Get paid to travel and write about it.Only no one told Jules that it would mean eating oily seabirds, repeatedly falling off a husky sled, getting stranded on a Mediterranean island, and crash-landing in Iran.The exotic destinations come thick and fast – Hong Kong, Hawaii, Huddersfield – as Jules navigates what it means to be a travel writer in a world with endless surprises up its sleeve.Add in a cast of larger-than-life characters – Elvis, Captain Cook, his own travel-mad Dad – and an eye for the ridiculous, and this journey with Jules is one you won’t want to miss.

    He often came across as a man possessed, holding forth on culture and politics while mixing in personal revelations – all with mercurial, tongue-twisting intensity as he inhabited and shed one character after another with lightning speed.But as Dave Itzkoff shows in this revelatory biography, Williams’s comic brilliance masked a deep well of conflicting emotions and self-doubt, which he drew upon in his comedy and in celebrated films like Dead Poets Society; Good Morning, Vietnam; The Fisher King; Aladdin; and Mrs. Doubtfire, where he showcased his limitless gift for improvisation to bring to life a wide range of characters. And in Good Will Hunting he gave an intense and controlled performance that revealed the true range of his talent.Itzkoff also shows how Williams struggled mightily with addiction and depression – topics he discussed openly while performing and during interviews – and with a debilitating condition at the end of his life that affected him in ways his fans never knew. Drawing on more than a hundred original interviews with family, friends, and colleagues, as well as extensive archival research, Robin is a fresh and original look at a man whose work touched so many lives.

    Though victorious, these exhausted men were nevertheless too grief-stricken over the loss of comrades, too guilt-ridden that they had survived, and too numbed by trauma to share in the country’s euphoria. Most never saw a ticker-tape parade, or stole a Times Square kiss. All they wanted was to settle back into quiet workaday lives without fear. How tragic that the forces unleashed by World War II made this simple wish impossible.Willie & Joe: Back Home brilliantly chronicles the struggles and disillusionments of these early postwar years and, in doing so, tells Bill Mauldin’s own extraordinary story of his journey home to a wife he barely knew and a son he had only seen in pictures. The drawings capture the texture and feel, the warp and woof, of this confusing time: the ubiquitous hats and cigarettes, the domestic rubs, the rising fear of another war, and new conflicts over Civil Rights, civil liberties, and free speech. This volume of Mauldin’s work identifies and restores the dozens of cartoons censored by Mauldin’s syndicate for their attacks on racial segregation and McCarthy-style “witch hunts.” Mauldin pleaded with his syndicate to let him out of his contract so that he could return to the simple quiet life so desired by Willie & Joe. The syndicate refused, so Mauldin did battle, as always, through pen and ink.(less)

    Never one to beat around the bush, he explains to us, in the opening of this singular, delightfully eccentric book, that because he is also a cartoonist at the magazine he actually has two of the best jobs in the world. With the help of myriad images and his funniest, most beloved cartoons, he traces his love of the craft all the way back to his childhood, when he started doing funny drawings at the age of eight. After meeting his mother, we follow his unlikely stints as a high-school basketball star, draft dodger, and sociology grad student. Though Mankoff abandoned the study of psychology in the seventies to become a cartoonist, he recently realized that the field he abandoned could help him better understand the field he was in, and here he takes up the psychology of cartooning, analyzing why some cartoons make us laugh and others don't. He allows us into the hallowed halls of The New Yorker to show us the soup-to-nuts process of cartoon creation, giving us a detailed look not only at his own work, but that of the other talented cartoonists who keep us laughing week after week. For dessert, he reveals the secrets to winning the magazine's caption contest. Throughout How About Never--Is Never Good for You?, we see his commitment to the motto "Anything worth saying is worth saying funny."

      Kids: they are the light of your life—and the enemy of all things fragile, intact, and clean. But why cry over spilt milk . . . or paint . . . or the entire contents of a full-size swimming pool? A testament to the messiness of childhood (and parenting), and a memorial to the household items that perished along the way, here are never-before-seen photos and outrageous stories of VCRs jammed with toys, toilets clogged with clothes, and furniture accented with permanent marker. Torn-up computer keyboards and torn-out hair, botched family photos and mustard-covered treadmills—nothing is off limits to your darling, destructive offspring. So raise a broken glass and embrace the madness, because laughter is the only surefire way to keep your sh*t together.

    Go, is an introduction to the ways in which a designer communicates his or her ideas to the world. It's written and designed just for those curious kids, not to mention their savvy parents, who want to learn the secret of how to make things dynamic and interesting.

    The alimentary canal is classic Mary Roach terrain: the questions explored in Gulp are as taboo, in their way, as the cadavers in Stiff and every bit as surreal as the universe of zero gravity explored in Packing for Mars. Why is crunchy food so appealing? Why is it so hard to find words for flavors and smells? Why doesn’t the stomach digest itself? How much can you eat before your stomach bursts? Can constipation kill you? Did it kill Elvis? In Gulp we meet scientists who tackle the questions no one else thinks of—or has the courage to ask. We go on location to a pet-food taste-test lab, a fecal transplant, and into a live stomach to observe the fate of a meal. With Roach at our side, we travel the world, meeting murderers and mad scientists, Eskimos and exorcists (who have occasionally administered holy water rectally), rabbis and terrorists—who, it turns out, for practical reasons do not conceal bombs in their digestive tracts.Like all of Roach’s books, Gulp is as much about human beings as it is about human bodies.

    Each artist is represented by a full-page colour plate of a definitive work, accompanied by explanatory and illuminating information on the image and its creator. Glossaries of artistic movements and technical terms are included, making this a valuable work of reference as well as a feast for the eyes. By breaking with traditional classifications, The Art Book presents a fresh and original approach to art: an unparalleled visual sourcebook and a celebration of our rich and multi-faceted culture.

    Padawans can learn how to fold R2-D2 and C-3PO, draw Jabba, and even build a fully functioning ChapStick rocket! Other Force-mastering activities include: “Kellen’s Guide to Cool Letters,” “Mike’s Complete Rules and Tips for Pencil Pod-Racing,” “Rhondella’s Tips for Photographing Origami,” and much more! With Tom Angleberger’s goofy sense of humor and accessible art style, Art2-D2’s Guide to Folding and Doodling is sure to satisfy and inspire the millions of Origami Yoda and Star Wars fans. May the doodles be with you! Includes 16-page color insert with 10 pages of colored pull-out origami paper; instructions to make Yoda, Darth, C-3PO, Admiral Ackbar, and R2-D2; a section on photographing your origami creations, and two Star Wars backdrops to photograph them against. Praise for Art2-D2's Guide to Folding and Doodling "Once again, Angleberger’s humor, which presents itself in the text through characters from the series, in both human and origami form, connects with middle-grade readers. 'Art2' and the other 'Origami Yoda' books are the ultimate example of the by-a-fan/for-the-fans format, which succeeds if executed properly. This did he.” —Florida Times-Union "Excellent activity-book offshoot of Angleberger’s bestselling Origami Yoda series… The banter and tongue-and-cheek humor of the previous books is present, along with encouragement." —Publishers Weekly "The presentation’s offbeat attitude, ingenuity, and wit, many libraries will want to stock this high interest book..." —Booklist "Fans (and nonfans, if there are any) of the “Origami Yoda” series (Abrams) and website will find new opportunities aplenty for foolery in this spinoff compendium of progressively challenging hands-on instructions for drawing, folding, and goofing around with (mostly) Star Wars characters." —School Library Journal

    So here is the place where the Grim Reaper can kick back and take the load off his scythe. Here's the golf course that's not so much crazy as insane, and the useless maze, and the dark gardens - all brought (incongruously) to life. And here, for the first time ever, you will find out the reason why Death can't understand rockeries, and what happens to garden gnomes.As Death rides Binky into the sunset (of other people's lives), you can at last see what he gets up to when he's not at work.

    Seuss! Readers will learn: · Georgia O’Keeffe was so enthralled by nature that she once ate dirt just to see what it tasted like. · Jackson Pollock lost the top of his right index finger in a childhood accident (and the severed tip was eaten by a rooster!). · Andy Warhol’s favorite childhood lunch was—what else?—a bowl of Campbell’s tomato soup.Every scribble, sketch, and sticky situation comes to life in these kid-friendly and relatable stories, all with Doogie Horner’s trademark full-color illustrations. Kid Artists is a delight for budding artists and eager readers alike.

    

    Organized in thematic sections, That Book covers a world of learning by an author whos developed game shows (he was the creator of the first "fastest-finger" game-show quiz) and was one of the original contributors to the international editions of Trivial Pursuit. Want to know which U.S. president is a descendant of King Edward III? Or which famous people lived to read their own obituaries? That Book covers these inessential facts and more ...Not since Schotts Original Miscellany has there been such a delectable feast of useless information. That Book is an encyclopedia of honest-to-god facts from the bizarre to the mundane that will have you alternately shaking your head in wonder and holding your sides in laughter. Bathroom -- or bedside -- reading just doesnt get any better than this -- or That.

    Unwavering in their commitment to high quality stupidity, MAD's legendary artists and writers, long known as "The Usual Gang of Idiots," have brilliantly satirized politics, celebrities, sports, media, cultural trends, and more. Totally MAD (originally titled The New American Cookbook until cooler heads prevailed) is the ultimate collection of MAD's most idiotic material, including such classics as Spy vs. Spy, The MAD Fold-in, A MAD Look At..., The Lighter Side of, Horrifying Clichés and The Shadow Knows, plus modern MAD classics including The MAD Strip Club and The Fundalini Pages. Whether you grew up with MAD in the 50s, 60s, or 70s, reading it with a flashlight under the covers so your parents wouldn't catch you, or in the 80s, 90s and beyond, reading it while watching the MADtv sketch comedy show or the more recent animated series on the Cartoon Network, this book will bring back fond memories and also provide a great introduction to MAD for new readers. Then again, maybe not. SPECIAL BONUS!Includes "The Soul of MAD," 12 classic cover prints, ten featuring Alfred E. Neuman, MAD's gap-toothed grinning idiot mascot. These beautiful reproductions are suitable for framing or wrapping fish.

    But when he opens his box of crayons, he finds only letters, all saying the same thing: We quit!Beige is tired of playing second fiddle to Brown. Blue needs a break from coloring all that water, while Pink just wants to be used. Green has no complaints, but Orange and Yellow are no longer speaking to each other. What is Duncan to do? Debut author Drew Daywalt and New York Times bestseller Oliver Jeffers create a colorful solution in this playful, imaginative story that will have children laughing and playing with their crayons in a whole new way.