To commemorate its 100th anniversary the heads of newspaper Tozai Shimbun come up with a plan to publish the “Ultimate Menu”. The assignment is given to journalist Yamaoka Shiro, the protagonist of the series. With the help of a female coworker, Kurita Yuko, Yamaoka starts off on what can only be termed an epic saga to find the dishes hat will go into the “Ultimate Menu”. The subject of volume 1 is Nishon ryori, or Japanese cuisine, featuring stories on subjects like how to prepare a proper dashi (broth that is one of the building blocks of Japanese cooking), or matcha (the powdered green tea used in the tea ceremony), or red snapper sashimi. The subjects of the later volumes are: 2) sake, 3) fish, 4) vegetables, 5) rice dishes, 6) udon, and 7) izakaya or “pub” food.

    It marked the birth of the modern graphic novel and the beginning of an era when serious cartoonists could be liberated from their stultifying comic-book format.More than a quarter-century after the initial publication of A Contract With God, and in the last few months of his life, Eisner chose to combine the three fictional works he had set on Dropsie Avenue, the mythical street of his youth in Depression-era New York City.As the dramas unfold in A Contract With God, the first book in this new trilogy, it is at 55 Dropsie Avenue where Frimme Hersh, the pious Jew, first loses his beloved daughter, then breaks his contract with his maker, and ends up as a slumlord; it is on Dropsie Avenue where a street singer, befriended by an aging diva, is so beholden to the bottle that he fails to grasp his chance for stardom; and it is there that a scheming little girl named Rosie poisons a depraved super’s dog before doing in the super as well.In the second book, A Life Force, declared by R. Crumb to be "a masterpiece," Eisner re-creates himself in his protagonist, Jacob Shtarkah, whose existential search reflected Eisner’s own lifelong struggle. Chronicling not only the Crash of 1929 and the Great Depression but also the rise of Nazism and the spread of left-wing politics, Eisner combined the miniaturist sensibility of Henry Roth with the grand social themes of novelists such as Dos Passos and Steinbeck.Finally, in Dropsie Avenue: The Neighborhood, Eisner graphically traces the social trajectory of this mythic avenue over four centuries, creating a sweeping panorama of the city and its waves of new residents—the Dutch, English, Irish, Jews, African Americans, and Puerto Ricans—whose faces changed yet whose lives presented an unending "story of life, death, and resurrection."The Contract With God Trilogy is a mesmerizing, fictional chronicle of a universal American experience and Eisner’' most poignant and enduring literary legacy.

    The story fans never thought they’d see, continuing the acclaimed story of Life is Strange, one of the hit game’s two shocking endings.One year after the storm destroyed Arcadia Bay, fan-favourite characters Max and Chloe have a new life together… but timelines are starting to tangle.Collects Life is Strange #1-4

    It was discovered by a seven-year-old boy named Al Ledicker, and the story that followed is one that veteran underground cartoonist Kim Deitch (Boulevard) has chronicled for the last 20 years in a series of interrelated stories that have appeared in a variety of magazines. Collected for the first time, Shadowland offers a narrative which ranges from the late 19th century to (more or less) the present day. Delineated in Deitch's charming, uniquely retro style, Shadowland is a tumble down the rabbit hole of sexy Hollywood starlets, little green (actually, gray) aliens, flying pigs and performing elephants, incest, murder, and eternal youth.

    This graphic fantasy novel is the second of its kind, following on from "Raw" volume 1.

    Sometimes it takes Europeans to make gold of tuckered-out American tropes.Add to those instances of inspired global cross-pollination the Spanish cartoonist Martí’s eye-popping The Cabbie, which spins off Martin Scorsese’s sordid urban-justice drama Taxi Driver with a graphic style that unapologetically appropriates and even refines the brutal slabs of black, squashed perspectives, and grotesque approach to human physiognomy (and its ability to withstand punishment) that define Chester Gould’s Dick Tracy.And as Art Spiegelman (who was the first to publish Martí’s work in English, in RAW magazine) notes in his introduction, while “Gould’s graphic black and white precision and his diagrammatic clarity live on in Martí’s work,” he points out that “more interestingly, perhaps, so does Gould’s depravity.” Indeed, if anything, The Cabbie is even more savage than the legendarily brutal Dick Tracy, with its pimps, whores, petty thieves, corrupt businessmen, all swirling around the ingenuously violent “Cabbie” whose self-administered “upstanding citizen” status entitles him — in his view — to even more shocking acts of violence — especially on his quest for the stolen coffin of his father, which he’s told includes his entire inheritance!

    Sama's father has had a heart attack, and doctors give him a month to live. With his teddy bear in tow, Sama crawls under his bed and finds a magical portal to a strange realm called Undertown. What is this dark new world? To find out, Sama begins a journey through the depths of Undertown, where he searches for The Sugar Stone, a magical object that might be able to save his dad! This is volume 1 of the Undertown manga series.

    While the United States is locked in a nuclear arms race with the Soviet Union, the gay Southern playwright known as Snagglepuss is the toast of Broadway. But success has made him a target. As he plans for his next hit play, Snagglepuss becomes the focus of the House Committee on Un-American Activities. And when powerful forces align to purge show business of its most subversive voices, no one is safe!Written by Mark Russell, the critically acclaimed mastermind behind the award-winning PREZ VOL. 1 and THE FLINTSTONES, EXIT STAGE LEFT: THE SNAGGLEPUSS CHRONICLES, enters the Hanna-Barbera reimagined universe! Collects issues #1-6

    Sticks and Stones illuminates this earth-shaking tale without a single word. It is as elemental as hieroglyphics, a timeless story for all ages.In Sticks and Stones, Peter Kuper has created a picture story of epic proportions. It is an intricate tale of birth and death, war and peace, artfully told without a single word. Sticks and Stones chronicles the rise of an empire and the consequences of hubris. This is a timeless allegory and a coutionary tale for our present-day world."Given that Peter Kuper's work is usually wordless and silent, it is all the more extraordinary that he should be one of the strongest and truest radical voices to emerge from contemporary America. In Sticks and Stones, Kuper crafts a Bush-era parable so beautiful, simple, and lucid that it could be understood and enjoyed by anyone, regardless of nationality. This is a powerful, angry, and compassionate document, and in its perfectly measured silence there resides a profound human eloquence. Highly recommended." —Alan Moore, author of Watchmen and From Hell

    Book One contains the entire original mini-series that introduced Francine, Katchoo, David, Freddie and more. Plus, a 5 page short story, sketchbook pages, character designs, creator notes featuring never before seen pages of script and unused scenes, and for the first time ever, actual pages from the original version of issue one that Moore never published, choosing instead to redraw the entire issue before its release date, altering scenes and characters alike. This is a must have book for the new reader and serious collector alike!

    The disappointed blob and its resigned "oh no" has become a recognizable slogan, tapping into the current internet zeitgeist of self-conscious pessimism to hilarious and heartbreaking effect.  Now in this alternately funny and gloomy collection, oh no brings together all the series’ greatest hits as well as dozens of never-before-seen comics. With exciting material for established fans and newcomers alike, oh no will have something for everyone. Because, after all, we are all the disappointed blob; the disappointed blob is us.

    Amid an East Los Angeles neighborhood running wild with gang violence and drug trafficking, a war brews in the criminal underworld! With four on the floor, Marvel's newest GHOST RIDER puts vengeance in overdrive!!!

    Each page is relatable, accessible, and full of dogs, lizards, weirdos, and Michael s unique brand of dark and self-aware laughs."

    The padlocked doors and barren lobby reinforce the strangeness of this place. This is—as he reads from an old-fashioned keychain beside his bed—the Edgewater Hotel. Even worse, something ominous seems to be lurking in one of the rooms. But when he meets a young companion—the only other soul in this vast, enveloping emptiness—his new friend begs him not to unlock the door. There must be something behind it…but what? A haunted hotel on the edge of reality, an endless bridge spanning an infinite ocean, and a man and a boy looking for a way out. This is the setting for a boundary-pushing, genre-defying new work of fiction by one of comics’ master storytellers.

    In a dazzling work of graphic fiction, a surreal journey through a wonderland eerily like real life, The Book of Leviathan chronicles an infant's investigations into life's great mysteries. Endowed with a preternatural interest in metaphysics and philosophy, yet as confused as any innocent by the vagaries of adult behavior, little Levi bears the added burden of living in a world that can literally change at the stroke of a pen.Aided by a wise pet ("Cat") and a favorite toy ("Bunny"), Levi encounters a frothing ectoplasmic Hegel and a woefully off-the-mark Freud. In less heady adventures, Levi contemplates why his parents disappear at night (and whether he is wholeheartedly pleased when they return each morning); the regrettable liberties taken with the English language; and the relationship between Bennetton and Pablo Neruda.Peter Blegvad's Book of Leviathan assembles the cream from Levi and Cat's adventures, published in The Independent on Sunday newspaper in the twilight years of the old Millennium. Blegvad's darkly humorous work has been described by Matt Groening as "one of the weirdest things I've ever stared at". Quirky and referential, dark and droll by turn, it follows the faceless baby Levi's journeys into and out of the world. They are escapes, but as some sage once observed, only a jailer would consider the term "escapist" pejorative.