In episodic and dreamlike prose, the narrator shares stories and memories of those around her: her feckless, mostly absent father; her lonely, loving mother who tells her daughter that butterflies are the souls of napping children; her gossiping neighbors; and the ghosts of weeping women that haunt their house.This extraordinary novel allows us to see how Korean women "lived in the folds of history ... laughing, wailing, spirit-cajoling, poetry-writing, tear-hiding, bosom-bracing, scheming, fire-breathing". Vivid, sensuous, permeated by beautiful images and by the mysteries that define a child's world, House of the Winds is a moving tale of awakening.

    In her memoir, she vividly recounts falling in love, finding a job, getting drunk, getting dumped, realizing that Ivan from the corner shop might just be the only reliable man in her life, and that absolutely no one can ever compare to her best girlfriends. Everything I Know About Love is about bad dates, good friends and—above all else— realizing that you are enough.Glittering with wit and insight, heart and humor, Dolly Alderton’s unforgettable debut weaves together personal stories, satirical observations, a series of lists, recipes, and other vignettes that will strike a chord of recognition with women of every age—making you want to pick up the phone and tell your best friends all about it. Like Bridget Jones’ Diary but all true, Everything I Know About Love is about the struggles of early adulthood in all its terrifying and hopeful uncertainty.

    Features 80% exclusive, hitherto-unpublished archive photos and footage sequences of all the key players in situ, together with lyric sheets, Yoko's art installations, and exclusive new insights and personal testimonies from Yoko and over forty of the musicians, engineers, staff, celebrities, artists and photographers who were there-including Julian Lennon, Klaus Voormann, Alan White, Jim Keltner, David Bailey, Dick Cavett and Sir Michael Parkinson. "A lot has been written about the creation of the song, the album and the film of Imagine, mainly by people who weren't there, so I'm very pleased and grateful that now, for the first time, so many of the participants have kindly given their time to 'gimme some truth' in their own words and pictures" -Yoko Ono Lennon, 2018 In 1971, John Lennon & Yoko Ono conceived and recorded the critically acclaimed album Imagine at their Georgian country home, Tittenhurst Park, in Berkshire, England, in the state-of-the-art studio they built in the grounds, and at the Record Plant in New York. The lyrics of the title track were inspired by Yoko Ono's "event scores" in her 1964 book Grapefruit, and she was officially co-credited as writer in June 2017. Imagine John Yoko tells the story of John & Yoko's life, work and relationship during this intensely creative period. It transports readers to home and working environments showcasing Yoko's closely guarded archive of photos and artifacts, using artfully compiled narrative film stills, and featuring digitally rendered maps, floorplans and panoramas that recreate the interiors in evocative detail. John & Yoko introduce each chapter and song; Yoko also provides invaluable additional commentary and a preface. All the minutiae is examined: the locations, the key players, the music and lyrics, the production techniques and the artworks-including the creative process behind the double exposure polaroids used on the album cover. With a message as universal and pertinent today as it was when the album was created, this landmark publication is a fitting tribute to John & Yoko and their place in cultural history.

    It is a fascinating study of determination and courage, pain and triumph over tragedy. From the beginning of her life in a crowded terrace in Tyneside to her days as a best-selling writer able to offer thousands to charity as a Dame of the British Empire, Catherine Cookson’s own story is as extraordinary as any of her novels. It is hard to think of any writer, living or dead, who has produced — and continued to produce — such overwhelmingly popular fiction as Catherine Cookson. Between June, 1950, and the end of 1993, ninety million copies of her novels, children’s books and personal recollections had been sold worldwide. An average of 5,800 every day — 241 books every single hour. Cookson novels have been adapted into award winning television films. Musicals and plays based on her books have sold out within days and ran for weeks. Goodwin explores the intriguing, and at times distressing, life of the celebrated writer, Catherine Cookson and the novels that were inspired by her early experiences in Tyneside. Praise for the author: ‘Even Catherine Cookson couldn't have written a novel with as much drama as her own life story ... the full saga has not been told until now.’ - TODAY ‘As riveting as any of her famous novels.’ - SUNDAY EXPRESS ‘Cliff Goodwin has written a book which is hard to put down and which leaves you in greater admiration of its intriguing and enigmatic subject ... amazing and compulsive as any of her bestsellers.’ - NEWCASTLE JOURNAL ‘A cracking story ... essential for her fans, and a good read for everyone.’ - MANCHESTER EVENING NEWS Cliff Goodwin was born in London in 1950. He was educated in Slough, Berkshire, and joined the town's weekly newspaper as a trainee journalist in 1968. Since then he has worked as a reporter, feature writer and sub-editor for various newspapers and magazines. His coverage of the 1988 Lockerbie air crash earned him a regional press award. A regular freelance writer — he has published features in more than 200 newspapers and magazines worldwide — Cliff Goodwin has also worked as a radio producer and in public relations. In 1993, after 25 years in journalism, he decided it was time to concentrate on full-time writing. Endeavour Press is the UK’s leading independent publisher of digital books.

    In her 2019 account Consent: A Memoir of Unwanted Attention, she re-created, in novelistic detail, the story of being traumatized by her professor’s obsession with her, of how he used his power to try to rob her of her own. Freitas’s story has been hailed as “groundbreaking” (Kirkus) and “an important testament for the #MeToo era” (Publishers Weekly), “illuminat[ing] our ideas about harassment and harm” (Rebecca Traister). But readers’ responses to its publication, and the author’s experience of seeing the public’s response, impressed upon her that there was more to be said: not from the perspective of the naive young woman she was in graduate school, but in the fully empowered voice of the woman—the writer, teacher, and Title IX researcher and lecturer—she has since become. Pulling no punches, she speaks out here, in this searing Scribd Original, in a direct address—a letter—to her stalker.Dear Professor confronts and galvanizes. It is a public accusation and a personal confession. Above all, it is a guide to how to express and claim one’s anger, to use it to good and healthy effect to explode the shame that victims of stalking often feel and the silence they are often forced into. It acknowledges the grief of what was lost through years of trauma—the life that the author’s younger self had planned and invested in, including a very different kind of academic career. And it embraces what’s been gained: empathy, resiliency, adaptability, clarity, and more—all highly useful ingredients, it turns out, in becoming an expert on matters of consent and in successfully pursuing a writer’s life. It asks if either forgiveness or outing her stalker by name (something she’s assiduously avoided in print and at her readings and lectures) is necessary to her healing. Is what her former mentor did to her or may have done to others in any way her responsibility? How much can be expected of victims of such pernicious harassment? And how can Freitas continue to protect herself and her right to choose how she overcomes?At once intimate and incendiary, Dear Professor is an act of liberation and self-love and an invitation to others who’ve been victimized to accept their pain and outrage, assign fault where fault is squarely due, take pride in what must be a uniquely personal journey, and say no, and no again, to censorship, secrecy, and stigma.

    But on land, she could never shake the feeling of being a fish out of water. Starting at age two, Nancy devoted her life to swimming, even qualifying for the 1988 Olympic Trials in the fifty-meter freestyle event. But nearly two decades later, when she hung up her cap and goggles, she was confronted with a different kind of challenge: learning who she was out of the lanes.In this honest, intimate memoir, Nancy reflects on her years wandering the globe, where tragic events and a lost sense of self escalate her dependence on booze. Thirty-three years after her first sip of alcohol, the swimmer comes to a stunning realization while living with her husband and son in Abu Dhabi—she’s drowning in the desert. Nancy looks to the Bedouin people for the strength to conquer one final opponent: alcohol addiction.

    As such she is deeply fascinated-and intimately familiar—with the toll exacted from young women whose lives are offered in sacrifice as starlets. The stories of these actresses, both famous and obscure-tragic stories of suicide, murder, obscurity, and other forms of death—inspired this empathic and emotionally charged collection of new poetic work. Featuring subjects from Marilyn Monroe and Frances Farmer to Dana Plato and Brittany Murphy—and paired with original artwork commissioned for the book by luminaries including David Lynch, Adrian Tome, Marilyn Manson, and Marcel Dzama—Dark Sparkler is a surprising and provocative collection from a young artist of wide-ranging talent, culminating in an extended, confessional epilogue of astonishing candor and poetic command. Actresses featured in Dark Sparkler include:Marilyn MonroeBrittany MurphyDana PlatoJayne MansfieldJean HarlowDominique DunneSharon TateHeather O’RourkeBridgette AndersenShannon Michelle WilseyJudith BarsiPeg EntwistleCarole LandisAnissa JonesSusan PetersBarbara La MarrLucy GordonSirkka SariLi ToblerThelma ToddSamantha SmithLupe ValezTaruni SachdevRebecca Shaeffer

    

    Just say yes!Meet Olive Persimmon. Growing up, she looked exactly like Danny DeVito, except she was thirteen and a girl. By some miracle, she grew into a relatively normal, well-adjusted thirty-something woman living in New York City—with one notable exception: she hasn’t had sex in five years, one month, three days, two-point-five hours . . . and counting.Faced with bona fide sex rut, she decides it's time to take action to save her love life and get her mojo back. Challenged by a friend to "say yes" to experiences she might normally avoid, Olive embarks on a series of adventures and explores everything from BDSM classes to cuddlers-for-hire, from foot fetishes to lessons with a top-ranked pickup artist, and more! Each awkward, funny, and sometimes downright embarrassing encounter brings Olive closer to discovering the power of saying yes—to herself, others, and life itself.For fans of Jenny Slate, this is a funny, irreverent, and honest tale of one young woman's journey to reclaim her sexuality on the fringes of New York City's sex and dating world.Readers can see for themselves how this girl next door overcame insecurities around dating, sex, and love--all with openness, honesty, and a wicked sense of humor. Along the way, readers will wonder: Will Olive ever have sex again? Will her love life be okay? Will her toe fungus come back? Does she ever find her mojo, and where was it hiding?

    These two world-renowned successes inspire listeners not just to set goals, but to achieve them.

    Until now, there has been little scrutiny of that life. The reason: Woody viewed biographers as the Ebola plague, dangerous, uncontrollable contagions that might squish his public persona into mousse. Allen's prolific achievements are all but unparalleled in cinematic history. To fans, his films have always represented an ongoing autobiography, through which he has bared his self-deprecating overanalytical soul to the world. It was not until 1992, when his stormy private life turned into sensational headlines, that the cracks in the familiar persona appeared. The lines separating art and fact, myth and reality, public and private life, became increasingly blurred.Marion Meade has tracked down scores of people in Allen's life who have never before spoken to an Allen biographer: boyhood pals; Brooklyn neighbors and teachers; colleagues Buddy Hackett and Mel Brooks from his early career as a television writer and stand-up comic; actors Maureen Stapleton, Max von Sydow, and Bob Hope; director Sydney Pollack; and the film reviewers who have followed his career for decades -- Vincent Canby, Roger Ebert, Stanley Kauffmann, Andrew Sarris, and John Simon. She also details the numerous examples of art imitating life in Allen's films, particularly the extraordinary saga behind his marriage to the adopted daughter of his long-time lover, Mia Farrow.In reconstructing Allen's life, Meade explores the cult of celebrity in America -- how it is our own infatuation with the rich and famous that has made it possiblefor this supremely talented man to shrewdly manipulate both the media and the moviegoing public.

    No, you’re not. Yes, I am. Of what? What if I can’t do it? What if you can? When the call came, when the letter arrived, when the sunlight finally fell on your face—the struggle fell away, and you only remembered the beauty. It was like childbirth, but constantly, for your whole life. Every day we brought forth our future, every choice we made determined what raw materials would be in the hands of tomorrow. Some days took years and were times of transition where we thought we might die, and some years were full of euphoria or rushing release. Most years were slightly uncomfortable until we remembered how to breathe. Everything didn’t always work out. Sometimes things were just hard. Sometimes life hurt too much, and people did break. Sometimes, you had to wait for a long time for the sun to rise. While it’s true the sun always rose, not everyone lived through the night, and the stars didn’t give a damn. The Burning Point will be available from By Common Consent Press on July 1, 2017.

     But when one night over a beer his friend suggests they do just that, he surprisingly agrees. It may have been slightly more than just one beer. In his own hapless style, Stevens recalls their adventure; six days of getting lost, scared, wet, tired and more than occasionally drunk.

    Featuring 35 full-day accounts and hundreds of highlights, you’ll go behind the scenes with a hot new fashion designer, a McDonald’s manager, a trauma surgeon, a mechanic, a life coach, a boxing promoter. More well-known contributors include actress Angie Everhart, celebrity chef Sara Moulton, race-car driver Sara Fisher, and “Go Fug Yourself” blogger Heather Cocks, all inviting us to work a day in their shoes.

    She writes songs about her anatomy, talks trash about her one-eyed rescue pug, and sexually harasses her husband, Stephen. And it pays the bills! Now, in her first-ever book, Laura recounts how she went from being a dangerously impulsive, broke, unemployable, suicidal, cocaine-addicted narcissist, crippled by fear and hopping from one toxic romance to the next…to a more-happy-than-not, somewhat rational, meditating, vegan yogi with good credit, a great marriage, a fantastic career, and four unfortunate-looking rescue animals. Still, above all, Laura remains an amazingly talented, adorable, and vulnerable, self-described…Idiot. With her signature brand of offbeat, no-holds-barred humor, Idiot introduces you to a wildly original—and undeniably relatable—new voice.Oh, the places I've peed --High school Hammer time --My summer of (possibly too much) freedom --How to ignore a hundred red flags --The Damon inside --A spoonful of sugar --Look, Mom! I'm on TV! --New beginnings (but, like, for real) --Two apartments and a home --Maggie: cat --Walking through fear