The ultimate reference to this red-hot TV show and the essential key to the truth behind its fiction, The Unofficial X-Files Companion includes "deep information" on the true cases behind each episode, dossiers of the main characters, trivia quizzes, bloopers, and more.

    The legendary Jay Ward and Bill Scott produced the gleeful wonder and cumulative joy that transcended the crude drawings and occasionally muddy sound. Jay Ward was the magnificent visionary, the outrageous showman, while Bill Scott was the genial, brilliant head writer, coproducer, and all-purpose creative whirlwind. With exclusive interviews, original scripts, artwork, story notes, letters and memos, Keith Scott has written the definitive history of Jay Ward Productions.The Moose That Roared tells the story of a rare and magical relationship between two artists wildly, exuberantly ahead of their time, and a fascinating account of the struggle to bring their vision of bad puns and talking animals to unforgettable life.

    Published to coincide with Whedon's blockbuster movie The Avengers, it covers every aspect of his work, through insightful essays and in-depth interviews with key figures in the 'Whedonverse'.

    Carol Clover argues, however, that these films work mainly to engage the viewer in the plight of the victim-hero - the figure, often a female, who suffers pain and fright but eventually rises to vanquish the forces of oppression.

    When Andy went to Hollywood to film a TV pilot about a small-town sheriff, Don called to ask if the sheriff could use a deputy. The comedic synergy between Sheriff Andy Taylor and Deputy Barney Fife ignited The Andy Griffith Show, elevating a folksy sitcom into a timeless study of human friendship, as potent off the screen as on. Andy and Don -- fellow Southerners born into poverty and raised among scofflaws, bullies, and drunks -- captured the hearts of Americans across the country as they rocked lazily on the front porch, meditating about the simple pleasure of a bottle of pop.But behind this sleepy, small-town charm, de Vise's exclusive reporting reveals explosions of violent temper, bouts of crippling neurosis, and all-too-human struggles with the temptations of fame. Andy and Don chronicles unspoken rivalries, passionate affairs, unrequited loves, and friendships lost and regained. Although Andy and Don ended their Mayberry partnership in 1965, they remained best friends for the next half-century, with Andy visiting Don at his death bed.Written by Don Knotts's brother-in-law and featuring extensive unpublished interviews with those closest to both men, Andy and Don is the definitive literary work on the legacy of The Andy Griffith Show and a provocative and an entertaining read about two of America's most enduring stars.

    Inspired by the artistic styles that defined 1960s advertising, Dyna Moe creates a candy-colored record of the time, exploring such topics as: •The office culture, including secretary etiquette and hangover workarounds •The cocktail craze, with Sally Draper's cocktail menu •Pastimes and fads, such as Pete and Trudy's dancing lessons and Bert Cooper's art • '60s icons from Jackie to Marilyn •Boardroom and bedroom shenanigans •The burgeoning suburban lifestyle •Fabulous fashion, including hairstyle how-tos and bonus paper dolls of Joan

    Besides his hilarious impersonations of Phil Donahue, Frank Sinatra and Bill Clinton, Hartman's other indelible characters included Cirroc the Unfrozen Caveman Lawyer, Eugene the Anal Retentive Chef and, of course, Frankenstein. He also starred as pompous radio broadcaster Bill McNeal in the NBC sitcom NewsRadio and voiced numerous classic roles -- most memorably washed-up actor and commercial pitchman Troy McClure -- on Fox's long-running animated hit The Simpsons.But Hartman's seemingly charmed life was cut tragically short when he was fatally shot by his troubled third wife, Brynn, who turned a gun on herself several hours later. The shocking and headline-generating turn of events stunned those closest to the couple as well as countless fans who knew Phil only from afar. Now, for the first time ever, the years and moments leading up to his untimely end are described in illuminating detail through information gleaned from exclusive interviews with scores of famous cast mates, close friends and family members as well as private letters, audio/video recordings, extensive police records, and more.Both joyous tribute and serious biography, Mike Thomas' You Might Remember Me is a celebration of Phil Hartman's multi-faceted career and an exhaustively reported, warts-and-all examination of his often intriguing and sometimes complicated life--a powerful, humor-filled and disquieting portrait of a man who was loved by many, admired by millions and taken from them far too early.

    Thomas Nelson's perceptive and comprehensive study of Kubrick rescues him from the hostility of auteurist critics and discovers the roots of a Kubrickian aesthetic, which Nelson defines as the "aesthetics of contingency."After analyzing how this aesthetic develops and manifests itself in the early works, Nelson devotes individual chapters to Lolita, Dr. Stangelove, 2001: A Space Odyssey, A Clockwork Orange, Barry Lyndon, and The Shining.For this expanded edition, Nelson has added chapters on Full Metal Jacket and Eyes Wide Shut, and, in the wake of the director's death, reconsidered his body of work as a whole. By placing Kubrick in a historical and theoretical context, this study is a reliable guide into--and out of--Stanley Kubrick's cinematic maze.

    Master of the macabre Hitchcock is analyzed in this volume that cover his most famous films ("Frenzy, The Birds, Psycho") and memorable cameos in all his movies.

    Kenneth Turan’s fifty-four favorite films embrace a century of the world’s most satisfying romances and funniest comedies, the most heart-stopping dramas and chilling thrillers.Turan discovered film as a child left undisturbed to watch Million Dollar Movie on WOR-TV Channel 9 in New York, a daily showcase for older Hollywood features. It was then that he developed a love of cinema that never left him and honed his eye for the most acute details and the grandest of scenes.Not to be Missed blends cultural criticism, historical anecdote, and inside-Hollywood controversy. Turan’s selection of favorites ranges across all genres. From All About Eve to Seven Samurai to Sherlock Jr., these are all timeless films—classic and contemporary, familiar and obscure, with big budgets and small—each underscoring the truth of director Ingmar Bergman’s observation that “no form of art goes beyond ordinary consciousness as film does, straight to our emotions, deep into the twilight room of the soul.”

    Blackadder: The Whole Damn Dynasty is the book for you. Here, at last, for the first time, are the full scripts of one of British television's funniest comedies. Follow the hilarious misadventures of the despicable Edmund Blackadder and his dimwitted sidekick Baldrick through four centuries of hopelessly mangled English history: from medieval nastiness through English history: from medieval nastiness through Elizabethan and Regency glory, to the mud and sauteed rats of the First World War. Aside from the ball-bouncingly funny scripts themselves, Blackadder also features special bonus sections: "Instruments of Torture in the Late Middle Ages"; "Medieval Medicine" ("1. Herbs; 2. Leeches; 3. Saw It Off"); and an indispensable "Index of Blackadder's Finest Insults".

    Since serving as television columnist for the London Observer from 1972 to 1982, James has witnessed a radical change in content, format, and programming, and in the very manner in which TV is watched. Here he examines this unique cultural revolution, providing a brilliant, eminently entertaining analysis of many of the medium’s most notable twenty-first-century accomplishments and their not always subtle impact on modern society—including such acclaimed serial dramas as Breaking Bad, The West Wing, Mad Men, and The Sopranos, as well as the comedy 30 Rock. With intelligence and wit, James explores a television landscape expanded by cable and broadband and profoundly altered by the advent of Netflix, Amazon, and other “cord-cutting” platforms that have helped to usher in a golden age of unabashed binge-watching.

    Growing up in Yorkshire and then CountyDurham, the boy who would be Reeves somehow managed to escape the attentions of 'Randy Mandy' and get a crash course in pig castration, before having encounters with Jimi Hendrix and the Yorkshire Ripper.Peopled with weird and wonderful characters, Vic Reeves' memoir is authentic, witty and inventive, and as unique as you'd expect from one of Britain's most exceptional comedy talents.

    Niv, according to his friends, was much the same off-screen. Both men and women were enchanted by his charisma, humour and joie-de-vivre. In addition to winning an Oscar for Separate Tables (1958), Niven was a polished writer, and published two volumes of lighthearted autobiography: THE MOON'S A BALLOON (1972) and BRING ON THE EMPTY HORSES (1975). Yet behind those twinkling eyes, Niv's life was punctuated by tragedy and he was often deeply unhappy. From the death of his father when Niven was five, to his mother's neglect and the stepfather he loathed, through to the death of his beloved first wife and his volatile and disturbing marriage to his second wife, Hjordis, tragedy and hardship were never far away. Graham Lord, using new material from Niven's private papers, manuscripts, unpublished stories and correspondence, has written a fresh, revealing, funny and poignant portrait of a brave and brilliant man. Fully authorised by Niven's family and drawing from dozens of interviews with stars, from Lauren Bacall to Roger Moore and Sir John Mills, NIV: the Authorised Biography of David Niven is a fitting tribute to one of Hollywood's greatest heroes.

    He became Oklahoma’s first draftee of the Korean War and was awarded with two Purple Hearts before returning to the United States and settling in Los Angeles to become an actor. Working alongside some of the most renowned celebrities, including Julie Andrews, Marlon Brando, and Clint Eastwood, Garner became a star in his own right, despite struggles with stage fright and depression. In The Garner Files, this revered actor and quintessential self-made man recalls “trying to decipher” William Wyler with Audrey Hepburn and Shirley MacLaine, breaking Doris Day’s ribs, having a “heart-to-heart and eyeball-to-eyeball” with Steve McQueen, being “a card-carrying liberal—and proud of it,” and much more