All Rights Reserved.The Far Side and the Larson signature are registered trademarks of FarWorks, Inc.The Far Side Gallery is an anthology of Gary Larson's The Far Side comic strips, which were printed from 1982–1984.

    There are more than 130 illustrators represented and 190 literary works over three volumes—many newly commissioned, some hard to find—reinterpreted here for readers and collectors of all ages.Volume 1 takes us on a visual tour from the earliest literature through the end of the 1700s. Along the way, we're treated to eye-popping renditions of the human race's greatest epics: Gilgamesh, The Iliad, The Odyssey (in watercolors by Gareth Hinds), The Aeneid, Beowulf, and The Arabian Nights, plus later epics The Divine Comedy and The Canterbury Tales (both by legendary illustrator and graphic designer Seymour Chwast), Paradise Lost, and Le Morte D'Arthur. Two of ancient Greece's greatest plays are adapted—the tragedy Medea by Euripides and Tania Schrag’s uninhibited rendering of the very bawdy comedy Lysistrata by Aristophanes (the text of which is still censored in many textbooks). Also included is Robert Crumb’s rarely-seen adaptation of James Boswell’s London Journal, filled with philosophical debate and lowbrow debauchery.Religious literature is well-covered and well-illustrated, with the Books of Daniel and Esther from the Old Testament, Rick Geary’s awe-inspiring new rendition of the Book of Revelation from the New Testament, the Tao te Ching, Rumi’s Sufi poetry, Hinduism’s Mahabharata, and the Mayan holy book Popol Vuh, illustrated by Roberta Gregory. The Eastern canon gets its due, with The Tale of Genji (the world’s first novel, done in full-page illustrations reminiscent of Aubrey Beardsley), three poems from China’s golden age of literature lovingly drawn by pioneering underground comics artist Sharon Rudahl, the Tibetan Book of the Dead, a Japanese Noh play, and other works from Asia.Two of Shakespeare’s greatest plays (King Lear and A Midsummer Night’s Dream) and two of his sonnets are here, as are Plato’s Symposium, Gulliver’s Travels, Candide, A Vindication of the Rights of Woman, Renaissance poetry of love and desire, and Don Quixote visualized by the legendary Will Eisner.Some unexpected twists in this volume include a Native American folktale, an Incan play, Sappho’s poetic fragments, bawdy essays by Benjamin Franklin, the love letters of Abelard and Heloise, and the decadent French classic Dangerous Liaisons, as illustrated by MollyCrabapple.   Edited by Russ Kick, The Graphic Canon is an extraordinary collection that will continue with Volume 2: "Kubla Khan" to the Bronte Sisters to The Picture of Dorian Gray in Summer 2012, and Volume 3: From Heart of Darkness to Hemingway to Infinite Jest in Fall 2012. A boxed set of all three volumes will also be published in Fall 2012.

    Ambitious, opportunistic, 'Miss Lonelyhearts,' as the conductor of the column is inevitably dubbed, begins with contempt of the correspondents and confidence in his own cleverness. As time goes on, the genuineness of the agony in the letters that come in gets under the skin of the columnist. He is distressed to find himself presiding over a monstrous swindle. For he is an idealist in collision with humanity, as his diabolical managing editor expresses it."

    Subsisting entirely on junk food and beer, El Borbah conducts his investigations with tough talk and a short temper. He smashes through doors and skulls as he stalks a perfectly realized film-noir city filled with punks, geeks, business-suited creeps and mad scientists.El Borbah features five science-fiction and true-detective episodes: In "Robot Love," rebellious kids in nightclubs replace their "parts" with mechanical substitutes as part of a new fad, only to find that their parents have been automating themselves all along; in "Love in Vein" a mad visionary sperm donor plans a master race and turns "his" kids against their parents; "Bone Voyage" details the exploits of a cult called the Brotherhood of the Bone, a kind of cross between the Masons and the Mansons. The fantastic plots take up the weird fears of a scientific society, but the action is pure pulp. Charles Burns effortlessly spins yarns with gritty punchlines and pictures so perfect they must have existed in some collective memory of junk drama. And through it all crashes El Borbah, trying to make an honest buck from dishonest people.Burns is the author of Black Hole, the acknowledged masterpiece of the form that Fantagraphics serialized through the 1990s and will be collected into a massive graphic novel in 2005 by Pantheon Books. El Borbah is Burns' earliest work, created in the early 1980s, though the work remains eerily contemporary. Steeped in a "sci-fi-noir" aesthetic informed by Burns' steadily childhood diet of B-movies and comic books, but with a sophisticated sense of humor that is often as disturbing as it is funny, El Borbah is comics as its most entertaining.

    Eric has returned from the dead, driven only by hate and the need to wreak revenge on those who killed him and raped and then killed his beloved Shelly.

    Karen Reyes tries to solve the murder of her enigmatic upstairs neighbor, Anka Silverberg, a holocaust survivor, while the interconnected stories of those around her unfold. When Karen’s investigation takes us back to Anka’s life in Nazi Germany, the reader discovers how the personal, the political, the past, and the present converge. Full-color illustrations throughout.

    In part one of three, Rasl faces an assassin's bullet and stumbles across a mystery that not only threatens to expose his own illicit activities, but could also uncover one of the world's most dangerous and sought after secrets. Collects RASL issues #1-3

    Sikoryak, Michael Kupperman, and Kate Beaton.”—NPR, Best Books of 2013A new collection from the Guardian and New York Times Magazine cartoonistThe New York Times Magazine cartoonist Tom Gauld follows up his widely praised graphic novel Goliath with You’re All Just Jealous of My Jetpack, a collection of cartoons made for The Guardian. Over the past eight years, Gauld has produced a weekly cartoon for the Saturday Review section of Britain’s best-regarded newspaper. Only a handful of comics from this huge and hilarious body of work have ever been printed in North America—and these have been available exclusively within the pages of the prestigious Believer magazine.      You’re All Just Jealous of My Jetpack distills perfectly Gauld’s dark humor, impeccable timing, and distinctive style. Arrests by the fiction police and imaginary towns designed by Tom Waits intermingle hilariously with piercing observations about human behavior and whimsical imaginings of the future. Again and again, Gauld reaffirms his position as a first-rank cartoonist, creating work infused with a deep understanding of both literary and cartoon history.

    Her protector and favorite puppy Barnabas searched the waking world for his tiny princess to no avail. Now, Barnabas must travel to the strange and unlikely realms of each of the Endless to see if Delirium's siblings have seen their missing sister...For years fans have demanded to see more of Jill Thompson's Little Endless, the diminutive versions of the characters from Neil Gaiman's award-winning SANDMAN series, and now their dreams are answered.This special edition hardcover features Jill Thompson's original sketches and the secret history of the Little Endless.

    One night she meets John... who has the same gift. And so they do what any other sex-having, time-stopping, couple would do: they rob banks. In the vein of THE 40-YEAR OLD VIRGIN and BRIDESMAIDS, Image Comics invites you to come along with MATT FRACTION (Hawkeye, SATELLITE SAM) and CHIP ZDARSKY (Prison Funnies, Monster Cops) for the series that puts the "comic" back in “comics” and the "sexy" back in “sex crimes.”

    I do not go out in the fog myself," notes Adam in his diary, adding, "The new creature does. It goes out in all weathers. And talks. It used to be so pleasant and quiet here." Adam has a lot to learn about Eve, and even more from her, as she names the animals, discovers fire, and introduces all manner of innovations to their garden home. Mark Twain's "translation" of the diaries of the first man and woman offers a humorous "he said/she said" narrative of biblical events. The great American storyteller found comfort and inspiration in the company of women, and his irreverent look at conventional religion is also a thoughtful -- and humorous -- argument for gender equality.

    Presenting an exciting new way to experience the rich history of the Dark Knight in an affordable trade paperback collection of every Batman adventure, in color, in chronological order!Batman Chronicles, Volume 1 reprints Batman stories from DETECTIVE COMICS #27-37 and BATMAN #1, featuring the earliest adventures of the Dark Knight by Batman creator Bob Kane, Bill Finger, Gardner Fox, Jerry Robinson and Sheldon Moldoff.

    Guera for an intense crime drama that mixes organized crime with current Native American culture. Fifteen years ago, Dashiell "Dash" Bad Horse ran away from a life of abject poverty and utter hopelessness on the Prairie Rose Indian Reservation in hopes of finding something better. Now he's come back home armed with nothing but a set of nunchucks, a hell-bent-for-leather attitude and one dark secret, to find nothing much has changed on "The Rez" -- short of a glimmering new casino, and a once-proud people overcome by drugs and organized crime. Is he here to set things right or just get a piece of the action?Cover by JockCollects Scalped #1–5

    Obsessed by vengeance and empowered by providence, the Count avenges himself on whose who have wronged him - but is this justice, or is this hubris? In the end, does even the Count know?Alexandre Dumas' skillful narrative combines intrigue, betrayal, and triumphant revenge into a powerful conflict between good and evil. Now this exciting saga, rich and diverse, takes on an entirely new life in this Manga Classics adaptation!

    Imagine, then, the excitement that Howard Carson, an amateur archeologist at best, experienced when in crossing the perimeter of an abandoned excavation site he felt the ground give way beneath him and found himself at the bottom of a shaft, which, judging from the DO NOT DISTURB sign hanging from an archaic doorknob, was clearly the entrance to a still-sealed burial chamber. Carson's incredible discoveries, including the remains of two bodies, one of then on a ceremonial bed facing an altar that appeared to be a means of communicating with the Gods and the other lying in a porcelain sarcophagus in the Inner Chamber, permitted him to piece together the whole fabric of that extraordinary civilization.