature, manifested in man's timeless Promethean struggle against the conditions of his existence, as well as the popular uprisings against established orders throughout history. And yet, with an eye toward the French Revolution and its regicides and deicides, he shows how inevitably the course of revolution leads to tyranny, as old regimes throughout the world collapse, The Rebel resonates as an ardent, eloquent, and supremely rational voice of conscience for our tumultuous times.Translated from the French by Anthony Bower.

    This legendary attack on the philosophies of Plato, Hegel and Marx prophesied the collapse of communism in Eastern Europe and exposed the fatal flaws of socially engineered political systems. It remains highly readable, erudite and lucid and as essential reading today as on publication in 1945. It is available here in a special centenary single-volume edition.

    The result is nothing less than an archaeology of the sciences that unearths old patterns of meaning and reveals the shocking arbitrariness of our received truths.In the work that established him as the most important French thinker since Sartre, Michel Foucault offers startling evidence that “man”—man as a subject of scientific knowledge—is at best a recent invention, the result of a fundamental mutation in our culture.

    It is both witness and tribute to the late theory of mind—the so-called structural theory, with its stress on aggression, indeed the death drive, as the pitiless adversary of eros.Civilization and Its Discontents is one of the last of Freud's books, written in the decade before his death and first published in German in 1929. In it he states his views on the broad question of man's place in the world, a place Freud defines in terms of ceaseless conflict between the individual's quest for freedom and society's demand for conformity.Freud's theme is that what works for civilization doesn't necessarily work for man. Man, by nature aggressive and egotistical, seeks self-satisfaction. But culture inhibits his instinctual drives. The result is a pervasive and familiar guilt.Of the various English translations of Freud's major works to appear in his lifetime, only one was authorized by Freud himself: The Standard Edition of the Complete Psychological Works of Sigmund Freud under the general editorship of James Strachey.Freud approved the overall editorial plan, specific renderings of key words and phrases, and the addition of valuable notes, from bibliographical and explanatory. Many of the translations were done by Strachey himself; the rest were prepared under his supervision. The result was to place the Standard Edition in a position of unquestioned supremacy over all other existing versions.

    Originally published in the same year as his monumental Work on Myth, Shipwreck with Spectator traces the evolution of the complex of metaphors related to the sea, to shipwreck, and to the role of the spectator in human culture from ancient Greece to modern times. The sea is one of humanity's oldest metaphors for life, and a sea journey, Blumenberg observes, has often stood for our journey through life. We all know the role that shipwrecks can play in this journey, and at some level we have all played witness to others' wrecks, standing in safety and knowing that there is nothing we can do to help, yet fixed comfortably or uncomfortably in our ambiguous role as spectator. Through Blumenberg's seemingly inexhaustible knowledge of letters, from ancient texts through nineteenth-century reminiscences and modern speeches, we see layer upon layer revealed in the meaning humans have given to these metaphors; and in this way we begin to understand what metaphors can do that more straightforward modes of expression cannot. This edition of Shipwreck with Spectator also includes "Prospect for a Theory of Nonconceptuality," an essay that recounts the evolution of Blumenberg's ideas about metaphorology in the years following his early manifesto "Paradigms for a Metaphorology."

    If...we could ask and it could reply, it would give up to us the most intimate secrets of life. -from Chapter II Anticipating not only modern scientific theories of psychology but also those of cosmology, this astonishing book sets out a impressive goal for itself: to reconcile human biology with a theory of consciousness. First published in France in 1907, and translated into English in 1911, this work of wonder was esteemed at the time in scientific circles and in the popular culture alike for its profound explorations of perception and memory and its surprising conclusions about the nature and value of art. Contending that intuition is deeper than intellect and that the real consequence of evolution is a mental freedom to grow, to change, to seek and create novelty, Bergson reinvigorated the theory of evolution by refusing to see it as merely mechanistic. His expansion on Darwin remains one of the most original and important philosophical arguments for a scientific inquiry still under fire today. French philosopher HENRI BERGSON (1859-1941) was born in Paris. Among his works are Matter and Memory (1896), An Introduction to Metaphysics (1903), and The Two Sources of Morality and Religion (1932). He was awarded the Nobel Prize for Literature in 1927.

    Written toward the end of his life in order to support a metaphysics of simple substances, it's thus about formal atoms which aren't physical but metaphysical. The Monadology is written in 90 logical paragraphs, each generally following from the previous. Its name is due to the fact that Leibniz, imitating Marsilio Ficino, Giordano Bruno & Viscountess Anne Conway, wanted to keep together the meanings of monas (Greek, unity) & logos (treatise/science/word/reason). Therefore, the Monadology came to be the science of the unity. The text is dialectically reasoned, facing questions & problems helping readers to advance. For instance, it can be accepted that composed bodies are something derived, extended, phenomenal or repeated according to simple substances (later expressed by Kant's phenomena-noumena dichotomy). Is the soul a monad? If affirmative, then the soul is a simple substance. If it's an aggregate of matter, then it cannot be a monad. Leibniz, 1st using the term in 1696, ties almost all ancient & early modern meanings of "monad" together in his metaphysical hypothesis of infinitely many simple substances. Monads are everywhere in matter & are either noticeably active (awake), when they form the central or governing monad, which is the center of activity & of perception within an organism, or they are only weakly active (asleep), when they belong to the countless subordinate monads w/in or outside of an organic body. Monads are the sources of any spontaneous action unexplainable in mechanical terms. They constitute the unity of any individual. All monads are living mirrors representing the whole universe, because of the lack of any vacuum they have an irrecognizably obscure recognition of every body in the world; & they appetite, which means they strive from one perception to the next. Nevertheless all monads differ in the degree of clarity & distinction with which they perceive the surrounding world according to the organic body in which they're incorporated. The most fundamental level in the hierarchy of monads are the entelechies, which are genuine centers of a non-physical force, namely a spontaneous activity in organisms. If these centers are capable of sentiment & memory, as in animals, they're called souls. The highest level of monads are souls endowed with reason, or spirits, reflectively self-conscious. Leibniz characterizes monads as metaphysical points, animate points or metaphysical atoms. In contrast to those physical atoms postulated by classic atomism they aren't extended & thus aren't bodies. As he explains in letters to Burchard de Volder & Bartholomew des Bosses, this doesn't imply that monads are immaterial. They rather consist of two inseparable principles constituting together a complete substance or monad: the innermost center of a monad, i.e. the mathematical point, where the entelechy, soul or spirit is located, is the monad's inner form. This form has no existence in itself, but is incarnated in a physical point or an infinitesimally small sphere, the "vehicle of the soul". This hull consists of a special matter, called primary matter (materia prima-matière primitive). The problem that monads are supposed to have some kind of matter on the one hand, but to have neither any parts nor extension on the other, may be explained by the dynamic nature of primary matter. Leibniz conceives primary matter in contrast to the 2nd matter (materia secunda), i.e. extended & purely phenomenal bodies. Primary matter is a very fine, fluid & elastic matter, which he identifies in his early "Hypothesis physica nova" (1671) with aether, spiritus or matter of light, flowing anywhere thru every body. Strictly taken, this primary matter or matter of light doesn't consist in "extension, but in the desire to extension": "The nature of light strives to extend itself". The animate centre of a monad cannot exist w/out the encasing coating fluid of light, because 1stly monads w/out this passive principle couldn't perceive any impressions from the exterior world, & because 2ndly they'd have no limitation of power. "It follows that God can never strip any created substance bare of its primary matter, even tho by his absolute power he can take off her 2ndary matter; otherwise he would make it become pure activity, which can only be himself." Only God is free from any matter, he's the creating 1st monad, out of which all created monads derive by continuous effulgurations. The punch-line of the monad or metaphysical point is its dynamical unity of the mathematical centre & the encasing physical point: The fluid ethereal sphere of the monad is extended, has parts & can be destroyed, but in every deformation or division of the sphere the mathematical point in which the soul is incarnated shall outlive within the smallest remaining fluid. Indestructible therefore isn't the whole sphere consisting in matter of light, but only the dynamic point within the monad. Leibniz understands monads as the intellectual answer to the mind-body problem, radically exposed by Descartes. Because he conceives soul (not the monad) as an immaterial centre, he denies any direct interaction or physical influence (influxus physicus) between body & soul. He allocates the causal connection between both w/in the monad, because its fluid ethereal matter is the substantial bond (vinculum substantiale) between body & mind. The circulation of the aether or matter of light thru visible worldly bodies is the preestablished divine artifice, which constitutes the exact correspondence & harmony between the perceptions of the soul & the bodies' movements. Preestablished harmony doesn't only govern the relation between body & soul, but also between monads. According to Leibniz’ slogan, monads have "no windows" or portals, thru which something could enter from the outside or could escape from the inside since the monad's center in which the soul is incarnated is always encased by its own primary matter. Despite that, the monad represents in a spontaneous act the surrounding world with an individual perspective, constituted by its punctual structure of centre, radius & circumference. The Monadology tried to put an end from a monist point of view to the main question of what is reality & particularly to the problem of communication of substances, both studied by Descartes. Leibniz offered a new solution to mind/matter interaction by means of a preestablished harmony expressed as the Best of all possible worlds form of optimism; in other words, he drew the relationship between “the kingdom of final causes”, or teleological ones, & “the kingdom of efficient causes”, or mechanical ones, which wasn't causal, but synchronous. Monads & matter are only apparently linked. There isn't even any communication between different monads, as far as they act according to their degree of distinction only, as they were influenced by bodies & vice versa. Leibniz fought against Cartesian dualism in his Monadology & tried to surpass it thru a metaphysical system considered at the same time monist (since only the unextended is substantial) & pluralist (as substances are disseminated in the world in infinite number). For that reason the monad is an irreducible force, which makes it possible for the bodies to have the characteristics of inertia & impenetrability, & which contains in itself the source of all its actions. Monads are the 1st elements of every composed thing.

    They chart the course of "true" socialism based on G. W.F. Hegel's dialectic, while criticizing the ideas of Bruno Bauer, Max Stirner and Ludwig Feuerbach. Marx expanded his criticism of the latter in his now famous Theses on Feuerbach, found after Marx's death and published by Engels in 1888. Introduction to the Critique of Political Economy, also found among the posthumous papers of Marx, is a fragment of an introduction to his main works. Combining these three works, this volume is essential for an understanding of Marxism.

    Focusing on the relationships among political leadership, the norms of the legal order, and the state of political emergency, Schmitt argues in Political Theology that legal order ultimately rests upon the decisions of the sovereign. According to Schmitt, only the sovereign can meet the needs of an "exceptional" time and transcend legal order so that order can then be reestablished. Convinced that the state is governed by the ever-present possibility of conflict, Schmitt theorizes that the state exists only to maintain its integrity in order to ensure order and stability. Suggesting that all concepts of modern political thought are secularized theological concepts, Schmitt concludes Political Theology with a critique of liberalism and its attempt to depoliticize political thought by avoiding fundamental political decisions.

    . . profound, reflective, and enlightening. --Boston GlobeAccording to Deepak Chopra, Watts was a spiritual polymatch, the first and possibly greatest. Drawing on ancient and modern sources, Watts treats the Chinese philosophy of Tao in much the same way as he did Zen Buddhism in his classic The Way of Zen. Critics agree that this last work stands as a perfect monument to the life and literature of Alan Watts.Perhaps the foremost interpreter of Eastern disciplines for the contemporary West, . . . Watts begins with scholarship and intellect and proceeds with art and eloquence to the frontiers of the spirit.--Los Angeles Times

    He argues that the only feasible explanations of scientific successes are historical explanations, and that anarchism must now replace rationalism in the theory of knowledge.

    Hegel's mind is revealed to be a less systematic mechanism than normally thought, one whose ideas never solidify into pure abstractions. The conclusion of the Phenomenology, on the aftermath of the French Revolution, is examined as a provisional stalemate between the political and the social—a situation from which Jameson draws important lessons for our own age.

    Michael Chase's lucid translation—complete with a useful chronology and analytical bibliography—at last makes this book available to the English-speaking world.Hadot carefully examines Plotinus's views on the self, existence, love, virtue, gentleness, and solitude. He shows that Plotinus, like other philosophers of his day, believed that Plato and Aristotle had already articulated the essential truths; for him, the purpose of practicing philosophy was not to profess new truths but to engage in spiritual exercises so as to live philosophically. Seen in this light, Plotinus's counsel against fixation on the body and all earthly matters stemmed not from disgust or fear, but rather from his awareness of the negative effect that bodily preoccupation and material concern could have on spiritual exercises.

    Barrett speaks eloquently and directly to concerns of the 1990s: a period when the irrational and the absurd are no better integrated than before and when humankind is in even greater danger of destroying its existence without ever understanding the meaning of its existence.Irrational Man begins by discussing the roots of existentialism in the art and thinking of Augustine, Aquinas, Pascal, Baudelaire, Blake, Dostoevski, Tolstoy, Hemingway, Picasso, Joyce, and Beckett. The heart of the book explains the views of the foremost existentialists--Kierkegaard, Nietzsche, Heidegger, and Sartre. The result is a marvelously lucid definition of existentialism and a brilliant interpretation of its impact.