May of these stories are from the pages of Weird Tales and other classic magazines which brought the work of masters like H.P. Lovecraft, Seabury Quinn, Clark Ashton Smith, August Derleth, Robert E. Howard, and many others to the public. Includes an active table of contents.

    The afterword explains where the ideas for the stories came from.

    Revenge comes from beyond the grave in Robert Louis Stevenson’s “The Body-Snatcher,” while visions of the dead come between the living in Henry James’s “The Friends of the Friends.” P. G. Wodehouse gives us a farcical take on the haunted house in “Honeysuckle Cottage,” and in L. P. Hartley’s “W.S.,” a writer is fatally stalked by his own aggrieved creation.Here are ghosts of every stripe and intent in stories from writers as varied as Elizabeth Bowen and Jorge Luis Borges, Eudora Welty and Vladimir Nabokov, Ray Bradbury and Edith Wharton, among others. In the hands of these masters, the ghost story ranges far beyond mere horror to encompass comedy and tragedy, pathos and drama, and even a touch of poetry.

    It includes six interior illustrations from artist Wayne Miller.All new tales of William Hope Hodgson's Carnacki.Meet an Edwardian occult detective who goes where no other gentleman will dare. Nine stories and a novella that take Carnacki deep into neolithic barrows, into the crypts of ancient cathedrals and see him fighting the elemental powers of darkness on his own terms.The Blooded Iklwa: A malevolent spirit is intent on blood. Can Carnacki identify the source of the attacks and stop the Zulu blade from its nightly haunting? Or will his client be forced to suffer a death of a thousand cuts?The Larkhill Barrow: A pounding terror has been called up out of Salisbury Plain; an ancient darkness that will haunt your dreams.The Sisters of Mercy: Battle hardened old soldiers lie sick abed in fear for their souls. Only someone with intimate knowledge of the powers of darkness can help them.The Hellfire Mirror: The rituals of an infamous club have left their mark on a mirror, leading Carnacki into a fight to stop his own home from being overrun with the forces of darkness.The Beast of Glamys: Danger to the daughter of a Scottish Lord leads Carnacki to a remote castle, and the uncovering of the secret behind a legend that has persisted for centuries.The Tomb of Pygea: Something serpentine whispers in the dark under Admiralty Arch, and only Carnacki has the skills, and the nerve, to descend, and to listen.The Lusitania: A cruise ship is berthed in Liverpool, deserted by passengers and crew, stuck in port until Carnacki can remove the cause of their terror; apparitions of disaster and shipwreckThe Haunted Oak: Ghosts of the recent dead walk beneath its spreading boughs and the Church needs Carnacki's expertise. But some things are best left to take their course -- natural, or supernatural.The Shoreditch Worm: When one of the churches of London changes its chimes, something old starts to wake. Can Carnacki stop it before it is too late?The Dark Island: Carnacki uncovers a gateway to a dark realm of magic and myth, where the far future of our planet can be touched and seen, if a man has the stomach for it.Meet Carnacki: Ghosthunter.

    Max Goff means to change all that. Goff has made millions in the record business, but his heart is in New Age philosophy. He has learned that Crybbe was once a spiritual center of sorts, surrounded by ancient standing stones that were emblems of power. He means to replace the stones that have fallen - or been destroyed, as many of them were - and establish a thriving New Age community that will draw tourists and students from all over the world. What Max Goff doesn't know is that the standing stones of Crybbe were destroyed in the sixteenth century for a very good reason. Some of the endearing customs of the town - such as tolling the church bell for curfew each night - are actually deadly serious rituals. The people of Crybbe know that evil has been kept at bay here by the old ways, and that there's nothing quaint about them. And the power about to be unleashed by Max Goff is nothing like the soothing music and herbal remedies he associates with the New Age. This is the power of the old age, pent up for centuries and about to be released with deadly fury!

    The wind whistling through the eves, carrying the voices of the dead. The figure glimpsed briefly through the cracked window of a derelict house. Editor Jonathan Oliver brings horror home with a collection of haunted house stories by some of the finest writers working in the horror genre, including Joe R. Lansdale, Sarah Pinborough, Lisa Tuttle, Christopher Priest, Adam L. G. Nevill, Nicholas Royle, Chaz Brenchley, Christopher Fowler, Gary Kilworth, Weston Ochse, Eric Brown, Tim Lebbon, Nina Allan, Stephen Volk, Paul Meloy and more.

    With acute psychological insight, Dávila follows her characters to the limits of desire, paranoia, insomnia, and fear. She is a writer obsessed with obsession, who makes nightmares come to life through the everyday: loneliness sinks in easily like a razor-sharp knife, some sort of evil lurks in every shadow, delusion takes the form of strange and very real creatures. After reading The Houseguest—Dávila’s debut collection in English—you’ll wonder how this secret was kept for so long.

    'Be sure you don't answer the door to anyone you don't know.'A little Patricia Highsmith, a touch of Shirley Jackson: the long-neglected Celia Fremlin wrote short, sharp stories that threw women's lives into shiver-inducing relief.In each of these twinned tales, a mother and daughter meet again, and an ordinary home becomes the setting for a return of the repressed.Bringing together past, present and future in our ninetieth year, Faber Stories is a celebratory compendium of collectable work.

       When Mrs. Sorensen’s husband dies, she rekindles a long-dormant love with an unsuitable mate in “Mrs. Sorensen and the Sasquatch.” In “Open the Door and the Light Pours Through,” a young man wrestles with grief and his sexuality in an exchange of letters with his faraway beloved. “Dreadful Young Ladies” demonstrates the strength and power—known and unknown—of the imagination.  In “Notes on the Untimely Death of Ronia Drake,” a witch is haunted by the deadly repercussions of a spell. “The Insect and the Astronomer” upends expectations about good and bad, knowledge and ignorance, love and longing. The World Fantasy Award–winning novella The Unlicensed Magician introduces the secret magical life of an invisible girl once left for dead—with thematic echoes of Barnhill’s Newbery Medal–winning novel, The Girl Who Drank the Moon.

    Showcasing this cutting-edge talent, Poe’s Children now brings the best of the genre’s stories to a wider audience. Featuring tales from such writers as Neil Gaiman and Jonathan Carroll, Poe’s Children is Peter Straub’s tribute to the imaginative power of storytelling. Each previously published story has been selected by Straub to represent what he thinks is the most interesting development in our literature during the last two decades.Selections range from the early Stephen King psychological thriller “The Ballad of the Flexible Bullet,” in which an editor confronts an author’s belief that his typewriter is inhabited by supernatural creatures, to “The Man on the Ceiling,” Melanie and Steve Rasnic Tem’s award-winning surreal tale of night terrors, woven with daylight fears that haunt a family. Other selections include National Book Award finalist Dan Chaon’s “The Bees”; Peter Straub’s “Little Red’s Tango,” the legend of a music aficionado whose past is as mysterious as the ghostly visitors to his Manhattan apartment; Elizabeth Hand’s visionary and shocking “Cleopatra Brimstone”; Thomas Ligotti’s brilliant, mind-stretching “Notes on the Writing of Horror: A Story”; and “Body,” Brian Evenson’s disturbing twist on correctional facilities.Crossing boundaries and packed with imaginative chills, Poe’s Children bears all the telltale signs of fearless, addictive fiction.

     The ancient building has been the subject of rumours for close to a century. Its owner, Edith, refused to let guests inside and rarely visited the nearby town. Following Edith's death, her sole surviving relative, Adrienne, inherits the property. Adrienne's only possessions are a suitcase of luggage, twenty dollars, and her pet cat. Ashburn House is a lifeline she can't afford to refuse. Adrienne doesn't believe in ghosts, but it's hard to ignore the unease that grows as she explores her new home. Strange messages have been etched into the wallpaper, an old grave is hidden in the forest behind the house, and eerie portraits in the upstairs hall seem to watch her every movement. As she uncovers more of the house's secrets, Adrienne begins to believe the whispered rumours about Ashburn may hold more truth than she ever suspected. The building has a bleak and grisly past, and as she chases the threads of a decades-old mystery, Adrienne realises she's become the prey to something deeply unnatural and intensely resentful. Only one thing is certain: Ashburn's dead are not at rest.

    Brockmeyer, the award-winning author of KIND NEPENTHE. In "Mine" a child hangs precariously between the isthmus of innocence and evil, shedding his humanity for the altar of a wolf pup.A horrifying and ancient legend reveals itself with a shocking new twist in "A Dirty Winter Moon.""Have a Heart" teaches us that nature always prevails over the follies of man, sometimes in an extremely gruesome manner.In "Rumpelstiltskin" the troll under the bridge is very real, and wants your children for unspeakable deeds.In "The Gym Teacher" a boy's obsession with serial killers leads him to discover the true nature of a monster.These twenty stories traverse the outskirts of society to reveal the brutality of humanity in all its gory glory.

    In an age of rapid scientific progress, the idea of a vindictive past able to reach out and violate the present held a special potential for terror. Throughout the nineteenth century, fictional ghost stories developed in parallel with the more general Victorian fascination with death and what lay beyond it. Though they were as much a part of the cultural and literary fabric of the age as imperial confidence, the best of the stories still retain their original power to surprise and unsettle. In Victorian Ghost Stories, the editors map out the development of the ghost story from 1850 to the early years of the twentieth century and demonstrate the importance of this form of short fiction in Victorian popular culture. As well as reprinting stories by supernatural specialists such as J. S. Le Fanu and M. R. James, this selection emphasizes the key role played by women writers--including Elizabeth Gaskell, Rhoda Broughton, and Charlotte Riddell--and offers one or two genuine rarities. Other writers represented include Charles Dickens, Henry James, Wilkie Collins, Sir Arthur Conan Doyle, and R. L. Stevenson. There is also a fascinating Introduction and a chronological list of ghost story collections from 1850 to 1910.Includes:The old nurse's story by Elizabeth GaskellAn account of some strange disturbances in Aungier Street by J.S. Le FanuThe miniature by J.Y. AkermanThe last house in C-Street by Dinah MulockTo be taken with a grain of salt by Charles DickensThe Botathen ghost by R.S. HawkerThe truth, the whole truth, and nothing but the truth by Rhoda BroughtonThe romance of certain old clothes by Henry JamesPichon & Sons, of the Croix Rousse by AnonymousReality or delusion? by Mrs Henry WoodUncle Cornelius, his story by George MacDonaldThe shadow of a shade by Tom HoodAt Chrighton Abbey by Mary Elizabeth BraddonNo living voice by Thomas Street MillingtonMiss Jéromette and the clergyman by Wilkie CollinsThe story of Clifford House by AnonymousWas it an illusion? by Amelia B. EdwardsThe open door by Charlotte RiddellThe captain of the "Pole-star" by Sir Arthur Conan DoyleThe body-snatcher by Robert Louis StevensonThe story of the rippling train by Mary Louisa MolesworthAt the end of the passage by Rudyard Kipling"To let" by B.M. CrokerJohn Charrington's wedding by E. NesbitThe haunted organist of Hurly Burly by Rosa MulhollandThe man of science by Jerome K. JeromeCanon Alberic's scrap-book by M.R. JamesJerry Bundler by W.W. JacobsAn Eddy on the floor by Bernard CapesThe tomb of Sarah by F.G. LoringThe case of Vincent Pyrwhit by Barry PainThe shadows on the wall by Mary E. WilkinsFather Macclesfield's tale by R.H. BensonThurnley Abbey by Perceval LandonThe kit-bag by Algernon Blackwood

    But we can visit our fears at night, in the dark. We can turn them over and weigh them in our hands and maybe that will protect us from them. But maybe not.The characters in this collection find their aspirations for happy homes, happy families and happy memories dissected and imbued with shimmering menace. Alone in a remote house in Iceland a woman is unnerved by her isolation; another can only find respite from the clinging ghost that follows her by submerging herself in an overgrown pool. Couples wrestle with a lack of connection to their children; a schoolgirl becomes obsessed with the female anatomical models in a museum; and a cheery account of child’s day out is undercut by chilling footnotes.These dark tales explore women’s fears with electrifying honesty and invention and speak to one another about female bodies, domestic claustrophobia, desire and violence. From a talented writer who has been compared to Angela Carter, Things We Say in the Dark is a powerful contemporary collection of feminist stories, ranging from vicious fairy tales to disturbing horror and tender ghost stories.KIRSTY LOGAN WAS SELECTED AS ONE OF BRITAIN'S TEN MOST OUTSTANDING LGBTQ WRITERS by Val McDermid for the International Literature Showcase in 2019

    Jekyll and Mr. HydeMedical school students Fettes and Macfarlane are charged with the unenviable task of receiving and paying for the institution’s research cadavers. When Fettes recognizes the dead body of a woman he saw alive and well just the day before, he suspects murder. Macfarlane, however, insists that the authorities would never believe they had nothing to do with her death. Reluctantly, Fettes agrees to keep quiet, but soon regrets his decision when another familiar corpse turns up—and takes on a life of its own.