In these seven stories, the author of The Makioka Sisters explores the territory where love becomes self-annihilation, where the contemplation of beauty gives way to fetishism, and where tradition becomes an instrument of refined cruelty.

    He never went to school but received most of his education in the streets of Dublin, and taught himself to read at the age of fourteen. He was successively a newspaper-seller, docker, stone-breaker, railway-worker and builders' labourer. In 1913 he helped to organise the Irish Citizen Army which fought in the streets of Dublin, and at the same time he was learning his dramatic technique by reading Shakespeare and watching the plays of Dion Boucicault. His early works were performed at the Abbey Theatre, Dublin, and Lady Gregory made him welcome at Coole, but disagreement followed and after visiting America in the late thirties O'Casey settled in Devonshire. He lived there until his death in 1964, though still drawing the themes of many of his plays from the life he knew so well on the banks of the Liffey. Out of the ceaseless dramatic experimenting in his plays O'Casey created a flamboyance and versatility that sustain the impression of bigness of mind that is inseparable from his tragi-comic vision of life.

    He has won four World Fantasy Awards, ten British Fantasy Awards, three Bram Stoker Awards, and the Horror Writers' Association's Lifetime Achievement Award. Three decades into his career, Campbell paused to review his body of short fiction and selected the stories that were, to his mind, the very best of his works. Alone With the Horrors collects nearly forty tales from the first thirty years of Campbell's writing. Included here are "In the Bag," which won the British Fantasy Award, and two World Fantasy Award-winning stories, "The Chimney" and the classic "Mackintosh Willy." Campbell crowns the book with a length preface which traces his early publication history, discusses his youthful correspondence with August Derleth, illuminates the influence of H.P. Lovecraft on his early work, and gives an account of the creation of each story and the author's personal assessment of the works' flaws and virtues.In its first publication, a decade ago, Alone With the Horrors won both the Bram Stoker Award and the World Fantasy Award. For this new edition, Campbell has added one of his very first published stories, a Lovecraftian classic, "The Tower from Yuggoth." From this early, Cthulhian tale, to later works that showcase Campbell's growing mastery of mood and character, Alone With the Horrors provides readers with a close look at a powerful writer's development of his craft.

    He is also a dazzling writer of short stories and this volume collects together all the stories from The Fat Man in History and War Crimes as well as three other stories not previously published in book form.The stories, persuasive and precisely crafted, reveal Carey to be a moralist with a sense of humour, a surrealist interested in naturalism and an urban poet delighting in paradox.Contents:- "Do You Love Me?"- The Last Days of a Famous Mime- Kristu-Du- Crabs- Life & Death in the South Side Pavilion- Room No. 5 (Escribo)- Happy Story- A Million Dollars’ Worth of Amphetamines- Peeling- A Windmill in the West- Concerning the Greek Tyrant- Withdrawal- Report on the Shadow Industry- Joe- The Puzzling Nature of Blue- Conversations with Unicorns- American Dreams- The Fat Man in History- The Uses of Williamson Wood- Exotic Pleasures- A Schoolboy Prank- The Journey of a Lifetime- The Chance- Fragrance of Roses- He Found Her in Late Summer- War Crimes- A Letter to Our Son

    It includes stories by Charles Dickens, Wilkie Collins, M. R. James, W. W. Jacobs, and L. P. Hartley, among other masters of the fine art of making the flesh creep, all accompanied by Gorey's inimitable illustrations.ALGERNON BLACKWOOD, "The Empty House"W.F. HARVEY, "August Heat"CHARLES DICKENS, "The Signalman"L.P. HARTLEY, "A Visitor from Down Under"R.H. MALDEN, "The Thirteenth Tree"ROBERT LOUIS STEVENSON, "The Body-Snatcher"E. NESBIT, "Man-Size in Marble"BRAM STOKER, "The Judge's House"TOM HOOD, "The Shadow of a Shade"W.W. JACOBS, "The Monkey's Paw,"WILKIE COLLINS, "The Dream Woman"M.R. JAMES, "Casting the Runes"

    . . . Mr. Thurber belongs in the great lines of American humorists that includes Mark Twain and Ring Lardner." --Philadelphia InquirerJames Thurber’s unique ability to convey the vagaries of life in a funny, witty, and often satirical way earned him accolades as one of the finest humorists of the twentieth century. A bestseller upon its initial publication in 1945, The Thurber Carnival captures the depth of his talent and the breadth of his wit. The stories compiled here, almost all of which first appeared in The New Yorker, are from his uproarious and candid collection My World and Welcome to It--including the American classic "The Secret Life of Walter Mitty"--as well as from The Owl in the Attic, The Seal in the Bathroom, Men, Women and Dogs. Thurber’s take on life, society, and human nature is timeless and will continue to delight readers even as they recognize a bit of themselves in his brilliant sketches.

    Howard, and Shakespearean Romance by Walter Cohen. Like its parent volume, this concise edition gives students the vibrant introductions, readable single-column format, helpful glosses and notes, and extensive reference materials maps, a timeline, annotated bibliographies and film lists, documents that have made The Norton Shakespeare, Second Edition the best-selling classroom edition worldwide."

    In "A Temporary Matter," published in The New Yorker, a young Indian-American couple faces the heartbreak of a stillborn birth while their Boston neighborhood copes with a nightly blackout. In the title story, an interpreter guides an American family through the India of their ancestors and hears an astonishing confession. Lahiri writes with deft cultural insight reminiscent of Anita Desai and a nuanced depth that recalls Mavis Gallant.

    Included are: Alice's Adventures in Wonderland, Through the Looking-Glass, Sylvie and Bruno, Sylvie and Bruno Concluded, "The Hunting of the Snark," and Lewis' poetry, phantasmagoria, stories, miscellany, and "acrostics, inscriptions, and other verse."The following have also never appeared in print except in their original editions: "Resident Women Students," "Some Popular Fallacies about Vivisection," "Lawn Tennis Tournaments," "Rules for Court Circular," "Croquet Castles," "Mischmasch," "Doublets," "A Postal Problem," "The Alphabet-Cipher," and "Introduction to The Lost Plum Cake."

    H. Lawrence's shorter fiction, but also to trace a pattern of development in the author's career. As Brian Finney writes in the Introduction: "To follow the development of his stories from the gauche anecdotes of his early twenties to the sophisticated parodies of the genre that he wrote in the last years of his life is like retracing the history of the genre from its pre-Chekhovian social realism and watching it read forward to the verbal play and self-conscious artificiality of postmodernist writers such as Borges and Beckett."The selection comprises fourteen short stories, including "Love Among the Haystacks," "The Prussian Officer," "Odour of Chrysanthemums," "The Border Line, and "The Woman Who Rode Away."

    No one is more excited than Cripple Billy, an unloved boy whose chief occupation has been grazing at cows and yearning for a girl who wants no part of him. For Billy is determined to cross the sea and audition for the Yank. And as news of his audacity ripples through his rumor-starved community, The Cripple of Inishmaan becomes a merciless portrayal of a world so comically cramped and mean-spirited that hope is an affront to its order.

    Four prized selections by one of America's greatest writers: "The Open Boat," based on a harrowing incident in the author's life: the 1897 sinking of a ship on which he was a passenger; "The Blue Hotel" and "The Bride Comes to Yellow Sky," reflecting Crane's early travels in Mexico and the American Southwest; and the novella Maggie: A Girl of the Streets, a galvanizing portrait of life in the slums of New York City.

    Twenty-five or so outstanding writers have been asked by Zadie Smith to make up a fictional character. By any measure, creating character is at the heart of the fictional enterprise, and this book concentrates on writers who share a talent for making something recognizably human out of words (and, in the case of the graphic novelists, pictures). But the purpose of the book is variety: straight "realism"-if such a thing exists-is not the point. There are as many ways to create character as there are writers, and this anthology features a rich assortment of exceptional examples. The writers featured in The Book of Other People include: Aleksandar Hemon Nick Hornby Hari Kunzru Toby Litt David Mitchell George Saunders Colm Tóibín Chris Ware, and more

    This richly varied collection of observation, fancy and fiction shows the London he knew so intimately at its best and worst - its streets, theatres, inns, pawnshops, law courts, prisons, omnibuses and the river Thames - in honest and visionary descriptions of everyday life and people. Through pen portraits that often anticipate characters from his great novels, we see the condemned man in his prison cell, garrulous matrons, vulgar young clerks and Scrooge-like bachelors, while Dickens's powers for social critique are never far from the surface, in unflinching depictions of the vast metropolis's forgotten citizens, from child workers to prostitutes. A startling mixture of humour and pathos, these Sketches reveal London as wonderful terrain for an extraordinary young writer.Sketches is a remarkable achievement, and looks towards Dickens's giant novels in its profusion of characters, its glimpses of surreal modernity and its limitless fund of pathos and comic invention.

    Wells, D.H. Lawrence, and Virginia Woolf, right up to Graham Greene, J.G. Ballard, Angela Carter, Ian McEwan, and many others, The Oxford Book of English Short Stories exhibits the capacious and often capricious nature of the English literary sensibility. There is English empiricism, English pragmatism, English starkness, English humor, English satire, English horror, and English whimsy, notes A.S. Byatt in surveying the stories she has selected. There are characteristic mixed modes which seem to go back further than Austen and Defoe to Chaucer and Shakespeare. Byatt shows us the links between stories, the literary currents that both connect and distinguish writers as diverse as Mary Mann, V.S. Pritchett, P.G. Wodehouse, Penelope Fitzgerald, and Alan Sillitoe. And although the thirty-seven stories gathered here range from socialish realism to surreal fantasy, from rural poverty to war-blitzed London, from tales of the supernatural to precise delineations of the mundane, all are unified by Byatt's demanding criteria that the works be both startling and satisfying. For short story lovers and anyone unable to resist the enchantments of the English imagination, The Oxford Book of Short Stories offers a wide array of unforgettable pleasures.