Life is hell for all the slaves, but especially bad for Cora; an outcast even among her fellow Africans, she is coming into womanhood—where even greater pain awaits. When Caesar, a recent arrival from Virginia, tells her about the Underground Railroad, they decide to take a terrifying risk and escape. Matters do not go as planned—Cora kills a young white boy who tries to capture her. Though they manage to find a station and head north, they are being hunted.In Whitehead’s ingenious conception, the Underground Railroad is no mere metaphor—engineers and conductors operate a secret network of tracks and tunnels beneath the Southern soil. Cora and Caesar’s first stop is South Carolina, in a city that initially seems like a haven. But the city’s placid surface masks an insidious scheme designed for its black denizens. And even worse: Ridgeway, the relentless slave catcher, is close on their heels. Forced to flee again, Cora embarks on a harrowing flight, state by state, seeking true freedom.Like the protagonist of Gulliver’s Travels, Cora encounters different worlds at each stage of her journey—hers is an odyssey through time as well as space. As Whitehead brilliantly re-creates the unique terrors for black people in the pre–Civil War era, his narrative seamlessly weaves the saga of America from the brutal importation of Africans to the unfulfilled promises of the present day. The Underground Railroad is at once a kinetic adventure tale of one woman’s ferocious will to escape the horrors of bondage and a shattering, powerful meditation on the history we all share.

    in 2000. It details a year in the life of Jim Glass, who lives, with his mother and three uncles, in the small fictional town of Aliceville, North Carolina in 1934 during the Great Depression.

    In this bold new rendering, Matthiessen has cut nearly a third of the overall text and collapsed the time frame while deepening the insights and motivations of his characters with brilliant rewriting throughout. In Shadow Country, he has marvelously distilled a monumental work, realizing his original vision. Inspired by a near-mythic event of the wild Florida frontier at the turn of the twentieth century, Shadow Country reimagines the legend of the inspired Everglades sugar planter and notorious outlaw E. J. Watson, who drives himself relentlessly toward his own violent end at the hands of neighbors who mostly admired him, in a killing that obsessed his favorite son.Shadow Country traverses strange landscapes and frontier hinterlands inhabited by Americans of every provenance and color, including the black and Indian inheritors of the archaic racism that, as Watson’s wife observed, "still casts its shadow over the nation."

    A teenage girl—her father long since disappeared, her mother unwilling to have her in the house—is pregnant, alone herself, with nowhere to go. And out in the country, two brothers, elderly bachelors, work the family homestead, the only world they've ever known.From these unsettled lives emerges a vision of life, and of the town and landscape that bind them together—their fates somehow overcoming the powerful circumstances of place and station, their confusion, curiosity, dignity and humor intact and resonant. As the milieu widens to embrace fully four generations, Kent Haruf displays an emotional and aesthetic authority to rival the past masters of a classic American tradition.Utterly true to the rhythms and patterns of life, Plainsong is a novel to care about, believe in, and learn from.

    She’s Mattie Rigsbee, an independent, strong-minded senior citizen who, at seventy-eight, might be slowing down just a bit. When teenage delinquent Wesley Benfield drops in on her life, he is even less likely a companion than the stray dog. But, of course, the dog never tasted her mouth-watering pound cake. Wise and witty, down-home and real, Walking Across Egypt is a book for everyone.

    When Lily's fierce-hearted black "stand-in mother," Rosaleen, insults three of the deepest racists in town, Lily decides to spring them both free. They escape to Tiburon, South Carolina--a town that holds the secret to her mother's past. Taken in by an eccentric trio of black beekeeping sisters, Lily is introduced to their mesmerizing world of bees and honey, and the Black Madonna. This is a remarkable novel about divine female power, a story women will share and pass on to their daughters for years to come.

    S. Garp, the bastard son of Jenny Fields—a feminist leader ahead of her times. This is the life and death of a famous mother and her almost-famous son; theirs is a world of sexual extremes—even of sexual assassinations. It is a novel rich with "lunacy and sorrow"; yet the dark, violent events of the story do not undermine a comedy both ribald and robust. In more than thirty languages, in more than forty countries—with more than ten million copies in print—this novel provides almost cheerful, even hilarious evidence of its famous last line: "In the world according to Garp, we are all terminal cases."

    A sexy, free-spirited redhead from Daytona Beach banished to their small North Carolina town until the fall, Ligeia will not only bewitch the two brothers, but lure them into a struggle that reveals the hidden differences in their natures.Drawn in by her raw sensuality and rebellious attitude, Eugene falls deeper under her spell. Ligeia introduces him to the thrills and pleasures of the counterculture movement, then in its headiest moment. But just as the movement’s youthful optimism turns dark elsewhere in the country that summer, so does Eugene and Ligeia’s brief romance. Eugene moves farther and farther away from his brother, the cautious and dutiful Bill, and when Ligeia vanishes as suddenly as she appeared, the growing rift between the two brothers becomes immutable.Decades later, their relationship is still turbulent, and the once close brothers now lead completely different lives. Bill is a gifted and successful surgeon, a paragon of the community, while Eugene, the town reprobate, is a failed writer and determined alcoholic.When a shocking reminder of the past unexpectedly surfaces, Eugene is plunged back into that fateful summer, and the girl he cannot forget. The deeper he delves into his memories, the closer he comes to finding the truth. But can Eugene’s recollections be trusted? And will the truth set him free and offer salvation . . . or destroy his damaged life and everyone he loves?

    Its hero is Harry “Rabbit” Angstrom, a onetime high-school basketball star who on an impulse deserts his wife and son. He is twenty-six years old, a man-child caught in a struggle between instinct and thought, self and society, sexual gratification and family duty—even, in a sense, human hard-heartedness and divine Grace. Though his flight from home traces a zigzag of evasion, he holds to the faith that he is on the right path, an invisible line toward his own salvation as straight as a ruler’s edge.

    In telling their interconnected stories, American Book Award winner William Maxwell delivers a masterfully restrained and magically evocative meditation on the past.

    Bloodworth has returned to his home - a forgotten corner of Tennessee - after twenty years of roaming. The wife he walked out on has withered and faded. His three sons are grown and angry. Warren is a womanising alcoholic; Boyd is driven by jealousy to hunt down his wife's lover; and Brady puts hexes on his enemies from his mother's porch. Only Fleming, the old man's grandson, treats him with respect and sees past all the hatred, realising the way it can poison a man's soul. It is ultimately the love of Raven Lee, a sloe-eyed beauty from another town, that gives Fleming the courage to reject his family's curse.In a tale redolent with the crumbling loyalties and age-old strife of the post-war American South made familiar to us by Cormac McCarthy, Gay's characters inhabit a world driven by blood ties that strangle as they bind. A coming of age novel, a love story, and a portrait of a family torn apart, Provinces of Night introduced a distinctive new voice in American fiction and a superb cast of characters.

    Ephraim, New York, are a large and fortunate clan, blessed with good looks, abundant charisma, and boundless promise. But over the twenty-five year span of this ambitious novel, the Mulvaneys will slide, almost imperceptibly at first, from the pinnacle of happiness, transformed by the vagaries of fate into a scattered collection of lost and lonely souls.It is the youngest son, Judd, now an adult, who attempts to piece together the fragments of the Mulvaneys' former glory, seeking to uncover and understand the secret violation that occasioned the family's tragic downfall. Each of the Mulvaneys endures some form of exile- physical or spiritual - but in the end they find a way to bridge the chasms that have opened up among them, reuniting in the spirit of love and healing.

    Young Jody adopts an orphaned fawn he calls Flag and makes it a part of his family and his best friend. But life in the Florida backwoods is harsh, and so, as his family fights off wolves, bears, and even alligators, and faces failure in their tenuous subsistence farming, Jody must finally part with his dear animal friend. There has been a film and even a musical based on this moving story, a fine work of great American literature.--back cover

    But when the mysterious Countess Ellen Olenska returns to New York after a disastrous marriage, Archer falls deeply in love with her. Torn between duty and passion, Archer struggles to make a decision that will either courageously define his life—or mercilessly destroy it.

    Now comes a reissue of the best-selling debut novel that launched her remarkable career. St. Elizabeth's, a home for unwed mothers in Habit, Kentucky, usually harbors its residents for only a little while. Not so Rose Clinton, a beautiful, mysterious woman who comes to the home pregnant but not unwed, and stays. She plans to give up her child, thinking she cannot be the mother it needs. But when Cecilia is born, Rose makes a place for herself and her daughter amid St. Elizabeth's extended family of nuns and an ever-changing collection of pregnant teenage girls. Rose's past won't be kept away, though, even by St. Elizabeth's; she cannot remain untouched by what she has left behind, even as she cannot change who she has become in the leaving.