But so few people actually have the bravery to run -- run away from everything and selflessly seek out personal fulfillment on the other side of the world where they don't understand anything and won't be expected to. The world is full of cowards. Tim Anderson was pushing thirty and working a string of dead-end jobs when he made the spontaneous decision to pack his bags and move to Japan, “where my status as a U.S. passport holder and card-carrying ‘American English’ speaker was an asset rather than a liability.” It was a gutsy move, especially for a tall, white, gay Southerner who didn’t speak a lick of Japanese. But his life desperately needed a shot of adrenaline, and what better way to get one than to leave behind everything he had ever known to move to “a tiny, overcrowded island heaving with clever, sensibly proportioned people that make him look fat?” In Tokyo, Tim became a “gaijin,” an outsider whose stumbling progression through Japanese culture is minutely chronicled in these sixteen howlingly funny stories. Yet despite the steep learning curve and the seemingly constant humiliation, the gaijin from North Carolina gradually begins to find his way. Whether playing drums on the fly in an otherwise all-Japanese noise band or attempting to keep his English classroom clean when it’s invaded by an older female student with a dirty mind, Tim comes to realize that living a meaningful life is about expecting the unexpected…right when he least expects it.

    Sullivan goes on to provide a detailed overview of the complex ways in which queer theory has been employed, covering a diversity of key topics including: race, sadomasochism, straight sex, fetishism, community, popular culture, transgender, and performativity. Each chapter focuses on a distinct issue or topic, provides a critical analysis of the specific ways in which it has been responded to by critics (including Freud, Foucault, Derrida, Judith Butler, Jean-Luc Nancy, Adrienne Rich and Laura Mulvey), introduces key terms, and uses contemporary cinematic texts as examples.

    Traditional marriage is out the window and every manner of sexual perversity is being pushed as good and healthy and normal on TV, in the movies, by the mainstream media, and by the fathers of our city and nation. At the forefront of this battle is homosexuality. It’s easy for Christians to see the enemy out there—to see all the ways that the modern tolerance machine is tearing down the bulwark of God’s moral law. But what if the culture doesn’t lead the church? What if the church leads the culture? What if the real responsibility lies with us? The Grace of Shame exposes the errors the church has made on sexuality over the last several decades, from failing to understand the sin of effeminacy to promoting the “gay Christian” movement. With reverence for the church universal, and a keen prophetic eye for the sins and failures of our modern church, this book exposes all the ways we have allowed this sin to triumph in the culture at large, and offers hope for the future.

    Sam is in trouble after a last minute cancellation of one of the bachelorettes, so Pamela demands to be allowed to help. The only thing is, she doesn't ask the right questions.What ensues is at times funny, poignant, playful, and adventurous as Pamela learns a few things about herself, and about what it might be like to love the right person. Or people.This novel of 84,000 words features warm, sometimes troubled characters, sweet and lovely dates, and perhaps a little bit of hot, graphic sex.

    Set in upstate New York, the novel follows these characters as they achieve their aims in lives redolent with loss and hope, humor and sadness, union and alienation. Russell picks up the thread of his critically acclaimed novel The Salt Point 20 years later and tracks the lives of these friends, some of whom not only lost touch with each other but have also lost their way. Moving, at times shocking, and always memorable, Immaculate Blue points to where the personal and the political come together and shape our lives in unexpected ways. With this newest novel, Paul Russell reminds us of why he is one of the most important voices on the literary scene.

    It has three parts: the Pledge, the Turn, and the Prestige. In Divine Magician, each part comes into play as he explores a radical view of interacting with the world in love.Rollins argues that the Christian event, reenacted in the Eucharist, is indeed a type of magic trick, one that is echoed in the great vanishing acts performed by magicians throughout the ages. In this trick, a divine object is presented to us (the Pledge), disappears (the Turn), and then returns (the Prestige). But just as the returned object in a classic vanishing act is not really the same object--but another that looks the same--so this book argues that the return of God is not simply the return of what was initially presented, but rather a radical way of interacting with the world. In an effort to unearth the power of Christianity, Rollins uses this framework to explain the mystery of faith that has been lost on the church. In the same vein as Rob Bell's bestseller Love Wins, this book pushes the boundaries of theology, presenting a stirring vision at the forefront of re-imagined modern Christianity.As a dynamic speaker as he is in writing, Rollins examines traditional religious notions from a revolutionary and refreshingly original perspective. At the heart of his message is a life lived through profound love. Just perhaps, says Rollins, the radical message found in Christianity might be one that the church can show allegiance to.

    Frederick Bailey is a quiet, cultured, closeted architect reluctantly drawn into the effort to save Pennsylvania Station from being demolished. But when he meets Curt, a vibrant, immature gay activist more than half his age, he is overtaken by passions he hasn't felt in years, putting everything he cares about--his friends, his family, his career and reputation--at risk. As the elegant old train station is dismantled piece by piece to make way for the crass new Madison Square Garden sports arena, Frederick must undergo a reckoning he has dreaded all his life. Award-winning author Patrick E. Horrigan delves into the fractured psyches of mid-twentieth-century gay men, conjuring a picture of New York City and the nation on the brink of explosive cultural change.

    These beautifully produced, pocket-sized books will provide exactly what is missing in ordinary travel guides: insights and imagination that lead the reader into those parts of a city no other guide can reach.A flaneur is a stroller, a loiterer, someone who ambles through a city without apparent purpose but is secretly attuned to the history of the place and in covert search of adventure, esthetic or erotic. Edmund White, who lived in Paris for sixteen years, wanders through the streets and avenues and along the quays, taking us into parts of Paris virtually unknown to visitors and indeed to many Parisians. Entering the Marais evokes the history of Jews in France, just as a visit to the Haynes Grill recalls the presence-festive, troubled-of black Americans in Paris for a century and a half. Gays, Decadents, even Royalists past and present are all subjected to the flaneur's scrutiny. Edmund White's The Flaneur is opinionated, personal, subjective. As he conducts us through the bookshops and boutiques, past the monuments and palaces, filling us in on the gossip and background of each site, he allows us to see through the blank walls and past the proud edifices and to glimpse the inner, human drama. Along the way he recounts everything from the latest debates among French law-makers to the juicy details of Colette's life in the Palais Royal, even summoning up the hothouse atmosphere of Gustave Moreau's atelier.

    Apparently, he was in a car accident—and the body of classmate Sean Brody was found in his car, shot to death. But nothing makes sense to Eric. He and Sean weren’t friends. In fact, they disliked each other--Sean was gay and Eric is...well, he's not sure of much right now! Except he is certain he didn’t shoot Sean, even though he can’t remember anything about the day of the accident.To make matters worse, he starts having psychic flashes about the people around him: his doctor, a nurse, his mother, and other visitors.As Eric’s memories slowly start to come back to him, he becomes more and more certain that not only is he innocent, but that the real murderer is out there….and wants to shut him up permanently.

    Here Ehrman reveals what scholars have unearthed:•The authors of the New Testament have diverging views about who Jesus was & how salvation works•The New Testament contains books that were forged in the names of the apostles by Christian writers who lived decades later•Jesus, Paul, Matthew & John all represented fundamentally different religions•Established Christian doctrines—such as the suffering messiah, the divinity of Jesus & the trinity—were the inventions of still later theologiansThese aren't idiosyncratic perspectives of just one scholar. They've been the standard widespread views of scholars across a full spectrum of denominations & traditions. Why is it most people have never heard such things? This is the book that pastors, educators & anyone interested in the Bible have been waiting for—a compelling account of the central challenges faced when attempting to reconstruct Jesus' life & message.

    She had a tenured position at a large university in a field for which she cared deeply. She owned two homes with her partner, in which they provided hospitality to students and activists that were looking to make a difference in the world. There, her partner rehabilitated abandoned and abused dogs. In the community, Rosaria was involved in volunteer work. At the university, she was a respected advisor of students and her department’s curriculum. And then, in her late 30s, Rosaria encountered something that turned her world upside down—the idea that Christianity, a religion that she had regarded as problematic and sometimes downright damaging, might be right about who God was, an idea that flew in the face of the people and causes that she most loved. What follows is a story of what she describes as a “train wreck” at the hand of the supernatural. These are her secret thoughts about those events, written as only a reflective English professor could."Conversion put me in a complicated and comprehensive chaos. I sometimes wonder, when I hear other Christians pray for the salvation of the “lost,” if they realize that this comprehensive chaos is the desired end of such prayers. Often, people asked me to describe the “lessons” that I learned from this experience. I can’t. It was too traumatic. Sometimes in crisis, we don’t really learn lessons. Sometimes the result is simpler and more profound: sometimes our character is simply transformed." —Rosaria Butterfield

    For one of these adventurers, the trip will hold consequences that may well shape the rest of her life. Allison Stern, an executive with a New York financial firm, finds her world turned upside down, when her manager puts her in charge of a character-building adventure, and things go terribly wrong. Cynthia Brooks, a ranger with the forestry service finds herself thrown in with Allison, as she attempts a rescue. Allison is floundering in a loveless marriage and Cynthia wants nothing to do with any sort of relationship, having left her heart on a mountainside in Colorado, years before. Can a city girl with an affinity for nature, find love with a devout mountain girl with a broken heart? Read Eagle Ridge, and find out if opposites really do attract.(Author's note: 2nd Edition of this book contains various corrections of grammatical and ease of reading problems that had been brought to my attention following the publication of the original manuscript.)

    In revelatory detail, Robert W. Fieseler chronicles the tragic event that claimed the lives of thirty-one men and one woman on June 24, 1973, at a New Orleans bar, the largest mass murder of gays until 2016. Relying on unprecedented access to survivors and archives, Fieseler creates an indelible portrait of a closeted, blue- collar gay world that flourished before an arsonist ignited an inferno that destroyed an entire community. The aftermath was no less traumatic—families ashamed to claim loved ones, the Catholic Church refusing proper burial rights, the city impervious to the survivors’ needs—revealing a world of toxic prejudice that thrived well past Stonewall. Yet the impassioned activism that followed proved essential to the emergence of a fledgling gay movement. Tinderbox restores honor to a forgotten generation of civil-rights martyrs.

    For years, he's been able to meet the increasing demands from his aging immigrant parents, while hiding his crystal meth use every other weekend. One Friday night, as he's passed out from a drug binge, he misses thirty-eight phone calls from his father, detailing first the collapse and eventually the death of his mother. Carson has always been close to his mother; he was the only person she confided in when his father had a one-night affair with her younger sister twenty years ago. For the following two weeks, he throws himself into the preparation of his mother's funeral, juggling between temptations and obligations. Sometimes slipping into relapse, his efforts are thwarted by a stoic father who is impractical and unable to take care of himself, a grandmother suffering dementia, a sister with a failing marriage, and a young niece with unknown trauma that can be triggered by the sound of running water. He tries to find support from his ex, Jeremy. Now clean and sober, Jeremy rebuffs him. As Carson assumes his mother's caregiving role, her secret resurfaces and now haunts him alone. Will this tragedy plunge him deeper into his abuse or finally rouse him from his addiction stupor?