Now banned in Iran, this small masterpiece was eventually translated into several languages and introduces U.S. readers to the work of a brilliant Persian writer. With a tone that is stark, and bold, Women Without Men creates an evocative allegory of life for contemporary Iranian women. In the interwoven destinies of five women, simple situations such as walking down a road or leaving the house become, in the tumult of post-WWII Iran, horrific and defiant as women escape the narrow confines of family and society only to face daunting new challenges.Now in political exile, Shahrnush Parsipur lives in the Bay Area. She is the author of several short story collections including Touba and the Meaning of Night.

    These three women and their families, their losses and loves, unspool beautifully against a backdrop of a rapidly changing Oman, a country evolving from a traditional, slave-owning society into its complex present. Through the sisters, we glimpse a society in all its degrees, from the very poorest of the local slave families to those making money through the advent of new wealth.

    After witnessing a profoundly traumatic event, a boy is left alone in a remote house on a hilltop with his increasingly deranged parent. When a stranger knocks on his door, the boy senses that his days of isolation are over—but by what authority does this man keep the meticulous records he carries? Is he the boy’s friend? His enemy? Or something altogether other?

    Instead, she boards a bus to the Pacific coast with Tomás, a boy she barely knows. He seems to represent everything her life is lacking—recklessness, impulse, independence.Tomás may also help Luisa fulfill an unusual obsession: she wants to track down a traveling troupe of Ukrainian dwarfs. According to newspaper reports, the dwarfs recently escaped a Soviet circus touring Mexico. The imagined fates of these performers fill Luisa’s surreal dreams as she settles in a beach community in Oaxaca. Surrounded by hippies, nudists, beachcombers, and eccentric storytellers, Luisa searches for someone, anyone, who will “promise, no matter what, to remain a mystery.” It is a quest more easily envisioned than accomplished. As she wanders the shoreline and visits the local bar, Luisa begins to disappear dangerously into the lives of strangers on Zipolite, the “Beach of the Dead.”Meanwhile, her father has set out to find his missing daughter. A mesmeric portrait of transgression and disenchantment unfolds. Sea Monsters is a brilliantly playful and supple novel about the moments and mysteries that shape us.

    Scott Fitzgerald, the music of Pink Floyd and The Kinks, 2001: A Space Odyssey, the links between great art and the lives of the artists who create it—Fresán takes us on a whirlwind tour of writers and muses, madness and genius, friendships, broken families, and alternate realities, exploring themes of childhood, loss, memory, aging, and death.Drawing inspiration from the scope of modern classics and the structural pyrotechnics of the postmodern masters, the Argentine once referred to as “a pop Borges” delivers a powerful defense of great literature, a celebration of reading and writing, of the invented parts—the stories we tell ourselves to give shape to our world.Rodrigo Fresán is the author of nine books of fiction that together compose an expansive, interconnected fictional universe—a complex system of storylines, resonances, and self-reference that call to mind the works of David Foster Wallace, Thomas Pynchon, and Roberto Bolaño. Will Vanderhyden received fellowships from the NEA and Lannan Foundation to work on The Invented Part.

    His aim in Wizard of the Crow is, in his own words,nothing less than “to sum up Africa of the twentieth century in the context of two thousand years of world history.”Commencing in “our times” and set in the “Free Republic of Aburĩria,” the novel dramatizes with corrosive humor and keenness of observation a battle for control of the souls of the Aburĩrian people. Among the contenders: His High Mighty Excellency; the eponymous Wizard, an avatar of folklore and wisdom; the corrupt Christian Ministry; and the nefarious Global Bank. Fashioning the stories of the powerful and the ordinary into a dazzling mosaic, Wizard of the Crow reveals humanity in all its endlessly surprising complexity.Informed by richly enigmatic traditional African storytelling, Wizard of the Crow is a masterpiece, the crowning achievement in Ngugl wa Thiong’o’s career thus far.

    Bellatin’s work, Beauty Salon is pithy, allegorical and profoundly disturbing, with a plot that evokes The Plague by Camus or Blindness by José Saramago."--New York Times"Including a few details that may linger uncomfortably with the reader for a long time, this is contemporary naturalism as disturbing as it gets."--BooklistA strange plague appears in a large city. Rejected by family and friends, some of the sick have nowhere to finish out their days until a hair stylist decides to offer refuge. He ends up converting his beauty shop, which he’s filled with tanks of exotic fish, into a sort of medieval hospice. As his “guests” continue to arrive and to die, his isolation becomes more and more complete in this dream-hazy parable by one of Mexico’s cutting-edge literary stars.Mario Bellatin, the author of numerous short novels, was born in Mexico City in 1960. In 2000, Beauty Salon was nominated for the Médicis Prize for best novel translated into French. This is its first translation into English.

    Rosenberger Rosenberg, neurotic and underappreciated film critic (failed academic, film-maker, paramour, shoe salesman who sleeps in a sock drawer), stumbles upon a hitherto unseen film made by an enigmatic outsider—a film he's convinced will change his career trajectory and rock the world of cinema to its core. His hands on what is possibly the greatest movie ever made—a three-month-long stop-motion masterpiece that took its reclusive auteur ninety years to complete—B. knows that it is his mission to show it to the rest of humanity. The only problem: The film is destroyed, leaving him the sole witness to its inadvertently ephemeral genius.All that's left of this work of art is a single frame from which B. must somehow attempt to recall the film that just might be the last great hope of civilization. Thus begins a mind-boggling journey through the hilarious nightmarescape of a psyche as lushly Kafkaesque as it is atrophied by the relentless spew of Twitter. Desperate to impose order on an increasingly nonsensical existence, trapped in a self-imposed prison of aspirational victimhood and degeneratively inclusive language, B. scrambles to recreate the lost masterwork while attempting to keep pace with an ever-fracturing culture of "likes" and arbitrary denunciations that are simultaneously his bete noire and his raison d'etre.A searing indictment of the modern world, Antkind is a richly layered meditation on art, time, memory, identity, comedy, and the very nature of existence itself—the grain of truth at the heart of every joke.

    Fortunately I had my spectacles with me so I could see it was really a nose.'With this pair of absurd, comic stories Gogol indulges his imagination and delights readers.Contains 'The Nose' and 'The Carriage'.

    But there is a dark and vacuous hole in her heart, and it isn’t just the loss of her parents, or the way her Wall Street boyfriend treats her, or her sadomasochistic relationship with her best friend, Reva. It’s the year 2000 in a city aglitter with wealth and possibility; what could be so terribly wrong?My Year of Rest and Relaxation is a powerful answer to that question. Through the story of a year spent under the influence of a truly mad combination of drugs designed to heal our heroine from her alienation from this world, Moshfegh shows us how reasonable, even necessary, alienation can be. Both tender and blackly funny, merciless and compassionate, it is a showcase for the gifts of one of our major writers working at the height of her powers.

    Because he taught me that the most haunting mysteries are those of everyday life. -- Gabriel Garcia Marquez

    At the same time, the novel explores the boundaries of love and friendship and the allegiances that we have to one another. The depth of feeling that the inhabitants of Aldwinter share are matched by their city counterparts as they strive to find the courage to express and understand their deepest desires, and strongest fears.

    Citizens are required to obtain permission from the Gate in order to take care of even the most basic of their daily affairs, yet the Gate never opens, and the queue in front of it grows longer. Citizens from all walks of life mix and wait in the sun: a revolutionary journalist, a sheikh, a poor woman concerned for her daughter’s health, and even the brother of a security officer killed in clashes with protestors. Among them is Yehia, a man who was shot during the Events and is waiting for permission from the Gate to remove a bullet that remains lodged in his pelvis. Yehia’s health steadily declines, yet at every turn, officials refuse to assist him, actively denying the very existence of the bullet. Ultimately it is Tarek, the principled doctor tending to Yehia’s case, who must decide whether to follow protocol as he has always done, or to disobey the law and risk his career to operate on Yehia and save his life. Written with dark, subtle humor, The Queue describes the sinister nature of authoritarianism, and illuminates the way that absolute authority manipulates information, mobilizes others in service to it, and fails to uphold the rights of even those faithful to it.From the Trade Paperback edition.

    But the forest is gradually emptying as more and more people leave to settle in villages, where they break their backs tilling the land to grow wheat for their “bread” (which Leemet has been told tastes horrible) and where they pray to a god very different from the spirits worshipped in the forest’s sacred grove. With lothario bears who wordlessly seduce women, a giant louse with a penchant for swimming, a legendary flying frog, and a young charismatic viper named Ints, The Man Who Spoke Snakish is a totally inventive novel for readers of David Mitchell, Sjón, and Terry Pratchett.

    Forty years ago, he carelessly lost a keepsake from his beloved fiancée, Therese. That very same day, she died unexpectedly. Brokenhearted, Anthony sought consolation in rescuing lost objects—the things others have dropped, misplaced, or accidentally left behind—and writing stories about them. Now, in the twilight of his life, Anthony worries that he has not fully discharged his duty to reconcile all the lost things with their owners. As the end nears, he bequeaths his secret life’s mission to his unsuspecting assistant, Laura, leaving her his house and all its lost treasures, including an irritable ghost.Recovering from a bad divorce, Laura, in some ways, is one of Anthony’s lost things. But when the lonely woman moves into his mansion, her life begins to change. She finds a new friend in the neighbor’s quirky daughter, Sunshine, and a welcome distraction in Freddy, the rugged gardener. As the dark cloud engulfing her lifts, Laura, accompanied by her new companions, sets out to realize Anthony’s last wish: reuniting his cherished lost objects with their owners.Long ago, Eunice found a trinket on the London pavement and kept it through the years. Now, with her own end drawing near, she has lost something precious—a tragic twist of fate that forces her to break a promise she once made.As the Keeper of Lost Objects, Laura holds the key to Anthony and Eunice’s redemption. But can she unlock the past and make the connections that will lay their spirits to rest?Full of character, wit, and wisdom, The Keeper of Lost Things is heartwarming tale that will enchant fans of The Particular Sadness of Lemon Cake, Garden Spells, Mrs Queen Takes the Train, and The Silver Linings Playbook.