but it's all true. The Scarlet and the Black tells the astonishing and heroic true story of Monsignor Hugh O'Flaherty, the man dubbed "The Scarlet Pimpernel of the Vatican" during World War II.Born in Killarney, Ireland, Hugh O’Flaherty was an avid athlete? becoming a formidable boxer, handball player, hurler, and golfer. From an early age, however, he knew his calling was to the priesthood. After his ordination, he served first as an Apostolic Delegate in Egypt, Haiti, Santo Domingo, and Czechoslovakia, then in Rome at the Holy Office (now the Congregation for the Doctrine of the Faith). It was here in Rome that his greatest work began. After the surrender of Italy in 1943, Rome came under the command of Nazi Colonel Herbert Kappler of the dreaded SS, who began the deportation of Italian Jews to Auschwitz. Kappler was a notorious hater of the Jews, persecuting them at every turn. As a top man in the Vatican Holy Office, Msgr. O’Flaherty sprang into action, organizing a sophisticated team that included men and women of many nationalities, religions, and political views. There was one goal? to save Jews and POWs from the Nazi machine. Despite Kappler’s numerous attempts to assassinate him, O’Flaherty persisted, and his efforts saved thousands of Jews and POWs.Using private homes and apartments, churches and monasteries, the effort was all orchestrated by Msgr. O’Flaherty. Each day his familiar figure would stand on the steps of St. Peter’s - neutral ground that even the Nazis wouldn’t violate - to welcome any fugitives who might be sent his way. All told, of 9,700 Roman Jews, most were saved, with 1,007 shipped to Auschwitz. The rest were hidden, 5,000 of them by the official Church - 3,000 at the Pope’s Castel Gandolfo, 200 or 400 (estimates vary) as "members" of the Palatine Guard, and some 1,500 in monasteries, convents and colleges. The remaining 3,700 were hidden in private homes, including Msgr. O'Flaherty's network of apartments. After the war, O’Flaherty was honored by various Allied countries with awards and decorations for his heroic acts to save Jews and POWs. -- IllustratedPara cientos de personas huidas -prisioneros aliados, refugiados, judíos y no judíos a quienes los nazis buscaban por diversos motivos- uno de los más grandes héroes de la Segunda Guerra Mundial es el espigado y jovial sacerdote irlandés Monseñor Hugh Joseph Q’Flaherty. Durante toda la guerra trabajó en el Vaticano; aprovechó esta circunstancia para organizar por su cuenta, extraoficialmente, un sistema de eficacia increíble, con el fin de dar albergue a innumerables refugiados. El relato de sus aventuras es una historia excitante, que arroja una luz reveladora sobre uno de los aspectos menos conocidos de la Guerra. Después de la liberación, Mons. Q’Flaherty fue condecorado por Italia, Canadá y Australia, recibió la Medalla norteamericana de la Libertad y nombrado Comendador del Imperio Británico. Herbert Kappler fue sentenciado a cadena perpetua por crímenes de guerra. En los largos años que estuvo en la prisión italiana, Kappler tuvo un solo visitante: todos los meses, año tras año, Q’Flaherty iba a visitarle. En 1959, el antiguo jefe de la Gestapo de Roma recibió el bautismo de manos del sacerdote irlandés.

    This edition features an introduction by Anthony Burgess.

    Shortly before her disappearance, Elisa had met Danilo Restivo, a strange local boy with a fetish for cutting women's hair on the back of buses. Elisa's family are convinced that Resitvo is responsible for their daughter's disappearance, but he is protected by local big-wigs: by his Sicilian father, by a doctor with links to organised crime, by a priest who had vices of his own. Years went by and Elisa's family could find only false leads. 2002, and Restivo is now living in Bournemouth. In November that year, his neighbour is found murdered, with strands of her own hair in her hands. Once again the police are at a loss to pin anything on him. It's not until 2010, when Elisa's decomposed body is found in the church where she went missing, that the two cases are linked and Restivo is finally dealt with. Blood on the Altar combines a gripping true crime case with an analysis of Italian culture and the impunity it offers to the powerful.

    Rainer Maria Rilke was staying at Duino Castle, on a rocky headland of the Adriatic Sea near Trieste. One morning he walked out onto the battlements and climbed down to where the cliffs dropped sharply to the sea. From out of the fierce wind, Rilke seemed to hear a voice: Wer, wenn ich schriee, horte mich denn aus der Engel Ordnungen? (If I cried out, who would hear me up there, among the angelic orders?). He wrote these words, the opening of the first Duino Elegy, in his notebook, then went inside to continue what was to be his major opus—completely only after another ten, tormented years of effort—and one of the literary masterpieces of the century. Duino Elegies speaks in a voice that is both intimate and majestic on the mysteries of human life and our attempt, in the words of the translator David Young, “to use our self-consciousness to some advantage: to transcend, through art and the imagination, our self-deception and our fear.”

    But I wrote a lot of good poems.”So maintains Anita Liberty, the caustically funny New York City performance artist who was going along happily healing her hurt by hating and humiliating her detestable ex-boyfriend on stage and in print until the unthinkable happened: she had a good date. And one good date deserves another. And another. And another. And, all of the sudden, Anita Liberty finds herself in a predicament. Getting dumped launched Anita’s career–Will falling in love finish it? Who’s more important: her devoted audience or her newly devoted boyfriend? And on top of everything, Hollywood won’t stop calling and Anita can’t figure out if It wants a serious commitment or just a little bit of no-strings-attached fun. From digging mercilessly into the minutiae of her new relationship to dramatically torching every professional bridge she crosses in L.A., Anita refuses to let a big load of bliss get dumped right in the middle of her career path.“He said that my work was amazing and hilarious and smart and that he can’t wait to see me perform.So I had sex with him.”“My boyfriend asked me to change my look.To something other than contemptuous.”{BARGAIN} Whatever Hollywood ends up paying me for the rights to the story of my life.“It’s easier to go back to fantasizing about perfection . . .than to accept that perfection is just a fantasy.”“Boyfriend thinks I’d rather be right than happy.Boyfriend’s right.But I’m not telling him that.”Through blog entries, film scenes, poems, and to-do lists, Anita Liberty documents the perils and pitfalls of dating, sex, relationships, artistic success, and the kind of true love that sucks the creative life out of you to the point where you just end up staring at a blank computer screen and thinking gooey thoughts about your new boyfriend even though you should be writing.

    Is it great art? Yes!" -- N.M.E.“The men of Unearthing are only marginally of this plane of existence, and what they’ve created is positively out of this world.” -- The AV Club“A tribute to a colleague and mentor and a demonstration that Moore has transcended the boundaries of the graphic novel.” – The New York TimesOne of the world’s foremost authors of the fantastic, Alan Moore, joins internationally esteemed photographer Mitch Jenkins for an unprecedented visual and literary experience. An intensely poetic and innovative work of biography, Unearthing maps the lifetime of author, orientalist and occultist Steve Moore, while simultaneously investigating the extraordinary history of South London with which that life has been intertwined. Integrating text with haunting and exquisite imagery, Unearthing excavates a territory at the margins of a city, of reality, and of human imagination.Starting life in Iain Sinclair’s seminal anthology LONDON: City of Disappearances, this dazzling and hypnotic piece has evolved through a series of live performances and acclaimed recordings, culminating in this breathtaking full-color volume. Three formats are available, a deluxe softcover edition, a special oversized hardcover edition limited to 1,200 copies worldwide, and a special signed and numbered oversized hardcover edition limited to 300 copies worldwide.-- Co-Published by Top Shelf Productions and Knockabout.-- 184 Pages, 11.75” x 16.5” aka A3 size (wow!)

    During his life he created numerous works of art and kept voluminous notebooks that detailed his artistic and intellectual pursuits.The collection of writings and art in this magnificent book are drawn from his notebooks. The book organizes his wide range of interests into subjects such as human figures, light and shade, perspective and visual perception, anatomy, botany and landscape, geography, the physical sciences and astronomy, architecture, sculpture, and inventions. Nearly every piece of writing throughout the book is keyed to the piece of artwork it describes.The writing and art is selected by art historian H. Anna Suh, who provides fascinating commentary and insight into the material, making Leonardo's Notebooks an exquisite single-volume compendium celebrating his enduring genius.

    These works speak across centuries, beginning with Chaucer's resourceful inventions and moving through Shakespeare's masterpieces, John Donne's complex originality, and Alexander Pope's mordant satires. The anthology also features perennial favorites such as William Blake, William Wordsworth, and John Keats; Emily Dickinson's prisms of profundity; the ironies of Wallace Stevens and T.S. Eliot; and the passion of Sylvia Plath and Allen Ginsberg. These 500 poems are verses that readers either know already or will want to know, encapsulating the visceral power of truly great literature. William Harmon provides illuminating commentary to each work and a rich introduction that ties the entire collection together.

    Mythic themes as well as many other topics are masterfully explored in this rich selection of 134 lyrics chiefly selected from six volumes of verse published between 1889 and 1914. Among the poems included are "The Stolen Child" and "Down by the Salley Gardens" (Crossways, 1889); "To the Rose upon the Rood of Time," "The Lake Isle of Innisfree," "When You Are Old," and "To Ireland in the Coming Times" (The Rose, 1893); "The Song of Wandering Aengus" and "A Poet to His Beloved" (The Wind Among the Reeds, 1899); "The Song of Red Hanrahan" (In the Seven Woods, 1903); "No Second Troy" and "The Fascination of What's Difficult" (The Green Helmet and Other Poems, 1910); "To a Friend Whose Work Has Come to Nothing" and "To a Shade" (Responsibilities, 1914); and many more. This representative selection offers readers a splendid sampling of the distinctive Yeatsian voice — romantic, yearning, full of the magic and mysticism Yeats imbibed as a boy in the West of Ireland, later counterbalanced by an anguished realism grounded in the poet's nationalistic and political sympathies.

    This volume presents the text in French and English with photographs by Robert Mapplethorpe.

    Ten lyrical and passionate essays on the culture, art, and history of Western Europe written from the perspective of the post-Stalinist thaw of the 1960s.

    Liebling's abiding passion for the "sweet science" of boxing, A Neutral Corner brings together fifteen previously unpublished pieces written between 1952 and 1963. Antic, clear-eyed, and wildly entertaining, these essays showcase a The New Yorker journalist at the top of his form. Here one relives the high drama of the classic Patterson-Johansson championship bout of 1959, and Liebling's early prescient portrayal of Cassius Clay's style as a boxer and a poet is not to be missed.Liebling always finds the human story that makes these essays appealing to aficionados of boxing and prose alike. Alive with a true fan's reverence for the sport, yet balanced by a true skeptic's disdain for sentiment, A Neutral Corner is an American treasure.

    Back in print for the first time in nearly thirty years, here is Yoko Ono's whimsical, delightful, subversive, startling book of instructions for art and for life."A dream you dream alone may be a dream, but a dream two people dream together is a reality.""Burn this book after you've read it." -- Yoko Ono"This is the greatest book I've ever burned." -- John Lennon

    As Aeneas journeys closer to his goal, he must first prove his worth and attain the maturity necessary for such an illustrious task. He battles raging storms in the Mediterranean, encounters the fearsome Cyclopes, falls in love with Dido, Queen of Carthage, travels into the Underworld and wages war in Italy.

    Fine art, and book illustrations from Arthur Rackham, Charles Robinson, Richard Dadd, Henry Fuseli, Sir John Everett Millais, William Blake, Noel Paton, and William Holman Hunt will grace the pages of this elegant edition. With beautiful four-color art, and a whimsical design, Shakespeare on Love will make a timeless gift.