True, he is almost bald and his nickname is "Tubby," but the TV sitcom he writes keeps the money coming in, he has an exclusive house in Rummridge, a state-of-the-art car, a vigorous sex life with his wife of thirty years, and a platonic mistress to talk shop with. What money can't buy, and his many therapists can't deliver, is contentment. It's not the trouble behind the scenes of his TV show that's bugging him or even the persistent pain in his knee; it's this deeper, nameless unease. Is it a spiritual crisis or just one of the midlife variety?Tubby's quest for the source of it will lead into an obsession with Kierkegaard, brushes with the police, gossip-column notoriety, and strange beds and bedrooms worldwide.

    Almost immediately he sets about beguiling the three women and five teenage girls stranded in this outpost of Southern gentility, eliciting their love and fear, pity and infatuation, and pitting them against one another in a bid for his freedom. But as the women are revealed for what they really are, a sense of ominous foreboding closes in on the soldier, and the question becomes: Just who is the beguiled?

    Charles II has been restored to the throne following years of civil war and Cromwell's short-lived republic. Oxford is the intellectual seat of the country, a place of great scientific, religious, and political ferment. A fellow of New College is found dead in suspicious circumstances. A young woman is accused of his murder. We hear the story of the death from four witnesses: an Italian physician intent on claiming credit for the invention of blood transfusion; the son of an alleged Royalist traitor; a master cryptographer who has worked for both Cromwell and the king; and a renowned Oxford antiquarian. Each tells his own version of what happened. Only one reveals the extraordinary truth.With rights sold for record-breaking sums around the world, An Instance of the Fingerpost is destined to become a major international publishing event. Deserving of comparison to the works of John Fowles and Umberto Eco, Iain Pears's novel is an ingenious tour de force: an utterly compelling historical mystery with a plot that twists and turns and keeps the reader guessing until the very last page.

    As the ringmaster bends over her, he notices an amulet of amber around her neck, the same trinket he had given his own lost child, who was swept away in a torrent some sixteen years earlier.This tale is narrated by Petter, a precocious child and fantasist, and perhaps Jostein Gaarder's most intriguing character since Sophie. As an adult, Petter makes his living selling stories and ideas to professionals suffering from writer's block. But as Petter sits spinning his tales, he finds himself in a trap of his own making.

    Her daughter Sky has been a captive her whole life. But one day their captor leaves the deadbolt unlocked.This is what happens next......to her twin sister, to her mother, to her daughter...and to her captor.

    when they come for me. I am already awake, strung out on the fear that they will come, and the fear that they won’t. When I finally hear the click of the latch on the dormitory door, I have only a second to brace myself before—At Cate's isolated boarding school, Killer is more than a game—it’s an elite secret society. Members must avoid being “Killed” during a series of thrilling pranks, and only the Game Master knows who the “Killer” is. When Cate’s finally invited to join the Assassins’ Guild, she know it’s her ticket to finally feeling like she belongs.But when the game becomes all too real, the school threatens to shut it down. Cate will do anything to keep playing and save the Guild. But can she find the real assassin before she’s the next target?

    You will be scared. But you won’t know why…I’m thinking of ending things. Once this thought arrives, it stays. It sticks. It lingers. It’s always there. Always. Jake once said, “Sometimes a thought is closer to truth, to reality, than an action. You can say anything, you can do anything, but you can’t fake a thought.” And here’s what I’m thinking: I don’t want to be here. In this smart and intense literary suspense novel, Iain Reid explores the depths of the human psyche, questioning consciousness, free will, the value of relationships, fear, and the limitations of solitude. Reminiscent of Jose Saramago’s early work, Michel Faber’s cult classic Under the Skin, and Lionel Shriver’s We Need to Talk about Kevin, “your dread and unease will mount with every passing page” (Entertainment Weekly) of this edgy, haunting debut. Tense, gripping, and atmospheric, I’m Thinking of Ending Things pulls you in from the very first page…and never lets you go.

    The sort of atmosphere where mistakes could be made? For Maurice Castle it is the end of the line anyway and time for him to retire with his African wife, Sarah.The Human Factor is Greene’s most extensive attempt to incorporate into fiction what he had learned of espionage when recruited by MI6 during World War II . . . What it offers is a veteran excursion into Greene’s imaginative world . . . Sometimes seen as a brooding prober into the dark recesses of the soul where sins and scruples alike fester, he is equally at home in sending a narrative careering along at break-neck pace . . . Raising the demarcation line between ‘serious’ fiction and fast-plotted entertainment, Greene ensures that components of both jostle energizingly together in his pages.” –from the Introduction by Peter Kemp --

    The publicity surrounding the case laid the foundation for his reputation as a modern-day Sherlock Holmes. He parlayed that fame into a gig as TV’s “resident detective,” solving the more typical tawdry daytime talk show mysteries like “Who is the father?” and “Is he cheating?”Until, that is, Sheppard wakes up handcuffed to a bed in an unfamiliar hotel room. Around him, five strangers are slowly waking up, as well. Soon they discover a corpse in the bathtub and Sheppard is challenged to put his deductive skills to the test. One of the people in the room is the killer. He has three hours to solve the murder. If he doesn’t find the killer, they all will die.An ingenious, page-turning debut, Chris McGeorge’s Guess Who matches the high-wire plotting of classic “locked room” mysteries into the unstoppable pacing of the modern-day thriller.

    Here, in his newest work, Sparks tells a story about making the greatest commitment of all...loving someone forever. The Rescue When confronted by raging fires or deadly accidents, volunteer fireman Taylor McAden feels compelled to take terrifying risks - risks no one else in the department would ever take - to save lives. But there is one leap of faith Taylor can't bring himself to make: He can't fall in love. For all his adult years, Taylor has sought out women who need to be rescued, women he leaves as soon as their crisis is over, as soon as the relationship starts to become truly intimate. Then, one day, a raging, record-breaking storm hits his small Southern town. Denise Holton, a young single mother, is driving through it when her car skids off the road. With her is her four-year-old son, Kyle, a boy with severe learning disabilities and for whom she has sacrificed everything. Unconscious and bleeding, she-but not Kyle-will be found by Taylor McAden. And when she wakes, the chilling truth becomes clear to both of them: Kyle is gone. During the search for Kyle, the connection, the lifeline, between Taylor and Denise takes root. Taylor doesn't know that this rescue will be different from all the others, demanding far more than raw physical courage. That it will lead him to the possibility of his own rescue from a life lived without love. That it will require him to open doors to his past that were slammed shut by pain. That it will dare him to live life to the fullest by daring to love. In The Rescue Nicholas Sparks weaves his inimitable spell, immersing us in the passions and the surprising complexities of modern relationships-and in doing so, teaching us something about our own.

    Though Milly loves her mother, the only way to make her stop is to turn her in to the police. Milly is given a fresh start: a new identity, a home with an affluent foster family, and a spot at an exclusive private school. But Milly has secrets, and life at her new home becomes complicated. As her mother's trial looms, with Milly as the star witness, Milly starts to wonder how much of her is nature, how much of her is nurture, and whether she is doomed to turn out like her mother after all. When tensions rise and Milly feels trapped by her shiny new life, she has to decide: Will she be good? Or is she bad? She is, after all, her mother's daughter.

    Her aunt Vera Hillyard, a rigidly respectable woman, was convicted and hanged for the crime, but the reason for her desperate deed died with her. Thirty years later, a probing journalist pushes Faith to look back to the day when her aunt took knife in hand and walked into a child's nursery. Through the eyes of a woman trying to understand an unspeakable, inexplicable family tragedy, Barbara Vine leads us through a shadow land of illicit lust, intimate sins, and unspoken passions—to a shattering and illuminating climax, as inevitable as it is unexpected. In this enthralling masterpiece, a great crime writer has achieved both a flawlessly crafted novel of psychological suspense and a deeply probing work of literary art.

    Mothers with strollers still make her flinch; her love of writing has turned into a half-hearted teaching career; and she and her husband, Art, have slipped into the kind of rut that seems inescapable.But then a stranger shows up on their doorstep, telling Gen the very thing she’s always wanted to hear: that her daughter Beth was not stillborn, but was taken away as a healthy infant and is still out there, somewhere, waiting to be found. It’s insane, unbelievable. But why would anyone make that up? A fissure suddenly opens up in Gen’s carefully reconstructed life, letting in a flood of unanswerable questions. Where is Beth now? Why is Art so reluctant to get involved? To save his wife from further hurt? Or is it something more sinister? And who can she trust to help her?Ignoring the warnings of her husband and friends, Gen begins to delve into the dark corners of her past, hopeful she’ll find a clue to her daughter’s whereabouts. But hope quickly turns into fear and paranoia, as she realizes that finding the answers might open the door to something even worse than not knowing. A truth that could steal everything she holds close – even her own life.

    Her lips parted as if to speak. Her dead body frozen in the ice…She is not the only one.When a young boy discovers the body of a woman beneath a thick sheet of ice in a South London park, Detective Erika Foster is called in to lead the murder investigation.The victim, a beautiful young socialite, appeared to have the perfect life. Yet when Erika begins to dig deeper, she starts to connect the dots between the murder and the killings of three prostitutes, all found strangled, hands bound and dumped in water around London.What dark secrets is the girl in the ice hiding?As Erika inches closer to uncovering the truth, the killer is closing in on Erika.The last investigation Erika led went badly wrong… resulting in the death of her husband. With her career hanging by a thread, Erika must now battle her own personal demons as well as a killer more deadly than any she’s faced before. But will she get to him before he strikes again?A #1 international bestseller, The Girl in the Ice is a page-turning thriller packed with suspense. If you like Angela Marsons, Rachel Abbott and Karin Slaughter, discover Rob Bryndza’s series today.

    At its head was one of the wealthiest men in the world, a man who has just died in a mysterious accident and left his only daughter, Elizabeth, in control of the company. Now as this intelligent, tough, and beautiful young woman dares to save -- not sell -- Roffe and Sons, she will have to outwit those who secretly want her power, and the unknown assassin who wants her life.