His far-reaching claims about language and truth provoked a vigorous critique by Jacques Derrida, whose essay in turn has spawned further responses from Barbara Johnson, Jane Gallop, Irene Harvey, Norman Holland, and others.

    A large stone Venus. Nothing unusual about it_except that it was found on an island in the Pacific Northwest. Archaeologist Hannah Green and her shovelbum nephew find themselves in a tangled web of competing interests avaricious land owners, hungry media, and a cult of goddess worshippers while investigating one of the finds of the century. In untangling the mystery of the Washington Venus, Hannah and Sean have to confront questions of archaeological evidence, of ethics, of conflicting interpretation of data, and of the very nature of archaeological truths. Helping them are a cadre of disdainful graduate students who propose various theories processualist, marxist, feminist, postmodernist to explain the bizarre events. Teach your students archaeological theory in a fashion they'll enjoy, while they solve the mystery in Adrian Praetzellis's delightful textbook-as-novel.

    If the arsonist’s true purpose is to make the government hand over one hundred thousand pounds, why does he seem so reluctant to apply the necessary pressure? Why does he content himself with burning down a single warehouse, when he could set an entire riverside wharf ablaze? And why firebomb a single sloop, when it would have been just as easy to destroy the whole fleet? In order to answer these questions, Blackstone—aided by Dr Ellie Carr, a passionate disciple of the new science of criminal pathology—must follow a trail of death and destruction. That trail will lead them to the very centre of government itself. And, not for the first time, Blackstone soon realises that in solving this case, he may well be destroying his own career. Blackstone and the Burning Secret is a brilliantly plotted historical mystery from a master of the genre. Praise for Sally Spencer: “Spencer's finest hour: a tightly plotted puzzler with surprises at every turn” Kirkus Reviews “Spencer is an accomplished craftsman who serves up a good puzzle and deftly solves it with intelligence and insight” Publishers Weekly “Characters are diverse, intriguing, and believable . . . plots never fail to surprise; and the procedural details are grittily realistic” Kirkus Reviews Sally Spencer worked as a teacher both in England and Iran - where she witnessed the fall of the Shah. She now writes full time. Endeavour Press is the UK's leading independent publisher of digital books.

    Includes essays and excerpts from the works of prominent modern thinkers such as Umberto Eco, Jacques Derrida, and Isaiah Berlin among others.

    In describing a world whose central aesthetic paradigm of modernism had lost its vitality, with an "avant-garde" that reflected the culture of consumerism, her book struck a chord in an audience that had once responded to the heroic idealism of modernism. Reprinted many times, Has Modernism Failed? became one of the most popular and influential works of contemporary art criticism. Now Gablik has revised and expanded her work to encompass developments over the last two decades. A new prologue looks at changes in the cultural context of art, especially at the radical split between artists who still proclaim the self-sufficiency of art, "in defiance of the social good," and artists who want art to have some worthy agenda outside of itself. In a new chapter, "Globalization," she looks at the ruthless cultural homogenization of a universal consumer society and how a number of artists and curators are challenging it. And in a passionate new chapter called "Transdisciplinarity" she offers a way forward for individuals to break free of the limiting ideologies of modernism and consumerism and shows how some artists are reflecting both spiritual and social concerns in their art.

    In vivid, hard-hitting articles, Connelly leads the reader past the yellow police tape as he follows the investigators, the victims, their families and friends--and, of course, the killers--to tell the real stories of murder and its aftermath. Connelly's firsthand observations would lend inspiration to his novels, from The Black Echo, which was drawn from a real-life bank heist, to Trunk Music, based on an unsolved case of a man found in the trunk of his Rolls Royce.And the vital details of his best-known characters, both heroes and villains, would be drawn from the cops and killers he reported on: from loner detective Harry Bosch to the manipulative serial killer the Poet. Stranger than fiction and every bit as gripping, these pieces show once again that Michael Connelly is not only a master of his craft, but also one of the great American writers in any form.The cops --The call --The open territory --Crossing the line --Cops accused --Death squad --Killed by a kid --The killers --Killer on the run --Dark disguise --The stalker --America's most wanted --Wife killer --The gang that couldn't shoot straight --Evil until he dies --The cases --Nameless grave --Double life --Death of an heiress --Hollywood homicide --The family --High time --Lying in wait --Trunk music --Open-unsolved

    She's off to make a new life in a picture-perfect Cotswold village. To make friends, she enters the local quiche-making competition - and to make quite sure of first prize she secretly pays a visit to a London deli.Alas, the competition judge succumbs after tasting her perfect quiche, and Agatha is revealed as a cheat and potential poisoner. Definitely not the best start. So Agatha must turn amateur sleuth - she's absolutely got to track down the real killer!THE POTTED GARDENERAgatha goes digging where she shouldn't...Agatha is taken aback when she finds a new woman ensconced in the affections of her attractive bachelor neighbour, James Lacey. The beautiful Mary Fortune is superior in every way, especially when it comes to gardening - and with Carsely Garden Open Day looming, Agatha feels this deficiency acutely.So when Mary is discovered murdered, buried upside down in a pot, Agatha seizes the moment and immediately starts yanking up village secrets by their roots and digging the dirt on the hapless victim. But Agatha has an awkward secret too . . .THE VICIOUS VETAgatha lets sleeping vets lie..Retired PR boss Agatha Raisin is enjoying life in her pretty Cotswold village of Carsely. It even seems likely that the attractive new vet, Paul Bladen, has taken a shine to her. But before romance can blossom, Paul is killed in an accident with Lord Pendlebury's horse. Only the circumstances are rather suspicious.Agatha decides she must once more play amateur investigator. And this cloud has a silver lining - she can persuade her usually stand-offish neighbour, James Lacey, to become her partner in the quest. As usual, Agatha is quite prepared to rush in, heedless of the lurking menace to both James and herself.THE WALKERS OF DEMBLEYAn unexpected hike to the Other Side . . .After time away, Agatha Raisin returns to her beloved Cotswold village of Carsely - and to her handsome neighbour, James Lacey. True, James seems less than thrilled to see her, but Agatha is soon distracted by a sensational murder. The victim, found in a field, is young hiker Jessica Tartinck, who spent her life enraging landowners by insisting on her right to roam. Hope springs eternal in Agatha's breast as she lures the reluctant James into her investigation. There are so many leads to follow, for Jessica's fellow walkers - not to mention the landowners - all seem able to commit murder.

    The district attorney had boasted, "Anyone can convict a guilty person, but it takes someone really good to convict an innocent one." Did Harris apply a naked choke-hold, or did the district attorney and his forensics team set up Harris?

    Inspired more than thirty years ago by works as diverse as J.R.R. Tolkien's epics, Robert Browning's poetry, and Sergio Leone's Westerns, this is the tale that Stephen King has never abandoned. When he typed the first sentence in 1970, King feared the telling might take several lifetimes, but two thousand pages and four books later, the end is in sight. Published in anticipation of The Dark Tower V: Wolves of the Calla, A Concordance, Volume I is the definitive guide to the first four books in Stephen King's bestselling epic fantasy series, The Dark Tower. With the hundreds of characters, Mid-World geography, and the High Speech lexicon, this comprehensive handbook is one no Dark Tower fan will want to be without. It is the perfect way in for readers new to the series, or the perfect way back in for longtime fans who read the first four books years ago.

    Their conversation takes as its point of departure psychoanalysis and its central importance to the modern imagination—though equally important is their shared sense that by misleading us about the importance of self-knowledge and the danger of narcissism, psychoanalysis has failed to realize its most exciting and innovative relational potential.            In pursuit of new forms of intimacy they take up a range of concerns across a variety of contexts. To test the hypothesis that the essence of the analytic exchange is intimate talk without sex, they compare Patrice Leconte’s film about an accountant mistaken for a psychoanalyst, Intimate Strangers, with Henry James’s classic novella The Beast in the Jungle. A discussion of the radical practice of barebacking—unprotected anal sex between gay men—delineates an intimacy that rejects the personal. Even serial killer Jeffrey Dahmer and the Bush administration’s war on terror enter the scene as the conversation turns to the way aggression thrills and gratifies the ego. Finally, in a reading of Socrates’ theory of love from Plato’s Phaedrus, Bersani and Phillips call for a new form of intimacy which they term “impersonal narcissism”: a divestiture of the ego and a recognition of one’s non-psychological potential self in others. This revolutionary way of relating to the world, they contend, could lead to a new human freedom by mitigating the horrifying violence we blithely accept as part of human nature.            Charmingly persuasive and daringly provocative, Intimacies is a rare opportunity to listen in on two brilliant thinkers as they explore new ways of thinking about the human psyche.

    Her brothers have given her the task of deciding what to do with their parents’ farm, which is slowly falling into disrepair. Imogen will not be rushed into passing judgement on the place. When she starts to carry out some research into the history of Kilduggan Farm, she inadvertently sets off a chain of events that ends in tragedy. Suddenly, Imogen and her psychologist husband, Hugh, find themselves faced with a seemingly insoluble puzzle. How can it be possible that an unexplained death in the present day can match, in every detail, an unsolved case from 40 years ago?As the past begins to catch up with Imogen, she realises that she must strive to discover the truth about her family, even if it means that nothing will ever be the same again…This is an intricately plotted novel, cleverly interwoven with subtle clues and the occasional red-herring. It will keep you guessing and the pages turning, right up until its final, shocking conclusion.Aoife's Chariot is the first novel in the Imogen and Hugh Croft Mysteries Series. It is an absorbing family saga, full of mystery and suspense. Husband and wife sleuths Imogen and Hugh Croft are first introduced to readers in this tense genealogical mystery with deathly consequences.

    The pervasiveness of images of torture, horror, and war has all but demolished the twentieth-century hope that such imagery might shock us into a less alienated state, or aid in the creation of a just social order. What to do now? When to look, when to turn away?Genre-busting author Maggie Nelson brilliantly navigates this contemporary predicament, with an eye to the question of whether or not focusing on representations of cruelty makes us cruel. In a journey through high and low culture (Kafka to reality TV), the visual to the verbal (Paul McCarthy to Brian Evenson), and the apolitical to the political (Francis Bacon to Kara Walker), Nelson offers a model of how one might balance strong ethical convictions with an equally strong appreciation for work that tests the limits of taste, taboo, and permissibility.

    No marks, no bruises. The suspects are many: spies, hit men, a gunrunner, and one of Hollywood's most powerful and mysterious film producers. Detective Sam Carver becomes entangled in a perilous reignited Cold War between Moscow and Washington. He chases leads from Europe to Africa.But Carver faces other demons, too. He is haunted by Dylan Cross, a killer who got away a year earlier. She knows his secrets, whispers to him in his dreams. His obsession with Dylan threatens his new case and his relationship with Lily Hernandez, a uniform cop who wants to work as his partner.Last Dance explores dangers within and without, and how we reconcile the damage, love, and things lost, in a Los Angeles that is as tempting and alluring as it is cruel and sinister.

    The cops call it an accident. But Mark felt murder.In this cozy town in the Virginia mountains, Mark just wants to be left alone. He's an “empath”… so whatever you're feeling, he feels too. Which usually hurts.Plus, he's a total amateur who knows nothing about police work. A near-hermit who can't even go out for lunch without vibing the waiter's back pain. Should he really try to catch this killer?YES. Obviously! He's a freaking empath!So says Pete, his new best buddy. Pete's eager to play Watson to Mark's reluctant Holmes. And he knows just how to make it all work…But the cops aren't amused. Sergeant Gwen is less Southern sweet, more Viking goddess. She wants them both in jail…… and the killer wants far worse.You'll love this twisty mystery, because everyone loves a fast-paced funny cozy with characters you'll love and an amazing surprise ending.Get it now.

    The intangibility of sound is uncanny – a phenomenal presence in the head, at its point of source and all around. The close listener is like a medium who draws out substance from that which is not entirely there.The history of listening must be constructed from the narratives of myth and fiction, ‘silent’ arts such as painting, the resonance of architecture, auditory artefacts and nature. In such contexts, sound often functions as a metaphor for mystical revelation, forbidden desires, formlessness, the unknown, and the unconscious. As if reading a map of hitherto unexplored territory, Sinister Resonance deciphers sounds and silences buried within the ghostly horrors of Arthur Machen, Shirley Jackson, Charles Dickens, M.R. James and Edgar Allen Poe, Dutch genre painting from Rembrandt to Vermeer, artists as diverse as Francis Bacon and Juan Munoz, and the writing of many modernist authors including Virginia Woolf, Samuel Beckett, and James Joyce.