Nietzsche outlined a distinction between its two central forces: the Apolline, representing beauty and order, and the Dionysiac, a primal or ecstatic reaction to the sublime. He believed the combination of these states produced the highest forms of music and tragic drama, which not only reveal the truth about suffering in life, but also provide a consolation for it. Impassioned and exhilarating in its conviction, The Birth of Tragedy has become a key text in European culture and in literary criticism.

    Hesiod's straightforward account of family conflict among the gods is the best and earliest evidence of what the ancient Greeks believed about the beginning of the world. Includes Hesiod's "Works and Days", lines 1-201, and material from the Library of Apollodorus.

    Ancient Greece Ancient Greece was the birthplace of advances in government, art, philosophy, science, and architecture

    For these readers, Malcolm M. Willcock provides a line-by-line commentary that explains the many factual details, mythological allusions, and Homeric conventions that a student or general reader could not be expected to bring to an initial encounter with the Iliad.  The notes, which always relate to particular lines in the text, have as their prime aim the simple, factual explanation of things the inexperienced reader would be unlikely to have at his or her command (What is a hecatomb? Who is Atreus' son?). Second, they enhance an appreciation of the Iliad by illuminating epic style, Homer's methods of composition, the structure of the work, and the characterization of the major heroes. The "Homeric Question," concerning the origin and authorship of the Iliad, is also discussed. Professor Willcock's commentary is based on Richmond Lattimore's translation—regarded by many as the outstanding translation of the present generation—but it may be used profitably with other versions as well. This clearly written commentary, which includes an excellent select bibliography, will make one of the touchstones of Western literature accessible to a wider audience.—from the back cover

    The acclaimed biography of Alexander the Great.

    But what do those myths represent, and why are they so enduringly fascinating? Why do they seem to be such a potent way of talking about our selves, our origins, and our desires? This imaginative and stimulating Very Short Introduction goes beyond a simple retelling of the stories to explore the rich history and diverse interpretations of classical mythology. It is a wide-ranging account, examining how classical myths are used and understood in both high art and popular culture, taking the reader from the temples of Crete to skyscrapers in New York, and finding classical myths in a variety of unexpected places: from Arabic poetry and Hollywood films, to psychoanalysis, the Bible, and New Age spiritualism.#167

    Half-man, half-god, musician, magician, theologian, poet and lover, his story never leaves us. He may be myth, but his lyre still sounds, entrancing everything that hears it: animals, trees, water, stones, and men.In this extraordinary work Ann Wroe goes in search of Orpheus, from the forests where he walked and the mountains where he worshipped to the artefacts, texts and philosophies built up round him. She traces the man, and the power he represents, through the myriad versions of a fantastical life: his birth in Thrace, his studies in Egypt, his voyage with the Argonauts to fetch the Golden Fleece, his love for Eurydice and journey to Hades, and his terrible death. We see him tantalising Cicero and Plato, and breathing new music into Gluck and Monteverdi; occupying the mind of Jung and the surreal dreams of Cocteau; scandalising the Fathers of the early Church, and filling Rilke with poems like a whirlwind. He emerges as not simply another mythical figure but the force of creation itself, singing the song of light out of darkness and life out of death.

    Over the years these authoritative, critically acclaimed editions have been the preferred choice of more than three million readers for personal libraries and individual study as well as for classroom use.

    The war embroiled the entire Greek world, provoking years of butchery previously unparalleled in ancient Greece. Whole cities were exterminated, their men killed, their women and children enslaved. While the war is commonly believed to have ended with the capture of the Athenian navy in 405 and the subsequent starvation of Athens, fighting in Greece would continue for several decades. Sparta's authority was challenged in the so-called Corinthian War (395-387) when Persian gold helped unite Athens with Sparta's former allies. The war did not truly end until, in 371, Thebes' crack infantry resoundingly defeated Sparta at Leuctra, forever shattering the myth of Spartan military supremacy.Jennifer Roberts' rich narrative of this famous conflict is the first general history to tell the whole story, from the war's origins down to Sparta's defeat at Leuctra. In her masterful account, this long and bloody war affected every area of life in Athens, exacerbated divisions between rich and poor in Sparta, and sparked civil strife throughout the Greek world. Yet despite the biting sorrows the fighting occasioned, it remains a gripping saga of plots and counter-plots, murders and lies, thrilling sea chases and desperate overland marches, missed opportunities and last-minute reprieves, and, as the war's first historian Thucydides had hoped, lessons for a less bellicose future. In addition, Roberts considers the impact of the war on Greece's cultural life, including the great masterworks of tragedy and comedy performed at this time and, most infamously, the trial and execution of Socrates. A fast-paced narrative of one of antiquity's most famous clashes, The Plague of War is a must-read for history enthusiasts of all ages.

    

    Course Lecture Titles - (24 lectures, 30 minutes/lecture) 1. Theseus 2. Achilles and Agamemnon 3. Hector 4. Odysseus 5. Lycurgus 6. Solon 7. Croesus 8. Xerxes 9. Leonidas 10. Themistocles 11. Pausanias 12. Pericles 13. Anaxagoras, Phidias, and Aspasia 14. Sophocles 15. Thucydides 16. Alcibiades 17. Nicias 18. Alcibiades and the Peloponnesian War 19. Lysander and Socrates 20. The Trial of Socrates 21. Xenophon, Plato and Philip 22. Alexander the Great 23. Pyrrhus 24. Cleopatra

    Averil Cameron, an authority on later Roman and early Byzantine history and culture, captures the vigor and variety of the fourth century, doing full justice to the enormous explosion of recent scholarship.After a hundred years of political turmoil, civil war, and invasion, the Roman Empire that Diocletian inherited in AD 284 desperately needed the radical restructuring he gave its government and defenses. His successor, Constantine, continued the revolution by adopting--for himself and the Empire--a vibrant new religion: Christianity. The fourth century is an era of wide cultural diversity, represented by figures as different as Julian the Apostate and St. Augustine. Cameron provides a vivid narrative of its events and explores central questions about the economy, social structure, urban life, and cultural multiplicity of the extended empire. Examining the transformation of the Roman world into a Christian culture, she takes note of the competition between Christianity and Neoplatonism. And she paints a lively picture of the new imperial city of Constantinople. By combining literary, artistic, and archaeological evidence. Cameron has produced an exciting record of social change. The Later Roman Empire is a compelling guide for anyone interested in the cultural development of late antiquity.

    Thucydides and the Peloponnesian War 2. The Greek Way of War 3. SpartaPerceptions and Prejudices 4. Sparta and Her Allies 5. The Athenian Democracy 6. Athens and the Navy 7. Victory over Persia, 490479 B.C. 8. Athens or SpartaA Question of Leadership 9. Cimonian Imperialism 10. Sparta after the Persian Wars 11. The First Peloponnesian War 12. The Thirty Years' Peace 13. Triumph of the Radical Democracy 14. From Delian League to Athenian Empire 15. Economy and Society of Imperial Athens 16. Athens, School of Greece 17. Crisis in Corcyra, 435432 B.C. 18. Outbreak of the Peloponnesian War 19. Strategies and Stalemate, 431429 B.C. 20. Athenian Victory in Northwest Greece 21. Imperial CrisisThe Chalcidice and Mytilene 22. Plague, Fiscal Crisis, and War 23. Demagogues and Stasis 24. Pylos, 425 B.C.A Test of Leadership 25. New Leaders and New Strategies 26. The Peace of Nicias 27. Collapse of the Peace of Nicias 28. From Mantinea to Sicily, 418415 B.C. 29. Sparta, Athens, and the Western Greeks 30. The Athenian Expedition to Sicily 31. Alcibiades and Sparta, 414412 B.C. 32. Conspiracy and Revolution, 411 B.C. 33. Alcibiades and Athens, 411406 B.C. 34. The Defeat of Athens, 406404 B.C. 35. Sparta's Bitter Victory 36. Lessons of the Peloponnesian War

    Otto recreates the theological world of ancient Greek religion. Otto's provocative starting point is to accept the immanent reality of the gods. To understand the cult of Dionysus, it is necessary to reimagine the original vision of the god. Otto challenges us to understand the power of this vision not as a bloodless abstraction but as a force animating belief, to see the myth and art of Dionysus as a passionate search to regain the power of the lost god.

    As an atheist materialist philosopher he was an offense to religious thinkers. Many of his influential admirers, like Thomas Hobbes and Thomas Jefferson, had to keep their Epicurean leanings a secret. On the other hand, the philosopher-physicist Isaac Newton was candid enough to assert openly that he was reviving the tenets of the Epicurean philosophy when he embarked on his world-transforming project. Epicurus' significance transcends even his astounding historical influence because the subjects he reflected on - the purpose of life, the nature of reality, natural phenomena, and death - are of enduring significance.