A New Yorker, trying not to be jaded, accompanies a cash-strapped pot grower to a “clothing optional resort” in California. A nerdy high-schooler has her first sexual experience at Geology Camp. A college student, on the night of her father’s funeral, watches a video of her bat mitzvah, hypnotized by the image of the girl she used to be . . . Frank and irreverent, Rebecca Schiff’s stories offer a singular view of growing up (or not) and finding love (or not) in today’s ever-uncertain landscape. In its bone-dry humor, its pithy observations, and its thrilling ability to unmask the most revealing moments of human interaction—no matter how fleeting—The Bed Moved announces a new talent to be reckoned with.

    He’s a man of the African bush, and coping with ‘girlie feelings’ was always Helene’s department, not his. When an orphaned baby elephant is found, Rodger sees an opportunity that might help him reconnect with his children. But interfering with the orphan goes against his usual conservation methods. It will require a new approach to save both the baby and his family.

    These texts are characterized by a startling and macabre novelty, with elements of the grotesque, fantastic and child-like touching the imagination of the everyday. They express the cultural landscape of Stalinism -- years of show trials, mass atrocities and stifled political life. Their painful, unsettling eloquence testify to the humane and the comic in this absurdist writer's work. The translator Neil Cornwall gives a biographical introduction to his subject, enlarged upon by the poet Hugh Maxton in a contextual assessment of the writing of Flann O'Brien, Le Fanu and Doyle, and of their shared concerns with detective fiction, terror and death. Daniil Kharms 91905-42) died under Stalin. Along with fellow poets and prose-writers of the era -- Khlebnikov, Biely, Mandelstam, Zabolotsky and Pasternak -- he is one of the emerging experimentalists of Russian modernism.

    But that’s before she sees the perfect child. There he sits in his stroller, angelic and beautiful, magnetic and serene– and he makes Jane question everything she has and everything she thought she wanted. Suddenly all she can see are babies and pregnant woman everywhere. Were there always so many of them? And while there was once a man in her life–her one true love, Sam, gone from this world too soon–there is no man now. Jane must make a choice: possibly become a bitter and childless old lady, letting her biological clock tick on ’till menopause, or tend the ache in her heart now, by becoming a single mother. As Jane struggles to make the most important decision of her life, friends and family offer no shortage of opinions. There’s Ray, her “hubstitute” and gay best friend who would be jealous of any kid who got Jane as a mom; Sheila, her sister, who went from zero to sixty when she eloped with Raoul–who had two young twin sons– and has mixed feelings about being a new mommy; her strict, Catholic father who can’ t imagine what level of hell Jane would banish herself to if she becomes a single mother; and the women of Families with Children from China who are preparing to adopt orphan daughters–without a man in sight. Just as she thinks she’s made up her mind, Jane discovers one small wrench in her plans: handsome, charming, funny Peter, who just happens to be (unhappily) married. . . . And Baby Makes Two is a heartbreakingly honest, wonderfully addictive, and funny novel about love and loss, family and friendship. Judy Sheehan, co-creator of the smash hit Tony n’ Tina’s Wedding, has perfectly captured the delights and dilemmas of the scariest job in the world: motherhood.From the Hardcover edition.

    It was Halloween and Samantha`s contractions were unbearable so her husband rushed his pregnant wife to the hospital to deliver their new bundle of joy. Mike told the doctor and nurse to take great care of his wife. The doctor and nurse reassured Mike they would take very good care of her and not to worry. Mike waited patiently in the waiting room as the doctor and nurse delivered their beautiful baby. After a few hours the baby finally arrived and the doctor entered the waiting room and told Mike to come in the room and see his new baby. Mike entered and his wife was all smiles and said "Honey, it`s a boy!" "I think he looks like a Johnny. What do you think?" asked his wife. "Johnny sounds fine to me," replied Mike. Mike was so excited and held his baby boy in his arms as tears rolled down his cheeks and said "Darling, I think he likes me." Mike stayed the night in his wife's room with their new baby, but as they were both sleeping, an unforeseen force came in their room that was about to change their lives forever, when they both woke in the morning. Morning came, and Samantha was discharged from the hospital, and time for their new baby to be raised in their new home. It wasn't until after little Johnny turned 6 years of age that things around the Delany Estate turned deadly. The first sign that Johnny had the mark of the beast was June 6. It was the 6th month, 6th day, and Johnny was 6. All the numbers represented 666.

    nerds, sickly little girls - each coping with the limits of her life by making up an elaborate and flattering lie about herself, a fantastic tale in which she escapes her helpless situation. Whether describing a pilgrimage to Elvis Presley?s bathroom by two young punks, a rape in a farmhouse, or a mother-daughter relationship revolving around Prozac and a lifetime of thearpy, Pagan Kennedy expertly strips away the secrets and pretentions of American life.

    These are worlds undreamt-of by any other mind. Only David Foster Wallace could convey a father's desperate loneliness by way of his son's daydreaming through a teacher's homicidal breakdown ("The Soul Is Not a Smithy"). Or could explore the deepest and most hilarious aspects of creativity by delineating the office politics surrounding a magazine profile of an artist who produces miniature sculptures in an anatomically inconceivable way ("The Suffering Channel"). Or capture the ache of love's breakdown in the painfully polite apologies of a man who believes his wife is hallucinating the sound of his snoring ("Oblivion"). Each of these stories is a complete world, as fully imagined as most entire novels, at once preposterously surreal and painfully immediate. Oblivion is an arresting and hilarious creation from a writer "whose best work challenges and reinvents the art of fiction" (Atlanta Journal-Constitution).Mister squishy --The soul is not a smithy --Incarnations of burned children --Another pioneer --Good old neon --Philosophy and the mirror of nature --Oblivion --The suffering channel

    What’s the man to do? Leave the bathroom and say nothing on the matter? Or, take matters into his own hands?THE MEANTIME STORIES is a funny short read series that draws inspiration from Terry Pratchett, Monty Python, and Douglas Adams, all combined with a twist of Nordic Noir (human folly, abrupt and plentiful deaths, snappy dialogue, quirky deep thoughts, and absurd outcomes). It’s glittering darkness, and clouded light.Each story is a stand-alone, ready to be enjoyed when you yearn for 30 minutes of wacky, brainy, and laugh-out-loud entertainment. Longing for surprises, unexpected twists, and silliness with an edge? Look no further, because in the Meantime, anything can happen!

    

    I hope you enjoy it.

    These eleven stories continue the adventures of Silas Ermineskin and his sidekick Frank Fencepost, as Kinsella returns to the Cree Indian reserve in Hobbema, Alberta, where his cast of zany characters, last seen in The Fencepost Chronicles and The Miss Hobbema Pageant, is at its wry best.Here Frank Fencepost, true to form as a fast-talking con artist, outwits the Alberta Supreme Court in a hilarious cattle-insemination case in "Bull." In the title story he becomes an evangelizing Robin Hood, turning the government-sponsored K-U-G-H radio show into a scheme to use listeners' donations to fund listeners' wishes (and incidentally line his pockets), and in "Miracle on Manitoba Street" he visits a Montana reserve where he carves a picture of the Virgin Mary on a derelict Frigidaire and convinces the local medicine woman it's a miracle—one worthy of an admission charge.Not all the stories are humorous: "Dream Catcher" grapples with sexual violence when Silas's twelve-year-old sister is assaulted and Mad Etta, the community's four-hundred-pound medicine woman, provides a nightmare "cure" for the would-be rapist; "Ice Man" depicts gender discrimination, as Jason Twelve Trees fights to participate in a cooking competition despite his father's wish for him to become a mechanic; and "The Rain Birds" shows the consequences of the government's computer-driven corporate farms riding roughshod over the human and natural environment in western Canada.

    She is certain she and Jason have a strong and loving relationship that can weather any storm. Hooked by the beauty of Torringham with its quaint harbour and stunning coastline, they purchase Flotsam Guesthouse which needs more than a lick of paint to keep it afloat. Soon, Katie finds that renovating and running a guesthouse is taking its toll, especially when dealing with challenging guests and madcap neighbours, Shona and Kim. Katie comes to learn that trouble is afoot whenever Shona begs a favour. However, when her adored daughter moves back to their old hometown, she wonders if they’ve made a huge mistake, especially when cracks begin to show in her marriage. Her seaside idyll is crumbling along with her relationship. Should she let Flotsam Guesthouse founder while she salvages her marriage? Katie needs to decide where her priorities lie. The only issue is, she doesn’t know.

    A content moderator for "the world's biggest search engine," who spends her days culling videos of beheadings and suicides, turns from stalking her rapist online to following him in real life. At a camp for recovering internet trolls, a sensitive misfit goes missing. A wounded mother raises the second incarnation of her child.In You Will Never Be Forgotten, Mary South explores how technology can both collapse our relationships from within and provide opportunities for genuine connection. Formally inventive, darkly absurdist, savagely critical of the increasingly fraught cultural climates we inhabit, these ten stories also find hope in fleeting interactions and moments of tenderness. They reveal our grotesque selfishness and our intense need for love and acceptance, and the psychic pain that either shuts us off or allows us to discover our deepest reaches of empathy. This incendiary debut marks the arrival of a perceptive, idiosyncratic, instantly recognizable voice in fiction--one that could only belong to Mary South.

    Menacing and at times darkly humorous there are echoes of Roald Dahl and Daphne du Maurier in these stories, many of which have been specially commissioned for Radio 4.From the commuter who bitterly regrets falling asleep on a late-night train in Last Train to Helsingør, to the mushroom hunter prepared to kill to guard her secret in The Chanterelles of Østvig.Here, the land of ‘hygge’ becomes one of twilight and shadows, as canny antique dealers and property sharks get their comeuppance at the handsof old ladies in Conning Mrs Vinterberg, and ghosts go off-script in TheWailing Girl.Scandi noir at its finest.

    A painter who owes his small success to a man he despises, discovers that his passivity has cost him the love that might have set him free. A writer of modest talents encounters the old love who once betrayed him; now she repels him, yet the unfinished novel she leaves in his hands may surpass anything he could ever produce himself. An American poet in Rome finds herself forced to choose between her lover and a world so alien it takes her voice away. A print maker, who has reached a certain age, enters so deeply into the magical world of her imagination that she can never find her way back. In captivating, luminous prose, Martin explores the trials and rewards of human relationships and creative endeavor with all the ease and insight of a writer at the top of her form.