The only comprehensive study that examines all areas of Basho's work, including haibun, renku and critical commentaries.

    Through it's inspired voice, it: * Clarifies the essential wisdom of A Course In Miracles * Progresses from the simple to the most advanced teachings * Brings true peace and joy * Focuses on practical application Love, David Do you desire clarification of the Course metaphors and want to go past common blocks? Are you tired of being a seeker and ready to be a finder? Then this book is for you! Written in a warm, engaging question-and-answer style that sparkles with laughter, this book will show you how to: * Forgive all your relationships * Experience unshakable inner peace * Overcome pain, loneliness and death * Find the strength and love of God * Awaken Now!

    But nothing could have prepared him for the heartache he feels when he falls hopelessly in love with a Japanese girl named Sakurai. Immersed in their shared love for classical music and foreign movies, the two gradually grow closer and closer.One night, after being hit by personal tragedy, Sugihara reveals to Sakurai that he is not Japanese—as his name might indicate.Torn between a chance at self-discovery that he’s ready to seize and the prejudices of others that he can’t control, Sugihara must decide who he wants to be and where he wants to go next. Will Sakurai be able to confront her own bias and accompany him on his journey?

    The haiku verse form is a superb means of studying Zen modes of thought and expression, for its seventeen syllables impose a rigorous limitation that confines the poet to vital experience. Here haiku by Bashõ are translated by Robert Aitken, with commentary that provides a new and far deeper understanding of Bashõ’s work than ever before.In presenting themes from the haiku and from Zen literature that open the doors both to the poems and to Zen itself, Aitken has produced the first book about the relationship between Zen and haiku. His readers are certain to find it invaluable for the remarkable revelations it offers.

    A ground-breaking book that sets out to demonstrate that Japanese is “simple, logical and beautiful” and that most of the apparently “arbitrary rules” that you “just have to learn” can be reduced to simple, easily intuitive patterns if you just understand how the language really works.

    It shows a changing city, its slums, backstreets, temples and shrines, a city filled with erudite establishments and brothels. It shows a man trying to justify his life, and a glimpse into the creative process and a gentle eulogy on things passing.

    Award-winning Japanese author Shion Miura’s novel is a reminder that a life dedicated to passion is a life well lived.Inspired as a boy by the multiple meanings to be found for a single word in the dictionary, Kohei Araki is devoted to the notion that a dictionary is a boat to carry us across the sea of words. But after thirty-seven years creating them at Gembu Books, it’s time for him to retire and find his replacement.He discovers a kindred spirit in Mitsuya Majime—a young, disheveled square peg with a penchant for collecting antiquarian books and a background in linguistics—whom he swipes from his company’s sales department.Led by his new mentor and joined by an energetic, if reluctant, new recruit and an elder linguistics scholar, Majime is tasked with a career-defining accomplishment: completing The Great Passage, a comprehensive 2,900-page tome of the Japanese language. On his journey, Majime discovers friendship, romance, and an incredible dedication to his work, inspired by the bond that connects us all: words.

    James, Robert Barnard and other literate writers in the genre will welcome US publication of this prize-winning author's first work. In postwar Tokyo, the K Apartment House for ladies is about to be moved intact in a highly publicized engineering feat. Then, flashback seven years to one of its occupants and her confederate--a man dressed in woman's clothes--as they bury a child's body in an unused communal bath beneath the building. A second flashback tells of the kidnapping of four-year-old George Kraft, son of an American army officer and his Japanese wife. The stage is set. The actors are a few of the present-day occupants of the K apartments--single, lovely, obsessed, neurotic--each life a novel in itself, told in a spare, unembellished style that never lapses into the sentimental. Manipulated by hidden strings, their actions and reactions lead to suicide, murder, and some final surprising revelations. This is a fresh, original novel, superbly crafted and riveting from start to finish.

    It was in sixteenth-century Japan, as Shakespeare was writing his masterworks half a world away, that the spirit of Kabuki theater was born out of a single woman's passions and dedication to her art. In Kabuki Dancer, the popular Japanese novelist Sawako Ariyoshi (The Doctor's Wife, The River Ki, The Twilight Years) retells the story of Okuni, the legendary temple dancer who first performed among jugglers and freak shows on a stage along the riverbank in the heart of the imperial city of Kyoto. Blending the rhythms and movements of religious festivals with the words of popular love songs, she and her troupe became sensations. Their affairs and rivalries, infatuations and jealousies, were transformed into the very fabric of their performance, as it began its evolution into the classic drama of today. Against a backdrop of civil war, dynastic conflict, and social turmoil, Okuni and her companions and lovers, together with their audience of artisans, merchants, and aristocrats, struggled to survive the birth pangs of a glorious--yet sometimes deadly--new age. Based on fact, transmuted into powerful and moving artistic expression, Kabuki Dancer is at once a turbulent love story, a recreation of an exotic and colorful historical period, and an almost mythic representation of the miraculous moment in which an immortal art form appears.

    The book concerns Ineko’s mother and Kuno, the young man who loves Ineko and wants to marry her. The two have left Ineko at the Ikuta Mental Hospital, which she has entered for treatment of a condition that might be called “seizures of body blindness.” Although her vision as a whole is unaffected, she periodically becomes unable to see her lover Kuno’s body: when this occurs, Ineko breaks down. Whether or not her condition actually constitutes madness is a topic of heated discussion between Kuno and Ineko’s mother… In this tantalizing book, Kawabata explores the incommunicability of desire as well as desire’s relation to the urge to hide. With Dandelions, Kawabata carries the art of the novel, where he always suggested more than he stated, into mysterious new realms.

    And, with each detour, she brushes up against the seemingly disparate lives of the city-dwellers, connecting them in unexpected ways.But the city is changing. As it does, it pushes her to the margins where she chances upon a series of apparent strangers – from a homeless man squatting in an abandoned hotel, to a shut-in hermit afraid to leave his house, to a convenience store worker searching for love. The cat orbits Tokyo’s denizens, drawing them ever closer.

    She tries to stay as far away from her past as possible—the girl who communicated with creatures and befriended a Royal Beast wants no part in the power struggles of humans. But when Elin is called upon to investigate a mysterious illness that's stricken the Toda, she uncovers a startling plot—one that could threaten everything she holds dear.In this thrilling sequel to The Beast Player, Elin must confront her destiny and the dire warnings of history. Is a final battle between the Toda and the Royal Beasts inevitable? Or will it mean destruction for all?

    Myers, a North Korea analyst and a contributing editor of The Atlantic, presents the first full-length study of the North Korean worldview. Drawing on extensive research into the regime’s domestic propaganda, including films, romance novels and other artifacts of the personality cult, Myers analyzes each of the country’s official myths in turn—from the notion of Koreans’ unique moral purity, to the myth of an America quaking in terror of “the Iron General.” In a concise but groundbreaking historical section, Myers also traces the origins of this official culture back to the Japanese fascist thought in which North Korea’s first ideologues were schooled.What emerges is a regime completely unlike the West’s perception of it. This is neither a bastion of Stalinism nor a Confucian patriarchy, but a paranoid nationalist, “military-first” state on the far right of the ideological spectrum.Since popular support for the North Korean regime now derives almost exclusively from pride in North Korean military might, Pyongyang can neither be cajoled nor bullied into giving up its nuclear program. The implications for US foreign policy—which has hitherto treated North Korea as the last outpost of the Cold War—are as obvious as they are troubling. With North Korea now calling for a “blood reckoning” with the “Yankee jackals,” Myers’s unprecedented analysis could not be more timely.

    The poems speak intimately of their authors' sexual longing, fulfillment and disillusionment.

    The clichés of everyday speech are often to be traced to famous ancient poems, and the traditional forms of poetry are widely known and loved. The congenial attitude comes from a poetical history of about a millennium and a half. This classic collection of verse therefore contains poetry from the earliest, primitive period, through the Nara, Heian, Kamakura, Muromachi and Edo periods, ending with modern poetry from 1868 onwards, including the rising poets Tamura Ryuichi and Tanikawa Shuntaro.