Issa's most-loved work, The Spring of My Life, is an autobiographical sketch of linked prose and haiku in the tradition of Basho's famous Narrow Road to the Interior. In addition to The Spring of My Life, the translator has included more than 160 of Issa's best haiku and an introduction providing essential information on Issa's life and valuable comments on translating (and reading) haiku.

    This compendium of early Japanese life provides a panorama of Japan during its formation.

    The Haiku Anthology, first published in 1974, is a landmark work in modern haiku, honoring a genre of poetry that celebrates simplicity, emotion, and imagery—in which only a few words convey worlds of mystery and meaning. This third edition, now completely revised and updated, comprises 850 haiku and senryu (a related genre, usually humorous and concerned with human nature) written in English by 89 poets, including the top haiku writers of the American past and present. A new foreword details developments since the publication of the last edition. "Each of these perfect little poems will come as a revelation to the uninitiated reader and will bring joy to the haiku enthusiast. . . . This is an exceptional selection of English-language haiku at its finest."—Library Booknotes

    The seventeen-syllable form is rooted in a Japanese tradition of close observation of nature, of making poetry from subtle suggestion. Infused by its great practitioners with the spirit of Zen Buddhism, the haiku has served as an example of the power of direct observation to the first generation of American modernist poets like Ezra Pound and William Carlos Williams and also as an example of spontaneity and Zen alertness to the new poets of the 1950s. This definitive collection brings together in fresh translations by an American poet the essential poems of the three greatest haiku masters: Matsuo Basho in the seventeenth century; Yosa Buson in the eighteenth century; and Kobayashi Issa in the early nineteenth century. Robert Hass has written a lively and informed introduction, provided brief examples by each poet of their work in the haibun, or poetic prose form, and included informal notes to the poems. This is a useful and inspiring addition to the Essential Poets series.

    It shows a changing city, its slums, backstreets, temples and shrines, a city filled with erudite establishments and brothels. It shows a man trying to justify his life, and a glimpse into the creative process and a gentle eulogy on things passing.

    Collected in this chilling volume are some of the famous Japanese mystery writer Edogawa Rampo's best stories—bizarre and blood-curdling expeditions into the fantastic, the perverse, and the strange, in a marvelous homage to Rampo's literary 'mentor', Edgar Allan Poe.

    The texts were written between the ninth and the seventeenth centuries and convey each author's underlying sense of the world and what is to be valued in it. Four Huts presents original translations by Burton Watson—one of the most respected translators of Chinese and Japanese literature. The qualities that emerge from these writings are an awareness of impermanence, love of nature, fondness for poetry and music, and an appreciation of the quiet life. Four Huts features eleven brush paintings by artist Stephen Addiss.

    A bohemian romantic, his death at the early age of thirty, coupled with the delicacy of his imagery, have led to him being compared to the greatest of French symbolist poets.Since the Second World War Nakahara’s stature has risen, and his poetry is now ranked among the finest Japanese verse of the 20th century. Influenced by both Symbolism and Dada, he created lyrics renowned for their songlike eloquence, their personal imagery and their poignant charm.This selection of poems from throughout Nakahara’s creative life includes collected and uncollected work and draws on recent scholarship to give a full account of this extraordinary figure.

    Yoel Hoffmann explores the attitudes and customs surrounding death in historical and present-day Japan and gives examples of how these have been reflected in the nation's literature in general. The development of writing jisei is then examined—from the poems of longing of the early nobility and the more "masculine" verses of the samurai to the satirical death poems of later centuries. Zen Buddhist ideas about death are also described as a preface to the collection of Chinese death poems by Zen monks that are also included. Finally, the last section contains three hundred twenty haiku, some of which have never been assembled before, in English translation and romanized in Japanese.

    She exploded onto the cultural scene first as a musician, then as a poet and popular blogger, and is now an award-winning novelist.Breasts and Eggs paints a portrait of contemporary womanhood in Japan and recounts the intimate journeys of three women as they confront oppressive mores and their own uncertainties on the road to finding peace and futures they can truly call their own.It tells the story of three women: the thirty-year-old Natsu, her older sister, Makiko, and Makiko’s daughter, Midoriko. Makiko has traveled to Tokyo in search of an affordable breast enhancement procedure. She is accompanied by Midoriko, who has recently grown silent, finding herself unable to voice the vague yet overwhelming pressures associated with growing up. Her silence proves a catalyst for each woman to confront her fears and frustrations.On another hot summer’s day ten years later, Natsu, on a journey back to her native city, struggles with her own indeterminate identity as she confronts anxieties about growing old alone and childless.

    The shocking and blisteringly memorable stories of The Cake Tree in the Ruins are based on his own experiences as a child in Japan during the Second World War.They are stories of a lonely whale searching the oceans for a mate, who sacrifices himself for love; of a mother desperately trying to save her son with her tears; of a huge, magnificent tree which grows amid the ruins of a burnt-out town, its branches made from the sweetest cake imaginable.Profound, heartbreaking and aglow with a piercing beauty, they express the chaos and terror of conflict, yet also how love can illuminate even the darkest moment.

    The poems are representative of a large range of classical, medieval, and modern poetry, but the emphasis, as in his companion Chinese collections (1955 and 1970), is on folk songs and love lyrics.

    Despite her hopes for a quieter, less hectic life, she finds she can't escape her involvement in the city's creative, intellectual and political circles.Oriku finds herself the subject of unanticipated attention, because along with her passion for music, theater and storytelling, she offers her own invaluable talents: a vibrant appreciation of life, an unparalleled gift for hospitality, and the maturity and sensitivity necessary to instruct young people in the all-important arts of love. Her independent thinking and love of Tokyo's traditions offer a unique perspective on the surprising complexity and contradictions of the Japanese culture of the era.Now available in English for the first time, Japan's beloved Mistress Oriku is filled with clear-eyed nostalgia for the vanished—and entirely captivating—world of old Tokyo."They say the pleasures you taste first in middle age are like rain that starts later in the day."

    Deceptively simple, Ryokan's poems transcend artifice, presenting spontaneous expressions of pure Zen spirit. Like his contemporary Thoreau, Ryokan celebrates nature and the natural life, but his poems touch the whole range of human experience: joy and sadness, pleasure and pain, enlightenment and illusion, love and loneliness. This collection of translations reflects the full spectrum of Ryokan's spiritual and poetic vision, including Japanese haiku, longer folk songs, and Chinese-style verse. Fifteen ink paintings by Koshi no Sengai (1895-1958) complement these translations and beautifully depict the spirit of this famous poet.

    This widely used undergraduate text is now available in a new edition. Thoroughly updated, the fourth edition includes expanded sections on numerous topics, among which are samurai values, Zen Buddhism, the tea ceremony, Confucianism in the Tokugawa period, the story of the forty-seven ronin, Mito scholarship in the early nineteenth century, and mass culture and comics in contemporary times.