Malory interprets existing French and English stories about these figures and adds original material (e.g., the Gareth story). Le Morte d'Arthur was first published in 1485 by William Caxton, and is today one of the best-known works of Arthurian literature in English. Many modern Arthurian writers have used Malory as their principal source, including T. H. White in his popular The Once and Future King and Tennyson in The Idylls of the King.

    Their romantic excess and dark overstatement feed her imagination, as tyrannical fathers and diabolical villains work their evil on forlorn heroines in isolated settings. What could be more remote from the uneventful securities of life in the midland counties of England? Yet as Austen brilliantly contrasts fiction with reality, ordinary life takes a more sinister turn, and edginess and circumspection are reaffirmed alongside comedy and literary burlesque. Also including Austen's other short fictions, Lady Susan, The Watsons, and Sanditon, this valuable new edition shows her to be as innovative at the start of her career as at its close.

    The text of Leaves of Grass is again that of the indispensable "Reader's Comprehensive Edition," edited by Sculley Bradley and Harold W. Blodgett, which is accompanied by revised and expanded explanatory annotations. New to this edition is the full text of the celebrated 1855 first edition of Leaves of Grass, as well as generous excerpts from Whitman's two prose masterpieces, Democratic Vistas and Specimen Days.Following the texts is an album of portraits of Whitman, as well as "Whitman on His Art," a collection of Whitman's statements about his role as a poet taken from his notebooks, letters, conversations, and newspaper articles.While continuing to provide leading commentary on Whitman by major twentieth-century poets and critics, among them D. H. Lawrence, William Carlos Williams, and Randall Jarrell, this revised edition adds important commentary by Whitman contemporaries Henry David Thoreau, Fanny Fern, Henry James, and Oscar Wilde, among others. An entirely new section of recent criticism includes six essays--by David S. Reynolds, Karen Sanchez-Eppler, John Irwin, Allen Grossman, Betsy Erkkila, and Michael Moon--that reflect both the continuing historicist mainstream of Whitman literary interpretation and influential recent work in gender and sexuality studies.The volume also includes a Chronology, a Selected Bibligraphy, and an Index of Titles.

    He browbeats his flatmate, terrorizes his wife, and is not above sleeping with her best friend-who loathes Jimmy almost as much as he loathes himself. Yet this working-class Hamlet, the original Angry Young Man, is one of the most mesmerizing characters ever to burst onto a stage, a malevolently vital, volcanically articulate internal exile in the dreary, dreaming Siberia of postwar England.First produced in 1956, Look Back in Anger launched a revolution in the English theater. Savagely, sadly, and always impolitely, it compels readers and audiences to acknowledge the hidden currents of rottenness and rage in what used to be called "the good life."

    Finally resorting to medication, he instantly falls into a deep sleep that lasts two hundred years. Upon waking in the twenty-second century to a strange and nightmarish place, he slowly discovers he is master of the world, revered by an adoring populace who consider him their leader. Terrified, he escapes from his chamber seeking solace—only to realize that not everyone adores him, some even wish to harm him.

    Controversial but successful on the London stage, this play reveals the fate of a "notorious woman" in Victorian England.

    The problems of everyday living accumulate and begin to torture Joy, who blames her problems not on her work or on the accidental drowning of her illicit lover, but on herself. While painful and deeply serious, this is a novel of great warmth and energy: it's the wit and irony found in moments of despair that prove to be Joy's salvation. First published by Polygon in 1989 and Dalkey Archive Press in 1994, now available again.

    An Introduction and brief biographical notes on the poets are included.

    The late John Betjeman observed that 'this tenderly observant poet writes clearly, rhythmically, and thoughtfully about what all of us can understand'. Behind this modest description lies a poet who made greatness look, in Milton's prescription, 'simple, sensuous and passionate'.This collection, first published in 1967, contains many of his best-loved poems, including The Whitsun Weddings, An Arundel Tomb, Days, Mr Bleaney and MCMXIV.

    Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.

    A young English gentleman of means, Aubrey is immediately intrigued by Lord Ruthven, the mysterious newcomer among society’s elite. His unknown origin and curious behavior tantalizes Aubrey’s imagination. But the young man soon discovers a sinister character hidden behind his new friend’s glamorous facade.   When the two are set upon by bandits while traveling together in Europe, Ruthven is fatally injured. Before drawing his last breath, he makes the odd request that Aubrey keep his death and crimes secret for a year and a day. But when Ruthven resurfaces in London—making overtures toward Aubrey’s sister—Aubrey realizes this immortal fiend is a vampyre.   John William Polidori’s The Vampyre is both a classic tale of gothic horror and the progenitor of the modern romantic vampire myth that has been fodder for artists ranging from Anne Rice to Alan Ball to Francis Ford Coppola. Originally published in 1819, many decades before Bram Stoker’s Dracula, and misattributed to Polidori’s friend Lord Byron, The Vampyre has kept readers up at night for nearly two hundred years.

    Rejected by several publishing houses, Brontë shelved the novel in order to write her masterpiece Jane Eyre (1847). After her death, The Professor was edited by Brontë's widower, Arthur Bell Nichols, who saw that the novel was published posthumously. Based on Brontë's experience as a student and teacher in Brussels--which similarly inspired her novel Villette--The Professor is an underappreciated early work from one of English literature's most important writers.After rejecting a life as a clergyman, William Crimsworth goes to work as a clerk for his brother Edward, a successful businessman. Although he excels, his brother grows jealous of his ability and intelligence, abusing and belittling him until he is forced to quit. Disappointed, he accepts a job at a boarding school in Belgium where, mentored by the kind Monsieur Pelet, William flourishes as a professor. When news of his work reaches Mademoiselle Reuter, a local headmistress at a school for girls, she offers him a position, and William joins her staff. He begins to grow suspicious, however, when he overhears Reuter speaking about him with Pelet and discovers that the pair are engaged to be married. As he begins to second-guess their kindness, he falls in love with Frances, a young teacher-in-training. Harboring her own secret affection for William, Mademoiselle Reuter decides she must dismiss Frances if she is to maintain her control of the young Englishman. Charlotte Brontë's The Professor is a novel of romance, jealousy, and gothic mystery, an early and promising work by one of Victorian England's most prominent writers.With a beautifully designed cover and professionally typeset manuscript, this edition of Charlotte Brontë's The Professor is a classic of English literature reimagined for modern readers.

    Early posthumously published collections-some of them featuring liberally “edited” versions of the poems-did not fully and accurately represent Dickinson’s bold experiments in prosody, her tragic vision, and the range of her intellectual and emotional explorations. Not until the 1955 publication of The Complete Poems of Emily Dickinson, a three-volume critical edition compiled by Thomas H. Johnson, were readers able for the first time to assess, understand, and appreciate the whole of Dickinson’s extraordinary poetic genius.This book, a distillation of the three-volume Complete Poems, brings together the original texts of all 1,775 poems that Emily Dickinson wrote.

    This is the definitive single-volume edition of Wilfred Owen’s poems, whose death in battle a few days before the Armistice was the most disastrous loss to English letters since Keats. Containing the texts of all the finished poems of Owen’s maturity and twelve important fragments and with extensive notes, it derives from Jon Stallworthy’s monumental edition of The Complete Poems and Fragments and is aimed at the student and general reader alike. ‘Others have shown the disenchantment of war, have unlegended the roselight and romance of it, but none with such compassion for the disenchanted or such sternly just and justly stern judgment on the idyllisers.’ Guardian

    John Halifax, Gentleman, one of the most beloved novels of the Victorian period, is now available in an annotated modern edition that includes a wide variety of historical documents.