This social experiment encourages premarital living arrangements and is totally committed - not mere lip-service or public-relations hype - to getting young men and women to think and act for themselves.What do they think about? Everything that interests the author, Bob Rimmer: human relations, sex, history, philosophy, anatomy, existentialism, art, music, Zen, politics - and, once more, sex.Four Harrad students record their thoughts regularly for four years. Their diaries include large chunks of college "action," conversation, and portraits of fellow students, so the reader is swept into the lives of these young adults trying to sort out the jumbled mores of America's Sixties.Stanley Kolasukas, a bright, good-looking youth from a poor Polish family finds himself a roommate of Sheila Grove, the introspective daughter of an oil millionaire. Harry Schacht, a brilliant but ungainly medical student from an Orthodox Jewish background, lives with Beth Hillyer, a girl with enough drive to be a better doctor and enough sensuality to need many men in her life. Jack Dawes, imaginative and enthusiastic, lives with Valerie Latrobe, a dominant girl who believes she can better any man at anything.The original Harrad Experiment sold more than three million copies. This 25th anniversary edition includes a new epilogue describing the startling "Harrad/Premar Solution," a fully up-to-date and annotated bibliography of books that support the daring, joyfully subversive premises outlined in Harrad, and Robert Rimmer's candid, controversial autobiography. When you have read this book, you will find yourself entertaining the question of whether a real-life Harrad Experiment could - or should - be going on somewhere today, turning out a very special group of young men and women with the potential to utterly change America's ways of living, thinking, and loving in the 21st century.

    Rusty, ornery, and down at the heels, Zadoorian's characters have made the wrong choices, been worn down by bad news, or survived traumatic events, but like the city they live in, they are determined not to let tragedy and rotten luck define them. Rich with detail and brimming with feeling, Zadoorian's deceptively simple stories lead readers into the inner lives of those making the best of their flawed surroundings and their own imperfections.Zadoorian's stories are drawn from the everyday events that come to define his characters' lives. A woman responsible for putting down animals at a veterinary clinic travels to Mexico to stage a ritual for her victims, a veteran returns a flag stolen from a Japanese soldier he killed in World War II, an elderly couple takes a final road trip to a mystery spot out west, and a man spends his life waiting to inherit his parents' kitschy 1960s furniture but instead sells it all. Characters also find their lives shaped by seemingly random occurrences, like the junk shop owner who must stop the stranger with a vendetta against him, the woman who becomes obsessed with her in-laws' talking dog, and the urban spelunker who finds love and acceptance with a reader of his blog. Their close connection to Detroit also infuses Zadoorian's stories with themes significant to the city, including issues of racial tension, political unease, and economic hardship.Zadoorian's writing throughout this collection is clear and vivid, never getting in the way of his characters or their stories. The unique but relatable characters and unexpected stories in The Lost Tiki Palaces of Detroit will appeal to all readers of fiction.

    Narrator Buster Fogg's family is wiped out by a twister in an early sequence described with surreal verve. Buster hitches on with Billy Bob Daniels, a patent-medicine pusher and trick shooter who claims to be the illegitimate son of Wild Bill Hickock, joining an entourage consisting of a kindly ex-slave named Albert, and Rot Toe, the wrestling ape. Adventures on the road, which include swiping the mummified remains of Billy Bob's "pa" and swindling settlers with their concoction of watered-down whiskey, stoke personal tensions that only aggravate troubles when their wagon rolls into Mud Creek and Billy Bob is called out by Texas Jack, a dime-novel desperado who, legend says, intimidated even Wild Bill.Lansdale's affection for the classic western is never in doubt, although he spends much of the novel skillfully deflating the romance of heroic reputations made as much by luck and exaggeration as by skill with a gun. The true charm of the story, though, is in its telling, which melds laconic humor, colorful colloquialisms and outrageous figures of speech into a Twainesque tall tale. This novel endures as a modern western classic. Published in a small print run with limited distribution.- From Publisher's Weekely

    I cannot promise the reader that at any point he will shake his sides with laughter, but I can promise him a wry pleasure to be derived from the skilful dissection of folly.” Bertrand Russell Professor Mmaa’s Lecture, given to a packed auditorium, deals with the habits, mentality and culture of Homo sapiens. But both the professor and his entire audience are termites; the whole story is set inside a termite mound.Naturally, Themerson’s attempt to comprehend humankind by examining how they would have been understood by insects is very funny. Termites have no sight, just a sense of smell, and can only explain their surroundings and lives through their insects’ angle on the world. The closing scene of the novel reveals what the termites have been researching and what has happened to their mound, giving the whole story an ironic twist.But this novel has much more to offer. Themerson’s heightened expertise and instinct for parodying the language and methods of scholarship, and the morals and manners of the academic world, produces a merciless and comical survey of philosophical views and attitudes. He pillories religion, language, reason and scholarship, as insect thinkers with suspiciously familiar names scuttle through the pages of the novel. A great many cases of dogmatic thinking and narrow-mindedness are exposed to ridicule. The only path that seems to earn the author’s approval is pluralism of ideas. You can see just why Bertrand Russell calls this novel a useful gospel for sceptics.Professor Mmaa’s Lecture is in the tradition of philosophical satire, whose most famous proponents are Voltaire and Swift, and is a rare incidence of light yet deep prose that can be read with great pleasure on several levels.

    Malzberg . . . In a genre that, with one hand, claimed to be the ultimate storehouse of innovation, and with the other, leveled strict rules for writing and codes of narrative conduct onto its authors, Malzberg stuck out like a forked tongue, composing works of bona fide literature that dwarfed the efforts of his contemporaries and established him as one of science fiction's most dynamic enfant terribles. Originally published in 1975, GALAXIES is a masterwork of the Malzberg canon, which includes over fifty novels and collections. Metafictional, absurdist and sardonic, the book mounts a concerted attack against the market forces that prescribed SF of the 1970s and continue to prescribe it today. At the same time, the book tells a story of technology and cyborgs, of bureaucracy and tachyons, of love and hate and sadness . . . Despite his deviant literary antics, Malzberg could not be ignored by the SF community. In 1973, he won the first annual John W. Campbell Memorial Award, which is presented to the best SF novel of the year by a distinguished committee of SF experts, authors and critics. Thereafter he received nominations for the Hugo, Nebula and Philip K. Dick Awards, among others. Nonetheless his writing has not received the attention it so profoundly deserves. GALAXIES is among the works listed in acclaimed SF editor David Pringle's SCIENCE FICTION: THE 100 BEST NOVELS, published in 1985. With an introduction by Jack Dann, this special paperback edition ushers Malzberg's genius into the twenty-first century.

    Under the bottom is the top--and the power to smash the Machine. After humanity becomes inextricably linked to the computers, a heroic couple makes a scale-ship journey beneath the smallest particles and through the largest cosmic structures, seeking a perfect world.

    To the outside world they pretend she is ill and confined to her room.Their problems begin immediately. Curious officials make inquiries, well-meaning neighbors offer assistance. The children themselves fall to quarreling.Then a spellbinding stranger appears, claiming to be their father. He agrees to keep their secret -- and from that point the story moves relentlessly to its incredible climax.

    These people live in Cooper Station, U.S.A.Anthony Cooper, nephew of the owners of Cooper's Mills, who found his summer's amusement in a violent and illicit love affair...Chris Pappas, the guy from the wrong side of the tracks, who might lose his job for a "mistake" he made in high school...Doris Palmer,wife of a wealthy manufacturer, who used her money to hide a secret that only the town doctor--and perhaps Chris--knew for a fact...David Strong, the music teacher, who hated women but couldn't admit--even to himself--the reason why...Beneath the semmingly calm surface of this smug New England community, their turbulent passions and fears begin to boil, exploding the hypocrisy hidden behind the guise of the respectable Tight White Collar.

    The Riddle of the Traveling Skull is perhaps his best-loved work. The adventure begins when a poem and a mysterious handbag lead a man to the grave of Legga, the Human Spider — and things just get stranger from there.

    .

    Exposed to the persuasive energies of a sensuous high priestess, the men of science are forced to question seriously their superstitious belief that they can chart, understand, and control the workings of the human mind.

    At 27 he was a famous novelist - attractive, intelligent, and intuitive.People liked him at sight - especially women - and to the world at large he was a man much to be envied. But deep inside himself lurked a frightful and never to be revealed secret which made his life a nightmare. For Daniel Morley knew that he was a pathological murderer who had already struck twice, neatly and undetectably, and that he might do so again... Here in a gripping, nerve shattering story is the portrait of a man who was quite normal except for a few minutes of his entire adult life. What occurred during those crucial ten minutes? And what influence did the red scarf have on his destiny?

    The powerful story of a shepherd and petty trafficker struggling to maintain hope as he wrestles with the grim realities of daily life, it is the first novel ever written in the Arabic dialect Moghrebi, faithfully recorded and translated into English by Bowles. Straightforward yet rich in complex emotions, it is a fascinating inside look at an unfamiliar culture—harsh and startling, yet interwoven with a poignant, poetic beauty.

    In his portrait of Crab, Éric Chevillard gives us a character who is genuinely strange and curiously like ourselves. A postmodernist novel par excellence, The Crab Nebula parodies literary conventions, deconstructs narrative and meaning, and brilliantly combines absurdity and hopelessness with irony and humor. What distinguishes it most of all is the startling originality of Chevillard’s voice and vision. There is whimsy and despair in this novel, pathos and laughter, satire and warm affection. The Crab Nebula is the fifth novel—and the first to be translated into English—by the brilliant young French author Éric Chevillard. His sympathetic yet outrageous portrait of Crab calls to mind works by Melville, Valéry, and Kafka, while never being less than utterly unique.

    Nothing more has been heard of him. Gerry Kells, the antihero of his shocking, brutal novel, is equally mysterious. A loner with a reputation but without a visible past, Kells simply appears, arranges the lives of the Los Angeles underworld, and then is heard no more.Only the strong prosper in the world of the depression. Seemingly amoral, Kells does prosper. He strikes to survive, kills without conscience, with­out time for conscience. But he never becomes a mere killing machine. His integrity, his humanity, abides in a code demanding that he pay for all services: those rendered for him, those rendered against him.Fast paced and very readable, the novel limns a true character who should take his place in our national literature, if only for his representation of the individual will to survive in one of the toughest times in American life.