He argues that the election of Nicolas Sarkozy as President does not necessarily signal a crucial turning point in French politics, nor require a further rightward move from competing electoral forces.To understand the significance of Sarkozy, we have to look beyond the right-wing populism and vulgarity of the man himself, and ask what he represents: a reactionary tradition that goes back to the early nineteenth century, a tradition based on fear.Badiou argues that to escape from the atmosphere of depression and anxiety that currently envelops the Left, we need to cast aside the slavish worship of electoral democracy. In a characteristically doughty and wide-ranging conclusion, Alain Badioun maps out a ‘communist hypothesis’ that can lay the basis for a genuine emancipatory politics in the twenty-first century.

    Capitalism's counterrevolution, however, is largely preventive, and in the Western world altogether preventive. Yet capitalism is producing its own grave-diggers, and Marcuse suggests that their faces may be very different from those of the wretched of the earth. The future revolution will be characterized by its enlarged scope, for not only the economic and political structure, not only class relatoins, but also humanity's relation to nature (both human and external nature) tend toward radical transformation. For the author, the "liberation of nature" is the connecting thread between the economic-political and the cultural revolution, between "changing the world" and personal emancipation.

    a hire-wire juxtaposition of far-left political theory and pop culture, held together by the force of [Žižek’s] rumpled charm.” —BuzzFeedAs we emerge (though perhaps only temporarily) from the pandemic, other crises move center stage: outrageous inequality, climate disaster, desperate refugees, mounting tensions of a new cold war. The abiding motif of our time is relentless chaos.Acknowledging the possibilities for new beginnings at such moments, Mao Zedong famously proclaimed “There is great disorder under heaven; the situation is excellent.” The contemporary relevance of Mao’s observation depends on whether today’s catastrophes can be a catalyst for progress or have passed over into something terrible and irretrievable. Perhaps the disorder is no longer under, but in heaven itself.Characteristically rich in paradoxes and reversals that entertain as well as illuminate, Slavoj Žižek’s new book treats with equal analytical depth the lessons of Rammstein and Corbyn, Morales and Orwell, Lenin and Christ. It excavates universal truths from local political sites across Palestine and Chile, France and Kurdistan, and beyond.Heaven In Disorder looks with fervid dispassion at the fracturing of the Left, the empty promises of liberal democracy, and the tepid compromises offered by the powerful. From the ashes of these failures, Žižek asserts the need for international solidarity, economic transformation, and—above all—an urgent, “wartime” communism.

    Rejecting stereotypes and simplifications, he is especially preoccupied with the ambivalent relationship between revolutionary socialist politics and the artistic avant-garde. Judiciously assessing the strengths and weaknesses of the modernist project, Williams shifts the framework of discussion from merely formal analysis of artistic techniques to one which grounds these cultural expressions in particular social formations. Animating the whole book is the question which Williams poses and brings us significantly closer to answering: namely, what does it mean to develop a cultural analysis that goes “beyond the modern” and yet avoids the trap of postmodernism’s “new conformism”?

    No longer would human beings invoke the authority of tradition; instead, modern societies emerging in the West justified themselves by their success at increasing, through the application of scientific knowledge, human control over the world. Ever since this notion of modernity was formulated it has provoked intense debate. In this wide-ranging historical introduction to social theory, Alex Callinicos explores the controversies over modernity and examines the connections between social theory and modern philosophy, political economy and evolutionary biology. He offers clear and accesssible treatments of the thought of Montesquieu, Adam Smith and the Scottish Enlightenment, Hegel, Marx, Tocqueville, Maistre, Gobineau, Darwin, Spencer, Kautsky, Nietzsche, Durkheim, Weber, Simmel, Freud, Lukacs, Gramsci, Heidegger, Keynes, Hayek, Parsons, the Frankfurt School, Levi-Strauss, Althusser, Foucault, Habermas and Bourdieu, and concludes by surveying the state of contemporary social thought. A remarkably comprehensive and lucid primer, Social Theoryis essential reading for students of politics, sociology and social and political thought.

    This set of 8 lectures examines from a philosophical perspective the self under siege from the start of modernity to the beginnings of the postmodern age in the late twentieth century.

    The culmination of a lifetime of aesthetic investigation, Aesthetic Theory is Theodor W. Adorno's magnum opus, the clarifying lens through which the whole of his work is best viewed, providing a framework within which his other major writings cohere.

    The attention attracted by the 150th anniversary of The Communist Manifesto included laudatory references to Marx in venues as unexpected as The New York Times and The New Yorker. More predictably, the tributes in such publications focused on the strength of Marx as a critic of capital or a powerful wordsmith, rather than as an advocate of communism. But, if Marxism is to enjoy a rebirth in the coming century, appreciation needs to move beyond its value as a critical tool or a literary pleasure. The emancipatory potential of Marxism, its capacity to configure a world beyond the daily grind of selling one’s labor to stay alive, will have to be established anew. No one has made a better start to this task than the esteemed critic and writer Marshall Berman. Berman first read The Communist Manifesto in the same week as Arthur Miller’s Death of a Salesman while at high school. A few years later, now a student at Columbia University, he was handing out copies of Marx’s 1844 Manuscripts, purchased for 50 cents each at the (Soviet) Four Continents Bookstore in New York, as holiday presents for friends and relatives. Here was the beginning of a lifelong engagement with Marxism that, as this volume demonstrates, has been both consistent and refreshing. In these pages are discussions of work on Marx and Marxism by Edmund Wilson, Jerrold Siegel, James Billington, Georg Lukcs, Irving Howe and Isaac Babel. They are brought together in a single embrace by Berman’s spirited appreciation of Marxism as expressive, playful, sometimes even a little vulgar, but always an adventure.

    It comprises myriad smaller archives, in which Benjamin gathered together all kinds of artefacts, assortments of images, texts and signs, themselves representing experiences, ideas and hopes, each of which was enthusiastically logged, systematized and analyzed by their author. In them, Benjamin laid the groundwork for the salvaging of his own legacy.This unique book, produced in association with the Benjamin Archive, delves into these archives. They include carefully laid-out manuscripts; photographs of a home with luxurious furniture, arcades, Russian toys; picture postcards from Tuscany and the Balearics; meticulous and unconventional registers, card indexes and catalogs; notebooks, in which every single square centimeter is covered; a collation of his son's first words and sentences; riddles and enigmatic Sibyls. Everything here is subtly interlinked with everything else.Intricate and intimate, Walter Benjamin's Archive leads right into the core of his work, yielding a rich and detailed portrait of its author.

    Exploring the complicated relationship the two philosophical schools of thought have with one another, Sartre supposes that the two are in fact compatible and complimentary towards one another, with poignant analysis and reasoning.An important work of modern philosophy, Search for a Method has a major influence on the current perceptions of existentialism and Marxism."This is the most important philosophical work by Sartre to be translated since Being and Nothingness."--James Collings, America

    

    In this radical and disturbing account of Soviet philosophy, Boris Groys argues that communism shares that dream and is best understood as an attempt to replace financial with linguistic bonds as the cement uniting society. The transformative power of language, the medium of equality, is the key to any new communist revolution.

    Eagleton outlines the relationship between production, labour and ownership which lie at the core of Marx's thinking. Marx's utopia was a place in which labour is increasingly automated, emancipating the wealth of sensuous individualdevelopment so that savouring a peach [is an aspect] of our self-actualisation as much as building dams.

    In this powerful book, Fredric Jameson proposes a radically different reading of Adorno’s work, especially of his major works on philosophy and aesthetics: Negative Dialectics and Aesthetic Theory.Jameson argues persuasively that Adorno’s contribution to the development of Marxism remains unique and indispensable. He shows how Adorno’s work on aesthetics performs deconstructive operations yet is in sharp distinction to the now canonical deconstructive genre of writing. He explores the complexity of Adorno’s very timely affirmation of philosophy — of its possibility after the “end” of grand theory. Above all, he illuminates the subtlety and richness of Adorno’s continuing emphasis on late capitalism as a totality within the very forms of our culture. In its lucidity, Late Marxism echoes the writing of its subject, to whose critical, utopian intelligence Jameson remains faithful.

    Fromm here shows himself an outstanding interpreter of Marx. In all, Fromm's re-creation of the Freudian and Marxist way of thinking is, essentially, a look at the individual and society. BEYOND THE CHAINS OF ILLUSION will introduce many of today's readers to unknown aspects of Marx and Freud, as it also serves as a unique introduction to the life and mind of Erich Fromm as well. A new foreword by Fromm Literary Executor Rainer Funk puts this book into historic context and high relief.