Juries have ruled in recent trials that Watergate was really about a Democratic Party prostitution ring.Ignored in the U.S. and distorted elsewhere, the Milosevic tribunal hasn’t gone the way authorities were anticipating. (We present exclusive first-hand reporting from the trial).Most theologians don’t believe in the physical Resurrection of Jesus.In 2001, the U.S. uncovered the biggest spy ring in the country since WWII, yet most people never heard about it.The U.S. is engaging in bioweapons research that violates international treaties and federal law. (The New York Times knows about this but refuses to report it).Teddy Roosevelt and Wall Street created Panama for profit.Gandhi wasn’t so wonderful, after all.These are just some of the revelations in the third of our all-star anthologies. Following up on bestsellers You Are Being Lied To and Everything You Know Is Wrong, editor Russ Kick has again assembled a line-up of leading investigative journalists, academics, activists, commentators, and independent researchers, covering CIA assassinations, the anthrax attacks, fluoride, TWA 800, Abraham Lincoln, child protective services, the tobacco industry, forgotten uprisings, the government's missing trillions, even more revelations about 9/11 and much more.Contributors include Gary Webb, Greg Palast, Noreena Hertz, Howard Zinn, Douglas Valentine, Jim Hougan, Kristina Borjesson, Arianna Huffington and many more well-known writers—some of whom you’ll be extremely surprised to see in these pages!Russ Kick will once again be booked on multiple talk radio shows.

    Written with a powerful and personal voice, Schulman’s book is part gossipy narrative, part behind-the-scenes glimpse into the New York theater culture, and part polemic on how mainstream artists co-opt the work of “marginal” artists to give an air of diversity and authenticity to their own work. Rising above the details of her own case, Schulman boldly uses her suspicions of copyright infringement as an opportunity to initiate a larger conversation on how AIDS and gay experience are being represented in American art and commerce. Closely recounting her discovery of the ways in which Rent took materials from her own novel, Schulman takes us on her riveting and infuriating journey through the power structures of New York theater and media, a journey she pursued to seek legal restitution and make her voice heard. Then, to provide a cultural context for the emergence of Rent—which Schulman experienced first-hand as a weekly theater critic for the New York Press at the time of Rent’s premiere—she reveals in rich detail the off- and off-off-Broadway theater scene of the time. She argues that these often neglected works and performances provide more nuanced and accurate depictions of the lives of gay men, Latinos, blacks, lesbians and people with AIDS than popular works seen in full houses on Broadway stages. Schulman brings her discussion full circle with an incisive look at how gay and lesbian culture has become rapidly commodified, not only by mainstream theater productions such as Rent but also by its reduction into a mere demographic made palatable for niche marketing. Ultimately, Schulman argues, American art and culture has made acceptable a representation of “the homosexual” that undermines, if not completely erases, the actual experiences of people who continue to suffer from discrimination or disease. Stagestruck’s message is sure to incite discussion and raise the level of debate about cultural politics in America today.

    This gripping portrait of the western Himalayan land known as “Little Tibet” moves from the author’s first visit to idyllic, nonindustrial Ladakh in 1974 to the present, tracking profound changes as the region was opened to foreign tourists, Western goods and technologies, and pressures for economic growth. These changes in turn brought generational conflict, unemployment, inflation, environmental damage, and threats to the traditional way of life. Appalled by these negative impacts, the author helped establish the Ladakh Project (later renamed the International Society for Ecology and Culture) to seek sustainable solutions that preserve cultural integrity and environmental health, while addressing the Ladakhis’ hunger for modernization. This model undertaking effectively combines educational programs for all social levels with the design, demonstration, and promotion of appropriate technologies such as solar heating and small-scale hydro power. Examining how modernization changes the way people live and think, Norberg-Hodge challenges us to redefine our concepts of “development” and “progress.” Above all, Ancient Futures stresses the need to carry traditional wisdom into the future—our urgent task as a global community.

    It's a mission statement. A few bleeding slices straight from the butcher shop. A sampler from an enormous archive of work that will, no doubt, be pored over by grad students, book lovers, film historians, music nerds and straight-up perverts a hundred years from now." —Anthony Bourdain, from the IntroductionThrough personal essays, interviews, and poetic verse, punk musician and cultural icon Lydia Lunch claws and rakes at the reader's conscience in this powerful, uninhibited feminist collection. Oscillating between provocative celebrations of her own defiant nature and nearly tender ruminations on the debilitating effects of poverty, abuse, and environmental pollution, along with a visceral revenge fantasy against misogynistic men, Lydia Lunch presents her exploits without apology, daring the reader to judge her while she details the traumas and trials that have shaped her into the legendary figure she's become. Inserted between these biting personal essays, Lunch's thoughtful cultural insights convey a widely-shared desire to forestall inevitable cultural amnesia and solidify a legacy for her predecessors and peers. Her interview with Hubert Selby Jr. and profile of Herbert Hunke, her short unromanticized histories of No Wave and of the late Sixties, and her scathing examination of the monetization of counterculture (thanks, Vivienne Westwood!) all serve to reinforce the notion that, while it may appear that there are no more heroes, we are actually just looking for heroes in the wrong places. The worthy idols of the past have been obscured by more profitable historical narratives, but Lunch challenges us to dig deeper.So Real It Hurts pulls the reader into a world that is entirely hers—one in which she exacts vengeance against predators with an enviable ease and exerts an almost-sexual dominance over authority, never permitting those with power to hold on to it too tightly.

    In the spirit of Guns, Germs and Steel, Sex and War asks the basic questions: Why is war so fundamental to our species? And what can we do about it?Malcolm Potts explores these questions from the frontlines, as a witness to war-torn countries around the world. As a scientist and obstetrician, Potts has worked with governments and aid organizations globally, and in the trenches with women who have been raped and brutalized in the course of war. Combining their own experience with scientific findings in primatology, genetics, and anthropology, Potts and Hayden explain war’s pivotal position in the human experience and how men in particular evolved under conditions that favored gang behavior, rape, and organized aggression. Drawing on these new insights, they propose a rational plan for making warfare less frequent and less brutal in the future.Anyone interested in understanding human nature, warfare, and terrorism at their most fundamental levels will find Sex and War to be an illuminating work, and one that might change the way they see the world.

    Find the bravest heroes, the most menacing villains, and unbelievably awesome facts and myths inside this action-packed overview that will amaze kids with tales of a people so incredible...it's hard to believe they were real. History buff and popular blogger Ben Thompson's lively storytelling style brings the Vikings back to life in this second book in the exhilarating Guts & Glory series!

    Her arrival coincides with an explosion of activity in the art world—artists have colonized a deserted and industrial SoHo, are staging actions in the East Village, and are blurring the line between life and art. Reno meets a group of dreamers and raconteurs who submit her to a sentimental education of sorts. Ardent, vulnerable, and bold, she begins an affair with an artist named Sandro Valera, the semi-estranged scion of an Italian tire and motorcycle empire. When they visit Sandro’s family home in Italy, Reno falls in with members of the radical movement that overtook Italy in the seventies. Betrayal sends her reeling into a clandestine undertow. The Flamethrowers is an intensely engaging exploration of the mystique of the feminine, the fake, the terrorist. At its center is Kushner’s brilliantly realized protagonist, a young woman on the verge. Thrilling and fearless, this is a major American novel from a writer of spectacular talent and imagination.

    What was once a fringe movement has been gaining cultural acceptance and political power for years. Rebranding itself as "alt-right" and riding the waves of both Donald Trump's hate-fueled populism and the anxiety of an abandoned working class, they have created a social force that has the ability to win elections and inspire racist street violence in equal measure.Fascism Today looks at the changing world of the far right in Donald Trump's America. Examining the modern fascist movement's various strains, Shane Burley has written an accessible primer about what its adherents believe, how they organize, and what future they have in the United States. The ascension of Trump has introduced a whole new vocabulary into our political lexicon—white nationalism, race realism, Identitarianism, and a slew of others. Burley breaks it all down. From the tech-savvy trolls of the alt-right to esoteric Aryan mystics, from full-fledged Nazis to well-groomed neofascists like Richard Spencer, he shows how these racists and authoritarians have reinvented themselves in order to recruit new members and grow.Just as importantly, Fascism Today shows how they can be fought and beaten. It highlights groups that have successfully opposed these twisted forces and outlines the elements needed to build powerful mass movements to confront the institutionalization of fascist ideas, protect marginalized communities, and ultimately stop the fascist threat.Shane Burley is a writer, filmmaker, and antifascist based in Portland, Oregon.

    debut of internationally acclaimed poet and performance artist Shailja Patel, Migritude is a tour-de-force hybrid text that confounds categories and conventions. Part poetic memoir, part political history, Migritude weaves together family history, reportage and monologues to create an achingly beautiful portrait of women's lives and migrant journeys undertaken under the boot print of Empire. Patel, who was born in Kenya and educated in England and the U.S., honed her poetic skills in performances of this work that have received standing ovations throughout Europe, Africa and North America. She has been described by the Gulf Times as -the poetic equivalent of Arundhati Roy- and by CNN as -the face of globalization as a people-centered phenomenon of migration and exchange.- Migritude includes interviews with the author, as well as performance notes and essays.

    Its popularity owes much to the lyricism of the prose, thepitch-perfect rendition of black vernacular English, and the memorable characters--most notably, Janie Crawford. Collecting the most widely cited and influential essays published on Hurston's classic novel over the last quarter century, this Casebook presents contesting viewpoints by Hazel Carby, Henry Louis Gates, Jr., Barbara Johnson, Carla Kaplan, Daphne Lamothe, Mary Helen Washington, and Sherley Anne Williams. The volume also includes a statement Hurston submitted to a reference book on twentieth-century authors in 1942. As it records the major debates the novel has sparked on issues oflanguage and identity, feminism and racial politics, A Casebook charts new directions for future critics and affirms the classic status of the novel.

    The haenyeo dive off the coast of Jeju Island to pluck treasures from the sea--generations of Korean women have done so for centuries. To Dayeon, the haenyeo are as strong and graceful as mermaids. To give her strength, Dayeon eats Grandma's abalone porridge. She practices holding her breath while they do the dishes. And when Grandma suits up for her next dive, Dayeon grabs her suit, flippers, and goggles. A scary memory of the sea keeps Dayeon clinging to the shore, but with Grandma's guidance, Dayeon comes to appreciate the ocean's many gifts.Tina Cho's The Ocean Calls, with luminous illustrations by muralist Jess X. Snow, is a classic in the making.

    Bugs, of all kinds, were considered to be “born of mud” and to be “beasts of the devil.”  Why would anyone, let alone a girl, want to study and observe them? One of the first naturalists to observe live insects directly, Maria Sibylla Merian was also one of the first to document the metamorphosis of the butterfly. In this nonfiction biography, illustrated throughout with full-color original paintings by Merian herself, author Joyce Sidman paints her own picture of one of the first female entomologists and a woman who flouted convention in the pursuit of knowledge and her passion for insects.

    His ideas were inspired by his contempt for the bourgeois values and traditional attitudes towards art that existed at the time. This volume contains the famous manifestos that first appeared between 1916 and 1921 that would become the basic texts upon which Dada was based. For Tzara, art was both deadly serious and a game. The playfulness of Dada is evident in the manifestos, both in Tzara's polemic—which often uses dadaist typography—as well as in the delightful doodles and drawings contributed by Francis Picabia. Also included are Tzara's Lampisteries, a series of articles that throw light on the various art forms contemporary to his own work. Post-war art had grown weary of the old certainties and the carnage they caused. Tzara was on the cutting edge at a time when art was becoming more subjective and abstract, and beginning to reject the reality of the mind for that of the senses.

    They go back to the late Paleolithic; the fertility of the soil, the magic of animals, the power-vision in solitude, the terrifying intuition and rebirth; the love and ecstasy of the dance, the common work of the tribe." He develops, as replacement for shattered social structures. a concept of tribal tradition which could lead to "growth and enlightenment in self-disciplined freedom. Whatever it is or ever was in any other culture can be reconstructed from the unconscious through meditation...the coming revolution will close the circle and link us in many ways with the most creative aspects of our archaic past.

    Gaar’s critically acclaimed, breakthrough book, the first full history of women in rock and pop ever written, became an instant classic upon its publication in 1992. Arranged chronologically and told with impassioned detail, She’s A Rebel charts a half century of women performers from the early R and B singers of the 1950s, to the girl groups, Motown acts, folksingers, and rock chicks of the 1960s, to the punk rebels and pop divas of the 1970s, to the brash all-girl bands, rappers, and riot grrls of the 1980s and 1990s. This expanded ten-year anniversary edition features over 75 photos and includes three all-new chapters on all the major artists of the last decade as well as an insider’s look at the music industry and the emerging power of women rock stars. With new preface by Yoko Ono and dozens of new profiles and interviews with performers—such as Courtney Love, L7, Bikini Kill, the Breeders, Sarah McLachlan, Ani di Franco, Sheryl Crow, Sleater Kinney, Alanis Morrisette, Lucinda Williams, Mariah Carey, Destiny’s Child, Lauryn Hill, Christina Aguilera, Nelly Furtado, Bjork, and many others— this book captures the amazing explosion of women’s voices and talent in the music world. “[She’s A Rebel] is as thoroughly entertaining as it is researched ... It’s exhaustive and exhilarating.”—Billboard