"Maggie Nelson has such drive in her language. Things do not dangle off this drive, but rather get resolutely pushed aside by her poem's forward motion. Also, she exercises the infinitesimal pause that is great poetry. Her SHINER is totally cool. She delivers the goods with fiendish delight"--Eileen Myles.

    She has a crew of close girlfriends to keep her social calendar active, and is celebrating finally securing employment in her chosen field. While always free-spirited, Kristy is getting tired of the revolving door – or more accurately, bed – of random guys and failed dates, and comes up with a plan to get her act together when it comes to the opposite sex. That idea is quickly shot down by her bestie Breely Laver and replaced with a bet she can’t refuse – a free trip to Paris with her yoga instructor BFF if she can go six months without sex.Enter in charming, sexy, delicious Grey Grahl. Kristy tries to navigate a spicy new relationship without giving away her bet, while also dealing with an incredibly sensitive crisis at her job. Her first year as a full-time elementary school guidance counselor starts off with a devastating situation with a young student, and Kristy finds herself struggling to stay above water in both her professional and personal life. With her girlfriends as a support system, Kristy navigates troubled times at the school and agrees to come clean with Grey. This first book in a six-part girlfriend series introduces you to Kristy, Breely, Nora, Lauren, Tinsley and Scarlett, and takes readers on six individual stories about relationships, career choices, personal conflict and the bond of friendship.

    In Asymmetry, his first collection of poems in five years, he revisits the themes that have long concerned him: the enduring imprint of history, the beauty of nature, the place of the exile. Though as sanguine as ever, Zagajewski often turns to elegy in this deeply powerful collection, remembering loved ones he's lost: a hairdresser, the philosopher Krzystzof Michalski, and, most poignantly, his parents. A moving reflection on family, the sublimity of everyday life, death, and happiness, Asymmetry is a magnificent distillation of an astounding poetic voice.

    Corral is the 2011 recipient of the Yale Series of Younger Poets award, joining such distinguished previous winners as Adrienne Rich, W. S. Merwin, and John Ashbery. Corral is the first Latino poet to win the competition.Seamlessly braiding English and Spanish, Corral's poems hurtle across literary and linguistic borders toward a lyricism that slows down experience. He employs a range of forms and phrasing, bringing the vivid particulars of his experiences as a Chicano and gay man to the page. Although Corral's topics are decidedly sobering, contest judge Carl Phillips observes, "one of the more surprising possibilities offered in these poems is joy."From "Self-Portrait with Tumbling and Lasso"I'm a cowboy        riding barebackMy soul is        whirlingabove my head like a lasso.        My right handa pistol. My left        automatic. I'm knockingon every door.        I'm coming on strong . . .

    These poems are allusive and tough. While they celebrate the pleasures of the natural world--mutability, desire, and the flowering of things--they are compounded by a critical awareness of contemporary culture. As we traverse their associative leaps, we discover a linguistic landscape that is part garden, part wilderness, where a poem can perform its own natural history. Divided into four cantos interrupted by lyrics and errata, Meteoric Flowers mirrors the form of Erasmus Darwin's 18th-century scientific pastorals. In attending to poetry's investigative potential, Willis shifts our attention from product to process, from commodity to exchange, from inherited convention to improvisational use.

    The commentary will contain background on the poems or more deeply delve into themes or topics discussed in the poems themselves. The spiritual seeker as well as the mature in faith will both benefit from the poems.

    The second collection drawn together by editor Wendy Martin, these twenty-four exquisite examples of contemporary writing feature stories by Joyce Carol Oates, Margaret Atwood, Mary Gaitskill, Alice Munro, Sandra Cisneros, and Lorrie Moore (to name a few).We Are the Stories We Tell is also available from Pantheon.

    The title poem, in a young schoolteacher's voice, evokes the lessons that children ("Not of course here") learn amid violence and hatred, "when the whole town flinches / blood on the undersole thickening to glass." "Usonian Journals 2000" intercuts faces and conversations, building to a dystopic/utopic vision. Throughout these fierce and musical poems, Rich traces the imprint of a public crisis on individual experience: personal lives bent by collective realities, language itself held to account.

    He is the author of The Darker Fall and Want and teaches at the MFA Program for Writers at Warren Wilson College.

    Now, with Goldenrod, the award-winning poet returns with a powerful collection of poems that look at parenthood, solitude, love, and memory. Pulling objects from everyday life—a hallway mirror, a rock found in her son’s pocket, a field of goldenrods at the side of the road—she reveals the magic of the present moment. Only Maggie Smith could turn an autocorrect mistake into a line of poetry, musing that her phone “doesn’t observe / the high holidays, autocorrecting / shana tova to shaman tobacco, / Rosh Hashanah to rose has hands.”​

    Sin comes a new voice, Samantha King’s raw, relatable poetry both celebrates love and mourns the human “curse to feel.” Her verse transports readers to the most private reaches of love and longing. Born to Love, Cursed to Feel is about love—the good, the bad, and the confusing. It touches on morals and how when emotions are involved it’s not as black and white. The poetry is frequently written in a narrative manner that evocatively pulls you in and makes you feel. This book is about falling in love, bad decisions, and ultimately growth. The essence of it all is to show that no matter how far one falls all the mistakes don’t have to be what defines them.

    Annie seeks refuge from an upended love affair with her producer, Owen Pettybone, by sequestering herself at home with her old dog Detour, surrounded by a lush Florida tangelo grove. There, she spends her days furiously sanding down the house’s every veneer in a vain attempt at erasing the painful memory of the love she lost. Soon, however, this quiet, small town existence—far from recording studios, ardent fans, and affairs of the heart—comes crashing down around her. A violent murder connected to her brother Calder threatens to tear her family apart and forces Annie to shore up her loyalties and uproot profound disappointments from her distant past. The evidence stacks against Calder, compounded by his lifelong affliction with Tourette syndrome that causes some in the community to cast aspersions on the soundness of his mind.As the circumstances converge to challenge lifetime ties and forge unexpected new bonds, this soulful, stirring novel shifts its narrative from an imperiled and ever-changing present, where each hour brings an unforeseen and unwelcome piece of news, to the poignant childhood days of first allegiances and life-altering loss. Like a fine and forlorn love ballad, the gifted, conflicted Annie lulls the reader into a journey through love and loss that mines the mysterious, and, at times, paradoxical rhythms of the human heart. As vibrant as Annie’s treasured tangelo grove, Carry Yourself Back to Me cultivates an always tender, sometimes tart, portrait of one family’s regret and redemption. Inflected with melancholy and redeemed by melody, this deeply affecting novel is certain to strike a resonant chord with music fans and lovers of fine fiction everywhere.

    Although their work conjures the texture of wind and the broad spaces of the sky, these poems are not serenely pastoral. Rather, Myles' sparse blank verse is concerned with the diaphanous qualities of perception, as if her momentary experiences were as slippery and translucent as clouds. A sometimes brutal loneliness and urgent but stoic sensuality results, finding its expression in simple colors: orange, grey, yellow, white, rose.

    Sin pursues themes of self-discovery and retrospection. With this book, the poet intends to create a safe space where women can rest their weary hearts and focus on themselves.

    Mr. Brown has performed works from herein on The Tonight Show with Jay Leno and as the opening act for rock bands such as Cold War Kids and The White Stripes. It contains 204 pages of work spanning 1994-2004. Derrick Brown's large cult following has sent him on tours through twelve countries. He continues to tour to this day. Paperback. www.brownpoetry.com