The schism between the Orthodox and Catholic Churches influenced relationships between nations across Europe, and religious intolerance based on different Christian faiths led to persecution and outright violence across the continent for centuries. The Protestant Reformation split Christianity further, and the results culminated in the incredibly destructive Thirty Years’ War in the 17th century. Today, the most important religious split is between the Sunnis and the Shias (Shiites) within Islam. Unlike divisions in other faiths - between Conservative and Orthodox Jews or Catholic and Protestant Christians - the split between the Sunnis and Shia has existed almost as long as the faith itself, and it quickly emerged out of tensions created by the political crisis after the death of the Prophet Muhammad. In a sense, what are now two different forms of Islam essentially started as political factions within the unified body of Muslim believers. Over the past few centuries, Christians have mostly been able to live alongside their co-religionists, but the split between the Sunnis and Shias is still so pronounced that many adherents of each branch view each other with disdain if not as outright apostates or non-believers. The religious divide is perhaps the most important fault line in the turbulent Middle East today, with Sunni nations like Egypt and Saudi Arabia at odds with Shiite nations like Iran. At lower levels, non-state groups like the Islamic State and Hezbollah are fighting each other in ways that cross state lines in places like Lebanon, Iraq, and Syria. Although it is technically a split in religion, the divide has had substantial global ramifications for decades, and there seems to be no end in sight. The History of the Sunni and Shia Split traces the origins of the split and the historic effects of the main divide within Islam. Along with pictures of important people, places, and events, you will learn about the history of the Sunnis and Shias like never before, in no time at all.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    It is the best course of action in all situations. It is a cause for Allah’s mercy and help. It is a source of spiritual joy. The final victory in both matters of the world and Hereafter is only earned by patience and the good end belongs only to the patient ones. Our trials in this world are numerous and varied. Sometime, they comes as difficulties and some other times in forms of ease. Situations that life turns on us sometimes could stretch our will and faith to the extreame. In all situations, patience and eemaan remain our most valued companions for the Prophet (Peace be upon him) said:“Whoever remains patient, Allah will make him patient. Nobody can be given a blessing better and greater than patient.”(Bukhari)This book is a discussion of patience and how to develop that trait so that we might be a recipient of one of Allah’s greatest blessings

    In the century since its first performance, The Cherry Orchard has undergone a wide range of conflicting interpretations: tragic and comic, naturalistic and symbolic, reactionary and radical. Beginning with the 1904 premiere at Stanislavsky's Moscow Art Theatre, this study traces the performance history of one of the landmark plays of the modern theatre. Considering the work of such directors as Anatoly Efros, Giorgio Strehler, Peter Brook, and Peter Stein, Chekhov: The Cherry Orchard explores the way different artists, periods and cultures have reinvented Chekhov's poignant comedy of failure and hope.

    Covering every aspect of the film-making process, this magnificently designed film book comprises an incredible array of images as well as short essays by those involved in the filmmaking process. Mira Nair discusses how the novel was turned into a screenplay; Mohsin Hamid reminisces about his first experience on a film set; production designer Michael Carlin recounts the thrill of transforming Old Delhi into contemporary Lahore; lead actor Riz Ahmed reveals how he got under the skin of his character Changez; and editor Shimit Amin demystifies some of his tricks on the editing table. This book also features a series of gorgeous black-and-white photographs by celebrated photographer Brigitte Lacombe.‘A pro-America film that dares voice un-American thoughts’—Damon Wise, Empire‘Tense, thoughtful and truly international’—Time

    Meanwhile, all's not well on the unassuming Midwestern streets of Bloggs: with local children vanishing at an alarming rate, our hero, his lady friend, and a motley assortment of poets, butchers, and punk librarians prepare to battle the darkness on the edge of town.

     In Our Women on the Ground, nineteen of these women tell us, in their own words, about what it's like to report on conflicts that are (quite literally) close to home. From sexual harassment on the streets of Cairo to the impossibility of traveling without a male relative in Yemen, their challenges are unique—as are their advantages, such as being able to speak candidly with other women or gain entry to places that an outsider would never be able to access. Their daring, shocking, and heartfelt stories, told here for the first time, shatter stereotypes about Arab women and provide an urgently needed perspective on a part of the world that is often misunderstood. INCLUDING ESSAYS BY: Donna Abu-Nasr, Aida Alami, Hannah Allam, Jane Arraf, Lina Attalah, Nada Bakri, Shamael Elnoor, Zaina Erhaim, Asmaa al-Ghoul, Hind Hassan, Eman Helal, Zeina Karam, Roula Khalaf, Nour Malas, Hwaida Saad, Amira Al-Sharif, Heba Shibani, Lina Sinjab, and Natacha Yazbeck

    He enlists the aid of his lifelong buddy, Aldo Scalicki, a confirmed bachelor who tries, without apparent success, to convince Huey that he would be better off sticking with his new lady friend, Teresa, a usually placid young waitress whose indignation flares when she learns what Huey is up to. In a moonlit balcony scene (hilariously reminiscent of Cyrano de Bergerac) Aldo pleads his lovesick friend's case and, to his astonishment, Janice capitulates although not for long. However we do learn that her earlier abuse of Huey was intended to make him "act like a man" which, at last, he does. And, more than that, he (and the audience) become aware that, in the final essence, "the greatest and only success is to be able to love" a truth which emerges delightfully from the heartwarming, wonderfully antic and always imaginatively conceived action of the play.

    Married at a young age against her will, Kamila soon fell head-over-heels in love with another man—and was thus forced to choose between her children and her lover. As the narrative unfolds through the years—from the bazaars, cinemas and apartments of 1930s Beirut to its war-torn streets decades later—we follow this passionate woman as she survives the tragedies and celebrates the triumphs of a life lived to the very fullest.

    leaders.

    It is the looking glass through which we see and understand our inner world and our outer world...to build unshakeable self-confidence, especially in those moments when we feel nervous.”Since 2011, Aiman travels locally and internationally to speak to young people about various issues. Inspired by countless anecdotes from young people with myriad self-confidence issues, Aiman wrote this book as a self-help guide to build self-confidence from scratch with proven practical tips and tricks from scientific literature and personal experience.

    He explores the queasy relationships between life and art, love and estrangement, and the bane that is American identity drift, with unsparing but compassionate candor.” –Misha Berson, Seattle Times“Margulies’s remarkable gift of building characterization through realistic dialogue is undiminished. Full of aching ruefulness that underlies the comedy, Brooklyn Boy’s scenes are written with precision and humor. The play isn’t about Brooklyn, nor is it about a boy—it’s about a man without a home.” –Don Shirley, Los Angeles TimesThis new play by the Pulitzer Prize-winning author of Dinner with Friends follows the career of Eric Weiss, a writer whose novel hits the bestseller list the same time his life begins to unravel. His wife is out the door, his father is in the hospital, and his childhood friend thinks he has sold himself to the devil. A funny and emotionally rich look at family, friends and fame.Donald Margulies received the 2000 Pulitzer Prize for Drama for Dinner with Friends. The play received numerous awards, including the American Theatre Critics Association New Play Award, the Dramatists Guild/Hull-Warriner Award, the Lucille Lortel Award, the Outer Critics Circle Award and a Drama Desk nomination, and has been produced all over the United States and around the world. In addition to his adaptation of God of Vengeance, his many plays include Collected Stories, The Country House, Sight Unseen, The Model Apartment, The Loman Family Picnic, What’s Wrong with This Picture? and Time Stands Still. Mr. Margulies currently lives with his wife and their son in New Haven, Connecticut, where he teaches playwriting at Yale University.

    A young American woman is kidnapped in Lebanon by terrorists. Connected or coincidence? Despite the government’s difficulty in locating her sister, Liz Fairchild, a reporter from the States, is determined to find her…regardless of the risks. Meanwhile, Sergeant John Cooper and his elite Special Ops team hunt down Palestinian extremists in possession of a new undetectable explosive that will change the “face of terror.” When Liz and Task Force Valor’s paths intersect, more is at risk than their separate missions. While maneuvering through hostile territory, Liz and John realize they need each other to survive. Their antagonism gradually gives way to cooperation—and something more. Task Force Valor Explosive Ordnance Disposal—The Bomb Squad As the global war on terror heats up, the U.S. needs a team of highly trained special operators to deploy overseas to locate and neutralize threats, bringing EOD expertise to the dirty, deadly missions that have no room for error. For the men of Task Force Valor—life is a blast. A lethal new weapon. Master Sergeant John Cooper and his Special Ops team of explosives-hunters have a mission unlike any they’ve ever experienced before. A new undetectable type of explosive has burst onto the scene, and it will change the “face of terror” in the world. Washington wants the manufacturers shut down before it turns up on American soil. A missing sister. A suicide bomber blows up a hotel in Beirut. Liz Fairchild, an American reporter, searches for her sister, Julie, who is presumed dead in the blast…until Liz uncovers evidence she might be alive. When signs indicate that time is running out for Julie, Liz is determined to find her—regardless of the risks. A stealthy escape. As their separate objectives bring John and Liz together, the path ahead takes twists neither of them counted on. Although God works in all things for the good of those who love Him, God’s definition of good might not match theirs. When the mission goes south and politics intrude on their plans, the team must rely on their wits—and guts—to survive. Can they make it…with a wounded team member and a female civilian in tow? Story Behind the Book“I met Chuck Holton a few years ago when he took my fiction classes at the Mount Hermon Christian Writers Conference. I enjoyed him because my life experience is so different from his. When it was time to develop a new fiction series, I thought it would be fun to combine his military background with my civilian background and write a series right out of today’s headlines. He has basically written the male points of view, and I’ve done the female. Very challenging and great fun!” —Gayle Roper

    John Leonard, New York Times: What emerges from Mr. Lottman's tireless devotions is a portrait of the artist, the outsider, the humanist and skeptic, that breaks the heart. John Sturrock, The New York Times Book Review: Herbert Lottman's life (of Camus) is the first to be written, either in French or English, and it is exhaustive, a labor of love and of wonderful industry.This new edition includes a specially written preface by the author revealing the challenges of a biographer, of some of the problems that had to be dealt with while writing the book and after it appeared.

    The author has simplified the subject to serve the needs of the non-specialists. This work will be a significant addition to the text books available on Islamic jurisprudence in English.