Hailed by Le Figaro as "an event," the resulting conversations between Claude Lévi-Strauss and Didier Eribon (a correspondent for Le Nouvel Observateur) reveal the great anthropologist speaking of his life and work with ease and humor.Now available in English, the conversations are rich in Lévi-Strauss's candid appraisals of some of the best-known figures of the Parisian intelligentsia: surrealists André Breton and Max Ernst, with whom Lévi-Strauss shared a bohemian life in 1940s Manhattan; de Beauvoir, Sartre, and Camus, the stars of existentialism; Leiris, Foucault, Dumézil, Jacob, Lacan, and others. His long friendships with Jakobson and Merleau-Ponty are recalled, as well as his encounters with prominent figures in American anthropology: Lowie, Boas (who suddenly died in his chair beside Lévi-Strauss at a banquet at Columbia University), Benedict, Linton, Mead, and Kroeber.Lévi-Strauss speaks frankly about how circumstances and his own inclinations, after his early fieldwork in Brazil, led him to embrace theoretical work. His straightforward answers to Eribon's penetrating questions—What is a myth? What is structuralism? Are you a philosopher?—clarify his intellectual motives and the development of his research; his influential role as an administrator, including the founding of the Laboratory of Social Anthropology and of the journal L'Homme; the course of his writings, from Elementary Structures of Kinship to The Jealous Potter; and his thoughts on the conduct of anthropology today. Never before has Lévi-Strauss spoken so freely on so many aspects of his life: his initial failure to be elected to the Collège de France; his reaction to the events of May 1968; his regrets at not being a great investigative reporter or playwright; his deep identification with Wagner, Proust, and Rousseau. This is a rare opportunity to become acquainted with a great thinker in all his dimensions.

    Never fear--author and editor Chuck Sambuchino provides expert, practical advice for increasing your visibility, selling more books, and launching a successful career. In "Create Your Writer Platform," you'll learn: The definition of a platform--and why you should start building one "now."How to harness the 12 Fundamental Principles of Platform."Old School" and "New School" approaches to platform, from article writing and conference speaking to website development, blog posts, and social media avenues.How to develop a platform for nonfiction, fiction, and memoir. In addition to Chuck's invaluable insights, you'll also find 12 case studies from authors with effective platforms, as well as professional advice from literary agents. If you're serious about building a platform tailored to "you" and "your writing"--a platform that's going to help you succeed as a writer--look no further than "Create Your Writer Platform."

    Using the paintings of the era as his starting point - in his view, the one mode of Victorian art yet to be rescued from indifference - Paxman explores themes of family, urban life, industry, empire, and imagination to uncover truths (and explode some myths) about Victorian Britain.To Paxman, these paintings were the television of their day, immensely popular visual narratives that attracted crowds by the hundreds of thousands: a single picture show featuring Elizabeth Butler's Balaclava (depicting survivors of the Charge of the Light Brigade) drew 50,000 viewers, some of them openly weeping. The Victorians shows how artists like Butler, William Powell Frith, Sir Lawrence Alma-Tadema, Luke Fildes, and Ford Madox Brown were chronicling a world changing before their eyes, and his overview ranges across the whole of Victorian life and culture: from high gothic architecture to the birth of the football league, from the novels of Dickens to the technological marvels of Brunel.Published to coincide with a landmark BBC series, The Victorians is an opinionated, informed, surprising, and hugely enthusiastic appraisal of the birth of modern Britain - a glorious reminder of how the Victorians made us who we are today.

    Everest. Members of a French climbing expedition, sensitive perhaps about leaving the bodies where they could not be recovered, rolled them off a steep mountain face. One body, however, crashed to a stop near Sherpas on a separate expedition far below. They stared at the frozen corpse, stunned. They said nothing, but an American climber observing the scene interpreted their thoughts: Nobody would throw the body of a white climber off Mt. Everest.For more than a century, climbers from around the world have journ-eyed to test themselves on Everest's treacherous slopes, enlisting the expert aid of the Sherpas who live in the area. Drawing on years of field research in the Himalayas, renowned anthropologist Sherry Ortner presents a compelling account of the evolving relationship between the mountaineers and the Sherpas, a relationship of mutual dependence and cultural conflict played out in an environment of mortal risk.Ortner explores this relationship partly through gripping accounts of expeditions--often in the climbers' own words--ranging from nineteenth-century forays by the British through the historic ascent of Hillary and Tenzing to the disasters described in Jon Krakauer's Into Thin Air. She reveals the climbers, or sahibs, to use the Sherpas' phrase, as countercultural romantics, seeking to transcend the vulgarity and materialism of modernity through the rigor and beauty of mountaineering. She shows how climbers' behavior toward the Sherpas has ranged from kindness to cruelty, from cultural sensitivity to derision. Ortner traces the political and economic factors that led the Sherpas to join expeditions and examines the impact of climbing on their traditional culture, religion, and identity. She examines Sherpas' attitude toward death, the implications of the shared masculinity of Sherpas and sahibs, and the relationship between Sherpas and the increasing number of women climbers. Ortner also tackles debates about whether the Sherpas have been spoiled by mountaineering and whether climbing itself has been spoiled by commercialism.

    He demonstrates that the principles the British devised incorporated contradictory visions of India, yet together they made the authority of the Raj lawful. Students of modern India and the British Empire will find this book relevant and accessible.

    Beginning at the time of Alexander the Great, the monsters come fast and furious--Behemoth and Leviathan, Gog and Magog, Satan and his demons, Grendel and Frankenstein, circus freaks and headless children, right up to the serial killers and terrorists of today and the post-human cyborgs oftomorrow. Monsters embody our deepest anxieties and vulnerabilities, Asma argues, but they also symbolize the mysterious and incoherent territory beyond the safe enclosures of rational thought. Exploring sources as diverse as philosophical treatises, scientific notebooks, and novels, Asma unravelstraditional monster stories for the clues they offer about the inner logic of an era's fears and fascinations. In doing so, he illuminates the many ways monsters have become repositories for those human qualities that must be repudiated, externalized, and defeated.

    Provides a balanced approach in examining Hitler's role in the history of the Third Reich. KEY TOPICS: Coverage ranges from the economic, social, and political forces that made possible the rise and growth of Nazism as well as the institutional, cultural, and social life of the Third Reich, the Second World War, and the Holocaust. Traces the rise of Hitler and the growth of the Nazi party in the context of the political, economic, and social problems of Weimar Germany. Presents Hitler from the perspective of the influences on his early development, character traits, oratorical skills, and his messianic pretensions. provides an analysis of Hitler's ideology based on extensive quotations from his writings and speeches. examines the social composition and membership of the Nazi party and its leaders. New topics include material on: culture and society in Nazi Germany; youth in Germany during World War II; an in-depth look at the Holocaust and anti-Semitism in Germany. MARKET: Appropriate as a reference book for history, political science, and literature professionals.

    Add the mercurial Brian Jones (who'd been effectively run out of Cheltenham for theft, multiple impregnations and playing blues guitar) and the wryly opinionated Bill Wyman and Charlie Watts, and the potential was obvious. During the 1960s and 70s the Rolling Stones were the polarising figures in Britain, admired in some quarters for their flamboyance, creativity and salacious lifestyles, and reviled elsewhere for the same reasons. Confidently expected never to reach 30 they are now approaching their seventies and, in 2012, will have been together for 50 years. In The Rolling Stones, Christopher Sandford tells the human drama at the centre of the Rolling Stones story. Sandford has carried out interviews with those close to the Stones, family members (including Mick's parents), the group's fans and contemporaries - even examined their previously unreleased FBI files. Like no other book before The Rolling Stones will make sense of the rich brew of clever invention and opportunism, of talent, good fortune, insecurity, self-destructiveness, and of drugs, sex and other excess, that made the Stones who they are.

    We either compartmentalize our faith or drift from it altogether—into a world that’s so alluring.Have you wondered lately:Why does the Western church look so much like the world?Why are so many of my friends leaving the faith?How can we get back to our roots?Disappearing Church will help you sort through concerns like these, guiding you in a thoughtful, faithful, and hopeful response. Weaving together art, history, and theology, pastor and cultural observer Mark Sayers reminds us that real growth happens when the church embraces its countercultural witness, not when it blends in.It’s like Jesus said long ago, “If the salt loses its saltiness, it is no longer good for anything…”

    With wit and insight, Dyhouse conducts a dazzling tour of the history and meaning of costume, cosmetics, perfume, and fur; and disentangles some of the arguments surrounding femininity, appearance and power; and directly addresses feminist concerns. As Dyhouse shows with style and flair, glamour as an expression of desire and entitlement in women can’t simply be dismissed as an oppressive, or subjective male fantasy, but carries celebratory and liberating meanings for women.

    has stood as the book in its field; this new edition secures that position. Scholars, music lovers, and general readers will all find it rewarding, whether for the first or second time." -- Journal of the West "A book to be read, re-read, and savored." -- Southwest ReviewSince its first publication in 1968, Bill C. Malone's Country Music, U.S.A. has won universal acclaim as the definitive history of American country music. Starting with the music's folk roots in the rural South, it traces country music from the early days of radio to the beginning of the twenty-first century. This second revised edition includes an extensive new chapter that continues the story from 1985 to 2000, along with anannotated listing of books and recordings which came out during that time.

    While occasionally burying his nose in books, he was going to computer camp, programming his Radio Shack TRS-80, and playing Pong. His eventual love of reading made him a historian of the book and a connoisseur of print, but as a card-carrying member of the first digital generation—and the father of two digital natives—he understands that we live in electronic times. Book Was There is Piper’s surprising and always entertaining essay on reading in an e-reader world. Much ink has been spilled lamenting or championing the decline of printed books, but Piper shows that the rich history of reading itself offers unexpected clues to what lies in store for books, print or digital. From medieval manuscript books to today’s playable media and interactive urban fictions, Piper explores the manifold ways that physical media have shaped how we read, while also observing his own children as they face the struggles and triumphs of learning to read. In doing so, he uncovers the intimate connections we develop with our reading materials—how we hold them, look at them, share them, play with them, and even where we read them—and shows how reading is interwoven with our experiences in life. Piper reveals that reading’s many identities, past and present, on page and on screen, are the key to helping us understand the kind of reading we care about and how new technologies will—and will not—change old habits. Contending that our experience of reading belies naive generalizations about the future of books, Book Was There is an elegantly argued and thoroughly up-to-date tribute to the endurance of books in our ever-evolving digital world.

    Here Susie Orbach explains the origins of this condition, and examines its implications for all of us. Challenging the Freudian view that bodily disorders originate and progress in the mind, Orbach argues that we should look at self-mutilation, obesity, anorexia, and plastic surgery on their own terms, through a reading of the body itself. Incorporating the latest research from neuropsychology, as well as case studies from her own practice, she traces many of these fixations back to the relationship between mothers and babies, to anxieties that are transferred unconsciously, at a very deep level, between the two. Orbach reveals how vulnerable our bodies are, how susceptible to every kind of negative stimulus--from a nursing infant sensing a mother's discomfort to a grown man or woman feeling inadequate because of a model on a billboard. That vulnerability makes the stakes right now tremendously high.In the past several decades, a globalized media has overwhelmed us with images of an idealized, westernized body, and conditioned us to see any exception to that ideal as a problem. The body has become an object, a site of production and commerce in and of itself. Instead of our bodies making things, we now make our bodies. Susie Orbach reveals the true dimensions of the crisis, and points the way toward healing and acceptance.

    Taken down from Gaelic story tellers, these 20 tales fall into two parts: 11 are miscellaneous stories offering Irish versions of the general European fairy tales, and 9 are stories from the Fenian cycle--tales of Fin MacCumhail and his warriors, the Fenians of Erin.The same fairy-tale elements apply to all the stories, however, including battles with giants, dead men who come back to life, people imprisoned in the bodies of animals, a wonderful land of perpetual youth, and heroes with incredible strength. The heroes in the miscellaneous tales tend to be sons of the Kings of Erin, with heroines like Yellow Lily, daughter of the Giant of Loch Léin; Trembling, the Irish Cinderella; the queen of Tubber Tintye; and various princesses who are in danger. The Fenian stories relate some of the adventures of Fin MacCumhail, his sons--Fialan, Oisin, Pogán, and Ceolán; his men--Diarmuid Duivne, Conán Maol MacMorna, the famous Cucúlin, and others; and strangers who are out to help or hurt the Fenians of Erin in such tales as "Fin MacCumhail and the Fenians of Erin in the Castle of Fear Dubh," and "Gilla na Grakin and Fin MacCumhail."Tales of legend and tales of magic, these stories transport us to a world where everything is alive and anything can happen, a world born in a time before literature, and captured in print just as the oral tradition in Ireland was dying out. Considered an essential work in the history of folk-lore, this book is also a collection of fairy tales that have fascinated young and old for hundreds of years. They will continue to fascinate you and your children.Unabridged republication of the 1890 edition, formerly titled Myths and Folk-Lore of Ireland.

    From Ari Up, Jah Wobble, David Byrne, Green Gartside, Edwyn Collins, it also includes conversations with the most influential of label bosses, managers, record producers, deejays and journalists - such as John Peel and Paul Morley. Crackling with argument and anecdote, these conversations bring a rich human dimension to the post-punk story and its exceptional characters, from their earliest days to their glorious and sometimes disastrous musical adventures. Along with interviews, we get 'overviews': further reflections by Simon Reynolds on post-punk's key icons and crucial scenes, including John Lydon and Public Image Ltd, Ian Curtis and Joy Division, and the lineage of glam grotesquerie running from Siouxsie & The Banshees to the New Romantics to Leigh Bowery.