It's the year 2000. Newly elected President Putin is embattled after the Kursk submarine explodes and spirals into the abyss. 118 submariners are trapped. Outwardly, Putin seems not to care, but behind the scenes is another story. Meanwhile, the Russian people yearn for a response from their leader. Mass protests ignite across Russia. Does Putin save the sailors and unite his beloved motherland, or does he lose everything?Discover what motivates the man behind Russia. Is he the cold, ruthless leader you know, or is he...human?

    The history of art has been, successively, a history of artists and their works, of styles and stylistic change, of images--and now, of context and cultures. Art history at its best makes use of all these. 530 color illustrations. 782 b&w.

    With Romania recently allied with the Nazis, the Jewish population is in grave danger, undergoing increasingly violent persecution. The girl is placed in an orphanage and eventually adopted by a wealthy childless couple who name her Natalia. As she assimilates into her new life, she all but forgets the parents who were forced to leave her behind. They are even further from her mind when Romania falls under Soviet occupation.Yet, as Natalia comes of age in a bleak and hopeless world, traces of her identity pierce the surface of her everyday life, leading gradually to a discovery that will change her destiny. She has a secret crush on Victor, an intense young man who as an impoverished student befriended her family long ago. Years later, when Natalia is in her early twenties and working at a warehouse packing fruit, she and Victor, now an important official in the Communist regime, cross paths again. This time they are fatefully drawn into a passionate affair despite the obstacles swirling around them and Victor’s dark secrets.When Natalia is suddenly offered a one-time chance at freedom, Victor is determined to help her escape, even if it means losing her. Natalia must make an agonizing decision: remain in Bucharest with her beloved adoptive parents and the man she has come to love, or seize the chance to finally live life on her own terms, and to confront the painful enigma of her past.

    But as Europe moves into the second decade of the twenty-first century, problems are multiplying—problems that arose due to the EU's very existence. In The Trouble with Europe, Roger Bootle, winner of the 2012 Wolfson Economics Prize, tackles the uncomfortable truth that the European Union might be going down—and could take the global economy with it.Bootle expertly outlines the factors that gave birth to the European union of the twentieth century, from the collective Euro-spirit that initiated a solution to the region's various problems and the subsequent unforeseen consequences of the compromises nations made in order to create a sustainable organization. Bootle examines how the euro has hindered independent actions of member nations, both economically and politically, before envisaging how a post-EU Europe might come about and how it would affect the United Kingdom, along with other member states and the world at large. Is a full dissolution the only answer or could the United Kingdom's withdrawal be a viable course of action? With EU elections looming in May 2014, The Trouble with Europe is a compelling read for anyone interested in the economic, political, and social future of the United Kingdom and all of Europe.Roger Bootle is an economist and a weekly columnist for the Daily Telegraph. He is currently the managing director of Capital Economics, an independent macroeconomic research consultancy. Bootle is the author of several books, including The Trouble with Markets and Money for Nothing.

    By the time she and her lifelong friend Zóra begin to inoculate the children there, she feels age-old superstitions and secrets gathering everywhere around her. Secrets her outwardly cheerful hosts have chosen not to tell her. Secrets involving the strange family digging for something in the surrounding vineyards. Secrets hidden in the landscape itself.But Natalia is also confronting a private, hurtful mystery of her own: the inexplicable circumstances surrounding her beloved grandfather’s recent death. After telling her grandmother that he was on his way to meet Natalia, he instead set off for a ramshackle settlement none of their family had ever heard of and died there alone. A famed physician, her grandfather must have known that he was too ill to travel. Why he left home becomes a riddle Natalia is compelled to unravel. Grief struck and searching for clues to her grandfather’s final state of mind, she turns to the stories he told her when she was a child. On their weeklytrips to the zoo he would read to her from a worn copy of Rudyard Kipling’s The Jungle Book, which he carried with him everywhere; later, he told her stories of his own encounters over many years with “the deathless man,” a vagabond who claimed to be immortal and appeared never to age. But the most extraordinary story of all is the one her grandfather never told her, the one Natalia must discover for herself. One winter during the Second World War, his childhood village was snowbound, cut off even from the encroaching German invaders but haunted by another, fierce presence: a tiger who comes ever closer under cover of darkness. “These stories,” Natalia comes to understand, “run like secret rivers through all the other stories” of her grandfather’s life. And it is ultimately within these rich, luminous narratives that she will find the answer she is looking for.

    Their tribe has moved and escaped for thousands of years - across oceans, deserts, and mountains - but now, it seems, there is nowhere else to go. Danger is imminent in every direction, yet the territory of imagination and belief is limitless. At the suggestion of an eleven-year-old girl and a mysterious stranger who has washed up on the riverbank, the villagers decide to reinvent the world: deny any relationship with the known and start over from scratch. Destiny is unwritten. Time and history are forgotten. Jobs, husbands, a child, are reassigned. And for years, there is boundless hope. But the real world continues to unfold alongside the imagined one, eventually overtaking it, and soon our narrator - the girl, grown into a young mother - must flee her village, move from one world to the next, to find her husband and save her children, and propel them toward a real and hopeful future. A beguiling, imaginative, inspiring story about the bigness of being alive as an individual, as a member of a tribe, and as a participant in history, No One Is Here Except All Of Us explores how we use storytelling to survive and shape our own truths. It marks the arrival of a major new literary talent.

    After finally tasting triumph with a blockbuster new show, celebration is on the cards. The drop-dead gorgeous man in the front row is merely a bonus.Thierry is the mysterious man who danced through one night of her life, then seemed determined to be forgotten. A keen theatregoer, and a nigh-irresistible face in the crowd, he shows Charlotte what dreams are truly made of, before vanishing completely.Now, Charlotte has a problem. She’s pregnant, and the idea of Thierry never finding out is unconscionable. She resolves to find him, no matter what it takes.Her journey will take her thousands of miles, to Europe, and a series of frustrating dead ends. In Italy, a conversation with a stranger brings disturbing revelations, leaving Charlotte to wonder if the man who stole her heart is indeed the sort of man she wants to be her baby’s father.Still no closer to finding her mystery lover, Charlotte is overwhelmed with terrifying questions. Namely, what did Thierry do that made him want to disappear? Is he really a royal? And will she ever find him, and tell him he’s a father?

    Blair's majority was the culmination of a long struggle to modernize the party, and the politics of his country. Philip Gould is a political strategist and polling adviser who has worked with the Labour leadership since the 1980s. In this book he describes its rise and explains how the transformation was achieved, at the same time exploring the changed political climate in Britain.

    A young American woman, Alexandra Boyd, has traveled to Sofia, Bulgaria, hoping that life abroad will salve the wounds left by the loss of her beloved brother. Soon after arriving in this elegant East European city, however, she helps an elderly couple into a taxi and realizes too late that she has accidentally kept one of their bags. Inside she finds an ornately carved wooden box engraved with a name: Stoyan Lazarov. Raising the hinged lid, she discovers that she is holding an urn filled with human ashes. As Alexandra sets out to locate the family and return this precious item, she will first have to uncover the secrets of a talented musician who was shattered by oppression and she will find out all too quickly that this knowledge is fraught with its own danger. Kostova's new novel is a tale of immense scope that delves into the horrors of a century and traverses the culture and landscape of this mysterious country. Suspenseful and beautifully written, it explores the power of stories, the pull of the past, and the hope and meaning that can sometimes be found in the aftermath of loss.

    As the sun sets on the shore of the Black Sea, all Nora Teodoru can think about is pursuing her dream of becoming an artist and of her love for Gigi, her childhood friend from the Turkish part of town. But storm clouds are gathering as life under dictator Nicolae Ceausescu becomes unbearable.

    Baltisberger, the fourteen stories in Romance showcase the breadth of Bohumil Hrabal’s considerable gifts: his humor of the grotesque, his often surprising warmth, and his hard-edged, fast-paced style. In the story "Romance," a plumber’s apprentice and a gypsy girl reach toward a tentative connection across the chasm that separates their worlds. Another unlikely love story, "World Cafeteria," features a romance between a young man whose girlfriend has just committed suicide and a bride whose husband lands in jail on their wedding night. The tone turns to the absurd in "The Death of Mr. Baltisberger," where a crippled ex-motorcyclist and three people he meets at the track exchange wildly improbably reminiscences, while a fatal Grand Prix motorcycle race rages around them. Hrabal’s psychological insight into quotidian interactions saturates stories such as "A Dull Afternoon," where a mysterious, self-absorbed stranger disrupts the psychic calm of a neighborhood tavern and becomes the silent catalyst for an unwanted truth. Throughout the collection, noted translator Michael Henry Heim captures the quirky speech patterns and idiosyncratic takes on life that have made Hrabal’s characters an indispensable part of world literature.

    On his journey through the irradiated borderlands he meets an assortment of characters struggling to make sense of a life in the shadows of the Chernobyl tragedy. At the end of his time in the region he decides to take one last journey off the map and walk alone through the irradiated forest on an adventure that will lead him through landscapes untouched and unseen since 1986. This is the first travel book to bring the region to a Western readership.

    Two or three kilometres' swim away is the Greek island of Samos, now only a smudge in the moonlight.Their feet are blistered from walking, their energy is failing.They wade forward into the Aegean Sea and count one, two, three.This is the story of what happens next.This is the story of Mohammed and Zain.Brothers. Sons. Refugees.

    Here is a story of a great civilization made human, played out through the lives of four families who are divided by ethnicity but united in shaping the destiny of their land.

    the novel was condemmed by the Communist Party and subsequently banned. It is the first of his novels to appear in English.Alija Osmanovic, the protagonist of Knife, was orphaned during WWII as an infant. He was raised as a Bosnian Muslim and came to believe that the Serbs killed his family. When, as a young medical student, he goes in search of the identity of his murdered birth-parents, a sense of thwarted justice motivates him, and expresses itself as a burning passion for revenge. Alija seeks out Sikter Efendi, an eccentric and reclusive Muslim cleric, to help him interpret clues pointing to his identity. Through his mentorship, Alija discovers the truth: that his heritage is Serbian; that he was born not far away but in the neighboring village; and that his adoptive family was guilty of murdering his birth-family. A crisis of identity ensues. Each possible course of action open to him is bad. How is he to go on?