For the centennial celebration of this beloved annual series, master of the form Lorrie Moore selects forty stories from the more than two thousand that were published in previous editions. Series editor Heidi Pitlor recounts behind-the-scenes anecdotes and examines, decade by decade, the trends captured over a hundred years. Together, the stories and commentary offer an extraordinary guided tour through a century of literature with what Moore calls “all its wildnesses of character and voice.” These forty stories represent their eras but also stand the test of time. Here is Ernest Hemingway’s first published story and a classic by William Faulkner, who admitted in his biographical note that he began to write “as an aid to love-making.” Nancy Hale’s story describes far-reaching echoes of the Holocaust; Tillie Olsen’s story expresses the desperation of a single mother; James Baldwin depicts the bonds of brotherhood and music. Here is Raymond Carver’s “minimalism,” a term he disliked, and Grace Paley’s “secular Yiddishkeit.” Here are the varied styles of Donald Barthelme, Charles Baxter, and Jamaica Kincaid. From Junot Díaz to Mary Gaitskill, from ZZ Packer to Sherman Alexie, these writers and stories explore the different things it means to be American.

    

    Estep follows her first novel, "Diary of An Emotional Idiot, " with a set of linked stories that glimpses two women through the eyes of the men in their lives.

    Unfortunately, a stint at the airport lounge's tea vending machine does not seem to be getting her any closer to her dreams. To pass the time she daydreams, chats with air-hostesses and takes part in mock anti-terrorist drills. At home, she studies her English, fights with her twin and engages in a secret love affair with her cousin and neighbour, Eza. But when a scandal threatens her tenuous happiness, she must pull out all stops on her overactive imagination, and seek a terrible revenge.

    In THE MOST DANGEROUS GAME a professional hunter finds out what it feels like to be hunted as a wild animal- for he is the prey? In TO BUILD A FIRE a trapper fights desperately against stark fear in the cruel Arctic night... In LEININGEN VERSUS THE ANTS a settler battles for his very life against a teeming horde of millions of deadly ants...These are only a few of the thrilling stories you'll read in this fascinating book.

    In these three linked stories, “Chance,” “Soon,” and “Silence”—which, together, inspired Pedro Almodóvar’s film Julieta—her virtuosic talents are once again on display. The stories follow a schoolteacher named Juliet as she is swept up by fate: meeting an older man on a train and starting an affair; later, visiting her parents as a young mother; and later still, searching for contact with her estranged daughter. As with all of Munro’s characters, Juliet radiates warmth, dignity, and hope, even as she is unflinching in the face of betrayal and loss. In Munro’s hands, her journey is as surprising, extraordinary, and precious as life itself.From the Trade Paperback edition.

    With her own inexorable but utterly unpredictable logic and her almost uncanny ability to conjure the strange states of mind and emotion that constitute our daily consciousness, Eisenberg pulls us as if by gossamer threads through her characters—a tormented woman whose face determines her destiny; a group of film actors shocked to read a book about their past; a privileged young man who unexpectedly falls into a love affair with a human rights worker caught up in an all-consuming quest that he doesn't understand.In Eisenberg’s world, the forces of money, sex, and power cannot be escaped, and the force of history, whether confronted or denied, cannot be evaded. No one writes better about time, tragedy and grief, and the indifferent but beautiful universe around us.

    

    Sharing some of the recipes that they brought over, the tomatoes, the garlic, the sausage, the wine, this is a mouthwatering memoir of family and food. It is also a brilliant evocation of life between the wars, a triumphant story of survival against all the odds, that captures the sights and smells of Italian life and culture, at home and abroad.

    He leaves the fast-paced life of the city for the Outer Hebrides, where traditional values and beliefs are adhered to and respected. It is a life he neither belongs to nor understands. When she goes he will be the last of the family line and he couldn't care less. Family and history are just bonds to tie him down. Reluctantly, he sets out to do his duty and stumbles across questions that challenge everything he ever knew about himself and the people from whom he came. In the days between his aunt's death and funeral he is drawn into the role of genealogy detective. In a place where everyone knows everything about everybody, Cal finds that secrets are buried deep. Mairi, a young widow, knows far more than she is willing to tell. Kate Anna, his aunt's lifelong friend, avoids his questions. And what of Finlay, who lays claim to the house? Cal begins to understand that Aunt Mary was not the woman he knew and the secret she kept hidden for so long means he might not be the person he thought he was. "Last of the Line" is a story that explores the part in all of us that wants to know who we are and where we are from.

    Though they were born within three minutes of each other and spent their childhoods dressed in matching outfits, they’ve grown up to have less in common than Kim Kardashian and the Duchess of Cambridge. So both women are horrified when a luggage mix-up means that sensible Clare must attend a company conference in the United States with Rosie’s suitcase full of pink, frills and stripper heels, while flamboyant Rosie heads for a friend’s destination wedding in Italy's Tuscany with Clare’s case full of suiting and sensible courts. Both believe wearing the other’s clothes is going to ruin their chances: Clare’s of getting a promotion and Rosie’s of getting a snog. But as three days of literally having to walk in each other’s shoes unfold, will the sisters discover they should try to be more like each other after all? This exclusive new novella (short novel at around 100 pages) by Chrissie Manby explores sisterhood, identity and love in a thoroughly summery way.

    It is a totally fresh, savvy and supremely honest take on being young, naive and hopeful, and the pains of living life at hyperspeed in a mad pop-culture world. It is fast, pacy and funny - an exhilarating joyride through the formative years of four Falkirk teenagers.'A terrific yarn... superb from start to finish' - FHM 'There is real emotion here, and gutsiness... a feeling for language so passionate it shames the dullness of so many sentences that make it into print' - Sunday Herald 'Required reading for those who understand and live its message' - The Herald

    Revenge, justice, loyalty, lies, love, anger and an identity crisis. Turns out, the new chauffeur is not her only driver...so buckle up and enjoy the ride.

     Months after killing one of her adversaries, gifted homicide detective Rachel Harroway finds herself being stalked by a spirit she can’t evade. Meanwhile, a new but unpredictable killer arrives in her small hometown. Torn between raising her daughter, catching a murderer, maintaining a double identity amidst her colleagues, and pursuing dangerous methods to banish the wayward spirit, Rachel battles to keep her head afloat as winter creeps into Highlands, North Carolina.

    Accessible language and carefully controlled vocabulary build students' reading confidence. Introductions at the beginning of each story, illustrations throughout, and glossaries help build comprehension. Before, during, and after reading activities included in the back of each book strengthen student comprehension. Audio versions of selected titles provide great models of intonation and pronunciation of difficult words.