Ravenstone House, built in the early 1800s, was once a majestic home. Then it was used as an orphanage for decades. When it closed its doors in 1956, the building lay derelict for more than thirty years.In its neighbourhood, the house is well known for being haunted. But only when it is converted into luxury flats do the dark secrets from its past come to light. The unexpected events that follow will upend the lives of the residents as the tortured souls trapped beneath Ravenstone reveal themselves to demand justice.Get us to where we belong.It's not our fault.We did nothing wrong.

     When the body of the girl he loved in high school is found twenty years after her disappearance, Detective Ryan Devereux has a personal stake in finding the people responsible. With his personal life in shambles following the engagement of his ex-wife, Ryan throws himself headlong into the investigation. Things take a turn though when newly discovered evidence leads Ryan to believe that his ex’s new fiancé might have had a hand in the young girl’s murder. As secrets about the past are uncovered, Ryan realizes things were never as he saw them. This Lowcountry detective finds himself thrust down a rabbit hole of danger and deceit the likes of which he might never emerge from. And, when the truth comes out, he might find that the killer is closer to him than he ever imagined. Dead South is book one in the new Lowcountry Mystery Series from bestselling author David Banner. Do you enjoy reading books from Dawn Lee McKenna, Mark Stone, and Steven Becker? If so, come take a walk along the South Carolina Lowcountry. With its thick humidity, Spanish moss, and one-of-a-kind local flair, it’s sure to be a visit you won’t forget!

    

    His dialogue--abrasive, rhythmic--illuminates a modern aesthetic evocative of Samuel Beckett. His plots--surprising, comic, topical--have evoked comparisons to masters from Alfred Hitchcock to Arthur Miller. Here are two screenplays demonstrating the astounding range of Mamet's talents.         The Spanish Prisoner, a neo-noir thriller about a research-and-development cog hoodwinked out of his own brilliant discovery, demonstrates Mamet's incomparable use of character in a dizzying tale of twists and mistaken identity. The Winslow Boy, Mamet's revisitation of Terence Rattigan's  classic 1946 play, tells of a thirteen-year-old boy accused of stealing a five-shilling postal order and the tug of war for truth that ensues between his middle-class family and the Royal Navy. Crackling with wit, intelligent and surprising, The Spanish Prisoner and The Winslow Boy celebrate Mamet's unique genius and our eternal fascination with the extraordinary predicaments of the common man.

    

    She doesn’t go to school and never leaves the flat by day. Sensing in each other a kindred spirit, the two become devoted friends. What Oskar doesn’t know is that Eli has been a teenager for a very long time…Jack Thorne's adaptation of Let The Right One In premiered in June 2013 at the Dundee Rep Theatre in a production by the National Theatre of Scotland, before transferring to London's Royal Court Theatre in November 2013.

    A mystery, really. A man has been murdered. The mystery is, who he is, who murdered him and what were the circumstances? And to solve it, Wilson looks at the outsides and insides of his tiny, Middle Western town. He looks at a middle-aging woman who falls in love with the young man who comes to work in her cafe. He looks at a coarse, nasty woman mistreating her senile mother, who is obsessed with visions of Eldritch being evil and headed for blood-spilling. He looks at a tender relationship between a young man and a dreamy, crippled girl. But Wilson sees far more than this. He is grasping the very fabric of Bible Belt America, with its catchword morality ("virgin," "God-fearing") and its capability for the vicious. He senses the rhythm of its life and the cruelty it can impose. He understands the speech patterns of its loveless gossips, its sex-hungry boys, its compassionless preachers, its car-conscious blondes." In the end his portrait of Eldritch is full length, and the truth of its revelations will be pondered long after the stage lights have dimmed and the play has ended.

    Scenery: A bare stageThe six teenage characters communicate only via the internet. Conversations range in subject from Britney Spears to Willy Wonka to - suicide: Jim is depressed and talks of ending his life and Eva and William decide to do their utmost to persuade him to carry out his threat. From this chilling premise is forged a funny, compelling and uplifting play that tackles the issues of teenage life head-on and with great understanding.

    Many have large casts and an equal mix of boy and girl parts. Set in the Malayan jungle in 1942, this play explores what happens when soldiers have to confront the reality of war.

    This 1960's French farce adapted for the English-speaking stage features self-styled Parisian lothario Bernard, who has Italian, German, and American fiancees, each beautiful airline hostesses with frequent "layovers." He keeps "one up, one down and one pending" until unexpected schedule changes bring all three to Paris and Bernard's apartment at the same time.

    Recreation Department twenty-fourth annual one-act play tournament, The Arts Club Players present "The Dear Departed," by Stanley Houghton, directed by Herman P. Riess.

    Three plays from Pulitzer-Prize winning playwright August Wilson: Ma Rainey's Black Bottom, Fences, and Joe Turner's Come and Gone.

    In 1962, Williams retitled and expanded The Parade into a full-length play. Both versions of the play are set on the fishing wharves and in the sand dunes of Provincetown, Massachusetts, and tell the story of a young playwright named August dealing with his unrequited love for another man. It was produced posthumously in Provincetown in 2006.

    It was only when Max Ophuls made his famous film in 1950 that the work became better known as La Ronde. Now David Hare has reset these circular scenes of love and betrayal in the present day, with a cast of two actors playing a succession of characters whose sexual lives enmesh like a daisy chain. The Blue Room is a meditation on men and women, sex and social class, actors and the theater. With deft insight about the gap between the sexes, The Blue Room takes the treacherous Freudian subject of projection and desire and reinvents it in a bittersweet landscape that is both eternal and completely up-to-date.

    Now middle-aged women, they were teenagers when Dean filmed Giant two decades ago in nearby Marfa. One of them, an extra in the film, has a child whom she says was conceived with Dean during the shoot. The ladies' congenial reminiscences mingle with flash backs to their youth; then the arrival of a stunning but familiar stranger se