A young countess saves her tenants from starvation, but only by selling her soul to the Devil. The sleepy parish of Nyadnanave sees a vision of a cockerel that dares the inhabitants to break the shackles of Church and State. All these plays were met with moral outrage and rioting in their native Ireland.Yeats's 'The Countess Cathleen' (1892), J. M. Synge's 'The Playboy of the Western World' (1907) and O'Casey's 'Cock-a-doodle Dandy' (1949) emerged from a period of traumatic change for Ireland. While the plays bear witness to the immmense social upheavals of the turn of the twentieth century, they also represent a new age of Irish drama that rose from the turmoil, and their lessons ring true to this day.

    But for eleven-year-old Jason McAteer, growing up in the shadow of Liverpool FC, football became the dream. After signing with Bolton Wanderers at the age of twenty-one, the call to the international scene followed with the Republic of Ireland and, soon after, to his beloved Liverpool FC. The dream had become a reality. From his time with the Irish World Cup squad of 1994 to those tumultuous days in Saipan in 2002; on through his decision to leave Liverpool for Blackburn Rovers; his move to Sunderland, and the depression he fell into after finishing his professional career with Tranmere Rovers, Jason McAteer looks back with characteristic honesty and humour on his life - the jokes, the matches, and the personalities.This is the real Jason McAteer: a little bit bruised, a little bit battered. But still fighting.

    Her chest felt tight, and her heart was cracking. If only she could be sure her secret was safe. If only she could go home to Ireland…New York, 1933. Ellen looks at her sleeping husband and precious daughter for the last time. They have longed to return home to Ireland for many years, but now the time has come, and the boat is ready to leave. But Ellen knows the dark secret she hides means she can never go back. Heart breaking into a million little pieces, she kisses her little girl goodbye and lays a precious turquoise necklace down beside her head, before fleeing into the night.Ireland, years later. Mairead’s world is falling apart. Recently separated, she has returned home to nurse her dying mother, Brigid. As Brigid passes, she calls out for her mother, Ellen, a woman Mairead knows nothing about.All alone in the world, Mairead is stricken with guilt that she couldn’t honour her mother’s last wish. She travels to New York, the last place her grandmother was seen, clutching all that she has of her – a stunning turquoise necklace and a small black-and-white photograph. Mairead’s search leads her across America to Arizona where she discovers that Ellen was on the run, a wanted woman, accused of a terrible crime.Mairead can’t believe that the young woman with laughing eyes and an innocent smile could have such a dark past. But as she uncovers the secrets and lies that forced her grandmother to abandon her only daughter, will Mairead’s own future be ruined by the shadows of her family’s secrets?Be transported to the wild west coast of Ireland by this beautiful read about the sacrifices a mother will make to protect her child. Fans of The Light Between Oceans and Lisa Wingate will adore this heart-breaking book.

    With the Irish language vanishing all through the rest of Ireland, the Great Blasket became a magnet for scholars and writers drawn there during the Gaelic renaissance—and the scene for a memorable clash of cultures between modern life and an older, sometimes sweeter world slipping away.   Kanigel introduces us to the playwright John Millington Synge, some of whose characters in The Playboy of the Western World, were inspired by his time on the island; Carl Marstrander, a Norwegian linguist who gave his place on Norway’s Olympic team for a summer on the Blasket; Marie-Louise Sjoestedt, a Celtic studies scholar fresh from the Sorbonne; and central to the story, George Thomson, a British classicist whose involvement with the island and its people we follow from his first visit as a twenty-year-old to the end of his life.   On the island, they met a colorful coterie of men and women with whom they formed lifelong and life-changing friendships. There’s Tomás O’Crohan, a stoic fisherman, one of the few islanders who could read and write Irish, who tutored many of the incomers in the language’s formidable intricacies and became the Blasket’s first published writer; Maurice O’Sullivan, a good-natured prankster and teller of stories, whose memoir, Twenty Years A-Growing, became an Irish classic; and Peig Sayers, whose endless repertoire of earthy tales left listeners spellbound.   As we get to know these men and women, we become immersed in the vivid culture of the islanders, their hard lives of fishing and farming matched by their love of singing, dancing, and talk. Yet, sadly, we watch them leave the island, the village becoming uninhabited by 1953. The story of the Great Blasket is one of struggle—between the call of modernity and the tug of Ireland’s ancient ways, between the promise of emigration and the peculiar warmth of island life amid its physical isolation. But ultimately it is a tribute to the strength and beauty of a people who, tucked away from the rest of civilization, kept alive a nation’s past, and to the newcomers and islanders alike who brought the island’s remarkable story to the larger world.

    She has just lost her mother Tess and brother Mikey, her marriage to Joe is coming apart at the seams and her thirty-year friendship with Karen is on the rocks.While clearing out her childhood home, Carmel discovers that her mother gave birth to a baby in an Irish Mother and Baby home when she was sixteen, a place notorious for its mass burial of babies and illegal adoptions.Carmel goes on a quest for the truth about her troubled mother’s past. Her roller-coaster journey takes her from her comfortable Manchester home to the west of Ireland and to London's theatre land. It’s a journey that leads her to ask: Can we ever escape our own family history or is our destiny in our DNA?

    Kate Mitchell’s in the process of kicking her heroin addiction—with the help of alcohol—when a letter arrives informing her that her aunt in Ireland has passed away and bequeathed her a home near the ocean. This could be the start of a new and better life for Kate, far away from Brooklyn, where she and her surviving brothers are each struggling with their own dark pasts. But Aunt Mary didn’t die peacefully—quite the opposite. The pair of thugs responsible for her murder had plans for her house: namely, turning it into a lovely seaside meth lab. One of Mary’s killers, however, finds his focus shifting when he spots a photo of the dead woman’s American niece, who bears a striking resemblance to the late opera singer Maria Callas, the beloved object of his obsession. When Kate and her brothers arrive to claim her inheritance, they’re going to find something other than a piece of paradise . . . “Nobody writes like Ken Bruen, with his ear for lilting Irish prose and his taste for the kind of gallows humor heard only at the foot of the gallows.” —The New York Times “Bruen has a rich and mordant writing style, full of offbeat humor.” —Publishers Weekly

    Young and beautiful Alainn McCreary, healer in training to the powerful O'Brien Clan, is on the cusp of discovering she possesses vast and unusual supernatural powers, which she hopes will help her unlock the secrets of her past and break the curse on the O'Brien Clan. Alainn is counseled to hide her magical abilities, but how can she when dark forces rise up to threaten not only the O'Brien Clan, but Alainn and the life of the Chieftain's beloved, but forbidden nephew, Killian O’Brien, a man Alainn has loved as long as she can remember? The Witch's Daughter Healer, witch, and commoner Alainn McCreary battles valiantly to control her growing magical powers and to ignore her doomed yearning for noble Killian O’Brien, a man who is far above her station and betrothed to a noble, dark-eyed Scottish beauty. Alone, she continues her quest to break the bitter curse that dooms not only the powerful O’Brien Clan but also Alainn and Killian’s future happiness. Threatened by dark forces, a powerful chieftain, and a suspicious priest, loyal, valiant and handsomely virile Killian vows to fight at his beloved Alainn’s side even as he realizes time is running out for both of them. The Witch’s Daughter, set in the mystical landscape of ancient Ireland, weaves romance, adventure and the supernatural into a sensual tale of love and longing that darkly whispers “What wouldn’t you do for love?” The Chieftain's Daughter Young, pregnant witch, Alainn McCreary, is forced to rely on her mysterious and unpredictable magical powers in an attempt to protect the life of her strong and courageous new husband, Killian O’Brien, and the life of their unborn child, battling against all odds waged by a powerful and corrupt chieftain, a vengeful curse, and malevolent dark forces unleashed by a scheming demon. Set in mystically enchanting, but dark and dangerous 16th Century Ireland where fairies, witches, spirits, and demons dwell among humans, the Chieftain’s Daughter is an enticingly romantic and lustful tale of love, desire, danger, and adventure. The Chieftain's Wife As Alainn and Killian O'Brien begin their married life together, Alainn encounters many new and unexpected challenges. Stricken by the disturbing, reoccurring vision of Killian's death, she desperately seeks a way to prevent it from happening. In hope of providing a normal life for their unborn child Alainn turns from her own magical abilities, but soon realizes that doing so may endanger everyone she cares for. Set in 16th century Ireland, A Chieftain's Wife continues the captivating story of Alainn and Killian's passionate love. Past indiscretions, deep jealousy, a vindictive witch, and tragic hardships all threaten to disrupt Killian and Alainn's happiness and future together.

    or take it. Conor Doyle is a haunted man. In the winter of 1988, he returns from London to his old home town in Western Ireland, hoping to find a reason to stay. What he thought would be a joyful reunion becomes something more, as he's drawn into the fallout surrounding a shocking crime. While the Irish Garda are looking for the prime suspect, Conor's relationships are tested with jealousy and betrayal, and he must look deep inside himself to make the decision that will change his life forever.

    

    Each chapter takes the title of a traditional tune, and as in a session played by brilliant improvising musicians, each tune leads into another, melodies and variations weaving in and out in a haze of talk and memory. Carson's inspired jumble of recording history, poetry, tall tales, and polemic captures the sound and vigor of a ruthlessly unsentimental music. A leading Irish poet who is also an accomplished flute player, he tells of his Belfast childhood, of learning to play music, of his travels in Ireland and America, of poteen, pub life, and the special pleasure taken in a well-made Fry "the morning after the night before." Loosely interpreted standards, as Carson points out, achieve a special kind of profundity and resonance - a tune can never be played the same way twice - so this is also a book about the poignancy of lost airs, about music as "a way of renegotiating lost time" and recognizing mortality.

    He also has the tender memories of his grandfather's exaggerated stories of Irish wonder and magic stories of leprechauns and legends and the mysterious power of fate. But he doesnot have the story of why his grandfather left Ireland as a young man.Mesmerized by his romantic vision of Ireland, Cooper begins his search with a charming, down-on- his-luck Irish actor. He is also unprepared for the presence of Kathleen O'Reilly. As Cooper hunts for his grandfather's ghost, the landmarks and the fate of the Irish that Finn Coghlan talked of magically brings Cooper and Kathleen together. Yet, there is a truth between the two of them that not even the enchanting tale of Finn McCool and Sally Cavanaugh can resolve. For that, Cooper must use the one gift bestowed on him as a child by his grandfatherBogmeadow's wish.

    A remarkable memoir which is often humorous and ultimately very moving as a young Catholic girl struggles to break away from destructive influence of her father in 1960s Ulster.

     Boston 1868...At the insistence of her parents, sixteen-year-old Katie O'Neil reluctantly left her beloved Galway. She joined her cousin, Moira Murphy to work as a nanny and domestic. In mid-nineteenth century Boston, Irish domestics were often referred to as Kitchen Canaries and considered property of their employers. The young women are violated by their employer, Charles Brennan. Their shame and guilt is so great, they keep the abuse a secret even from each. When Katie becomes pregnant, Charles Brennan's victims, Moira, his wife Rose, and the negro household help, bond together to hide the newborn. In this post-Civil War era, Boston is bustling with change as wealthy Englishmen and Boston Brahmins expand world trade routes, build railroads and develop land. Immigrants from Ireland, Italy and Poland establish neighborhoods, existing in overcrowded, disease-ridden shacks and tenements. They, and negroes flocking North, suffer hate, humiliation and rejection from the establishment. The only value they have to the rich Bostonians is their willingness to work for little money performing menial or back-breaking, dangerous jobs on the docks, and building railroads. This story is about the goodness of others, black, white, Irish and English whose strength prevails to overcome evil and guide Katie and Moira to true redemption. The sequel, Through the Open Door is now available.

    When Charlie announces that he's leaving her, Sally, devastated and furious, makes him pack his bags at once. But maybe, she wonders later, she really is too hard to live with? Weighed down by the unspoken secrets of two generations, and hoping for some glimmer of comfort, Sally turns to her grandfather, the frosty old Bishop she has never really known.

    You've sowed the seed of Satan. You are nothing.'Mary Creighton was just 15 when she found herself pregnant out of wedlock, in 1960s Ireland. She dreamed of a happy life with her child, but that was shattered when she was sent away to Castlepollard - a home for mothers and their unborn babies.Stripped of their clothes and forced into gruelling work whilst pregnant, those who survived childbirth were made to force-feed their children for adoption into wealthy families. Babies were ripped out of their mother's hands, but Mary refused to let that happen to her. She managed to escape only to later lose her beautiful daughter to social services and the meddling nuns... who always managed to catch up with her. After spending time in an infamous Magdalene Laundry, and having another two children snatched away, Mary sought to find her lost children, and demand answers for the atrocities committed supposedly in God's name.This is a haunting account of a mother's worst nightmare, as Mary continues to fight for justice for the mothers who suffered there and the babies of Castlepollard: hundreds of which died and are still buried in the grounds today.