I had a three-day notice to pay rent or quit. The ad was the answer to my problem. Someone needed a party hostess for 24 hours on a private island. With my catering experience and model looks, I could get the gig. But when I set eyes on the man about to fly me to the island, I realized I might have made a mistake. The tall, older, arrogant stranger didn’t just undress me with his eyes, he used me right there on the pavement. Deviant desires seemed to radiate from him. He pulled a black leather dog collar out of his pocket. “Wait. You have to sign this before we do anything. Read it.” He handed me a contract. The wind swept a bottle down the runway and blew my skirt up. It was hard to read with his dark eyes looking right through my underwear and into my secret places. “This is a mistake. I didn’t know the ad meant —.” “You thought you were going to serve canapes on a tray?” He chuckled. “No, Brittani. You’re the main course.” His eyes worked me over again. “And you’re perfect.” He handed me a pen that probably cost more than my laptop. “Just sign at the bottom of the page. Full disclosure, full consent. That’s the way I do business.” “Can I leave?” “Of course you can leave. If you leave now. But you don’t get paid if you leave. Once we get to the island, you’re ours for 24-hours.” He tapped the contract with his long finger. “When your service is over, I transfer $10,000 to your account and send you home.” “$10,000?” I choked on it. That was more than generous. I scanned the contract again. It had long, dense paragraphs of disclaimers and waivers but not much in the way of details. “I’ll be — okay — when it’s over?” “You’ll be okay.” He smiled. I liked his smile. I needed the money. I signed. He put the collar around my neck and buckled it. If you like dark short erotica, kinky alpha billionaires — and no-entrances-barred hard-and-unprotected group interracial action with a white woman at the center, you'll love Q. Zayne's creamy story about Brittani’s scary-hot visit to The Billionaire’s Club. Click Buy and get the adventure! All characters are 18+ and readers should be, too, due to language and sexual content. If you're over 21, enjoy the dash of interracial BMWW romance sparked amid all the juicy action. :)

    In "The New Daughter," a father comes to suspect that a burial mound on his land hides something very ancient, and very much alive; in "The Underbury Witches," two London detectives find themselves battling a particularly female evil in a town culled of its menfolk. And finally, private detective Charlie Parker returns in the long novella "The Reflecting Eye," in which the photograph of an unknown girl turns up in the mailbox of an abandoned house once occupied by an infamous killer. This discovery forces Parker to confront the possibility that the house is not as empty as it appears, and that something has been waiting in the darkness for its chance to kill again.

    You just can't keep a good ghost down and Woodyard has unearthed over 100 more spirited tales from around the state including a ghost who introduces himself as George at the Dayton Masonic Temple; Mistress Suzanne, a murdered bride who showed a honeymooning couple to their room; the pasta-geist, who craved raw macaroni; Bernie, the ghost with an attitude problem; and a phantom train still rushing to its fiery doom. Stories from the following Ohio counties: Adams, Allen, Ashland, Ashtabula, Athens, Auglaize, Belmont, Brown, Butler, Champaign, Clark, Clinton, Columbiana, Crawford, Cuyahoga, Darke, Delaware, Erie, Franklin, Fulton, Gallia, Geauga, Greene, Guernsey, Hamilton, Hancock, Harrison, Henry, Highland, Hocking, Holmes, Jackson, Jefferson, Knox, Lake, Licking, Logan, Madison, Marion, Medina, Mercer, Miami, Montgomery, Monroe, Ottawa, Pickaway, Pike, Preble, Putnam, Ross, Sandusky, Scioto, Seneca, Shelby, Summit, Trumbull, Tuscarawas, Van Wert, Vinton, Warren, Washington, Wayne, Williams, Wood

    There is a secret held inside an Indian burial mound, only a few know the secret and they have been sworn to secrecy… until someone became greed, deciding that there must be treasure hidden in the mound…

    "Deep in a dark, snow-covered cemetery, a terrifying, moaning apparition rises from the same grave night after night. Even the most hardened caretakers won t go near the Spooner gravestone on their midnight rounds. Only one ghost hunter has the will to face the unknown, but at what price? In the chilling blackness, only Jessica Backman is prepared to answer the spectral cry from beyond when the graveyard speaks.

    For eleven year old Timmy Quinn and his best friend Pete Marshall, the dreary town of Delaware Ohio becomes a place of magic, hidden treasure and discovery. But on the day they encounter a strange young boy sitting on the bank of Myers Pond a pond playground rumor says may hide turtles the size of Buicks everything changes. For it soon becomes apparent that dark secrets abound in the little community, secrets which come cupped in the hands of the dead, and in a heartbeat, Timmy and Petes summer of wonder becomes a season of terror, betrayal and murder.

    Death. War. Pestilence. These are the harbingers of the biblical apocalypse, of the End of the World. In science fiction, the end is triggered by less figurative means: nuclear holocaust, biological warfare/pandemic, ecological disaster, or cosmological cataclysm.But before any catastrophe, there are people who see it coming. During, there are heroes who fight against it. And after, there are the survivors who persevere and try to rebuild. THE APOCALYPSE TRIPTYCH will tell their stories.Edited by acclaimed anthologist John Joseph Adams and bestselling author Hugh Howey, THE APOCALYPSE TRIPTYCH is a series of three anthologies of apocalyptic fiction. THE END IS NIGH focuses on life before the apocalypse. THE END IS NOW turns its attention to life during the apocalypse. And THE END HAS COME focuses on life after the apocalypse.THE END IS NIGH features all-new, never-before-published works by Hugh Howey, Paolo Bacigalupi, Jamie Ford, Seanan McGuire, Tananarive Due, Jonathan Maberry, Robin Wasserman, Nancy Kress, Charlie Jane Anders, Ken Liu, and many others.

    of whom I can affirm only one thing, that they haunted certain brains, and have haunted, among others, my own.” First published in 1890, Lee’s most famous volume of supernatural tales occupies a special place in the literature of the fantastic for its treatment of the femme fatale and the allure of the past, along with the themes of thwarted artistic creativity and psychological obsession. This collection, which includes the four stories originally published in Hauntings and three others, enables readers to consider Lee’s work anew for its subtle redefinitions of gender and sexuality during the Victorian fin-de-siècle.The appendices, which include extensive excerpts from writings by Lee’s predecessors and peers, including Algernon Charles Swinburne, Walter Pater, and Lee’s brother Eugene Lee-Hamilton, allow the reader to see how Lee takes on the themes and preoccupations of the late-Victorian period but adapts them to her own purposes.Preface to Hauntings (1890) -- Amour dure (1887, 1890) -- Dionea (1890) -- Oke of Okehurst (1886, 1890) -- A wicked voice (1887, 1890) -- Prince Alberic and the snake lady (1896) -- A wedding chest (1904) -- Preface to The virgin of the seven daggers (1927) -- The virgin of the seven daggers (1896, 1909,1927) -- Appendix A: From Algernon Charles Swinburne, "Notes on designs of the old masters at Florence" (1868, 1875) -- Appendix B: From Walter Pater, "Pico della Mirandula" (1871, 1873) -- Appendix C: From Walter Pater, "Lionardo da Vinci" (1869, 1873) -- Appendix D: Vernon Lee, "Faustus and Helena: notes on the supernatural in art" (1880, 1881) -- Appendix E: A. Mary F. Robinson, "Before a bust of Venus" (1881) -- Appendix F: Eugene Lee-Hamilton, "The mandolin" (1882) -- Appendix G: A. Mary F. Robinson, "The ladies of Milan" (1889) -- Appendix H: Eugene Lee-Hamilton, "On a surf-rolled torso of Venus" (1884, 1894) -- Appendix I: Vernon Lee, "Out of Venice at last" (1925).

    A gripping, chilling collection of 47 stories and six poems, dating back to Shelley and Stevenson, but also including modern masters.

    It came from behind the five peaks. The beam drove up through a column of blue haze whose edges were marked as sharply as the rain that streams from the edges of a thunder cloud. It was like the flash of a searchlight through an azure mist. It cast no shadows.As it struck upward the summits were outlined hard and black and I saw that the whole mountain was shaped like a hand. As the light silhouetted it, the gigantic fingers stretched, the hand seemed to thrust itself forward. It was exactly as though it moved to push something back. The shining beam held steady for a moment; then broke into myriads of little luminous globes that swung to and fro and dropped gently. They seemed to be searching.

    G. Wells' complete novels, including "The Invisible Man", "The Time Machine", "The Island of Doctor Moreau" and "The War of the Worlds". This edition has been professionally formatted and contains several tables of contents. The first table of contents (at the very beginning of the ebook) lists the titles of all novels included in this volume. By clicking on one of those titles you will be redirected to the beginning of that work, where you'll find a new TOC that lists all the chapters and sub-chapters of that specific work.

    'Disappearances', inspired by local legends of mysterious vanishings, mixes gossip and fact; 'Lois the Witch', a novella based on an account of the Salem witch hunts, shows how sexual desire and jealousy lead to hysteria; while in 'The Old Nurse's Story' a mysterious child roams the freezing Northumberland moors. Whether darkly surreal, such as 'The Poor Clare', where an evil doppelganger is formed by a woman's bitter curse, or mischievous like 'Curious, if True', a playful reworking of fairy tales, all the pieces in this volume form a start contrast to the social realism of Gaskell's novels, revealing a darker and more unsettling style of writing.Laura Kranzler's introduction discusses how Gaskell's tales, with their ghostly doublings and transgressive passions, show the Gothic underside of female identity, domestic relations and male authority. This edition also contains a chronology, further reading and explanatory notes.

    Quiller-CouchThe Open Door by Mrs. Margaret OliphantThe Deserted House by Ernest Theodor Amadeus HoffmanThe Mysterious Sketch by Erckmann-ChatrianGreen Branches by Fiona MacleodThe Four-Fifteen Express by Amelia B. EdwardsThe Were-Wolf by H.B. MarryattThe Withered Arm by Thomas HardyClarimonde by Theophile GautierThe Stalls of Barchester Cathedral by Montague Rhodes JamesWhat Was It? by Fitz-James O'Brien

    From sinister feline mummies to ravenous zombified cars and any and all things in-between, the living dead have returned from their graves, junkyards, and even the war torn skies to haunt the lands of the living. With stories horrific, funny, and weird, Strange Afterlives has a little something for everyone who has ever wondered what terrible secrets could be lurking in that rotting tree or broken toy.Stories included in this anthology:Mouse Trouble by A. Lee MartinezAfter the Invasion by Russell C. ConnorSeated Woman with Child by Rosemary Clement-MooreRoots by Brooke FosseyThe Late Mrs. Buttons by Sally HamiltonAn Undercover Haunting by Kristi HutsonGImme Shelter by David C. Whiteman01001110 by Nik HolmanThe Runner by John BartellNight Witch by Shawn ScarberThe Scavenger Hunt by John Sanders Jr.Strange Afterlives will terrify and amuse. You may never look at a rusted automobile the same way again.

    Down the road from a working-class British pub, along the brick wall of a narrow alley, if the conditions are exactly right, you’ll find the entrance to Slade House. A stranger will greet you by name and invite you inside. At first, you won’t want to leave. Later, you’ll find that you can’t. Every nine years, the house’s residents — an odd brother and sister — extend a unique invitation to someone who’s different or lonely: a precocious teenager, a recently divorced policeman, a shy college student. But what really goes on inside Slade House? For those who find out, it’s already too late... Spanning five decades, from the last days of the 1970s to the present, leaping genres, and barreling toward an astonishing conclusion, this intricately woven novel will pull you into a reality-warping new vision of the haunted house story—as only David Mitchell could imagine it.