It’s not like he didn’t deserve it. After all, he crashed his dad’s vintage Bonneville in a car-chase duel on a Miami freeway. Ben is mad at the world and not ready to reveal the reason for his bad behavior the past year, when he partied and got into fights to forget his attraction to his best friend’s hot cousin Dino. Norway is cold and rainy, the farm is desolate and resists modernization, and the grandparents are quiet and religious. On to the scene waltzes Even, the eighteen-year-old farmhand, who counters Ben’s restlessness and complaints with friendship, fresh perspectives, and problems of his own.With the mounting expectations of Ben taking over the farm one day, getting closer to Even becomes Ben’s only reason to stay put. As the friendship deepens, the two boys learn that secrets can turn into both beautiful and ugly truths, and that support can be found in unexpected places.

    This is a young adult novel unlike any other—an authentic portrayal of the issues faced by a child growing up with a sexually ambiguous body.Jameson can be like other boys after minor surgery and a few years on testosterone Well, at least that’s what his parents always say. But Jamie sees an elfin princess in the mirror, and male hormones would only ruin her pretty face. For him to become the man his parents expect, Jameson must leave behind the hopes and dreams of a little girl. But what is so wrong with Jamie’s dreams that they can’t be her life?

    This is definitely the scoop for Feminist News! Sophie sets out, armed with unanswered questions, meeting on her travels the eccentrics, the has-beens and the 'wanna-be's' of lower eastside New York. In no time at all Sophie finds herself caught up in a web of murder and intrigue. Will she triumph? Or will she end up in jail?

    But, at forty-eight years old, having spent decades in San Francisco, he craved change. Grieving over the death of his partner, he quickly discovered the profound consolations of the city's incessant rhythms, the sight of the Empire State Building against the night sky, and New Yorkers themselves, kindred souls that Hayes, a lifelong insomniac, encountered on late-night strolls with his camera.And he unexpectedly fell in love again, with his friend and neighbor, the writer and neurologist Oliver Sacks, whose exuberance--"I don't so much fear death as I do wasting life," he tells Hayes early on--is captured in vignettes throughout. What emerges is a portrait of Sacks at his most personal and endearing, from falling in love for the first time at age seventy-five to facing illness and death (Sacks died of cancer in August 2015).

    old boy named Tyler Morris, who auditions for a student film to win the heart of Billy Greske, the school's celebrity thespian. The plan seems promising until Tyler’s bipolar best friend Jenny offers love advice and a local skater takes interest in Tyler as well. Furthering complications, Tyler's estranged mother, a clairvoyant circus clown, returns home to win back the love of her family.

    Try as he may, he cannot live up to the macho image expected of him by his family, by his heritage. At the age of 19 he is conscripted into the South African army and finds his every sensibility offended by a system close to its demise, and yet still in full force. Author André Carl van der Merwe transports the reader into this young man’s world with evocative realism - sometimes heart-rending, sometimes with humour, always with brush strokes of hope. This is a long overdue story about the emotional and physical suffering endured by countless young men."

    The novel charts the turbulent adventures of one girl in America as she moves from Boston's teenage goth world to whoring in New Age Tucson before finally arriving in San Francisco's dyke underground.Honest, sarcastic, lyrical and direct, Tea's writing is possibly the most literate and sophisticated treatment of underground dyke culture ever written and circulated. She is a reincarnation of when Jill Johnston used to be cool.

    . . . "Social Disease" . . . is really about the three major issues of our time: sex, hair, and the telephone" (Paul Rudnick, "New York Magazine").

    Whether it's choosing the right girdle or honing her feminine allure, she measures life by the standards set in women’s magazines. But Norma discovers that the real world is less delightful — and more sinister — than portrayed in the glossies. When dark secrets threaten her brother’s blossoming romance, Norma must decide whether to sacrifice life in a woman's world for the sake of her brother’s happiness. As her decision is slowly revealed, readers realize that, like life in the magazines, Norma isn’t quite what she seems. Painstakingly assembled from 40,000 fragments of text snipped from women’s magazines, this strange and wonderful tale moves at the breakneck pace of a pulp thriller. A stunning visual tour de force, Woman’s World is also a powerful reflection on society’s definition of what it means to be a woman.

    Street life, drugs, art and nature, family, AIDS, politics, friendship and acceptance: Wojnarowicz challenges us to examine our lives -- politically, socially, emotionally, and aesthetically.

    She lives in Southern California, though, which is making that difficult. Her mother has fallen victim to the pseudo-New Age culture and insists on dragging her to consciousness-raising workshops and hypnotists. As if this weren't difficult enough, Skye falls in love with Jessica, a troubled gothic punk girl who cuts herself regularly with sharp objects. When she finds her boyfriend having sex with Jessica in a bathroom stall at a rave, her romantic illusions collapse and she has to face the fact that she's been running away from her mother's insanity. Right when things look their worst though, Skye is helped by Mol, a pagan who becomes her true friend, and Lorri, a graceful volelyball player with whom she finds real love. From them she learns how to feel authentic emotions in a culture of poseurs and New Age charlatans. In this anti-coming-of-age novel, where growing up is irrelevant, this is the best gift of all.

    Now, after breaking up with his longtime boyfriend, Smith looks back to his painfully normal childhood to see where all the trouble really began. Like every other American kid, Bob's adolescence was marked by alternating moments of blissful ignorance, hazy confusion, and humiliating self-consciousness. And in these pages, Bob evokes his youth with a vividness that will make you shudder and howl with recognition.In these hysterically humorous pages, Bob Smith introduces readers to his comically unsympathetic grandmother, who makes light of his carsickness: "Bob only throws up because he's near the window and he can"; to his first teacher crush, whose "five-o'clock shadow could plunge a room into darkness"; and to his first brush with fame, when he fainted from his chair during a biology filmstrip ("Way to go, Smith!"). Sharp, observant, ingeniously ironic and wholly satisfying, this new Lambda Award-nominated collection is at once bittersweet nostalgic fun and a testament to the unquestionable gifts of a highly original comic writer.

    He wanted it. He craved it. He could barely remember what it was. When Garth's uncle comes to visit, he's like a breath of very needed fresh air. Mike is laid-back and relaxed—and willing to accept Garth for who he is, without question. For the first time in a long while, Garth feels like he's around someone who understands him. But before long Garth is helping Mike with some pretty mysterious things and finds himself keeping secrets from everyone around him. He's forced to wonder: Is his uncle Mike really who he says he is, and can Garth trust him? More importantly, can Garth trust the person he's becoming? P. E. Ryan has crafted a clever and compelling novel that asks the question: How far will you go for your family, to find yourself?

    Author Biography: Carole Maso is the author of six novels, including Ghost Dance and Defiance. She is a professor of English at Brown University.

    An emotionally wrenching work of fiction about a health-care worker who tenders compassion and love to victims of AIDS, by an author who "strips her language of convention to lay bare the ferocious rituals of love and need."--New York Times Book Review