Two weeks later I was gone, witnessing my new world wizz by, especially at dusk, then darkness as I watched the sum of all the city lights cast my silhouette across the pine trees of the Florida panhandle. This was it, I was riding my very first freight train. And soon, what would begin as mere natural curiosity and self-discovery would evolve into a casting call of sorts, taking photographs of my newfound friends. — Mike Brodie11 x 13 Inches60 Four-color Plates104 Pages

    The effect of the pill once digested, however, depends upon the viewer. This large, lavishly produced hardcover serves as the catalog for Camille Rose Garcia's first solo museum show outside of Los Angeles. Tragic Kingdom surveys her work with an emphasis on her most recent creations, showcasing paintings, drawings, sketchbooks, prints, and more.

    After making his name with his Cleopatra, he went on to establish himself as “the chosen painter of the Parisiennes, the most adroit and ingenious artist to reveal their grace, their figures, and their souls.” And though his hair may be white, he remains a handsome, vigorous, and engaging bachelor, a prized guest at every table and salon.Anne, the comtesse de Guilleroy, is a youthful forty, the wife of a busy politician. The painter and the comtesse have been lovers for many years. Anne’s daughter, Annette—the spitting image of her mother in her lovely youth—has finished her schooling and is returning to Paris. Her parents are putting together an excellent match. Everything is as it should be—until the painter and comtesse are each seized by an agonizing suspicion, like death . . .In its devastating depiction of the treacherous nature of love, Like Death is more than the equal of Swann’s Way. Richard Howard’s new translation brings out all the penetration and poetry of this masterpiece of nineteenth-century fiction.

    She is most famous for the long-term photographic record of the lives of her and her friends, The Ballad of Sexual Dependency. She calls this "the diary I let people read." Her work comments frankly on all aspects of the lives of her immediate circle, the main themes being relationships, sexuality, eroticism, and the problems of alcohol and drug addiction. More recently, her images have shown the devastating effect AIDS has had on this community of friends. Her work is by turns disturbing, poignant, and celebratory.

    From working with and managing multiple layers to using layers to enhance and retouch photos, this Photoshop guru covers it all.

    . . 300 pages of cuteness.” —The Los Angeles TimesThe Dogist Puppies, the follow-up to the New York Times bestseller The Dogist, is a beautiful, funny, and endearing look at puppies.   He fires up the Nikon. Fills his pockets with treats. Dresses in special gear—pants with built-in kneepads and shoes that are not only made for walking but also have a thick rubber toe for squatting. And last but not least, he packs a squeaky tennis ball. And then The Dogist is off, combing the streets in his quest to find dogs to photograph. Or, as has been the case for the past four years, puppies. Bringing his singular eye and sensibility to photographing puppies from birth to age one, Elias Weiss Friedman, aka The Dogist, captures hundreds of fuzzy faces to love and little furry bodies to covet. The Dogist Puppies is a celebration of oversize puppy paws and floppy puppy ears, puppies getting belly rubs and puppies unsure, exactly, of what that tail thing is for. Puppies at play, and puppies worn out from playing. Litters of puppies with their mom, and puppies with their human equivalents—children. Puppies in fancy outfits, and those poignant puppies having to wear the “cone of shame.” Friedman has also taken a deep dive into breeds: Border Collies and Westies, Frenchies and Huskies, Boxers and the Nova Scotia Duck Tolling Retriever, whose tender gaze looks just a little worried—perhaps concerned about living up to that name. The Dogist’s new focus is on puppies. What more do you need to know?

    Commenting on artists such as Avedon, Clifford, Mapplethorpe, and Nadar, Roland Barthes presents photography as being outside the codes of language or culture, acting on the body as much as on the mind, and rendering death and loss more acutely than any other medium. This groundbreaking approach established Camera Lucida as one of the most important books of theory on this subject, along with Susan Sontag's On Photography.

    This definitive tome of Warcraft history reveals untold stories about the birth of the cosmos, the rise of ancient empires, and the forces that shaped the world of Azeroth and its people.This beautiful hardcover features twenty-five full-page paintings by World of Warcraft artist Peter Lee, as well as a cosmology chart, half a dozen maps charting changes through time, and other line art illustrations by Joseph Lacroix, and marks the first in a multipart series exploring the Warcraft universe; from the distant past to the modern era.From the Hardcover edition.

    Filled with resources and organized in a simple problem-and-solution format, this is an ideal resource for both experienced foods styling pros and first-timers alike.This is the only book of its kind on the market, shedding light on the art and craft of food styling More than 300 full-color photos reveal the process of styling and the spectacular results, teaching and inspiring anyone interested in food and how it is presented in media The book features a timeline of 60 years of food styling, a glossary of important terms, and a listing of vital styling resources The only book the aspiring or professional food stylist will ever need, this exceptionally thorough resource covers challenges from flawless fried chicken to fluffy, cloudlike cake frostings-and everything in between Whether you're looking to break into the food styling business or just touch up on the latest and most effective techniques, Food Styling is the ultimate guide to creating stunning culinary visuals.

    There is no question that Robert Frank's The Americans is the most famous and influential photography book ever published. It was 1959 when the book first came out: a series of deceptively simple photographs that Frank took on a trip through America in '55 and '56, pictures of normal people, everyday scenes: lunch counters, bus depots, cars, and the stangely familiar faces of people we don't quite know but have seen somewhere. They are pictures that saw the "American way of life" as we hadn't yet quite been able to see it ourselves, photographs that condensed the entire life of a nation in classic images that still speak to us today, forty years and several generations later.

    PHOTOGRAPHING THE WORLD AROUND YOU, is about learning to see and about using your camera to record and interpret what you see where ever you are.

    While he is undoubtedly one of the best-loved and best-known visionaries of American art, photographers also recognize him as a pioneer of technique, a theoretician, and as one of the great teachers of the craft of photography. His zone system has been widely adapted, but Adams unique imagery also relied on his determination and application at every stage of the photographic process; he spent years in his darkroom, as well as out in the open air. For decades, this kind of attention to detail required the kind of equipment, time, and facilities that were out of the reach of most photographers--but now, in the digital age, technology has finally made his techniques accessible. This book will show you what can be learned from Adams working process, and how these lessons can be applied today. The craft of Adams photography is discussed, and the ZONE SYSTEM is related to the digital age. Sections on light, composition, mood, and the darkroom all show what can be achieved today using and understanding his thinking. Michael Frye's own photography provides many stunning examples of the results that can be achieved and, as one of Adams' natural successors in the field, he is well placed to analyze the inspirational shots which open each chapter.

    Following on the heels of the highly successful retrospective Coffin, Dark Horse Books is pleased to present a new collection of paintings, line-art illustrations, and photography by internationally renowned artist and Vampire Hunter D character designer Yoshitaka Amano. This collection also includes a short story, "A Village in Fog" by Vampire Hunter D creator Hideyuki Kikuchi, unavailable elsewhere.

    With a voice equally realistic and encouraging, photographer David duChemin discusses the experiences he's had, the lessons he's learned, and the practices he's adopted in his own winding journey to becoming a successful working photographer.When it comes to this personal, honest combination of craft and commerce, there is no single path to success. Everyone's goals are different, as is everyone's definition of success. As such, VisionMongers does not prescribe a one size-fits-all program. Instead, duChemin candidly shares ideas, wisdom, and inspiration to introduce you to, and help you navigate, the many aspects of transforming your passion into your vocation. He addresses everything from the anxiety-riddled question "Am I good enough?" to the basics--and beyond--of marketing, business, and finance, as well as the core assumption that your product is great and your craft is always improving.Along the way, duChemin features the stories of nine other photographers--including Chase Jarvis, Gavin Gough, and Zack Arias--whose paths, while unique, have all shared a commitment and passion for bringing their own vision to market. With VisionMongers, you'll learn what paths have been taken--what has worked for these photographers--and you'll be equipped to begin the process of forging your own.

    As the Soviet people looked back on decades of war and famine, conquest and achievement, and forward to sweeping changes during a time of new leadership and openness, the photographers were granted unprecedented access to homes, factories, schools and even prisons. They traveled to all 15 Soviet republics and across 11 time zones. They ventured into areas that have been closed to outsiders for centuries, and they came back with candid images of the daily life of the people behind the headlines, capturing a lost Soviet era, the twilight of a country.