So, on October 1, 1966, McNamara lowered mental standards and inducted thousands of low-IQ men. Altogether, 354,000 of these men were taken into the Armed Forces and a large number of them were sent into combat. Many military men, including William Westmoreland, the commanding general in Vietnam, viewed McNamara’s program as a disaster. Because many of the substandard men were incompetent in combat, they endangered not only themselves but their comrades as well. Their death toll was appallingly high. In addition to low-IQ men, tens of thousands of other substandard troops were inducted, including criminals, misfits, and men with disabilities. This book tells the story of the men caught up in McNamara’s folly.

    While some of the authors featured in The Anthology of Black Humor are already well known to American readers--Swift, Kafka, Rimbaud, Poe, Lewis Carroll, and Baudelaire among them (and even then, Breton's selections are often surprising)--many others are sure to come as a revelation.The entries range from the acerbic aphorisms of Swift, Lichtenberg, and Duchamp to the theatrical slapstick of Christian Dietrich Grabbe, from the wry missives of Rimbaud and Jacques Vache to the manic paranoia of Dali, from the ferocious iconoclasm of Alfred Jarry and Arthur Craven to the offhand hilarity of Apollinaire at his most spontaneous. For each of the forty-five authors included, Breton has provided an enlightening biographical and critical preface, situating both the writer and the work in the context of black humor--a partly macabre, partly ironic, and often absurd turn of spirit that Breton defined as "a superior revolt of the mind.""Anthologies can aim to be groundbreaking or thought-provoking; few can be said to have introduced a new phrase--or a new concept--into the language. No one had ever used the term "black humour" before this one came along, unless, perhaps, it was from a racial angle."--The GuardianAndre Breton (1896-1966), the founder and principal theorist of the Surrealist movement, is one of the major literary figures of the past century. His best-known works in English translation include Nadja, Mad Love, The Manifestoes of Surrealism, The Magnetic Fields (with Philippe Soupault), and Earthlight. Mark Polizzotti is the author of Revolution of the Mind: The Life of Andre Breton.

    Encyclopaedia Anatomica does just this, page after page, with its high-quality color reproductions of the collection of Florence's Museo La Specola. This amazing set of anatomical models, made mostly of wax, are so brilliantly lifelike that the casual reader is sure to mistake them for extraordinarily well-preserved bodies. Organized by anatomical section, each of hundreds of models are displayed to show off their most flattering aspect; despite the respectful attitudes held by the book editors and designers, the macabre nature of the exhibits is irrepressible. Particularly eerie are the tableaux of Gaetano Giulio Zumbo, who used similar techniques to create terrifying metaphorical portraits of the harsh life of the 18th century. While the descriptions aren't specific enough to yield much insight into the anatomical detail, this would still make an excellent companion to a text or laboratory manual. The introductory essays cover the history of the museum, the artists, and their techniques thoroughly and engagingly. If the inside of the body is as beautiful to you as the outside, you should find Encyclopaedia Anatomica a charmingly powerful work. --Rob Lightner

    Not published in France until 2002, and appearing in English for the first time, these creative and engaging lectures deepen our understanding of Roland Barthes's intellectual itinerary and reveal his distinctive style as thinker and teacher.The Neutral (le neutre), as Barthes describes it, escapes or undoes the paradigmatic binary oppositions that structure and produce meaning in Western thought and discourse. These binaries are found in all aspects of human society ranging from language to sexuality to politics. For Barthes, the attempt to deconstruct or escape from these binaries has profound ethical, philosophical, and linguistic implications.The Neutral is comprised of the prewritten texts from which Barthes lectured and centers around 23 "figures," also referred to as "traits" or "twinklings," that are possible embodiments of the Neutral (sleep, silence, tact, etc.) or of the anti-Neutral (anger, arrogance, conflict, etc.). His lectures draw on a diverse set of authors and intellectual traditions, including Lao-tzu, Tolstoy, German mysticism, classical philosophy, Rousseau, Baudelaire, Walter Benjamin, and John Cage. Barthes's idiosyncratic approach to his subjects gives the lectures a playful, personal, and even joyous quality that enhances his rich insights.In addition to his reflections on a variety of literary and scholarly works, Barthes's personal convictions and the events of his life shaped the course and content of the lectures. Most prominently, as Barthes admits, the recent death of his mother and the idea of mourning shape several of his lectures.

    Through dramatic graphics and age-appropriate text, this authoritative volume charts the discovery of all the main types of dinosaurs and reveals the latest details on how these creatures most likely looked, behaved, defended themselves, found food, cared for their young, and interacted. Stunning murals, based on scientific evidence, depict various dinosaurs in their habitats--beautifully complementing the color photographs, paintings, charts, and maps. Some 53 major types of dinosaurs are described, representing a wide range of physical structures, sizes, and lifestyles.The book presents recent discoveries and current scientific thought--including the dinosaur-bird connection, profiles of feathered dinosaurs, and theories on dinosaur extinction. Readers also see how today' s paleontologists obtain evidence, piece together clues, and continue to reconstruct life in prehistoric times.

    Sitting in Rita's living room, leafing through a book of photographs from the early seventies, Lily comes across a picture of an incandescently sexy young woman sitting in the back of a limousine swigging Jack Daniels. It is her mother, Mattie.Lily isn't shocked. She's envious. She wants to be like that--beautiful, exuberant. Mattie, though, is no longer the meltingly gorgeous creature she was. She and her husband scrape by and bicker. Upstairs in their neglected house, Grandpa flirts on the Internet. Marie, Lily's sister, is facing a custody suit. Rory, the brother, hates coming home--those endless catch-up conversations. Usually it is Lily, the dutiful daughter, who sorts out the family. She knows she's flawed, but boringly so. Now she wants to be flawed in an interesting way, to be a woman of wicked mystery and intrigue. Like the one in the photograph. SECRETS OF A FAMILY ALBUM is a beautifully written novel that explores the struggles and triumphs of one extraordinary family.

    A century later, Jarry is firmly established as one of the leading figures of the artistic avant-garde. Italo Calvino, Umberto Eco, Gilles Deleuze, Jean Baudrillard, Philip K. Dick, Paul McCartney, DJ Spooky, Peter Greenaway, and J. G. Ballard are among his many admirers. A community of scholars and artists maintain a posthumous dialogue with Jarry's ideas through the Collège de 'Pataphysique in Paris (named after the "science of imaginary solutions" he conceived), while a steady stream of books on twentieth-century drama pay tribute to his absurd and grotesque play, Ubu Roi. Even so, most people today tend to think of Jarry only as the author of that play, and of his life as a string of outlandish "ubuesque" anecdotes, often recounted with wild inaccuracy. In this first full-length critical biography of Jarry in English, Alastair Brotchie reconstructs the life of a man intent on inventing (and destroying) himself, not to mention his world, and the "philosophy" that defined their relation. In short, Brotchie gives us the narrative version of what Jarry himself produced: a pataphysical life. Drawing on a wealth of new material, Brotchie alternates chapters of biographical narrative with chapters that connect themes, obsessions, and undercurrents that relate to the life.The anecdotes remain, and are even augmented: Jarry's assumption of the "ubuesque," his inversions of everyday behavior (such as eating backwards, from cheese to soup), his exploits with gun and bicycle, and his herculean feats of drinking. But Brotchie distinguishes between Jarry's purposely playing the fool and deeper nonconformities that appear essential to his writing and his thought, both of which remain a vital subterranean influence to this day.

    Preston Wildey-King, 14, lives in Malibu with his widowed mother and sister. He is literally addicted to Pepsi, to the point that all his thoughts and fantasies are focused on it. When he's not drinking it he's dreaming about it, even creating art and poetry based on it. It amounts to his religion (Preston could have written "Breathtaking Design Strategy", the 2009 corporate document elevating Pepsi and its logo to metaphysical glory). He is deeply in love with Peggy, but she dumps him after an argument over his Pepsi habit. His friend Ryan is bisexual and desires him. His math tutor seduces him, and when he's sent to juvie after robbing a convenience store (mesmerized by a crate of Pepsi, of course, he sits down and drinks some instead of running) he's molested by a guard. Preston's choices and misfortunes are chronicled with that distinctive Gibbons flair, full of elegant metaphors, quirky slang and over- and undercurrents of emotion that take on a life of their own. Good luck finding it. Only five libraries are known to have it, but apparently bootleg copies exist.

    Dark themes prevail throughout the novel as protagonist Theo Decker copes with the violent and untimely death of his mother. As a 13-year-old boy, Theo’s grasp of reality is limited, and the tragic event forces despair and self-defeating behavior. With sophisticated themes like death, abuse and sex, this book is better suited for a mature audience. If you are looking for an intellectually stimulating novel that keeps you guessing, then The Goldfinch may be just what you need. See how Donna Tartt’s novel scores with expert ratings and quotes from popular publications. The Goldfinch is an exemplary book filled with vivid imagery and superb character development. Each cast member in the play of Theo’s life has a mixture of positive traits and flaws that make up a believable character. A comparison of the good and bad aspects of the book help you determine the book’s value. Compare this book to Greek tragedies to see how death portrays a universal theme that has great impacts on any protagonist. This comprehensive review of The Goldfinch gives you the big picture of what to expect from your reading.

    In the years that followed, she published other notable monographs, including "Aila" (2004), "The Eyes, the Ear" (2005) and "Semear" (2007). And now, ten years after her precipitous entry onto the international stage, Aperture has published "Illuminance," the latest volume of Kawauchi's work and the first to be published outside of Japan. Kawauchi's photography has frequently been lauded for its nuanced palette and offhand compositional mastery, as well as its ability to incite wonder via careful attention to tiny gestures and the incidental details of her everyday environment. As Sean O'Hagan, writing in "The Guardian" in 2006, noted, "there is always some glimmer of hope and humanity, some sense of wonder at work in the rendering of the intimate and fragile." In "Illuminance," Kawauchi continues her exploration of the extraordinary in the mundane, drawn to the fundamental cycles of life and the seemingly inadvertent, fractal-like organization of the natural world into formal patterns. Gorgeously produced as a clothbound volume with Japanese binding, this impressive compilation of previously unpublished images is proof of Kawauchi's unique sensibility and her ongoing appeal to lovers of photography.

    This dark and mordantly comic masterpiece of everyday pessimism about a Parisian clerk seeking spiritual contentment is the perfect introduction to the pleasures of Joris Karl Huysmans (1848–1907), whose exquisite style is ironically the most perfect remedy for any reader’s taedium vitae.

    The difficulty he, and others, had with Quantum Physics was the great conceptual leap it requires taking from conventional ways of thinking about the physical world. Alastair Rae's introductory exploration into this area has been hailed as a masterpiece of clarity and is an engaging guide to the theories offered. This revised edition contains a new chapter covering theories developed during the past decade. Alastair Rae has been a Lecturer, a Senior Lecturer, then Reader in Quantum Physics in the School of Physics and Astronomy at University of Birmingham from 1967-2003. His publications include the First Edition of Quantum Physics, (Cambridge, 1994) and Quantum Mechanics (Institute of Physics, 2002), now in its Fourth Edition. First Edition Pb (1994): 0-521-46716-0

    From the ramblings of an opium-riddled adventurer to treatises on life from a mind rattled by the world; from the tragic end of a teen queen to a day in the life of a rock star; from the execution of the Self by the Other to the pull between rules and freedom, this is a landscape located halfway between imagination and reality, a world that rocks between imagination and reality, a world that rocks between sleep and wakefulness, sanity and insanity, sobriety and inebriation. A must for fans of The Matthew Good Band, this book isn't Disneyland, but it will take you on a ride you will never forget.

    But outside the lab, Herzog also devoted himself to what was, at the time, an unusual and even frowned-upon medium, at least artistically: color photography. Laboring away as a virtually anonymous pioneer in this field, some 20 years before William Eggleston's watershed show at the Museum of Modern Art, Herzog was quietly documenting in rich Kodachrome the streets of Vancouver: its supermarkets, gas stations, bars, urban scenery and above all its working class culture. Herzog used slide film to make his photographs, which limited his ability to exhibit them and further marginalized his work; but in recent decades, happily, this color pioneer has drawn great acclaim, and this volume, the largest Herzog monograph yet published, does marvelous justice to his rich oeuvre.

    Their dreams are shattered when Flora is adopted, but Rosetta is deemed to be too old. She is to become a farm worker, far from Flora’s new home.Rosetta’s only dream is to find her sister. But slowly and against her will, she is drawn into the lives of the strange couple with whom she has been placed. It is soon clear to her that their home is full of fear and sorrow.As her relationship develops with the farmer’s wife, Rosetta learns that true sisterhood can take many forms. The support the two young women offer one another makes each one stronger until they find a way to follow their dreams.