Dating services. Singles cruises. Aphrodisiacs. Homemade videos. Escort services. If it's about love, lust, or being shamelessly single, Anka puts her raw and raucous spin on the naked facts of life in the '90s.BACHELOR PADS: YOUR PLACE OR MINE?The goal of this type of dwelling is to put us in the mood. Hence, the decor combines all the ambiance of a furniture showroom with the comfort of a car's backseat. Women do not find this romantic."IRREVERENT.--PeoplePARTY ETIQUETTE: MISSED MANNERSWomen go to parties hoping to see Prince Charming across a crowded room. But sometimes all we spot is a man dancing with underwear on his head, making gastrointestinal sounds with his armpits."A VICARIOUS THRILL...EXPLICIT AND FUNNY."--USA TodayTHE GOODBYE GIRL: DUMPING THE BOYFRIENDThe most noble way to cut someone loose is, of course, in person. This has its drawbacks, however, including the possibility that the dumpee might think you are kidding and return five minutes later with a quart of milk."EROTIC."--New York MagazineGIRL TALK: TALES FROM BELOW THE BELTWhat makes our gatherings different from boys' night out is that nothing is too personal to say. And nobody drinks ten beers and throws up."The Cynthia Heimel of the slacker set, she's smart and progressive....Radakovich has wit to burn."--Entertainment Weekly

    She surveyed the darkest corners of Internet chat rooms, and made a pilgrimage to London to savor the most caustic and literate obits of all. Now she leads us on a compelling journey into the cult and culture behind the obituary page and the unusual lives we don't quite appreciate until they're gone.

    From his perch as a staff writer at The New Yorker, Cuppy observed the world and found a great deal that annoyed him. This collection of essays on animals includes "Birds Who Can't Even Fly," "Optional Insects," "Octopuses and Those Things", and "How to Swat a Fly," which codifies the essentials in ten hilarious principles. And three essays on wombats. Perfect reading for the perplexed, befuddled, and perpetually irritated.

    Classic read from a very funny Dad.

    Vowell tackles subjects such as identity, politics, religion, art, and history with a biting humor. She searches the streets of Hoboken for traces of the town's favorite son, Frank Sinatra. She goes under cover of heavy makeup in an investigation of goth culture, blasts cannonballs into a hillside on a father-daughter outing, and maps her family's haunted history on a road trip down the Trail of Tears. Vowell has an irresistible voice—caustic and sympathetic, insightful and double-edged—that has attracted a loyal following for her magazine writing and radio monologues on This American Life.

    With twenty-five tales of intriguing, shocking and incredible Christmas incidents, the British public will finally appreciate the sacrifices made and the challenges faced by the unsung heroes of the NHS.Twas The Nightshift Before Christmas will be fully illustrated (as tastefully as possible) and will delight all of Adam’s fans throughout the festive period of Christmas 2019 and for many years to come.

    Her questions rattled people because they exposed the inconsistencies and hypocrisies in the people and institutions she confronted. Yet she didn't let that stop her from pursuing her dreams.Funny and biting, honest and poignant, this no-holds-barred collection gives an in-depth look into the life of one of today's most influential comic voices. In writing about her childhood longing to be a priest, her role in developing The Daily Show, and of her often problematic habit of diving into everything head first, asking questions later (resulting in multiple rescue-dog adoptions and travel disasters), Lizz Winstead has tapped an outrageous and heartfelt vein of the all-too-human comedy.

    At fifteen, he took a job washing dishes in a local comedy club—just so he could watch endless stand-up for free. At sixteen, he was hosting a show for his local high school radio station in Syosset, Long Island—a show that consisted of Q&As with his comedy heroes, from Garry Shandling to Jerry Seinfeld. They talked about their careers, the science of a good joke, and their dreams of future glory (turns out, Shandling was interested in having his own TV show one day and Steve Allen had already invented everything).Thirty years later, Apatow is still that same comedy nerd—and he’s still interviewing funny people about why they do what they do.Sick in the Head gathers Apatow’s most memorable and revealing conversations into one hilarious, wide-ranging, and incredibly candid collection that spans not only his career but his entire adult life. Here are the comedy legends who inspired and shaped him, from Mel Brooks to Steve Martin. Here are the contemporaries he grew up with in Hollywood, from Spike Jonze to Sarah Silverman. And here, finally, are the brightest stars in comedy today, many of whom Apatow has been fortunate to work with, from Seth Rogen to Amy Schumer. And along the way, something kind of magical happens: What started as a lifetime’s worth of conversations about comedy becomes something else entirely. It becomes an exploration of creativity, ambition, neediness, generosity, spirituality, and the joy that comes from making people laugh.Loaded with the kind of back-of-the-club stories that comics tell one another when no one else is watching, this fascinating, personal (and borderline-obsessive) book is Judd Apatow’s gift to comedy nerds everywhere.Praise for Sick in the Head“I can’t stop reading it. . . . I don’t want this book to end.”—Jimmy Fallon “An essential for any comedy geek.”—Entertainment Weekly “Fascinating . . . a collection of interviews with many of the great figures of comedy in the latter half of the twentieth century.” —The Washington Post “Open this book anywhere, and you’re bound to find some interesting nugget from someone who has had you in stitches many, many times.”—Janet Maslin, The New York Times “An amazing read, full of insights and connections both creative and interpersonal.”—The New Yorker “Fascinating and revelatory.” —Chicago Tribune “For fans of stand-up, Sick in the Head is a Bible of sorts.”—Newsweek“These are wonderful, expansive interviews—at times brutal, at times breathtaking—with artists whose wit, intelligence, gaze, and insights are all sharp enough to draw blood.”—Michael Chabon “Anyone even remotely interested in comedy or humanity should own this book. It is hilarious and informative and it contains insightful interviews with the greatest comics, comedians, and comediennes of our time. My representatives assure me I will appear in a future edition.”—Will FerrellFrom the Hardcover edition.

    From her well-remembered New Yorker essays about the financial demands of big-city ambition and the ethereal, strangely old-fashioned allure of cyber relationships to her dazzlingly hilarious riff in Harper's about musical passions that give way to middle-brow paraphernalia, Daum delves into the center of things while closely examining the detritus that spills out along the way. She speaks to questions at the root of the contemporary experience, from the search for authenticity and interpersonal connection in a society defined by consumerism and media; to the disenchantment of working in a "glamour profession"; to the catastrophic effects of living among New York City's terminal hipsters. With precision and well-balanced irony, Daum implicates herself as readily as she does the targets that fascinate and horrify her. In a review of The KGB Bar Reader, in which Daphne Merkin singled out Daum's essay about the inability to mourn a friend's death, Merkin wrote: "It's brutally quick, the way this happens, this falling in love with a writer's style. Daum's story hooked me by the second line. Hmm, I thought, this is a writer worth suspending my routines for."

    If the genesis for a book is to shut your wife up, I guess that’s as good as any.  On top of that, Olivia’s mother had burdened her with one of those Southern middle names kids love to make fun.  To see “deBelle” printed on the front of a book seemed vindication for all the childhood teasing.  With storytelling written in the finest Southern tradition from the soap operas of Chandler Street in the quaint town of Gainesville, Georgia, to a country store on the Alabama state line, Oliviade Belle Byrd delves with wit and amusement into the world of the Deep South with all its unique idiosyncrasies and colloquialisms.  The characters who dance across the pages range from Great-Aunt LottieMae, who is as “old-fashioned and opinionated as the day is long,” to Mrs. Brewton, who calls everyone “dahling” whether they are darling or not, to Isabella with her penchant for mint juleps and drama.  Humorous anecdotes from a Christmas coffee, where one can converse with a lady who has Christmas trees with blinking lights dangling from her ears, to Sunday church,where a mink coat is mistaken for possum, will delight Southerners and baffle many a non-Southerner. There is the proverbial Southern beauty pageant, where even a six-month-old can win a tiara, to a funeral faux pas of the iron clad Southern rule—one never wears white after Labor Day and, dear gussy, most certainly not to a funeral.  Miss Hildreth Wore Brown—Anecdotes of a Southern Belle is guaranteed to provide an afternoon of laugh-out-loud reading and hilarious enjoyment.

    But that's a bunch of bull crap! You dummies don't know anything. And maybe YOU should get a life. I bet a lot of you have never even seen a girl naked! You idiots believe that ninjas had some "code of honor." Yeah right! If by "code of honor," you mean "code to flip out and go nuts for absolutely no reason at all even if it means that people might think you are totally insane or sweet," then you are right. But if you mean a "code to be nice and speak nicely while sharing and not cutting off heads," then you're the biggest idiot ever!!!!!! So if you have any brains, you will shut up and get a life. So go shut up, you stupid idiot. No thank you, Robert Hamburger

    At once a memoir, meditation on the artistic process, and advice on craft, Still Writing is an intimate and eloquent companion to living a creative life.Through a blend of deeply personal stories about what formed her as a writer, tales from other authors, and a searching look at her own creative process, Shapiro offers her gift to writers everywhere: an elegant guide of hard-won wisdom and advice for staying the course. "The writer's life requires courage, patience, empathy, openness. It requires the ability to be alone with oneself. Gentle with oneself. To be disciplined, and at the same time, take risks." Writers--and anyone with an artistic temperament--will find inspiration and comfort in these pages. Offering lessons learned over twenty years of teaching and writing, Shapiro brings her own revealing insights to weave an indispensable almanac for modern writers.Like Anne Lamott's Bird by Bird, Virginia Woolf's A Writer's Diary, and Stephen King's On Writing, Dani Shapiro's Still Writing is a lodestar for aspiring scribes and an eloquent memoir of the writing life.

    Its affectionate, wacky, and wryly realistic portrayal of an American family’s typical Christmas joys and travails in small-town Depression-era Indiana has entered our imagination and our hearts with a force equal to It’s a Wonderful Life and Miracle on 34th Street.This edition of A Christmas Story gathers together in one hilarious volume the gems of autobiographical humor that Jean Shepherd drew upon to create this enduring film. Here is young Ralphie Parker’s shocking discovery that his decoder ring is really a device to promote Ovaltine; his mother and father’s pitched battle over the fate of a lascivious leg lamp; the unleashed and unnerving savagery of Ralphie’s duel in the show with the odious bullies Scut Farkas and Grover Dill; and, most crucially, Ralphie’s unstoppable campaign to get Santa—or anyone else—to give him a Red Ryder carbine action 200-shot range model air rifle. Who cares that the whole adult world is telling him, “You’ll shoot your eye out, kid”?The pieces that comprise A Christmas Story, previously published in the larger collections In God We Trust, All Others Pay Cash and Wanda Hickey’s Night of Golden Memories, coalesce in a magical fashion to become an irresistible piece of Americana, quite the equal of the film in its ability to warm the heart and tickle the funny bone.From the Hardcover edition.

    But for eighty years, it’s also been a hoot. In fact, when Harold Ross founded the legendary magazine in 1925, he called it “a comic weekly,” and while it has grown into much more, it has also remained true to its original mission. Now an uproarious sampling of its funny writings can be found in a hilarious new collection, one as satirical and witty, misanthropic and menacing, as the first, Fierce Pajamas. From the 1920s onward–but with a special focus on the latest generation–here are the humorists who set the pace and stirred the pot, pulled the leg and pinched the behind of America. S. J. Perelman unearths the furious letters of a foreign correspondent in India to the laundry he insists on using in Paris (“Who charges six francs to wash a cummerbund?!”). Woody Allen recalls the “Whore of Mensa,” who excites her customers by reading Proust (or, if you want, two girls will explain Noam Chomsky). Steve Martin’s pill bottle warns us of side effects ranging from hair that smells of burning tires to teeth receiving radio broadcasts. Andy Borowitz provides his version of theater-lobby notices (“In Act III, there is full frontal nudity, but not involving the actor you would like to see naked”). David Owen’s rules for dating his ex-wife start out magnanimous and swiftly disintegrate into sarcasm, self-loathing, and rage, and Noah Baumbach unfolds a history of his last relationship in the form of Zagat reviews.Meanwhile, off in a remote “willage” in Normandy, David Sedaris is drowning a mouse (“This was for the best, whether the mouse realized it or not”).Plus asides, fancies, rebukes, and musings from Patty Marx, Calvin Trillin, Bruce McCall, Garrison Keillor, Veronica Geng, Ian Frazier, Roy Blount, Jr., and many others. If laughter is the best medicine, Disquiet, Please is truly a wonder drug.

    He encouraged the fledgling painters, musicians, writers, and dreamers to break rules and think outside the box. Most of all, he encouraged them to make good art.The book Make Good Art, designed by renowned graphic artist Chip Kidd, contains the full text of Gaiman’s inspiring speech.