Medical science and governments around the world scramble in an effort to solve the problem, but twenty-five years later there is no cure, and an entire generation grows up with a population of fewer than a thousand women.Zoey and some of the surviving young women are housed in a scientific research compound dedicated to determining the cause. For two decades, she’s been isolated from her family, treated as a test subject, and locked away—told only that the virus has wiped out the rest of the world’s population.Captivity is the only life Zoey has ever known, and escaping her heavily armed captors is no easy task, but she’s determined to leave before she is subjected to the next round of tests…a program that no other woman has ever returned from. Even if she’s successful, Zoey has no idea what she’ll encounter in the strange new world beyond the facility’s walls. Winning her freedom will take brutality she never imagined she possessed, as well as all her strength and cunning—but Zoey is ready for war.

    The earth begins to move. The streets crack open and yards split asunder...and rising from subterranean depths far below, a viscid black muck bubbles up and floods the neighborhood.In it are a ravenous army of gigantic worms seeking human flesh. They wash into houses, they come up through the sewers, through plumbing, filling toilets and tubs, seeking human prey. Cut off from the rest of the town, the people of Pine Street must wage a war of survival or they'll never see morning. As bad as the worms are, there's something worse—and far larger—waiting to emerge.

    This placid body of water has brought prosperity to an isolated community, and with it, two strangers who intermingle with the insular local folk, strangers probing into crimes against nature from generations past that cannot remain submerged beneath the waters’ surface.Under the Lake marks the eagerly awaited return to the South of Stuart's Edgar Award winning novel, Chiefs. John Howell, once a top investigative journalist, comes to this backcountry town on the run from a once promising personal and professional life that has somehow gone sour. What he finds is a mystery so deep, so complex, so bizarre, that he cannot concentrate on the book he has come here to write.The story begins with his entanglement in a subtle, but relentless battle waged by the autocratic town father and the local sheriff against an outcast family, ravaged by its origins. Howell is further drawn in by his involvement with two women – an ambitious young reporter on the prowl for corruption, and a shy backwoods beauty, forsaken by the world because of her family’s ill kept secret. Then, without warning, visits from an otherworldly young girl haunt Howell as his rustic cabin becomes a spectral theater offering strange and frightening images of a hideous event of long ago.

    But the carnival’s newest act, a peculiar young woman with latent magical powers, may hold the key to defeating it. Her time has come.Abandoned by her family, alone on the wrong side of the color line with little to call her own, Eliza Meeks is coming to terms with what she does have. It’s a gift for communicating with animals. To some, she’s a magical tender. To others, a she-devil. To a talent prospector, she’s a crowd-drawing oddity. And the Bacchanal Carnival is Eliza’s ticket out of the swamp trap of Baton Rouge.Among fortune-tellers, carnies, barkers, and folks even stranger than herself, Eliza finds a new home. But the Bacchanal is no ordinary carnival. An ancient demon has a home there too. She hides behind an iridescent disguise. She feeds on innocent souls. And she’s met her match in Eliza, who’s only beginning to understand the purpose of her own burgeoning powers.Only then can Eliza save her friends, find her family, and fight the sway of a primordial demon preying upon the human world. Rolling across a consuming dust bowl landscape, Eliza may have found her destiny.

    Kate Moore is looking for a way out of the poverty and violence of her childhood. When a chance encounter on a transatlantic ocean liner brings her face-to-face with the handsome heir to a Chicago fortune, she thinks she may have found her escape—as long as she can keep her past concealed.After exchanging wedding vows, Kate quickly discovers that something isn’t quite right with her husband—or her new family. As Mrs. Matthew Lemont, she must contend with her husband’s disturbing past, his domineering mother, and his overly close sister. Isolated at Lakecrest, the sprawling, secluded Lemont estate, she searches desperately for clues to Matthew’s terrors, which she suspects stem from the mysterious disappearance of his aunt years before. As Kate stumbles deeper into a maze of family secrets, she begins to question everyone’s sanity—especially her own. But just how far will she go to break free of this family’s twisted past?

    Determined to improve life for her and her son, Christopher, she flees an abusive relationship in the middle of the night with her child. Together, they find themselves drawn to the tight-knit community of Mill Grove, Pennsylvania. It's as far off the beaten track as they can get. Just one highway in, one highway out.At first, it seems like the perfect place to finally settle down. Then Christopher vanishes. For six long days, no one can find him. Until Christopher emerges from the woods at the edge of town, unharmed but not unchanged. He returns with a voice in his head only he can hear, with a mission only he can complete: Build a treehouse in the woods by Christmas, or his mother and everyone in the town will never be the same again.Twenty years ago, Stephen Chbosky's The Perks of Being a Wallflower made readers everywhere feel infinite. Now, Chbosky has returned with an epic work of literary horror, years in the making, whose grand scale and rich emotion redefine the genre. Read it with the lights on.

    Together, the Hearth sisters quietly bury their secrets and form a formidable team during any crisis. Purchasing the old Blymhill house with the hopes of turning it into an artists’ retreat, the sisters are finally living their dream. But when Frankie’s stable ground is rattled by a vengeful ex-boyfriend, an unstable friend from the past shows up unannounced with delusions of intimacy, and a cold case cop starts sniffing around their door, the sisters are forced to wonder how far they will go to keep their secrets safe. Gillian discovers that, this time, her fight is about to land her in the crosshairs of a dangerous predator who will use any means necessary to remove her from the equation. With everything she holds dear under threat, Gillian battles to keep her head above water and her skeletons in the closet.

    He quickly realizes he’s made a mistake when it becomes clear that he's replacing another actor who quit after seeing the script—a script the director now claims doesn’t exist. The movie is over budget. The production team seems headed for a breakdown. The air is so wet that the celluloid film disintegrates.But what the actor doesn’t realize is that the greatest threat might be the town itself, and the mysterious shadow economy that powers this remote jungle outpost. Entrepreneurial Americans, international drug traffickers, and M-19 guerrillas are all fighting for South America’s future—and the groups aren’t as distinct as one might think. The actor thought this would be a role that would change his life. Now he’s worried he won't survive it.Inspired by a true story from the annals of 1970's Italian horror film, We Eat Our Own is a journey behind the scenes of a shocking film and a thoughtful commentary on violence and its repercussions.

    Things will never be the same again, they said. Isn't it wonderful, they said. But no one knows what to say now. My husband wants to take the kids. My husband thinks the accident was my fault. My husband thinks I need help. But I think he wants rid of me.

    Tattoo artist. Athlete. Family man. He's planning to run a marathon, but the event becomes something terrible. During a warm-up run, Macon falls prey to a bizarre man and his wife who dwell in an underground drug-smuggling tunnel. They raise their twin children in a way Macon couldn't imagine: skinning unexpecting victims for food and money. And Macon, and his family, are next.

    A stolen child. An ancient ritual. A legend of shadows. A terrifying birthright. Who holds the key to the chilling mystery of Stonehaven and its desolate woods — and what unspeakable creature remains trapped within its summer mansion?From New York Times bestselling author Douglas Clegg comes a riveting, edge-of-your-seat supernatural thriller of “overwhelming love and devastating terror.

    When newly appointed Deputy Marshal Archie Lean is called in to investigate a prostitute's murder in Portland, Maine, he's surprised to find the body laid out like a pentagram and pinned to the earth with a pitchfork.  He's even more surprised to learn that this death by "sticking" is a traditional method of killing a witch.      Baffled by the ritualized murder scene, Lean secretly enlists the help of historian Helen Prescott and brilliant criminalist Perceval Grey.  Distrusted by officials because of his mixed Abenaki Indian ancestry, Grey is even more notorious for combining modern investigative techniques with an almost eerie perceptiveness.  Although skeptical of each other's methods, together the detectives pursue the killer's trail through postmortems and opium dens, into the spiritualist societies and lunatic asylums of gothic New England.      Before the killer closes in on his final victim, Lean and Grey must decipher the secret pattern to these murders--a pattern hidden within the dark history of the Salem witch trials.

    But something goes terribly wrong on their way home, and the last time Zoë sees her, Holli is in the clutches of a sadistic killer. Zoë flees with her life, changed forever.A year later and still tortured with guilt, Zoë latches on to a police investigation where the crime eerily resembles her abduction. Along with a zealous detective, she retraces the steps of that fateful night in the desert, hoping that her memory will return and help them find justice for Holli. Her abductor—labeled the “Tally Man” by a fascinated media—lies in wait for Zoë. For him, she is not a survivor but simply the one that got away.With an unforgettable heroine, a chillingly disturbed psychopath, and a story that moves at breakneck speed, The One That Got Away is thriller writer Simon Wood at his finest.

    What was thought to be a new beginning for Julia soon devolves into an endless nightmare of hidden secrets and a troubled past best left unturned.The Haunting of Abram MansionA riveting new haunted house mystery that will keep you guessing until the end!When Peyton and Benjamin Fletcher inherit a dilapidated house in the quiet town of Falconwood, Connecticut from Peyton’s grandfather, all they want to do is get rid of it. Unfortunately, the will stipulates that the couple must live in the house for a minimum of six months before they sell it. As Peyton and Ben try to make the best of the situation, Peyton discovers the house is inhabited by ghosts, and they aren’t happy with the mansion’s new occupants.

    When a top secret Medical Corps research facility goes dark, Team Ghost is called in to face their deadliest enemy yet--a variant strain of Ebola that turns men into monsters.After barely escaping with his life, Beckham returns to Fort Bragg in the midst of a new type of war. The virus is already spreading... As cities fall, Team Ghost is ordered to keep CDC virologist Dr. Kate Lovato alive long enough to find a cure. What she uncovers will change everything.Total extinction is just on the horizon, but will the cure be worse than the virus?