Share the experiences of fighting men under punishing conditions, extreme temperatures, and intense monsoon rains as they search for the enemy in the rugged mountains and teeming lowlands. Relive all the terror, humor, and sadness of one man’s tour of duty with real-life action in spectacular stunning detail.

    - Includes a section on the making of the much-anticipated Gangs of New York starring Leonardo DiCaprio- With an updated chronology, filmography, and index

    This fascinating work by James E. Young examines Holocaust monuments and museums in Europe, Israel, and America, exploring how every nation remembers the Holocaust according to its own traditions, ideals, and experiences, and how these memorials reflect their place in contemporary aesthetic and architectural discourse. The result is a groundbreaking study of Holocaust memory, public art, and their fusion in contemporary life.Among the issues Young discusses are: how memorials suppress as much as they commemorate; how museums tell as much about their makers as about events; the differences between memorials conceived by victims and by victimizers; and the political uses and abuses of officially cast memory. Young describes, for example, Germany's "counter monuments," one of which was designed to disappear over time, and the Polish memorials that commemorate the whole of Polish destruction through the figure of its murdered Jewish part. He compares European museums and monuments that focus primarily on the internment and killing process with Israeli memorials that include portrayals of Jewish life before and after the destruction. In his concluding chapters, he finds that American Holocaust memorials are guided no less by distinctly American ideals, such as liberty and pluralism.Interweaving graceful prose and arresting photographs, the book is eloquent testimony to the way varied cultures and nations commemorate an era that breeds guilt, shame, pain, and amnesia, but rarely pride. By reinvigorating these memorials with the stories of their origins, Young highlights the ever-changing life of memory over its seemingly frozen face in the landscape.

    Ladd surveys the urban landscape, excavating its ruins, contemplating its buildings and memorials, and carefully deconstructing the public debates and political controversies emerging from its past."Written in a clear and elegant style, The Ghosts of Berlin is not just another colorless architectural history of the German capital. . . . Mr. Ladd's book is a superb guide to this process of urban self-definition, both past and present."—Katharina Thote, Wall Street Journal"If a book can have the power to change a public debate, then The Ghosts of Berlin is such a book. Among the many new books about Berlin that I have read, Brian Ladd's is certainly the most impressive. . . . Ladd's approach also owes its success to the fact that he is a good storyteller. His history of Berlin's architectural successes and failures reads entertainingly like a detective novel."—Peter Schneider, New Republic"[Ladd's] well-written and well-illustrated book amounts to a brief history of the city as well as a guide to its landscape."—Anthony Grafton, New York Review of Books

    But the "poison dragons" of misfortune shatter his orderly existence. First, when his village is threatened by a vicious civil war, his family stability is threatened by his second son, a brutal rebel officer. Meanwhile, Yun Cai struggles to free an old friend, P'ei Ti, from a hellish prison—no easy task when P'ei Ti is the rebels' most valuable hostage, and Yun Cai sees himself only as a frightened old man. Throughout his ordeals, Yun Cai draws from the glittering memories of his youth, when he journeyed to the capital to study poetry, joined the upper ranks of the civil service, and secured the friendship of P'ei Ti. Above all, he reflects Su Lin, a great love he won and lost, and for which he paid with his freedom and almost his life. Yun Cai is forced to reconsider all that he is and all that he has ever been in order to summon the wit and courage to confront the warlord General An-Shu and his beautiful but cruel consort, the Lady Ta-Chi.

    The Prisons We Broke provides a graphic insight into the oppressive caste and patriarchal tenets of the Indian society, but nowhere does the writing descend to self-pity. With verve and colour the narrative brings to life, among other things, the festivals, rituals, marriages, snot-nosed children, hard lives and hardy women of the Mahar community. The original Marathi work, Jina Amucha, re-defined autobiographical writing in Marathi in terms of form and narrative strategies adopted, and the selfhood and subjectivities that were articulated. It is the first autobiography by a Dalit woman in Marathi, probably even the first of its kind in any Indian language.

    In her hands. A shattering play about one woman’s unspeakable decision. hang premiered at the Royal Court Theatre, London, in 2015, in a production directed by the author, and featuring Marianne Jean-Baptiste, Claire Rushbrook and Shane Zaza.

    This book examines the extraordinary contribution of Sardar Patel,from his unflinching support to Gandhi's satyagrahas and the Indian freedom struggle,to his farsighted and courageous approach in a strong,integrated India

    Discover a kaleidoscope of cultures, find surfing nirvana on a palm-fringed island or get up close to orang-utans in Borneo's jungle - plan the Indonesian adventure of a lifetime with this comprehensive guide.

    Lowe discusses the contradictions whereby Asians have been included in the workplaces and markets of the U.S. nation-state, yet, through exclusion laws and bars from citizenship, have been distanced from the terrain of national culture.Lowe argues that a national memory haunts the conception of Asian American, persisting beyond the repeal of individual laws and sustained by U.S. wars in Asia, in which the Asian is seen as the perpetual immigrant, as the “foreigner-within.” In Immigrant Acts, she argues that rather than attesting to the absorption of cultural difference into the universality of the national political sphere, the Asian immigrant—at odds with the cultural, racial, and linguistic forms of the nation—displaces the temporality of assimilation. Distance from the American national culture constitutes Asian American culture as an alternative site that produces cultural forms materially and aesthetically in contradiction with the institutions of citizenship and national identity. Rather than a sign of a “failed” integration of Asians into the American cultural sphere, this critique preserves and opens up different possibilities for political practice and coalition across racial and national borders.In this uniquely interdisciplinary study, Lowe examines the historical, political, cultural, and aesthetic meanings of immigration in relation to Asian Americans. Extending the range of Asian American critique, Immigrant Acts will interest readers concerned with race and ethnicity in the United States, American cultures, immigration, and transnationalism.

    Architecture and Disjunction, which brings together Tschumi's essays from 1975 to 1990, is a lucid and provocative analysis of many of the key issues that have engaged architectural discourse over the past two decades--from deconstructive theory to recent concerns with the notions of event and program. The essays develop different themes in contemporary theory as they relate to the actual making of architecture, attempting to realign the discipline with a new world culture characterized by both discontinuity and heterogeneity. Included are a number of seminal essays that incited broad attention when they first appeared in magazines and journals, as well as more recent and topical texts.Tschumi's discourse has always been considered radical and disturbing. He opposes modernist ideology and postmodern nostalgia since both impose restrictive criteria on what may be deemed legitimate cultural conditions. He argues for focusing on our immediate cultural situation, which is distinguished by a new postindustrial unhomeliness reflected in the ad hoc erection of buildings with multipurpose programs. The condition of New York and the chaos of Tokyo are thus perceived as legitimate urban forms.

    Here, walking is seen as an autonomous form of art, a primary act in the symbolic transformation of the territory, an aesthetic instrument of knowledge and a physical transformation of the "negotiated" space, which is converted into an urban intervention. From primitive nomadism to Dada and Surrealism, from the Lettrist to the Situationist International, and from minimalism to Land Art, this book narrates the perception of landscape through a history of the traversed city.

    By the band’s side from the very beginning, he beheld the inception and growth of the most extraordinary musical phenomenon of the last century. But he was also there when things started to go wrong—when George Harrison quit the band at the height of their success and when it all started to spiral out of control. And he reveals for the first time exactly what caused their break-up. As Brian Epstein’s right-hand man, Alistair Taylor was with the charismatic manager when he first saw The Beatles perform at The Cavern. Taylor later became the band’s ever-present Mr. Fix-it. He bought islands, handled paternity cases, and became a close and trusted friend. It was he who found Epstein’s body after his suicide and, in the reorganization that followed, Taylor went on to become General Manager of Apple, The Beatles’ record company.

    Strange shifts in perspective can take place when Berlin is viewed from Jakarta, or when complex histories of colonial domination strand what counts as the founding work of a national culture in a language its people no longer read. The “spectre of comparisons” arises as nations stir into self awareness, matching themselves against others, and becoming whole through the exercise of the imagination.In this series of profound and eloquent essays, Benedict Anderson, best known for his classic book on nationalism, Imagined Communities, explores these effects as they work their way through politics and culture. Spanning broad accounts of the development of nationalism and identity, and detailed studies of Southeast Asia, the book includes pieces on East Timor, where every Indonesian attempt to suppress national feeling has had the opposite effect; on the Philippines, where it is said that some horses eat better than stable-hands; on Thailand, where so much money can be made in elected posts that candidates regularly kill to get them; on the Filipino nationalist and novelist José Rizal for whom “we mortals are like turtles—we have value and are classified according to our shells;” and a remarkable essay on Mario Vargas Llosa, detailing the fate of indigenous minorities at the hands of the modern state.While The Spectre of Comparisons is an indispensable resource for those interested in Southeast Asia, Anderson also takes up the large issues of the universal grammars of nationalism and ethnicity, the peculiarity of nationalist imagery as replicas without originals, and the mutations of nationalism in an age of mass global migrations and instant electronic communications.

    CURATED AND INTRODUCED BY CERYS MATTHEWS.Tell Me the Truth About Life is an indispensable anthology which celebrates poetry’s power to tap into the truths that matter. Curated and introduced by Cerys Matthews, this collection draws on the wisdom of crowds: featuring poems nominated for their insight into truth by a range of ordinary and extraordinary people: from Britain’s first astronaut, Helen Sharman, to sporting heroes and world-famous musicians, teachers, artists and politicians.Their choices include contemporary work by Yrsa Daley-Ward, John Cooper Clarke and Kei Miller alongside classics by W H Auden, Emily Dickinson and Dylan Thomas. Here you will find poems to revive the spirit, ballads to mobilize and life-lines to hold you safe in the dark.Compiled for National Poetry Day’s twenty-fifth anniversary, Tell Me the Truth About Life is a book that reminds us we are never completely alone in our search to glimpse the truth.Containing nominations from a number of high-profile poetry lovers and poets, including Michael Morpurgo, Mark Gatiss, Dolly Alderton, and Helen Sharman, among others.