Bilel is the French right-hand man of the most dangerous militant in the world, Abu Bakr al-Baghdadi, the Caliph of Islamic State. He offers Mélodie a way to fill the boredom in her young life: he cares about her, offers beautiful things, spiritual purpose and, in less an idyllic life. Bilel’s seduction is honey-tongued and forceful – and all Mélodie must do is join him and ISIS in their Syrian jihad. Every day he gives more detail, telling her how he drives a jeep filled with guns and bottles of the chocolate milk he loves for hundreds of miles on murderous missions of execution. Every night he lures, seduces and manipulates this vulnerable young woman.A riveting page-turner In the Skin of a Jihadist is a shocking inquiry into how technology is spreading radicalism, the lure of ISIS propaganda, and the factors that motivate young people – including many British teenagers – to join extremist wars in Syria and elsewhere.

    Hernández’s lyrical debut follows her tumultuous adolescence and fraught homecomings as she crisscrosses the American continent.Seven-year-old Claudia wakes up one day to find her mother gone, having left for the United States to flee domestic abuse and pursue economic prosperity. Claudia and her two older sisters are taken in by their great aunt and their grandmother, their father no longer in the picture. Three years later, her mother returns for her daughters, and the family begins the month-long journey to El Norte. But in Los Angeles, Claudia has trouble assimilating: she doesn’t speak English, and her Spanish sticks out as “weird” in their primarily Mexican neighborhood. When her family returns to Guatemala years later, she is startled to find she no longer belongs there either.A harrowing story told with the candid innocence of childhood, Hernández’s memoir depicts a complex self-portrait of the struggle and resilience inherent to immigration today.

    Great Freedom, whereby you are not bound by the life you live in.The writings of Truth that guides you to the life of wisdom, cleanses your mind and leads you to the true and eternal world.

    Ruggieri reveals little-known truths about his profession—and the hidden flaws of our healthcare system—in this compelling and troubling account of real patients, real doctors, and how money influences medical decisions behind the scenes. Even many well-informed patients have no idea what may be contributing to the cost of their surgery. With up-to-date research and stories from his practice, Ruggieri shows how business arrangements among hospitals, insurance companies, and surgeons affect who gets treatment—and whether they get the right treatment. Pulling back the curtain from the hospital bed, he explains how to safeguard one’s own health (and finances), and how America can make surgery more affordable for all without sacrificing quality care.

    It is the family story of Celia del Pino, and her husband, daughter and grandchildren, from the mid-1930s to 1980. Celia's story mirrors the magical realism of Cuba itself, a country of beauty and poverty, idealism and corruption. DREAMING IN CUBAN presents a unique vision and a haunting lamentation for a past that might have been.

    Equally at home discussing Charles Dickens and Charlie Chaplin, he moved back and forth across the porous borders between essay and journalism, high art and low. A frequent commentator on literature, language, film, and drama throughout his career, Orwell turned increasingly to the critical essay in the 1940s, when his most important experiences were behind him and some of his most incisive writing lay ahead. All Art Is Propaganda follows Orwell as he demonstrates in piece after piece how intent analysis of a work or body of work gives rise to trenchant aesthetic and philosophical commentary."how to be interesting, line after line."Contents:Charles DickensBoys' WeekliesInside the WhaleDrama Reviews: The Tempest, The Peaceful InnFilm Review: The Great DictatorWells, Hitler and the World StateThe Art of Donald McGillNo, Not OneRudyard KiplingT.S. EliotCan Socialists Be Happy?Benefit of Clergy: Some Notes on Salvador DaliPropaganda and Demotic SpeechRaffles and Miss BlandishGood Bad BooksThe Prevention of LiteraturePolitics and the English LanguageConfessions of a Book ReviewerPolitics vs. Literature: An Examination of Gulliver's TravelsLear, Tolstoy and the FoolWriters and LeviathanReview of The Heart of the Matter by Graham GreeneReflections on Gandhi

    There is rampant speculation on the subject.Are they all great-looking and charming and well dressed?Yes. All of them, and especially Felicia Wong, who can even make her own clothes.I have a question about the process by which the entries in this collection are chosen. Is it scientific?The process by which The Best American Non-Required Reading is put together is not scientific. It is whatever one would consider the opposite of scientific.Creationist?Well, no, it's not creationist either. The point is that we are probably a bit less top-to-bottom thorough than, say, the Army Corps of Engineers. Well, actually, scratch that. We are probably about exactly as thorough as the Army Corps of Engineers, in that we are intermittently thorough.What is your opinion and the committee's opinion of the state of short stories and small magazines and other periodicals?This is a good time. It really is.More specifically?Not all of us Americans appreciate the fact that we have about 150 very good quarterlies in this country. Every state seems to have a very good quarterly, and about a hundred colleges have very good quarterlies — from the Kenyon Review to the University of Illinois's Ninth Letter. So by our estimate there are about 150 very good quarterlies in this country. Maybe more. Now, the thing we don’t always appreciate here in America is that elsewhere in the world there are few to no quarterlies.How does it feel to select something for the collection that you found in an unlikely place?It feels so good. This year, for example, at the last moment we found “Humpies” by Mattox Roesch. It was published by Agni Online, and we all loved it, and here it is, ideally able to reach a new audience. We all took pleasure in finding that one; the mandate of the committee is to find the offbeat and the lesser-known and bring these pieces to our readers, most of whom have great skin and bad eyes.

    Although he is best remembered for his revolutionary verses that decried tyranny and called for justice, his oeuvre also extended to scintillating, soulful poems of love. In this remarkable selection of Faiz’s most memorable poems and ghazals, readers will be able to experience a new dimension of the great poet’s genius. Along with popular favourites like ‘Subh-e Azadi’, with its anguished evocation of the horror and pain of the Partition, The Colours of My Heart also introduces readers to little-known gems that display Faiz’s extraordinary flair for tender hope and quiet longing. A rich cornucopia of delights, The Colours of My Heart celebrates Faiz’s greatest work. Baran Farooqi’s superb translation is accompanied by an illuminating introduction to Faiz’s incredible life and enduring legacy.

    Kendi, author of the number one bestseller How To Be an Antiracist, and fellow historian Keisha N. Blain, Four Hundred Souls begins with the arrival of twenty enslaved Ndongo people on the shores of the British colony in mainland America in 1619, the year before the arrival of the Mayflower. In eighty chronological chapters, the book charts the tragic and triumphant four-hundred-year history of Black American experience in a choral work of exceptional power and beauty. Contributors include some of the best-known scholars, writers, historians, journalists, lawyers, poets and activists of contemporary America who together bring to vivid life countless new facets to the drama of slavery and resistance, segregation and survival, migration and self-discovery, cultural oppression and world-changing artistic, literary and musical creativity. In these pages are dozens of extraordinary lives and personalities, rescued from the archives and restored to their rightful place in America's narrative, as well as the ghosts of millions more.Four Hundred Souls is an essential work of story-telling and reclamation that redefines America and changes our notion of how history is written.

    In Ecstasy and Terror, Mendelsohn once again casts an eye at literature, film, television, and the personal essay, filtering his insights through his training as a scholar of classical antiquity in illuminating and sometimes surprising ways.Many of these essays look with fresh eyes at our culture’s Greek and Roman models: some find an arresting modernity in canonical works (Bacchae, the Aeneid), while others detect a “Greek DNA” in our responses to national traumas such as the Boston Marathon bombings and the assassination of JFK. There are pieces on contemporary literature, from the “aesthetics of victimhood” in Hanya Yanagihara’s A Little Life to the uncomfortable mixture of art and autobiography in novels by Henry Roth, Ingmar Bergman, and Karl Ove Knausgård. Mendelsohn considers pop culture, too, in essays on the feminism of Game of Thrones and on recent films about artificial intelligence—a subject, he reminds us, that was already of interest to Homer.This collection also brings together for the first time a number of the award-winning memoirist’s personal essays, including his “critic’s manifesto” and a touching reminiscence of his boyhood correspondence with the historical novelist Mary Renault, who inspired him to study the Classics.

    His critically acclaimed collection Woodcuts of Women is now available in paperback and features ten moving and heartbreaking stories of lust, love, and longing among men and women struggling to find their way in the world. Written in Gilb's spare, humid language, each of these haunting stories is crafted with a poetic, aching beauty. At turns powerful and resonant, hopeful and humorous, Woodcuts of Women is a tour de force by one of America's foremost Latino writers. The sheer intensity and bravado of [Gilb's] vision make this collection succeed. -- Jean Thompson, The New York Times Book Review Lonely, tough stories -- stories that force us to confront what's difficult in us, and in the people we love. -- Adrienne Miller, Esquire Gilb's stories read like verbal woodcuts deliberately unrefined and carefully unadorned, clear in their intent but without undue elaboration.... -- Sean Glennon, The Hartford Courant ...Gilb writes of the gritty passions of man for women, grand delusions and tender mercies.... -- Oscar C. Villalon, San Francisco Chronicle

    What is it about vampires, zombies, skeletons, and other mutants brought to life in the darkest recesses of the imagination? Goth-Icky celebrates modern-day goths, their culture, and the morbid monstrosities that inspire them. Containing over 200 images from the print and advertising archives of the Charles S. Anderson Design Company in combination with a hilarious text by the legendary Michael J. Nelson, this book is an amazingly rich and weird testament to the pervasiveness of goth aesthetics, the appeal of kitsch, and our love of horror.

    The story unfolds through a pageant of unforgettable family figures: from Madrina--touched with epilepsy and prophecy ever since, as a girl, she saw a dying soul leave its body--to Teofilo, who was kidnapped as an infant and raised by the Kikapu Indians of Northern Mexico. At the heart of the book is Santos' search for the meaning of his grandfather's suicide in San Antonio, Texas, in 1939. Part treasury of the elders, part elegy, part personal odyssey, this is an immigration tale and a haunting family story that offers a rich, magical view of Mexican-American culture.

    From the prizewinning title story unfolds a series of family snapshots that illuminate the landscape of an exiled community rich in heritage, memory, and longing for the past. In Cuba I Was a German Shepherd is at once "tender and sharp-fanged" (L.A. Weekly) as Ana Menendez charts the territory from Havana to Coral Gables, exploring whether any of us are capable, or even truly desirous, of out running our origins.

    The animal kingdom has prompted some of the liveliest and most enjoyable writing by poets, from Homer to our contemporaries. Among the creatures gathered here, tame or wild; common or exotic, are mammals, reptiles, birds, insects, and others perhaps more fanciful than real. A zoologist's delight.There is, too, a moral or philosophical purpose. As Paul Muldoon says in his introduction: 'We are most human in the presence of animals.' And it is just this sense of how our humanity is illuminated by the contemplation of bestial life that he has set out to celebrate. The results are wonderfully rich and thought-provoking.