It captures bygone New York at its most raucous, dangerous, and outrageous. Grisly murders, tragic accidents, gawking crowds, along with intimate human-interest and high-society images, are all captured by Weegee's flash. Interpretive essays, an annotated chronology, bibliography, filmography, and a list of exhibitions complete this comprehensive volume.

    The noted author/photographer recounts his life and the bitter struggle he has faced, since he was sixteen-years-old, against poverty and racial prejudice.

    The woman who used to be Linda Lovelace is here to tell you that. She doesn't exist anymore. In this book you will find that a courageous, independent, loving woman has taken her place, and you will be moved by the story of the struggles she went through to make this happen.When Ordeal became a national bestseller in 1980 it was an event that had meaning beyond the success of a single book. It is clear now that it was one of the early signs of a new awareness that the "sexual revolution" was not all that it first seemed. Some of its results now include growing awareness of sexual exploitation, battered women and child abuse. The author of Ordeal was swamped by letters and calls from women who immediately understood her story from having suffered similar experiences.Written frankly, openly and in a style that struck such a chord in the heart of American public, Out of Bondage is an important addition to Linda Lovelace Marchiano's story. In it Linda gives details of the agony she suffered in facing the public with her story the first time."Tell me, Linda, what in your background led you to a concentration camp?" is the ironical but extremely apt sentence that Gloria Steinem used to describe the new ordeal that Linda faced on television. She had to sit in a court room where a judge arbitrarily insisted on a screening of Deep Throat, "for evidence," and she had to live as a person in fear for her life, on the run from men who had made millions of dollars from her degradation.Linda makes clear that the dirty movie business is very much a dirty business. The people who run it, with the typical arrogance of real criminals, routinely enforce a form of slavery on its performers.But things are a lot different for Linda now. She has had the warm support of feminists such as Gloria Steinem and Susan Brownmiller and she has participated in the campaigns of Women Against Pornography. She has even had the satisfaction of seeing some of her former tormentors arrested and punished by the law. She has also had the warmth and portection of her marriage. Much of Out of Bondage is, in fact, a love story. Here Linda tells how she finally was able to share the burden of her past with her husband Larry. It was not easy. Larry is the kind of man who tells another man to get away from his wife, not caring that the man happens to be mafia boss Joe Colombo. But much of what happened was too tough even for him.Linda, in her candid, unaffected way, andmits that she had much more to learn after she set out to control her own life, and she is still learning. In Ordeal she wrote, "I could be happy just vacuuming my home." In this book she tells us, "Well, that was the truth. Then." The truth now is that it is much more important to her that she is not totally dependent on anyone. Instead of vacuuming the house she prefers the picture of herself testifying before the Senate Subcommittee investigating the effect of pornography on women and children, bringing her message to the world.Following publication of her book Ordeal, Linda Marchiano traveled extensively, speaking out against pornography in all parts of the country. The story of her victimization caught the attention of many feminist leaders who have since become her friend. Linda is particularly concerned with helping other women who have suffered from coercion and commercial sexual exploitation. She lives in a quiet Long Island community with her husband and two children, a son and a daughter.

    This is a book that became an instant cult classic.

    What does it mean to become a photographer in the twenty-first century? This thoughtful collection of essays illuminates the spirit of the people who make the indelible images of our times. Aspiring and professional photographers—especially those in arts programs throughout the United States—will appreciate the comprehensive vision of The Education of a Photographer. Classic writings from the twentieth century as well as the thoughts of the most influential talents working today, plus essays from designers, editors, and gallery owners, make this a compelling look at what drives and inspires photographers to create great work.

    Spending summers in the brutal heat of coastal New South Wales, she fell for the creatures. Their teeth, their skin, their eyes; their hunters and their victims.Everything is Teeth is a delicate and intimate collection of the memories she brought home to England, a book about family, love and the irresistible forces that pass through life unseen, under the surface, ready to emerge at any point.

    

    From Solzhenitsyn to Laura Zigman, Catherine M. to Captain Underpants, the result is a personal chronicle of insight, wit, and enough infectious enthusiasm to make a passionate reader out of anybody.

     Join Dana Schwartz on a journey revisiting all of the awful choices she made in her early twenties through the internet's favorite method of self-knowledge: the quiz. Part-memoir, part-VERY long personality test, Choose Your Own Disaster is a manifesto about the millennial experience and modern feminism and how the easy advice of "you can be anything you want!" is actually pretty fucking difficult when there are so many possible versions of yourself it seems like you could be. Dana has no idea who she is, but at least she knows she's a Carrie, a Ravenclaw, a Raphael, a Belle, a former emo kid, a Twitter addict, and a millennial just trying her best. This long-form personality quiz manages to combine humor with unflinching honesty as one young woman tries to find herself amid the many, many choices that your twenties have to offer.

    There she met the legendary couple Frida Kahlo and Diego Rivera. Welcomed into their home, she immersed herself in their private lives and the cultural and artistic diversity of the country, taking hundreds of photographs. These powerful photographs, among the last taken before Kahlo’s death, bear poignant witness to Frida’s beauty and talent. Showcasing more than 100 of these rare images, many of which have never been published before, the book also includes previously unpublished commentary by Gisèle Freund about Frida Kahlo, texts by Kahlo’s biographer Gérard de Cortanze and art historian Lorraine Audric, as well as a link to a previously unreleased color film, shot by Freund, showing Diego Rivera at work.

    Led off by an authoritative biographical essay by Elizabeth Partridge (Lange's goddaughter), the book goes on to showcase Lange's work in over a hundred glorious plates. Dorothea Lange is the only career-spanning monograph of this major photographer's oeuvre in print, and features images ranging from her iconic Depression-era photograph "Migrant Mother" to lesser-known images from her global travels later in life. Presented as the companion book to a PBS American Masters episode that will air in 2014, this deluxe hardcover offers an intimate and unparalleled view into the life and work of one of our most cherished documentary photographers.

    In Cherry, we find Karr once again trying to run from the thrills and terrors of her psychological and physical awakening by violently crashing up against authority in all its forms, shuttling between the principal's office and the jail cell. Yearning, like a typical teenager, for the ideal love or heart's companion who will make her feel whole again, she throws in her lot with a varied and outrageous band: surfers, yogis and bona fide geniuses.

    Calle's projects have frequently drawn on episodes from her own life, but this book-part visual memoir, part meditation on the resonances of photographs and belongings-is as close as she has come to producing an autobiography, albeit one highly poetical and fragmentary. The first section is composed of various reflections on objects such as a shoe, a postcard, a bathrobe and a bed, or musings on the artist's body, such as "The Love Letter": "For years a love letter languished on my desk. I had never received a love letter, so I paid a public scribe to write one. Eight days later, I received seven beautiful pages of pure poetry penned in ink. It had cost me one hundred francs and the man said: '...as for myself, without moving from my chair I was everywhere with you.'" The second section of the book, "The Husband," is comprised of ten recollections of episodes from Calle's first marriage, by turns funny ("He was an unreliable man. For our first date he showed up one year late."), erotic and sad. A third section gathers various autobiographical tales, and the book closes with three interlinked stories titled "Monique." This new edition includes five new photo-text presentations and is the first English translation.Sophie Calle (born 1953) is a French writer, photographer, installation artist and conceptual artist. Among her many publications are "The Address Book," "Blind," "Take Care of Yourself" and "Double Game."

    Their journey would prove an extraordinary collaboration and a watershed literary event when in 1941 "Let Us Now Praise Famous Men" was first published to enormous critical acclaim. This unsparing record of place, of the people who shaped the land, and of the rhythm of their lives today stands as one of the most influential books of the twentieth century.

    And as with his photographs of the Mississippi, these images are less about natural wonder than human desire. "I went to Niagara for the same reason as the honeymooners and suicide jumpers," says Soth, "the relentless thunder of the Falls just calls for big passion." The subject may be hot, but the pictures are quiet, the rigorously composed and richly detailed products of a large-format 8x10 camera. Working over the course of two years on both the American and Canadian sides of the Falls, Soth edited the results of his labors down to a tight and surprising album. He depicts newlyweds and naked lovers, motel parking lots, pawnshop wedding rings and love letters from the subjects he photographed. We read about teenage crushes, workplace affairs, heartbreak and suicide. Oscar Wilde wrote, "The sight of the stupendous waterfall must be one of the earliest, if not the keenest, disappointments in American married life." Niagara brings viewers both the passion and the disappointment--a remarkable portrayal of modern love and its aftermath.