Divided by class but united in fandom, they remain steadfast in their search for intimacy, independence and fun. Embracing Hindi film idol Shah Rukh Khan allows them a small respite from an oppressive culture, a fillip to their fantasies of a friendlier masculinity in Indian men. Most struggle to find the freedom-or income-to follow their favourite actor.Bobbing along in this stream of multiple lives for more than a decade-from Manju's boredom in 'rurban' Rampur and Gold's anger at having to compete with Western women for male attention in Delhi's nightclubs, to Zahira's break from domestic abuse in Ahmedabad-Bhattacharya gleans the details on what Indian women think about men, money, movies, beauty, helplessness, agency and love. A most unusual and compelling book on the female gaze, this is the story of how women have experienced post-liberalization India.

    Aureli uses the term absolute not in the conventional sense of "pure," but to denote something that is resolutely itself after being separated from its other. In the pursuit of the possibility of an absolute architecture, the other is the space of the city, its extensive organization, and its government. Politics is agonism through separation and confrontation; the very condition of architectural form is to separate and be separated. Through its act of separation and being separated, architecture reveals at once the essence of the city and the essence of itself as political form: the city as the composition of (separate) parts. Aureli revisits the work of four architects whose projects were advanced through the making of architectural form but whose concern was the city at large: Andrea Palladio, Giovanni Battista Piranesi, Etienne Louis-Boull'e, and Oswald Mathias Ungers. The work of these architects, Aureli argues, addressed the transformations of the modern city and its urban implications through the elaboration of specific and strategic architectural forms. Their projects for the city do not take the form of an overall plan but are expressed as an "archipelago" of site-specific interventions.

    In The Blue Clerk renowned poet Dionne Brand stages a conversation and an argument between the poet and the Blue Clerk, who is the keeper of the poet's pages. In their dialogues—which take shape as a series of haunting prose poems—the poet and the clerk invoke a host of writers, philosophers, and artists, from Jacob Lawrence, Lola Kiepja, and Walter Benjamin to John Coltrane, Josephine Turalba, and Jorge Luis Borges. Through these essay poems, Brand explores memory, language, culture, and time while intimately interrogating the act and difficulty of writing, the relationship between the poet and the world, and the link between author and art. Inviting the reader to engage with the resonant meanings of the withheld, Brand offers a profound and moving philosophy of writing and a wide-ranging analysis of the present world.

    Hugh Meyer believed he had created the ultimate miracle. Using the DNA of ancient creatures preserved in the Arctic, he had genetically engineered one of the most remarkable species of sea creature to ever exist: Serpentem Vectem Cel—Serpent Eel. Believed to possess the cure for countless diseases, the creature holds great promise for the medical community. All goes awry when the beast escapes containment. With a rapid growth rate and remarkable physical evolution, the beast travels to the coastal town of Spiral Bay. There, the creature designed to save human life instead starts taking it.Fishing vessels are found wrecked, paddleboaters mysteriously disappear, and large whales turn up dead. Realizing his creation has become Mankind’s worst nightmare, Hugh Meyer must join forces with the local police chief, a skillful mechanic, and a rich reality show star to bring the Serpent’s rampage to a dead halt.

    It was this intense heat, vibrating through my bones and causing my nipples to stiffen under my shirt.Don’t forget the book, Nyomi. This is work, nothing more.Debt-ridden author, Nyomi must complete her book on Tokyo’s underground sex industry in order to revive her stalled career. But first, she needs to get permission from Kenji Soto, head of the Japanese mafia who controls the red-light district under his father's watchful eyes. With one meeting, Kenji traps Nyomi in his gaze and locks her into a deal—spend time with him during her three-week stay, and she will earn the access she needs in order to make her book a bestseller.But Kenji's plans for Nyomi not only include allowing her a look around, but also a first-hand taste of the kinds of things that go on behind closed doors. And if Nyomi isn't careful, she just might find herself falling for Kenji, a man with many demons and a passion so dark, it could change everything she thinks she knows about love.

    China's tradition of "rivers-and-mountains" poetry stretches across millennia. This is a plain-spoken poetry of immediate day-to-day experience, and yet seems most akin to China's grand landscape paintings. Although its wisdom is ancient, rooted in Taoist and Zen thought, the work feels utterly contemporary, especially as rendered here in Hinton's rich and accessible translations. Mountain Home collects poems from 5th- through 13th-century China and includes the poets Li Po, Po Chu-i and Tu Fu. The "rivers-and-mountains" tradition covers a remarkable range of topics: comic domestic scenes, social protest, travel, sage recluses, and mountain landscapes shaped into forms of enlightenment. And within this range, the poems articulate the experience of living as an organic part of the natural world and its processes. In an age of global ecological disruption and mass extinction, this tradition grows more urgently important every day. Mountain Home offers poems that will charm and inform not just readers of poetry, but also the large community of readers who are interested in environmental awareness.

    Widemans fascinating new novel weaves together fiction, biography, and memoirto evoke the life and message of Frantz Fanon, the influential author of "TheWretched of the Earth" and acute critic of racism and oppression.

    A distillation of more than fifty years' engagement with Japan and its history, it is the crowning work of our leading interpreter of the modern Japanese experience.Since 1600 Japan has undergone three periods of wrenching social and institutional change, following the imposition of hegemonic order on feudal society by the Tokugawa shogun; the opening of Japan's ports by Commodore Perry; and defeat in World War II. The Making of Modern Japan charts these changes: the social engineering begun with the founding of the shogunate in 1600, the emergence of village and castle towns with consumer populations, and the diffusion of samurai values in the culture.Marius Jansen covers the making of the modern state, the adaptation of Western models, growing international trade, the broadening opportunity in Japanese society with industrialization, and the postwar occupation reforms imposed by General MacArthur. Throughout, the book gives voice to the individuals and views that have shaped the actions and beliefs of the Japanese, with writers, artists, and thinkers, as well as political leaders given their due.The story this book tells, though marked by profound changes, is also one of remarkable consistency, in which continuities outweigh upheavals in the development of society, and successive waves of outside influence have only served to strengthen a sense of what is unique and native to Japanese experience. The Making of Modern Japan takes us to the core of this experience as it illuminates one of the contemporary world's most compelling transformations.

    In The Bridegroom Was a Dog, an offbeat cram school teacher tells her pupils a story about a little princess whose hand in marriage is promised to a dog as a reward for licking her bottom clean; only to have her own life turned upside down by the sudden appearance of a dog-like man with a predilection for the same part of her anatomy. When rumor-mongering housewives try to force them into a more respectable relationship, both escape into new relationships of their own...With its publication here, alongside two other equally offbeat but plausible fantasies, readers in the West can now discover for themselves a writer whose inventions are as strange and exhilarating as the best of dreams.

    The author of Revenants and Shut Up Shut Down, he is also a frequent contributor to the Poetry Foundation’s Harriet blog.

    Liz Hammond and her mother Blanche are returning to the rubber plantation they were forced to abandon at the outbreak of war. The beautiful Malayan jungle and exotic estate of her childhood have remained in Liz's heart even after she was forced to leave it for the security of England in the war years. But as Liz and Blanche travel out to Singapore they are met with tales of Communist uprisings, violence, banditry and, most ominously, Liz’s father’s disappearance. Under the military protection of Major Sturgess and a young guardsman, Alan, they try to track Mr Hammond down. Liz quickly falls for Alan, but she knows she can’t let her love for him overshadow her concern for her missing father. She struggles with reconciling the treacherous country she now finds herself in with the paradise of her youth. And she no longer knows who she can trust. Old friends are called into question and new friends are shadowed with doubt as this tense plot unwinds with love, heartache and action.

    With Dream Jungle, she achieves a new level of narrative daring.Set in a Philippines of desperate beauty and rank corruption, Dream Jungle feverishly traces the consequences of two seemingly unrelated events: the discovery of an alleged lost tribe and the arrival of a celebrity-studded American film crew filming an epic Vietnam War movie. Caught in the turmoil unleashed by these two incidents are four unforgettable characters--a wealthy, iconoclastic playboy, a woman ensnared in the sex industry, a Filipino-American writer, and a jaded actor--who find themselves drawn irrevocably together in this lavish, sensual portrait of a nation in crisis.

    This book provides an account of the life of LTTE chief Prabhakaran, who led an armed struggle against the Sri Lankan state to create Eelam, a separate nation for the Sri Lankan Tamils.The book begins from Prabhakaran’s childhood days in the aftermath of India’s and Sri Lanka’s independence from Britain. The Sri Lankan Tamils were following Gandhi’s non-violent methods to fight for their rights as citizens of Sri Lanka. Prabhakaran, an ardent fan of Bhagat Singh and Subhash Chandra Bose, felt that non-violence would not work against a Sinhala dominated government and began experimenting with violent acts against the Government to send a message. His initial success became the nucleus for the formation of LTTE, which became the quintessential guerrilla organization fighting the State.The book details various incidents of Prabhakaran’s life including terror attacks, assassination of politicians, heads of States and militant leaders; India’s role in the Sri Lankan ethnic conflict; Indian Peace Keeping Force in Sri Lanka; the Eelam wars, negotiations, betrayals and elections; through to his killing in May 2009.

    The heroics of a small team of Australian Special Forces commandos in Timor who tied down a far superior Japanese force for most of the critical year of 1942.

    Pamela Horn's book examines the lives of these ladies from their childhood and marriage to their role as a 'Lady Bountiful'. It covers their leisure pursuits, sporting activities, country house weekends, and much more besides, up to the life-transforming years of the First World War.