Her budding, devout, dewy-lipped daughter Amélia is soon lusted after by the young priest. What ensues is a secret love affair amidst a host of compelling minor characters: Canon Dias, a priest, glutton, and Sao Joaneira's lover; Dona Maria da Assuncao, a wealthy widow with a roomful of religious relics, agog at any hint of sex; Joao Eduardo, repressed atheist, free-thinker, and suitor to Amelia. Eca's incisive critique flies like a shattering mirror, jabbing everything from the hypocrisy of a rich and powerful Church, to the provincialism of Portuguese society of the time.Haunting, The Crime of Father Amaro is the ghost of a forgotten religion of tolerance, wisdom, and equality. Margaret Jull Costa has rendered an exquisite translation and provides an informative introduction to a story that truly spans all ages." "The Crime of Father Amaro inspired a series of magnificent paintings by the Portuguese artist Paula Rego, one of which graces the cover of this edition. The novel was also made into a controversial film, El Crimen del Padre Amaro by Mexican director Carlos Carrera in 2002."--BOOK JACKET.

    They have transformed the way we see ourselves—and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives—and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are. Inspired by the myth of a man condemned to ceaselessly push a rock up a mountain and watch it roll back to the valley below, The Myth of Sisyphus transformed twentieth-century philosophy with its impassioned argument for the value of life in a world without religious meaning.

    His long suffering widow Dona Flor devotes herself to her cooking school and her friends, who urge her to remarry. She is soon drawn to a kind pharmacist who is everything Vadinho was not, and is altogether happy to marry him. But after her wedding she finds herself dreaming about her first husband’s amorous attentions; and one evening Vadinho himself appears by her bed, as lusty as ever, to claim his marital rights.

    The pieces in this volume show him to be at times playful, more serious at other, but writing always with the lightest of touches. He had the keenest of eyes for the 'infra-ordinary', the things we do every day - eating, sleeping, working - and the places we do them in without giving them a moment's thought. But behind the lightness and humour, there is also the sadness of a French Jewish boy who lost his parents in the Second World War and found comfort in the material world around him, and above all in writing.This volume contains a selection of Georges Perec's non-fiction works, along with a charming short story, 'The Winter Journey'. It also includes notes and an introduction describing Perec's life and career.

    Not thrift but generosity and an indifference to money; not caution but courage and a contempt for danger; not shrewdness but frankness and a love of truth; not tact but a love of ones neighbor and self-denial; not a desire for success but a desire to be and to know." Whether she writes of the loss of a friend, Cesare Pavese; or what is inexpugnable of World War II; or the Abruzzi, where she and her first husband lived in forced residence under Fascist rule; or the importance of silence in our society; or her vocation as a writer; or even a pair of worn-out shoes, Ginzburg brings to her reflections the wisdom and grace of a survivor and the spare, wry, and poetically resonant style her readers have come to recognize.

    Drawing on the stories and novels of writers from around the globe—Borges, Bierce, Céline, Cortázar, Faulkner, Kafka, Robbe-Grillet—he lays bare the inner workings of fiction, all the while urging young novelists not to lose touch with the elemental urge to create. Conversational, eloquent, and effortlessly erudite, this little book is destined to be read and re-read by young writers, old writers, would-be writers, and all those with a stake in the world of letters.

    Rich with references ranging from Goethe's Werther to Winnicott, from Plato to Proust, from Baudelaire to Schubert, A Lover's Discourse artfully draws a portrait in which every reader will find echoes of themselves.

    From a harrowingly cheerless childhood in Germany through acne-riddled high school years and his adolescent discoveries of alcohol, women, and the Los Angeles Public Library's collection of D. H. Lawrence, "Ham on Rye" offers a crude, brutal, and savagely funny portrait of an outcast's coming-of-age during the desperate days of the Great Depression.

    In the face of enormous personal tumult, he sits down to write. What follows is an audacious chronicle of his childhood and an unsparing account of his life's trials, failures, and triumphs that becomes a moving look at what family gives and takes away.With the intimacy of a diarist, he reckons with the ghosts of his parents and the current specters of his divorce, his children, his career, and his addictions. In unswervingly honest prose, Vilas explores his identity after great loss--what is a person without a marriage or without parents? What is a person when faced with memories alone? Already an acclaimed poet and novelist in Spain, Vilas takes his work to a whole new level with this autobiographical novel; critics have called it "a work of art able to cauterize pain."Elegiac and searching, Ordesa is a meditation on loss and a powerful exploration of a person who is both extraordinary and utterly ordinary--at once singular and representing us all--who transforms a time of crisis into something beautiful and redemptive.

    Ben’s one-time best friend, Peter Aaron, begins to retrospectively investigate the transformation that led Ben from his enviable stable life, to one of a recluse. Both were once intelligent, yet struggling novelists until Ben’s near-death experience falling from a fire escape triggers a tumble in which he becomes withdrawn and disturbed, living alone and building bombs in a far-off cabin. That is, until he mysteriously disappears, leaving behind only a manuscript titled Leviathan, pages rustling in the wind.

    This long out-of-paint autobiography provides insight into the genesis of Bunuel's films and conveys his frank opinions on dwarves, Catholicism, the Marquis de Sade, food, and smoking, not to mention his recipe for a good dry martini!

    Indeed, it is a book that changed the direction of poetry in both Spain and the Americas, a pathbreaking and defining work of modern literature.In honor of the poet's centenary, the celebrated Lorca scholar Christopher Maurer has revised this strange, timeless, and vital book of verse, using much previously unavailable or untranslated material: Lorca's own manuscript of the entire book; witty and insightful letters from the poet to his family describing his feelings about America and his temporary home there (a dorm room in Columbia's John Jay Hall); the annotated photographs which accompany those letters; and a prose poem missing from previous editions. Complementing these new addtions are extensive notes and letters, revised versions of all the poems, and an interpretive lectures by Lorca himself.An excellent introduction to the work of one of the key figures of modern poetry, this bilingual edition of Poet in New York is also a thrilling exposition of the American city in the 20th century.

    Three long stories that draw the reader into the lives of three women, all past their first youth, all facing unexpected crises.

    Manifestoes of Surrealism is a book by André Breton, describing the aims, meaning, and political position of the Surrealist movement.The translators of this edition were finalists of the 1970 National Book Awards in the category of translation.

    In impressionistic, diary form he ruthlessly catalogues his every feeling and sensation about the world and people around him. His thoughts culminate in a pervasive, overpowering feeling of nausea which "spread at the bottom of the viscous puddle, at the bottom of our time, the time of purple suspenders and broken chair seats; it is made of wide, soft instants, spreading at the edge, like an oil stain." Roquentin's efforts to try and come to terms with his life, his philosophical and psychological struggles, give Sartre the opportunity to dramatize the tenets of his Existentialist creed.The introduction for this edition of Nausea by Hayden Carruth gives background on Sartre's life and major works, a summary of the principal themes of Existentialist philosophy, and a critical analysis of the novel itself.