The story is told by Mary’s sister Lydia, as she poses for five of her sister’s most unusual paintings, which are reproduced in, and form the focal point of each chapter. Ill with Bright’s disease and conscious of her approaching death, Lydia contemplates her world with courageous openness, and asks important questions about love and art’s capacity to remember.

    Mary is the only one not killed and scalped. She is instead given to two Seneca sisters to replace their brother who was killed by whites. Emerging slowly from shock, Mary--now named Two-Falling-Voices--begins to make her home in Seneca culture and the wild landscape. She goes on to marry a Delaware, then a Seneca, and, though she contemplates it several times, never rejoins white society. Larsen alludes beautifully to the way Mary apprehends the brutality of both the white colonists and the native tribes; and how, open-eyed and independent, she thrives as a genuine American.

    When beautiful, reckless Southern belle Zelda Sayre meets F. Scott Fitzgerald at a country club dance in 1918, she is seventeen years old and he is a young army lieutenant stationed in Alabama. Before long, the "ungettable" Zelda has fallen for him despite his unsuitability: Scott isn't wealthy or prominent or even a Southerner, and keeps insisting, absurdly, that his writing will bring him both fortune and fame. Her father is deeply unimpressed. But after Scott sells his first novel, This Side of Paradise, to Scribner's, Zelda optimistically boards a train north, to marry him in the vestry of St. Patrick's Cathedral and take the rest as it comes.

    Seven artists. Seven girls and women reading. A young orphan poses nervously for a Renaissance maestro in medieval Siena, and an artist's servant girl in 17th-century Amsterdam snatches a moment away from her work to lose herself in tales of knights and battles. A young woman reading in a Shoreditch bar catches the eye of a young man who takes her picture, and a Victorian medium holds a book that she barely acknowledges while she waits for the exposure. Each chapter of this richly textured debut takes us into a perfectly imagined tale of how each portrait came to be, and as the connections accumulate, the narrative leads us into the present and beyond - an inspired celebration of women reading and the artists who have caught them in the act.

    Telling Van Gogh’s story from an utterly new perspective—that of his personal physician, Dr. Gachet, specialist in mental illness and great lover of the arts—Wallace allows us to view the legendary painter as we’ve never seen him before.  In our narrator’s eyes, Van Gogh is an irresistible puzzle, a man whose mind, plagued by demons, poses the most potentially rewarding challenge of Gachet’s career.  Wallace’s narrative brims with suspense and rich psychological insight as it tackles haunting questions about Van Gogh’s fate. A masterly, gripping novel that explores the price of creativity, Leaving Van Gogh is a luminous story about what it means to live authentically, and the power and limits of friendship.

    This was, without doubt, the most celebrated cohabitation in art history: never, before or since have two such towering artistic talents been penned up in so small a space. They were the Odd Couple of art history. Predictably, the results were explosive. The dâenouement of their life together has entered into folklore. Two months after Gauguin arrived in Arles, Van Gogh suffered a psychological crisis. He spent most of the rest of his life in a mental institution. Gauguin fled from Arles, and they never saw each other again. But in the brief period during which they worked together a stream of masterpieces was created within the studio they shared. Here, for the first time, the full story of their life together is told.

    He was also a murderer and a braggart, a shameless adventurer who at different times experienced both papal persecution and imprisonment, and the adulation of the royal court. Inn-keepers and prostitutes, kings and cardinals, artists and soldiers rub shoulders in the pages of his notorious autobiography: a vivid portrait of the manners and morals of both the rulers of the day and of their subjects. Written with supreme powers of invective and an irrepressible sense of humour, this is an unrivalled glimpse into the palaces and prisons of the Italy of Michelangelo and the Medici.

    The painter recalls their years of friendship, the gift of the critic's patronage, and his callous betrayals. As he struggles to capture the character of the man, as well as his image, on canvas, it becomes clear that there is much more than a portrait at stake...

    But the drugs don’t make him forget his past, and the glittering parties offer him no redemption . . . Searingly funny and deeply humane, Patrick Melrose Volume 1 contains the first three novels in the Patrick Melrose series, Never Mind, Bad News and Some Hope. Patrick Melrose Volume 2 is also available, containing the final two novels in the series, Mother’s Milk and At Last.

    We watch as Sofonisba struggles to realize her dreams against the backdrop of patriarchal Europe. When Royal tragedy unfolds, we learn the true strength of our heroine.Romance, hardship, bankruptcy, and a legacy of hundreds of paintings that still influence today's artists. An authentic story of what it was like to be a woman of ambition in the Renaissance.History comes dramatically alive as we journey through the Renaissance with Sofonisba Anguissola.This is her story.

    Shapiro tour de force.On March 18, 1990, thirteen works of art worth today over $500 million were stolen from the Isabella Stewart Gardner Museum in Boston. It remains the largest unsolved art heist in history, and Claire Roth, a struggling young artist, is about to discover that there’s more to this crime than meets the eye.Claire makes her living reproducing famous works of art for a popular online retailer. Desperate to improve her situation, she lets herself be lured into a Faustian bargain with Aiden Markel, a powerful gallery owner. She agrees to forge a painting—one of the Degas masterpieces stolen from the Gardner Museum—in exchange for a one-woman show in his renowned gallery. But when the long-missing Degas painting—the one that had been hanging for one hundred years at the Gardner—is delivered to Claire’s studio, she begins to suspect that it may itself be a forgery.Claire’s search for the truth about the painting’s origins leads her into a labyrinth of deceit where secrets hidden since the late nineteenth century may be the only evidence that can now save her life. B. A. Shapiro’s razor-sharp writing and rich plot twists make The Art Forger an absorbing literary thriller that treats us to three centuries of forgers, art thieves, and obsessive collectors. it’s a dazzling novel about seeing—and not seeing—the secrets that lie beneath the canvas.

    "I'd rather take a photograph than be one," she declares after she arrives in Paris in 1929, where she soon catches the eye of the famous Surrealist Man Ray. Though he wants to use her only as a model, Lee convinces him to take her on as his assistant and teach her everything he knows. But Man Ray turns out to be an egotistical, charismatic force, and as they work together in the darkroom, their personal and professional lives become intimately entwined, changing the course of Lee's life forever.Lee's journey takes us from the cabarets of bohemian Paris to the battlefields of war-torn Europe during WWII, from discovering radical new photography techniques to documenting the liberation of the concentration camps as one of the first female war correspondents. Through it all, Lee must grapple with the question of whether it's possible to reconcile romantic desire with artistic ambition-and what she will have to sacrifice to do so.Told in interweaving timelines, this sensuous, richly detailed novel brings Lee Miller-a brilliant and pioneering artist-out of the shadows of a man's legacy and into the light.

    Nearly as frequently, he wrote dense and joyful letters to his wife, Clara Westhoff, expressing his dismay before the paintings and his ensuing revelations about art and life.Rilke was knowledgeable about art and had even published monographs, including a famous study of Rodin that inspired his New Poems. But Cézanne's impact on him could not be conveyed in a traditional essay. Rilke's sense of kinship with Cézanne provides a powerful and prescient undercurrent in these letters -- passages from them appear verbatim in Rilke's great modernist novel, The Notebooks of Malte Laurids Brigge. Letters on Cézanne is a collection of meaningfully private responses to a radically new art."Rilke makes the feeling and views around great art real, weaving into his letters the indescribable thing that gives us beauty, truth, pleasure."--HELEN FRANKENTHALER, Art & Antiques"[These letters] are themselves extraordinarily peaceful and concentrated, seeping with the sense and recognition of Cézanne's colors, in nature as on canvas, colors which seem a part of Rilke himself, of the words and paper."--JOHN BAYLEY, The New York Review of Books

    When Eva Gouel moves to Paris from the countryside, she is full of ambition and dreams of stardom. Though young and inexperienced, she manages to find work as a costumer at the famous Moulin Rouge, and it is here that she first catches the attention of Pablo Picasso, a rising star in the art world.A brilliant but eccentric artist, Picasso sets his sights on Eva, and Eva can't help but be drawn into his web. But what starts as a torrid affair soon evolves into what will become the first great love of Picasso's life. With sparkling insight and passion, Madame Picasso introduces us to a dazzling heroine, taking us from the salon of Gertrude Stein to the glamorous Moulin Rouge and inside the studio and heart of one of the most enigmatic and iconic artists of the twentieth century.

    In this novel of a couple, and of passion, betrayal, and art, Georgia comes alive as never before. By the writer whose work Edna O’Brien called "shimmering, audacious."Georgia O’Keeffe is a young woman, painting and teaching art in Texas, when she travels to New York to meet Alfred Stieglitz, the married gallery owner of 291, modern art promoter, and photographer. Their instantaneous attraction and powerful hunger for each other draw her into his world of art, sex, and passion, and she becomes his mistress and his muse. As their relationship develops, so does Georgia’s place in the art world, but she becomes trapped in her role as the subject of Stieglitz’s infamous nude photographs of her; the critics cannot envision her as her own being. As her own artistic fervor begins to push the boundaries of her life, we see Georgia transform into the powerfully independent woman she is known as today.