Macdonald’s “National Dream.”It was a dream that came at great expense: the present disparity in health and economic well-being between First Nations and non-Native populations, and the lingering racism and misunderstanding that permeates the national consciousness to this day.

    An elderly widower who has lived through three wars and fought in two of them, the captain enjoys his rootless, solitary existence.In Wichita Falls, he is offered a $50 gold piece to deliver a young orphan to her relatives in San Antonio. Four years earlier, a band of Kiowa raiders killed Johanna’s parents and sister; sparing the little girl, they raised her as one of their own. Recently rescued by the U.S. army, the ten-year-old has once again been torn away from the only home she knows.Their 400-mile journey south through unsettled territory and unforgiving terrain proves difficult and at times dangerous. Johanna has forgotten the English language, tries to escape at every opportunity, throws away her shoes, and refuses to act “civilized.” Yet as the miles pass, the two lonely survivors tentatively begin to trust each other, forming a bond that marks the difference between life and death in this treacherous land.Arriving in San Antonio, the reunion is neither happy nor welcome. The captain must hand Johanna over to an aunt and uncle she does not remember—strangers who regard her as an unwanted burden. A respectable man, Captain Kidd is faced with a terrible choice: abandon the girl to her fate or become—in the eyes of the law—a kidnapper himself.

    Stories about the Battle of Little Bighorn are therefore often more myth than truth. In 1922, Thomas B. Marquis decided to uncover the true story of Custer’s Last Stand by speaking to someone who had actually fought against him. For hour after hour Marquis spoke to Wooden Leg and pieced together the narrative of the battle. Yet, Marquis’ studies cover much more than the final demise of Custer. Through his interviews with Wooden Leg, who was a young man at the time of Little Bighorn, he was able to uncover fascinating details about the everyday life of Cheyenne Indians and their practices. Their hunting practices, their conflicts with the Crows, how they were given names, their religion, their marriage customs, and other details of their way of life are all covered. As the relations between American soldiers and Native Americans grew more tense Wooden Leg and his Cheyenne people were drawn into conflict. Wooden Leg provides a fascinating account of how the Native American tribes were drawn together in a loose alliance to repel the oppression to which they had been subjected. Though the Native Americans won the battle, they certainly did not win the war. Wooden Leg’s account of the years after Little Bighorn demonstrates how many Native Americans struggled with life on the reservations and how they longed to be on the plains once again. Wooden Leg’s memoirs interpreted by Thomas B. Marquis give a fascinating insight into Native American life in the late-nineteenth century. “[A] deeply interesting story.” The New York Times After entering a reservation Wooden Leg worked as a scout, messenger and sentry. He was part of the 1913 delegation sent to Washington to speak about the Cheyenne tribe. Later he became a judge on the reservation and died in 1940.

    After her daughter disappeared and left her with her granddaughter Sissy to raise on her own, Odette has managed to stay under the radar of the welfare authorities who are removing fair-skinned Aboriginal children from their families. When a new policeman arrives in town, determined to enforce the law, Odette must risk everything to save Sissy and protect everything she loves.In The White Girl, Miles-Franklin-shortlisted author Tony Birch shines a spotlight on the 1960s and the devastating government policy of taking Indigenous children from their families.

    Ted Kooser’s third book in the Pitt Poetry Series is a selection of poems published in literary journals over a ten year period by a writer whose work has been praised for its clarity and accessiblity, its mastery of figurative language, and its warmth and charm.

    Through her characterization of two young sisters who are removed from their family, the author poignantly illustrates the difficulties that many Aboriginal people face in maintaining a positive self-identity.

    Sitting Bull's life spanned the entire clash of cultures and ultimate destruction of the Plains Indian way of life. He was a powerful leader and a respected shaman, but neither fully captures the enigma of Sitting Bull. He was a good friend of Buffalo Bill and skillful negotiator with the American government, yet erroneously credited with both murdering Custer at the Little Big Horn and with being the chief instigator of the Ghost Dance movement. The reality of his life, as Bill Yenne reveals in his absorbing new portrait, Sitting Bull, is far more intricate and compelling. Tracing Sitting Bull's history from a headstrong youth and his first contact with encroaching settlers, through his ascension as the spiritual and military leader of the Lakota, friendship with a Swiss-American widow from New York, and death at the hands of the Indian police on the eve of the massacre at Wounded Knee, Yenne scoured rare contemporary records and consulted Sitting Bull's own "Hieroglyphic Autobiography" in the course of his research. While Sitting Bull was the leading figure of Plains Indian resistance his message, as Yenne explains, was of self-reliance, not violence. At the Battle of the Little Bighorn, Sitting Bull was not confronting Custer as popular myth would have it, but riding through the Lakota camp making sure the most defenseless of his tribe--the children--were safe. In Sitting Bull we find a man who, in the face of an uncertain future, helped ensure the survival of his people.

    He moved in rarefied circles, a friend to presidents, vaudeville stars, leading thinkers. And he was thirty-two years old in 1900 when he gave it all up to pursue his Great Idea: to capture on film the continent’s original inhabitants before the old ways disappeared.An Indiana Jones with a camera, Curtis spent the next three decades traveling from the Havasupai at the bottom of the Grand Canyon to the Acoma on a high mesa in New Mexico to the Salish in the rugged Northwest rain forest, documenting the stories and rituals of more than eighty tribes. It took tremendous perseverance - ten years alone to persuade the Hopi to allow him into their Snake Dance ceremony. And the undertaking changed him profoundly, from detached observer to outraged advocate. Eventually Curtis took more than 40,000 photographs, preserved 10,000 audio recordings, and is credited with making the first narrative documentary film. In the process, the charming rogue with the grade school education created the most definitive archive of the American Indian. His most powerful backer was Theodore Roosevelt, and his patron was J. P. Morgan. Despite the friends in high places, he was always broke and often disparaged as an upstart in pursuit of an impossible dream. He completed his masterwork in 1930, when he published the last of the twenty volumes. A nation in the grips of the Depression ignored it. But today rare Curtis photogravures bring high prices at auction, and he is hailed as a visionary. In the end he fulfilled his promise: He made the Indians live forever.

    It is a tale of love and courage, of power abused, and of the terrible choice between family loyalty and justice.

    Drawing from a wide range of sources - traditional narratives, Indian autobiographies, government transcripts, firsthand interviews, and more - Nabokov has assembled a remarkably rich and vivid collection, representing nothing less than an alternative history of North America. Beginning with the Indian's first encounters with the earliest explorers, traders, missionaries, settlers, and soldiers and continuing to the present, Native American Testimony presents an authentic, challenging picture of an important, tragic, and frequently misunderstood aspect of American history.

    Bob Joseph’s book comes at a key time in the reconciliation process, when awareness from both Indigenous and non-Indigenous communities is at a crescendo. Joseph explains how Indigenous Peoples can step out from under the Indian Act and return to self-government, self-determination, and self-reliance—and why doing so would result in a better country for every Canadian. He dissects the complex issues around truth and reconciliation, and clearly demonstrates why learning about the Indian Act’s cruel, enduring legacy is essential for the country to move toward true reconciliation.

    Each person seeks wisdom and insight to overcome their pain and hardship. Through their stories we get glimpses into their lives that are both tearful and true. Capturing the raw emotion and unique challenges of modern Indigenous life, this book offers an unflinchingly realistic and genuine look at the struggles First Nations people face.

    His kidnapping started the longest war in American history, and both sides--the Apaches and the white invaders—blamed him for it. A mixed-blood warrior who moved uneasily between the worlds of the Apaches and the American soldiers, he was never trusted by either but desperately needed by both. He was the only man Geronimo ever feared. He played a pivotal role in this long war for the desert Southwest from its beginning in 1861 until its end in 1890 with his pursuit of the renegade scout, Apache Kid. In this sprawling, monumental work, Paul Hutton unfolds over two decades of the last war for the West through the eyes of the men and women who lived it. This is Mickey Free's story, but also the story of his contemporaries: the great Apache leaders Mangas Coloradas, Cochise, and Victorio; the soldiers Kit Carson, O. O. Howard, George Crook, and Nelson Miles; the scouts and frontiersmen Al Sieber, Tom Horn, Tom Jeffords, and Texas John Slaughter; the great White Mountain scout Alchesay and the Apache female warrior Lozen; the fierce Apache warrior Geronimo; and the Apache Kid. These lives shaped the violent history of the deserts and mountains of the Southwestern borderlands--a bleak and unforgiving world where a people would make a final, bloody stand against an American war machine bent on their destruction.

    This fact remained unnoticed by most settlers, however, since non-aboriginals just didn’t get the joke. For most of written history, a stern, unyielding profile of “the Indian” dominated the popular mainstream imagination. Indians, it was believed, never laughed. But Indians themselves always knew better. As an award-winning playwright, columnist, and comedy-sketch creator, Drew Hayden Taylor has spent 15 years writing and researching aboriginal humor. For Me Funny, he asked a noted cast of writers from a variety of fields — including such celebrated wordsmiths as Thomas King, Allan J. Ryan, Mirjam Hirch, and Tomson Highway — to take a look at what makes aboriginal humor tick. Their hilarious, enlightening contributions playfully examine the use of humor in areas as diverse as stand-up comedy, fiction, visual art, drama, performance, poetry, traditional storytelling, and education.

    Prabhat Prakashan has a glorious history of fifty years of publishing quality books on almost all streams of literature, viz. children books, fiction, science, quiz, humanities, personality development, health, dictionaries, encyclopedias, etc. For the last fifteen years, Prabhat Prakashan has been continuously winning accolades for excellence in book publication.