Victor, Illich celebrates the culture of the book from the twelfth century to the present. Hugh's work, at once an encyclopedia and guide to the art of reading, reveals a twelfth-century revolution as sweeping as that brought about by the invention of the printing press and equal in magnitude only to the changes of the computer age—the transition from reading as a vocal activity done in the monastery to reading as a predominantly silent activity performed by and for individuals.

    From its late-Victorian flowering in the mill towns of the northwest of England, football spread around the world with great speed. It was helped on its way by a series of missionaries who showed the rest of the planet the simple joys of the game. Even now, in many countries, the colloquial word for a football manager is not 'coach' or 'boss' but 'mister', as that is how the early teachers were known, because they had come from the home of the sport to help it develop in new territories.       In Rory Smith's stunning new book Mister, he looks at the stories of these pioneers of the game, men who left this country to take football across the globe. Sometimes, they had been spurned in their own land, as coaching was often frowned upon in England in those days, when players were starved of the ball during the week to make them hungry for it on matchday. So it was that the inspirations behind the 'Mighty Magyars' of the 1950s, the Dutch of the 1970s or top clubs such as Barcelona came from these shores.       England, without realising it, fired the very revolution that would remove its crown, changing football's history, thanks to a handful of men who sowed the seeds of the inversion of football's natural order. This is the story of the men who taught the world to play and shaped its destiny. This is the story of the Misters.

    First published in 1992.

    A controversial story about life in the English Premier soccer league -- a mixture of anecdote and intimate biography -- the tabloid truth about professional soccer.

    Three days later the diplomat was dead, and Germany was in the grips of skillfully orchestrated anti-Jewish violence.In the early hours of November 10, Nazi storm troopers and Hitler Youth rampaged through Jewish neighborhoods across Germany, leaving behind them a horrifying trail of terror and destruction. More than a thousand synagogues and many thousands of Jewish shops were destroyed, while thirty thousand Jews were rounded up and sent to concentration camps. This was the moment when deliberately inflamed hatreds ignited nationwide destruction.With rare insight and acumen, Martin Gilbert, one of the leading historians of our time, examines Kristallnacht -- the Night of Broken Glass -- and describes how the rest of the world reacted in its wake. His narration of that night and day of terror is chilling, vividly conveying its scale and intensity through more than fifty previously unpublished eyewitness testimonies and graphic newspaper accounts of the events as they unfolded. No other attack on Jews during the course of the Second World War was as widely reported by contemporary observers.Kristallnacht marked the beginning of the systematic eradication of a people who traced their origins in Germany to Roman times and was a sinister fore-warning of the Holocaust. By setting the tone for the terrible war to follow, it shaped the second half of the twentieth century and continues to haunt us, almost seventy years later. Meticulously researched and masterfully written, this is an eye-opening study of one of the darkest chapters in human history.

    Selling Dead People’s Things is a wry, behind-the-curtain peek into the world of antiques and their obsessive owners—while still alive and after their passing.An amusing observer of the human condition, author Duane Scott Cerny entertains in twenty-five life illuminating, scary, sad, or frightfully funny resale tales and essays.“You just can’t say to the bereaved, ‘I’m sorry for your loss, but are those crucifixes for sale?’ (Well, you can, but it’s how you say it.)”Whether processing the estate of a hoarding beekeeper, disassembling the retro remains of an infamous haunted hospital, or conducting an impromptu appraisal during a shiva gone disturbingly wrong, every day is a twisted treasure hunt for this twenty-first century antiques dealer.“Like it or knot the noose, but everyone is an estate sale waiting to happen.”While digging deep into the basements, attics, and souls of the most interesting collectors imaginable, traveling from one odd house call to the curious next, resale predicaments will confound your every turn.So be careful where you step, watch what you touch, and gird your heart—Antiques Roadshow, this ain’t!

    There was a time, however, when female literacy was a radical idea, and women have certainly not always been free to read whatever they want, whether for pleasure or instruction. This highly acclaimed book presents a compelling selection of paintings, drawings, prints and photographs of women reading through the ages. Works by a diverse range of artists, from Vermeer, Manet and Whistler to Edward Hopper and photographer Eve Arnold, are accompanied by commentaries that explain the context in which each image was created. Also featuring a foreword by the novelist Karen Joy Fowler and an engaging introduction exploring reading as a female pursuit, Women Who Read Are Dangerous will appeal to book lovers everywhere.

    He also watched—while recording his experiences in his private diaries—as increasingly the gap widened between the reality of the war outside the bunker and Hitler's willful illusions of imminent victory in the face of absolute ruin.In the last catastrophic week of Hitler's regime Loringhoven, now holed up night and day in the bunker, saw the final hopes of officers and staff dissolve into drink and fade into suicidal despair. He saw, too, his chance to survive: On April 29, when all communications in the bunker broke down—and with Hitler's unexpected blessing—he left. On April 30 Hitler was dead.

    The Gold Rush has ended; the Civil War threatens to tear apart the country. Far from the front lines, the city at the western edge roars. A global seaport, home to immigrants from five continents, San Francisco has become a complex urban society virtually overnight. The bards of the moment are the Bohemians: a young Mark Twain, fleeing the draft and seeking adventure; literary golden boy Bret Harte; struggling gay poet Charles Warren Stoddard; and beautiful, haunted Ina Coolbrith, poet and protectorate of the group. Ben Tarnoff’s elegant, atmospheric history reveals how these four pioneering western writers would together create a new American literature, unfettered by the heavy European influence that dominated the East.Twain arrives by stagecoach in San Francisco in 1863 and is fast drunk on champagne, oysters, and the city’s intoxicating energy. He finds that the war has only made California richer: the economy booms, newspapers and magazines thrive, and the dream of transcontinental train travel promises to soon become a reality. Twain and the Bohemians find inspiration in their surroundings: the dark ironies of frontier humor, the extravagant tales told around the campfires, and the youthful irreverence of the new world being formed in the west. The star of the moment is Bret Harte, a rising figure on the national scene and mentor to both Stoddard and Coolbrith. Young and ambitious, Twain and Harte form the Bohemian core. But as Harte’s star ascends—drawing attention from eastern taste makers such as the Atlantic Monthly—Twain flounders, questioning whether he should be a writer at all. The Bohemian moment would continue in Boston, New York, and London, and would achieve immortality in the writings of Mark Twain. San Francisco gave him his education as a writer and helped inspire the astonishing innovations that radically reimagined American literature. At once an intimate portrait of an eclectic, unforgettable group of writers and a history of a cultural revolution in America, The Bohemians reveals how a brief moment on the western frontier changed our country forever.

    Shaken, Unsophisticated, Harleian Style, Fingerprint, E-book, Dentelle. Can you define these terms? If not, this is the book for you! John Carter's ABC For Book Collectors has long been established as the most enjoyable as well as the most informative reference book on the subject. Here, in over 490 alphabetical entries, ranging in length from a single line to several pages, may be found definition and analysis of the technical terms used in book collecting and bibliography, interspersed with salutary comments on such subjects as auctions, condition, facsimiles and fakes, 'points', rarity, etc. This eighth edition has been revised by Nicolas Barker, editor of The Book Collector and incorporates additional words created by the introduction of web-based collecting. The ABC For Book Collectors retains its humorous character as the one indispensable guide to book collecting while also keeping us up-to-date with modern terminology.

    

    The author traces the evolution of the book from the rarefied world of the hand-copied and illuminated volume in ancient and medieval times, through the revolutionary impact of Gutenberg’s invention of the printing press, to the rise of a publishing culture in the nineteenth and twentieth centuries, and the subsequent impact of new technologies on this culture.  Many of the great individual titles of the past two millennia are discussed as well as the range of book types and formats that have emerged in the last few hundred years, from serial and dime novels to paperbacks, children’s books, and Japanese manga. The volume ends with a discussion of the digital revolution in book production and distribution and the ramifications for book lovers, who can’t help but wonder whether the book will thrive—or even survive—in a form they recognize.

    It started like a Hollywood thriller, secretly transporting from England $25 million in British gold bullion, delivered to the ship in unguarded bread trucks, a pre-war “Neutrality Patrol” that was really an unofficial hostile search for the far bigger and more powerful German battleship Prinz Eugen, and sneaking through the Panama Canal at night with the ship’s name and hull number covered for secrecy. Now, with the ship bulging with an unusual load of fuel and supplies, in the company of a large fleet quietly passing under San Francisco’s Golden Gate Bridge, the crew was about to learn of their latest (but not last) and most improbable adventure yet as the captain made an announcement that would change the war and their lives forever, “We are going to Tokyo!”. Over three years, scores of battles and hundreds of thousands of ocean miles later, the Nashville and her crew had earned 10 Battle Stars, served from the North Atlantic to the South Pacific, from the Aleutians to the Yangtze River, as McArthur’s flagship and suffered heavy casualties from a devastating kamikaze attack. Tokyo Rose reported her sunk, repeatedly. Earlier, with goodwill trips that included France, England, Scandinavia, Bermuda and Rio de Janeiro, the new, sleek Nashville built a pre-war reputation as a “glamour ship”. But with war came the secret missions, capturing the second and third Japanese POWs of the war, having a torpedo pass just under the stern, being strafed and bombed by Japanese planes, losing a third of the crew in a single devastating Kamikaze attack, swimming in shark infested waters protected by marines with machine guns, enjoying the beauty of Sydney and her people, planning a suicide mission to destroy the Japanese fishing fleet, and bombarding Japanese troops and airfields across the Pacific. The Nashville crew served their ship and country well. They came from Baltimore row-houses, New York walk-ups, San Francisco flats, Kansas wheat farms, Colorado cattle ranches, Louisiana bayous and Maine fishing towns. Many had never traveled more than 25 miles from home and had never seen the ocean until they joined the service. They were part Irish, part Italian, part Polish and All-American. Battered, burnt and bombed, they made the USS Nashville their home and lived and died as eternal shipmates. Historical narrative enriched with the personal stories of the crew, this is the story of a ship and crew of ordinary men who did extraordinary things.

    But what was unclear was how this defeat would play out - would the Germans hold on, prolonging the fighting deep into 1919, with the loss of hundreds of thousands more young lives, or could the war be won in 1918? In The Last Battle, Peter Hart, author of Gallipoli and The Great War, and oral historian at the Imperial War Museum, brings to life the dramatic final weeks of the war, as men fought to secure victory, with survival seemingly only days, or hours away.Drawing on the experience of both generals and ordinary soldiers, and dwelling with equal weight on strategy, tactics and individual experience, this is a powerful and detailed account of history's greatest endgame.